I’m a 54-year-old gay man who has led my own messy life here in New York City, marked as much by sex, romance, friendship, and culture as by drug addiction, relationship drama, mental illness and youthful trauma. I’ve published five novels, all of which contain queer characters who’ve not exactly been poster children for mainstream-world-approved LGBTQ behavior. I’m drawn to novels like the ones I’ve mentioned because they show queer people not as the hetero world often would like them to be—sanitized, asexual, witty and “fabulous”—but as capable of dysfunction, mediocrity, unwise choices and poor conduct as anybody else.
One of the most kinetic books I read a few years back and told in a kind of beautiful, white-hot stream of consciousness, Sketchtasy is the tale of young, genderqueer Alexa and her friends navigating pleasure and survival in mid-90s, AIDS-battered Boston.
This is no “model LGBTQ person” book; Alexa and her friends, scarred by trauma and addled by every recreational drug on the planet, are creatures of the night, showing off outrageous looks in the clubs and turning tricks to pay the rent and put food in their mouths.
It’s a breakneck-paced look at both exuberant and terrified young queer people right before HIV went from being a near death sentence to a chronic manageable disease.
Sketchtasy takes place in that late-night moment when everything comes together, and everything falls apart—it’s an urgent, glittering, devastating novel about the perils of queer world-making in the mid-‘90s.
This is Boston in 1995, a city defined by a rabid fear of difference. Alexa, an incisive twenty-one-year-old queen, faces everyday brutality with determined nonchalance. Rejecting middle-class pretensions, she negotiates past and present traumas with a scathing critique of the world. Drawn to the ecstasy of drugged-out escapades, Alexa searches for nourishment in a gay culture bonded by clubs and conformity, willful apathy, and the specter of AIDS. Is there any…
This remarkable novel, patterned lightly after James Joyce’s Ulysses, is the tale of Carlotta Mercedes, a Black and Hispanic transgender woman who returns to her Brooklyn neighborhood after serving decades in prison because she was in the wrong place at the wrong time.
Unfolding almost in real time over the 2015 July 4 weekend, the book has a chaotic, madcap energy and toggles seamlessly throughout between a traditional third-person narrative and the hilarious, heartbreaking first-person monologue inside Carlotta’s brilliant, bonkers head.
Reading this novel is like getting on a nonstop rollercoaster with a narrator who will crack you up and make you root for her right up to the ecstatic final page.
In this “dangerously hilarious” novel (Los Angeles Times), a trans woman reenters life on the outside after more than twenty years in a men’s prison, over one consequential Fourth of July weekend—from the author of the PEN/Faulkner Award winner Delicious Foods.
Carlotta Mercedes has been misunderstood her entire life. When she was pulled into a robbery gone wrong, she still went by the name she’d grown up with in Fort Greene, Brooklyn—before it gentrified. But not long after her conviction, she took the name Carlotta and began to live as a woman, an embrace of selfhood that prison authorities rejected,…
Set at the height of the Trump era, this very New York City novel follows its title character, a lesbian former cop turned heroin addict who’s now fresh out of rehab and, in her new job as a private investigator, stumbles onto a murder she becomes determined to solve.
Maggie is a total mess—barely able to navigate a cell phone or the Internet, holding on for dear life at her Narcotics Anonymous meetings, stalking her ex outside her window in the pouring rain, and desperate to have her daughter, whom she was raising with her ex, back in her life.
The novel’s promise of a tight murder mystery kind of unravels, but it doesn’t even matter because Maggie’s fumbling, stumbling effort to put her life back together in a disconcertingly sleek new version of downtown Manhattan is a voyeuristic joy to follow.
"Maggie Terry is the most beautiful, most bitter, most sweet, and all around best detective novel I've read in years. Precise, insightful, heartbreaking, and page turning." —Sara Gran, author of The Infinite Blacktop
Post-rehab, Maggie Terry is single-mindedly trying to keep her head down in New York City. There's a madman in the White House, the subways are constantly delayed, summer is relentless, and neighborhoods all seem to blend together.
