Here are 100 books that Ripley's Game fans have personally recommended if you like
Ripley's Game.
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Right from an early age, I have always been interested in the fallibility of the human condition, being particularly conscious of my own faults. People who are too good to be true are of little interest, except that I want to know their faults or their secrets. I have found myself drawn to complex characters, those who have good and bad characteristics, and some of the novels and movies that I have enjoyed most feature such characters. In my career as a lawyer, I have met all kinds of people who have made bad decisions or suffered misfortune, and it has always been a pleasure trying to help them.
I have always loved the central premise of the book, that a human being might never age, and yet a portrait of him ages as the years go by.
I love the way that Wilde used elegant and lyrical prose, always boosted by a flamboyant irony, in describing the dissolute life of an aesthete while putting it in the context of a philosophical pursuit of beauty and art. Dorian Gray himself is a deeply flawed moral character, and that is key to the success of the novel.
'A triumph of execution ... one of the best narratives of the "double life" of a Victorian gentleman' Peter Ackroyd
Oscar Wilde's alluring novel of decadence and sin was a succes de scandale on publication. It follows Dorian Gray who, enthralled by his own exquisite portrait, exchanges his soul for eternal youth and beauty. Influenced by his friend Lord Henry Wotton, he is drawn into a corrupt double life, indulging his desires in secret while remaining a gentleman in the eyes of polite society. Only his portrait bears the traces of his depravity. This definitive edition includes a selection of…
I am the author of over a dozen LGBT novels. I wrote my college thesis on queer criminal coding in Victorian London novels vs. 20th-century American literature. I was a teenage fan of Leopold and Loeb fiction before I added to the canon myself. I chose these books for a queer murder compendium because each offers something unique to the genre. Challenge yourself by asking: do you have sympathy for these murderers? Is it dangerous when queer characters are criminals? Is it fair representation, since homosexuality is illegal to act on, identify with, or speak of in many places? Read these stories, and let their implications disturb you.
What if queer American cannibal killer Jeffery Dahmer met his British equivalent, Dennis Nilsen?
This novel is a fictionalized answer to that question, pairing serial murderers Jay and Andrew in a psychosexual tear through lush New Orleans.
However, my favorites are the other central characters: Luke and Tran, two ex-lovers who are living with HIV, homelessness, and the emotional scars of their bad romance. There is subtle, skillful storytelling showcased in the relationship you only get in retrospect between these two.
It’s so unique that I once taught it to a Master’s degree writing class as an example of rule-breaking and genre-bending to aspire towards.
There are also alluring literary parallels to explore between venereal disease and violent death stalking the unsuspecting gay men of the bayou. Overall, it’s a delightfully depraved masterpiece.
From the author of Lost Souls, Drawing Blood, and Wormwood comes a thrilling and chilling novel that bestselling author Peter Straub says serves as a “guidebook to hell.”
To serial slayer Andrew Compton, murder is an art, the most intimate art. After feigning his own death to escape from prison, Compton makes his way to the United States with the sole ambition of bringing his “art” to new heights. Tortured by his own perverse desires, and drawn to possess and destroy young boys, Compton inadvertently joins forces with Jay Byrne, a dissolute playboy who has pushed his “art” to limits…
I am the author of over a dozen LGBT novels. I wrote my college thesis on queer criminal coding in Victorian London novels vs. 20th-century American literature. I was a teenage fan of Leopold and Loeb fiction before I added to the canon myself. I chose these books for a queer murder compendium because each offers something unique to the genre. Challenge yourself by asking: do you have sympathy for these murderers? Is it dangerous when queer characters are criminals? Is it fair representation, since homosexuality is illegal to act on, identify with, or speak of in many places? Read these stories, and let their implications disturb you.
We’ll start with another novel (there are many) inspired in part by the Leopold and Loeb crime. This one swaps Chicago for Pittsburgh, and changes their mismatch in IQs for a stark class divide.
