100 books like Ripley's Game

Don’t tell anyone, but I love this novel more than Oscar Wilde’s plays. It’s such a fantastic concept: a man whose beauty is marred by his corruption, but thanks to selling his soul in exchange for eternal beauty, all the wickedness appears in his portrait and not on his features.

I find that delicious and chilling in equal measure. I’ve lost track of how many times I’ve read this book, almost as many as The Hound, I think. And like that book, it brings me back to cold Dublin nights by the fire, longing for London and finding it alive and well between the pages of a book.

What if queer American cannibal killer Jeffery Dahmer met his British equivalent, Dennis Nilsen?

This novel is a fictionalized answer to that question, pairing serial murderers Jay and Andrew in a psychosexual tear through lush New Orleans.

However, my favorites are the other central characters: Luke and Tran, two ex-lovers who are living with HIV, homelessness, and the emotional scars of their bad romance. There is subtle, skillful storytelling showcased in the relationship you only get in retrospect between these two.

It’s so unique that I once taught it to a Master’s degree writing class as an example of rule-breaking and genre-bending to aspire towards.

There are also alluring literary parallels to explore between venereal disease and violent death stalking the unsuspecting gay men of the bayou. Overall, it’s a delightfully depraved masterpiece.

We’ll start with another novel (there are many) inspired in part by the Leopold and Loeb crime. This one swaps Chicago for Pittsburgh, and changes their mismatch in IQs for a stark class divide.

One of the variations I most enjoy in this retelling is that university students Paul Fleischer and Julian Fromme are both damaged when they meet. Julian is scarred physically from a car crash in his youth, and Paul is still recovering emotionally from the death of his father.

Additionally, since the book is set in the 1970s, their sexual involvement with one another is more explicit than the original story could allow (though it still comes with social stigma).

A captivating work of dark academia and crime, the obsession between these two compels them to court their own ruin.

Ezekiel Farragut is a former university professor and current inmate at Falconer prison.

A drug addict and a murderer for killing his own brother during an argument, while incarcerated Farragut must wean himself from his addiction with methadone, and suffer visits from his profoundly disappointed wife. He is also involved romantically with a fellow prisoner—the captivating Jody, who all the guys want to screw.

When Jody successfully escapes, Farragut is left to contemplate how his own failures got him to this lonely place, and how to be a better man if he is ever able to leave it. This is where the grim, dreamlike beauty of Cheever’s best-known signature works shines through.

If you like this, also check out Blake Bailey’s biography of Cheever. The parallels between fact and fiction are fascinating.

He’s charming, he’s intelligent, and he’s a professional conman who is out to steal his new best friend’s life. And I can’t get enough of Tom Ripley! I absolutely love an anti-hero, and I like nothing better than getting a look inside a psychopath’s mind. I’ve read this book at least five times.

The writing is tight as a drum, Italy is brought to life, and it’s understandable why Tom falls in love with it…and Dickie. He falls in love so much he wants to become Dickie. The more Tom is backed into a corner, the more clever, audacious, and vicious he becomes. It’s no surprise to me that this book is such a classic.

This is another story bringing history to life, in this case, the famous Rajah Quilt, made by convict women in 1841 while being transported to Tasmania.

I’m not a patcher myself, but my mum was, and I know how patching brings disparate women together, though not as disparate as these "dangerous women" and their leader, the Quaker philanthropist Kezia Hayter.

Hope Adams takes a worthy story and turns it into a gripping whodunnit, beginning with a murder on page one. It is hard at times to keep track of all the characters, but well worth the effort because their unlikely friendships are fascinating and crucial to the solving of the mystery.  

A hypnotic, often troubling journey into the mind of a killer and the detective hunting him down are the reasons I return to this book time and again. They are both commonly found elements in crime thrillers today. But what Dorothy Hughes did in this book appealed to me personally, perhaps because of my own personal relationship with crime and trauma, physical as well as emotional.

I’m always fascinated by how intensely Hughes manages to immerse us in both viewpoints with only a few sentences, shifting viewpoints and playing with our conscience in subtle ways. I’ve seen enough violence and trauma to know that motivations are not always as simple as we’d like them to be, and people often do the most unexpected things for the least obvious reasons.

I think I picked this one up in a bookstore because of the back cover blurb. I found the writing much more in the literary fiction category which is to say it is beautiful and very well written.

What I especially appreciated in this story was the way the setting, the Bottoms, became such an important feature. Really, the setting is a character all its own and I appreciated learning about a place that was so specific and different from where I was raised.

That is not to say that the twist did not take me completely unaware because they definitely did.

Now, I’m not a fan of gory movies, so to begin with, when Eeny Meeny gave me Saw vibes I almost closed the book.

I’m glad I didn’t because not only did I enjoy the building tension, but I loved the character of DI Helen Grace in this, her first outing.

The victims in the sadistic game being played in this novel are pitted against each other in a ‘you’ or ‘me’ scenario, with their captor forcing them to make a decision. I’m intrigued with how people who are ultimately trying to survive a situation make morally tough choices, so this was a fascinating exploration and made me question: what would I do?

This one is a banger. A serial killer has picked Bill, a bartender, to play a game of who lives and who dies. Choose your own slaughter, if you will.

What's so deviously gorgeous about this book is how the hero must learn how to beat the game so that no one dies and he can stop a twisted killer in his tracks. It’s such a great premise for an out-of-their-depth hero.