I am the author of over a dozen LGBT novels. I wrote my college thesis on queer criminal coding in Victorian London novels vs. 20th-century American literature. I was a teenage fan of Leopold and Loeb fiction before I added to the canon myself. I chose these books for a queer murder compendium because each offers something unique to the genre. Challenge yourself by asking: do you have sympathy for these murderers? Is it dangerous when queer characters are criminals? Is it fair representation, since homosexuality is illegal to act on, identify with, or speak of in many places? Read these stories, and let their implications disturb you.
In this modern reimagining of Chicago’s Leopold and Loeb crime, L.A. Fields gives us the making of two murderers. Noah Kaplan is socially awkward with an immeasurable IQ. Ray Klein is socially gifted with a mean streak. Their lives in the affluent Kenwood neighborhood run parallel until they join together: two young men in college too soon, about to outsmart themselves by planning the perfect murder.
Homo Superiors explores themes surrounding arrested adolescence, folie à deux, and affluenza. These boys are at once the best of friends and the worst thing that’s ever happened to one another.
We’ll start with another novel (there are many) inspired in part by the Leopold and Loeb crime. This one swaps Chicago for Pittsburgh, and changes their mismatch in IQs for a stark class divide.
One of the variations I most enjoy in this retelling is that university students Paul Fleischer and Julian Fromme are both damaged when they meet. Julian is scarred physically from a car crash in his youth, and Paul is still recovering emotionally from the death of his father.
Additionally, since the book is set in the 1970s, their sexual involvement with one another is more explicit than the original story could allow (though it still comes with social stigma).
A captivating work of dark academia and crime, the obsession between these two compels them to court their own ruin.
A Literary Hub Best Book of Year * A Crime Reads Best Debut of the Year * A Newsweek 25 Best Fall Books * A Philadelphia Inquirer 10 Big Books for the Fall * An O Magazine.com LGBTQ Books That Are Changing the Literary Landscape * An Electric Lit Most Anticipated Debut * A Paperback Paris Best New LGBTQ+ Books To Read This Year Selection * A Passport Best Book of the Month
The Secret History meets Lie with Me in Micah Nemerever's compulsively readable debut novel-a feverishly taut Hitchcockian story about two college students, each with his own troubled…
When Dorian Gray realizes how beautiful he is, he offers his soul to stay forever young.
His wish is granted, and his portrait—lovingly painted by friend Basil Hallward—absorbs the ravages of time and bad behavior in his stead. With carte blanche to remain stainless, Dorian spends selfishly, corrupts his friends, and even commits murder.
The reason I recommend this book is the unspoken secret at the heart of it. In a line Wilde deleted from the original publication, Basil tells Dorian, “It is quite true I have worshipped you with far more romance of feeling than a man should ever give to a friend. Somehow I have never loved a woman.”
This novel was part of my college lit thesis on closeted double lives. It was also used as evidence to convict Wilde of “gross indecency.”
'A triumph of execution ... one of the best narratives of the "double life" of a Victorian gentleman' Peter Ackroyd
Oscar Wilde's alluring novel of decadence and sin was a succes de scandale on publication. It follows Dorian Gray who, enthralled by his own exquisite portrait, exchanges his soul for eternal youth and beauty. Influenced by his friend Lord Henry Wotton, he is drawn into a corrupt double life, indulging his desires in secret while remaining a gentleman in the eyes of polite society. Only his portrait bears the traces of his depravity. This definitive edition includes a selection of…
What if queer American cannibal killer Jeffery Dahmer met his British equivalent, Dennis Nilsen?
This novel is a fictionalized answer to that question, pairing serial murderers Jay and Andrew in a psychosexual tear through lush New Orleans.
However, my favorites are the other central characters: Luke and Tran, two ex-lovers who are living with HIV, homelessness, and the emotional scars of their bad romance. There is subtle, skillful storytelling showcased in the relationship you only get in retrospect between these two.
It’s so unique that I once taught it to a Master’s degree writing class as an example of rule-breaking and genre-bending to aspire towards.
There are also alluring literary parallels to explore between venereal disease and violent death stalking the unsuspecting gay men of the bayou. Overall, it’s a delightfully depraved masterpiece.
From the author of Lost Souls, Drawing Blood, and Wormwood comes a thrilling and chilling novel that bestselling author Peter Straub says serves as a “guidebook to hell.”