One of the variations I most enjoy in this retelling is that university students Paul Fleischer and Julian Fromme are both damaged when they meet. Julian is scarred physically from a car crash in his youth, and Paul is still recovering emotionally from the death of his father.
Additionally, since the book is set in the 1970s, their sexual involvement with one another is more explicit than the original story could allow (though it still comes with social stigma).
A captivating work of dark academia and crime, the obsession between these two compels them to court their own ruin.
A Literary Hub Best Book of Year * A Crime Reads Best Debut of the Year * A Newsweek 25 Best Fall Books * A Philadelphia Inquirer 10 Big Books for the Fall * An O Magazine.com LGBTQ Books That Are Changing the Literary Landscape * An Electric Lit Most Anticipated Debut * A Paperback Paris Best New LGBTQ+ Books To Read This Year Selection * A Passport Best Book of the Month
The Secret History meets Lie with Me in Micah Nemerever's compulsively readable debut novel-a feverishly taut Hitchcockian story about two college students, each with his own troubled…
Liveaboard sailor Cass Lynch thinks her big break has finally arrived when she blags her way into skippering a Viking longship for a Hollywood film. However, this means returning to the Shetland Islands, the place she fled as a teenager. When a corpse unexpectedly appears onboard the longship, she can…
I am the author of over a dozen LGBT novels. I wrote my college thesis on queer criminal coding in Victorian London novels vs. 20th-century American literature. I was a teenage fan of Leopold and Loeb fiction before I added to the canon myself. I chose these books for a queer murder compendium because each offers something unique to the genre. Challenge yourself by asking: do you have sympathy for these murderers? Is it dangerous when queer characters are criminals? Is it fair representation, since homosexuality is illegal to act on, identify with, or speak of in many places? Read these stories, and let their implications disturb you.
Ezekiel Farragut is a former university professor and current inmate at Falconer prison.
A drug addict and a murderer for killing his own brother during an argument, while incarcerated Farragut must wean himself from his addiction with methadone, and suffer visits from his profoundly disappointed wife. He is also involved romantically with a fellow prisoner—the captivating Jody, who all the guys want to screw.
When Jody successfully escapes, Farragut is left to contemplate how his own failures got him to this lonely place, and how to be a better man if he is ever able to leave it. This is where the grim, dreamlike beauty of Cheever’s best-known signature works shines through.
If you like this, also check out Blake Bailey’s biography of Cheever. The parallels between fact and fiction are fascinating.
#1 NEW YORK TIMES BESTSELLER • Stunning and brutally powerful, "one of the most important novels of our time" (The New York Times) tells the story of a man named Farragut, his crime and punishment, and his struggle to remain a man in a universe bent on beating him back into childhood.
In a nightmarish prison, out of Farragut's suffering and astonishing salvation, Pulitzer Prize-winning author John Cheever crafted his most powerful work of fiction. Only Cheever could deliver these grand themes with the irony, unforced eloquence, and exhilarating humor that make Falconer such a triumphant work of the moral…
Let me tell you a little about myself. I was born in Dublin, and being the daughter of a diplomat afforded me to experience different cultures. Since childhood my fascination with the unknown caused me to gravitate towards stories related to hauntings. I shared this interest with my maternal grandparents, who contributed to my education by telling me ghost stories (some true whilst others are fictional). Tales of haunted castles were my favorite, which is reflected in my book. In later life, my own experiences with the paranormal cemented the notion of the unexplained and the thin veil between us and those departed.
I love a clever sociopath. I felt myself strangely rooting for the main character, hoping that he would continue to evade the law and get away with his crimes. I liked the way the author built up this person, showing how smart, adaptive to changing circumstances, and manipulative he could be. I liked the backstory of social deprivation breathing life into his mysterious persona.
Ripley’s constant need for a new identity, desperate to escape from his past and humble origins, as well as grappling with his sexual identity, sustained my interest throughout the novel. It made me wonder what percent of the population would do anything to become someone else.