Against this absurd backdrop, Maggie wants nothing more than to slowly re- build her life in hopes of being reunited with her daughter. But her first day on the job…
Like a hipster Brooklyn transgender Sex and the City, this novel is a chatty, hilarious, and moving look at queer folks grasping for parenthood and family in a world where all the rules have been thrown out.
The book’s narrator, transwoman Reese, takes us on this ride with such sardonic, poignant insight about the world she lives in that we begin to feel like we live in it, too. When Reese’s ex, Ames—who has detransitioned from his former transwoman identity, Amy—gets his straight female boss pregnant, the three of them begin negotiating how they might raise the child together.
But the novel’s true power lies in how Reese explains her life and her friends to us—bravely refusing to portray trans people as angelic role models and instead offering something deeper and more endearing: showing them as real people.
NATIONAL BESTSELLER • The lives of three women—transgender and cisgender—collide after an unexpected pregnancy forces them to confront their deepest desires in “one of the most celebrated novels of the year” (Time)
“Reading this novel is like holding a live wire in your hand.”—Vulture
Named one of the Best Books of the Year by more than twenty publications, including The New York Times Book Review, Entertainment Weekly, NPR, Time, Vogue, Esquire, Vulture, and Autostraddle
PEN/Hemingway Award Winner • Finalist for the Lambda Literary Award, the National Book Critics Circle Award, and the Gotham Book Prize • Longlisted for The Women’s…
The book that put British literary giant Hollinghurst on the map in 1988, this gorgeously written, fast-paced novel follows Will, a ridiculously privileged, idle, and good-looking young gay man in early 1980s London who has torrid sexual affairs with a racially diverse group of working-class men and also inadvertently saves the life of a very elderly gay aristocratic man with a homoerotic colonial past.
With its Forsterian attunement to the prejudices and vanities of the Thatcher-era British upper class, its explicit evocation of the early 20th century gay British novelist Ronald Firbank and its sometimes cringe-y look at cross-class and cross-racial desire, the novel showcases gay men driven ecstatically and obsessively by both libidinous and aesthetic yearnings—all of them oblivious to the dark clouds of AIDS gathering on London’s horizon.
'Deserves first prize in every category... Superbly written, wildly funny' Daily Telegraph
THE BOOKER PRIZE WINNING AUTHOR OF THE LINE OF BEAUTY
Young, gay, William Beckwith spends his time, and his trust fund, idly cruising London for erotic encounters. When he saves the life of an elderly man in a public convenience an unlikely job opportunity presents itself - the man, Lord Nantwich, is seeking a biographer. Will agrees to take a look at Nantwich's diaries. But in the story he unravels, a tragedy of twentieth-century gay repression, lurk bitter truths about Will's own privileged existence.
When unhappy gay fortysomething Tip Murray learns that one of his Speech Team mates from high school has taken his own life—and left a Facebook suicide note calling out their former teacher and Speech coach Gary Gold—it prompts Tip to reunite with the rest of his old Speech mates: hippie farmer Natalie, tightly wound professor Jennifer and haughty menswear designer Anthony. Awkwardly sharing notes, they discover that Gold privately said devastating things to all of them. There’s only one thing to do: travel to Florida, where Gold is in retirement, and confront him. What happens next raises thorny questions about whether the hurts of the past can ever be fully overcome. Funny, gossipy, and poignant, Speech Team is a 1980s time-travel delight...and a serious meditation on reckoning and forgiveness.
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
The team attempts a new route up the East Face without the use of supplemental oxygen, Sherpa support, or chance for rescue. When three climbers disappear during their summit attempt, Zieman reaches the knife edge of her limits and digs deeply to fight for the climbers’ lives and to find her voice.
The plan was outrageous: A small team of four climbers would attempt a new route on the East Face of Mt. Everest, considered the most remote and dangerous side of the mountain, which had only been successfully climbed once before. Unlike the first large team, Mimi Zieman and her team would climb without using supplemental oxygen or porter support. While the unpredictable weather and high altitude of 29,035 feet make climbing Everest perilous in any condition, attempting a new route, with no idea of what obstacles lay ahead, was especially audacious. Team members were expected to push themselves to their…