To serial slayer Andrew Compton, murder is an art, the most intimate art. After feigning his own death to escape from prison, Compton makes his way to the United States with the sole ambition of bringing his “art” to new heights. Tortured by his own perverse desires, and drawn to possess and destroy young boys, Compton inadvertently joins forces with Jay Byrne, a dissolute playboy who has pushed his “art” to limits…
The third of the five-book Riplead series, Ripley’s Game throws a twist on the traditional cat-and-mouse thriller.
The youthful homoerotic panic of The Talented Mr. Ripley has calmed down, and Tom Ripley is now a married man with a château in France. Trouble begins when he plays a game with his neighbor, Jonathan Trevanny—a man with a terminal illness, desperate to leave money to his wife and child. Ripley sets him up for an offer he can’t refuse: murder for hire.
I find the best facet of the novel to be Ripley’s begrudging humanity. He softens enough to help Jonathan when the job of garroting organized crime thugs is too horrible for him to stomach. While not explicitly gay, the queer vibes are strong as Ripley’s growing tenderness for Jonathan helps to humanize him.
Living on his posh French estate with his elegant heiress wife, Tom Ripley, on the cusp of middle age, is no longer the striving comer of The Talented Mr. Ripley. Having accrued considerable wealth through a long career of crime-forgery, extortion, serial murder-Ripley still finds his appetite unquenched and longs to get back in the game.
In Ripley's Game, first published in 1974, Patricia Highsmith's classic chameleon relishes the opportunity to simultaneously repay an insult and help a friend commit a crime-and escape the doldrums of his idyllic retirement. This third novel in Highsmith's series is one of her most…
Ezekiel Farragut is a former university professor and current inmate at Falconer prison.
A drug addict and a murderer for killing his own brother during an argument, while incarcerated Farragut must wean himself from his addiction with methadone, and suffer visits from his profoundly disappointed wife. He is also involved romantically with a fellow prisoner—the captivating Jody, who all the guys want to screw.
When Jody successfully escapes, Farragut is left to contemplate how his own failures got him to this lonely place, and how to be a better man if he is ever able to leave it. This is where the grim, dreamlike beauty of Cheever’s best-known signature works shines through.
If you like this, also check out Blake Bailey’s biography of Cheever. The parallels between fact and fiction are fascinating.
#1 NEW YORK TIMES BESTSELLER • Stunning and brutally powerful, "one of the most important novels of our time" (The New York Times) tells the story of a man named Farragut, his crime and punishment, and his struggle to remain a man in a universe bent on beating him back into childhood.
In a nightmarish prison, out of Farragut's suffering and astonishing salvation, Pulitzer Prize-winning author John Cheever crafted his most powerful work of fiction. Only Cheever could deliver these grand themes with the irony, unforced eloquence, and exhilarating humor that make Falconer such a triumphant work of the moral…
Creative expression has been one of my most cherished values since childhood. I've always had a creative hobby of some kind since I was a kid. Not sure how that happened – my parents were tolerant of my interests at best. I made my day job career in the arts, fostering the creativity of community members and supporting the work of artists. Art (in the general sense of all forms of creative expression) is, to me, a defining characteristic of humanity, it makes life worth living, and the way it’s devalued under Capitalism both saddens and inspires me as a creator myself. I’m a writer of speculative fiction and I write about creative people.
Hunted by those who want to study his gravity powers, Jes makes his way to the best place for a mixed-species fugitive to blend in: the pleasure moon where everyone just wants to be lost in the party. It doesn’t take long for him to catch the attention of the crime boss who owns the resort-casino where he lands a circus job, and when the boss gets wind of the bounty on Jes’ head, he makes an offer: do anything and everything asked of him or face vivisection.
With no other options, Jes fulfills the requests: espionage, torture, demolition. But when the boss sets the circus up to take the fall for his about-to-get-busted narcotics operation, Jes and his friends decide to bring the mobster down. And if Jes can also avoid going back to being the prize subject of a scientist who can’t wait to dissect him? Even better.
Hunted by those who want to study his gravity powers, Jes makes his way to the best place for a mixed-species fugitive to blend in: the pleasure moon where everyone just wants to be lost in the party. It doesn't take long for him to catch the attention of the crime boss who owns the resort-casino where he lands a circus job, and when the boss gets wind of the bounty on Jes' head, he makes an offer: do anything and everything asked of him or face vivisection.
With no other options, Jes fulfills the requests: espionage, torture, demolition. But…