It's here, in the first volume of Patricia Highsmith's five-book Ripley series, that we are introduced to the suave Tom Ripley, a young striver seeking to leave behind his past as an orphan bullied for being a "sissy." Newly arrived in the heady world of Manhattan, Ripley meets a wealthy industrialist who hires him to bring his playboy son, Dickie Greenleaf, back from gallivanting in Italy. Soon Ripley's fascination with Dickie's debonair lifestyle turns obsessive as he finds himself enraged by Dickie's ambivalent affections for Marge, a charming American dilettante, and Ripley begins a deadly game. "Sinister and strangely alluring"…
Like the widows in The Widows’ Wine Club, I’m getting on. Unlike them, I’ve been a writer for forty years, often hunched over a keyboard, ignoring people. Amazingly, though, I managed to have a happy marriage and make some great friends. Phew! Because I’ve needed friends, especially since my husband died. Looking back, I’m interested to see that I didn’t instantly take to some of my closest buddies. Circumstances threw us together, and we got to know and like and love each other. I explore this in my book.
This is another story bringing history to life, in this case, the famous Rajah Quilt, made by convict women in 1841 while being transported to Tasmania.
I’m not a patcher myself, but my mum was, and I know how patching brings disparate women together, though not as disparate as these "dangerous women" and their leader, the Quaker philanthropist Kezia Hayter.
Hope Adams takes a worthy story and turns it into a gripping whodunnit, beginning with a murder on page one. It is hard at times to keep track of all the characters, but well worth the effort because their unlikely friendships are fascinating and crucial to the solving of the mystery.
The compelling, gorgeously atmospheric tale of female friendship, redemption and betrayal, inspired by the incredible true story of female convicts at sea
'Beautifully written, an epic sea voyage with an intriguing murder mystery . . . an unputdownable read' KATIE FFORDE
'I was thoroughly entranced by the story, and the great murder mystery kept me guessing throughout. A real joy to read' 5***** Reader Review
'A gorgeous and compelling story with vibrant characters . . . I was fascinated' RACHEL HORE ______
London, 1841.
The Rajah sails for Australia.
On board are 180 women convicted of petty crimes, sentenced to…
Willem and Jurriaan have a miserable childhood thanks to their cruel, controlling mother—Louisa Veldkamp, a world-renowned pianist. Dad turns a blind eye. One day, Louisa vanishes without a trace during a family vacation.
Adoptee Anneliese Bakker survives a toxic childhood and leaves home, vowing never to return. While searching for…
Let me tell you a little about myself. I was born in Dublin, and being the daughter of a diplomat afforded me to experience different cultures. Since childhood my fascination with the unknown caused me to gravitate towards stories related to hauntings. I shared this interest with my maternal grandparents, who contributed to my education by telling me ghost stories (some true whilst others are fictional). Tales of haunted castles were my favorite, which is reflected in my book. In later life, my own experiences with the paranormal cemented the notion of the unexplained and the thin veil between us and those departed.
What I loved about this book (which was also adapted into a film starring Elisabeth Taylor) was my first exposure to a female murderer. I liked the backstory of what motivated this woman to kill a seemingly innocent person at a party. Being a psychiatrist myself, my fascination with women who kill has inspired me to create a fictional serial killer in some of my own works.
Furthermore, the importance of a woman’s innate desire to become a mother when robbed of such happiness added to my interest in women’s psychopathology on how horrific memories of the past leave an imprint that can haunt us forever.
I’m a certified crime junkie beginning with Helter Skelter and, more recently, FBI profiler Jack Douglas’ Mindhunter. This genre is a passion, but here’s the kicker, I started my writing journey in Western historical romance. I know, right? Then I had this wild idea: a psychologist who’s got a secret – her mother is a notorious serial killer on death row, and someone is imitating her crimes. Just like that A Killer’s Daughter was born! Now I’m always reading and listening to thrillers and true crime podcasts. Check out my newsletter to see what’s grabbing me.
I think I picked this one up in a bookstore because of the back cover blurb. I found the writing much more in the literary fiction category which is to say it is beautiful and very well written.
What I especially appreciated in this story was the way the setting, the Bottoms, became such an important feature. Really, the setting is a character all its own and I appreciated learning about a place that was so specific and different from where I was raised.
That is not to say that the twist did not take me completely unaware because they definitely did.
The Great Depression, East Texas. The woods are thick, the rivers wild, the weather ripe with tornadoes, and the Crane family, like most families in that neck of the woods, are eking out a thin living. When young Harry Crane discovers a mutilated body bound to a tree with barbed wire in the river bottoms, the underbelly of East Texas is exposed. Whites fear a renegade Negro. Blacks fear a vengeful massacre, or, if the killer is white, that the law will let him slip through their fingers. Harry believes the murderer is the Goat Man, an East Texas monster…
Like my series protagonist, FBI Agent Susan Parker, I am neurodiverse and have dealt with traumatic family events. I have Asperger’s, dyslexia, ADD, and have battled depression and suicidal impulses in earlier years. As a child, I experienced many violent, traumatic events, including the traumatic death of my mother, abduction, and abuse. However, my personal story has a happy ending: I overcame all challenges to become a fully functional individual with a rich, fulfilling family life and a successful career. Not surprisingly, I became a crime thriller superfan. I gravitate toward books that don’t shy away from depicting darkness but find a way for the MC to return to the sunlight.
A hypnotic, often troubling journey into the mind of a killer and the detective hunting him down are the reasons I return to this book time and again. They are both commonly found elements in crime thrillers today. But what Dorothy Hughes did in this book appealed to me personally, perhaps because of my own personal relationship with crime and trauma, physical as well as emotional.
I’m always fascinated by how intensely Hughes manages to immerse us in both viewpoints with only a few sentences, shifting viewpoints and playing with our conscience in subtle ways. I’ve seen enough violence and trauma to know that motivations are not always as simple as we’d like them to be, and people often do the most unexpected things for the least obvious reasons.
'Puts Chandler to shame ... Hughes is the master we keep turning to'Sara Paretsky
After the war, cynical veteran Dix Steele has moved to L.A., a city terrified by a strangler preying on young women. Bumping into an old friend, now a detective working on the case, Dix is thrilled by closely following the progress of the police. And meeting his new neighbour, sultry and beautiful actress Laurel Gray, brings even more excitement into his life. But the strangler is still prowling the streets - and Laurel may be in more danger than she realises...
I fell in love with Alfred Hitchcock’s films as a kid. Something that stuck out to me was that so many of his films featured an ordinary but resourceful hero who found themselves at the center of a crisis that they were totally ill-equipped to deal with. Still, they endured by rising above the situation. When I started writing, I wanted to write books with hardboiled heroes, but I fell back on first-time heroes who find themselves out of their depth and swim against the tide. Once I recognized this style, it was something I embraced. I’ve gotten out of my depth so many times…sometimes of my own making and sometimes not.
This one is a banger. A serial killer has picked Bill, a bartender, to play a game of who lives and who dies. Choose your own slaughter, if you will.
What's so deviously gorgeous about this book is how the hero must learn how to beat the game so that no one dies and he can stop a twisted killer in his tracks. It’s such a great premise for an out-of-their-depth hero.
If you don’t take this note to the police . . . I will kill a lovely blond schoolteacher. . . . If you do . . . I will instead kill an elderly woman active in charity work. You have six hours to decide. The choice is yours.
The typewritten note under his windshield seems like just a sick joke. But in less than twenty-four hours, Billy Wiles, an ordinary, hardworking guy, is about to see his life take on the speed of a nightmare. Because a young blond schoolteacher is murdered—and now Billy has…
