Fans pick 100 books like Maggie Terry

Like a hipster Brooklyn transgender Sex and the City, this novel is a chatty, hilarious, and moving look at queer folks grasping for parenthood and family in a world where all the rules have been thrown out.

The book’s narrator, transwoman Reese, takes us on this ride with such sardonic, poignant insight about the world she lives in that we begin to feel like we live in it, too. When Reese’s ex, Ames—who has detransitioned from his former transwoman identity, Amy—gets his straight female boss pregnant, the three of them begin negotiating how they might raise the child together.

But the novel’s true power lies in how Reese explains her life and her friends to us—bravely refusing to portray trans people as angelic role models and instead offering something deeper and more endearing: showing them as real people.

This remarkable novel, patterned lightly after James Joyce’s Ulysses, is the tale of Carlotta Mercedes, a Black and Hispanic transgender woman who returns to her Brooklyn neighborhood after serving decades in prison because she was in the wrong place at the wrong time.

Unfolding almost in real time over the 2015 July 4 weekend, the book has a chaotic, madcap energy and toggles seamlessly throughout between a traditional third-person narrative and the hilarious, heartbreaking first-person monologue inside Carlotta’s brilliant, bonkers head.

Reading this novel is like getting on a nonstop rollercoaster with a narrator who will crack you up and make you root for her right up to the ecstatic final page.

One of the most kinetic books I read a few years back and told in a kind of beautiful, white-hot stream of consciousness, Sketchtasy is the tale of young, genderqueer Alexa and her friends navigating pleasure and survival in mid-90s, AIDS-battered Boston.

This is no “model LGBTQ person” book; Alexa and her friends, scarred by trauma and addled by every recreational drug on the planet, are creatures of the night, showing off outrageous looks in the clubs and turning tricks to pay the rent and put food in their mouths.

It’s a breakneck-paced look at both exuberant and terrified young queer people right before HIV went from being a near death sentence to a chronic manageable disease. 

The book that put British literary giant Hollinghurst on the map in 1988, this gorgeously written, fast-paced novel follows Will, a ridiculously privileged, idle, and good-looking young gay man in early 1980s London who has torrid sexual affairs with a racially diverse group of working-class men and also inadvertently saves the life of a very elderly gay aristocratic man with a homoerotic colonial past.

With its Forsterian attunement to the prejudices and vanities of the Thatcher-era British upper class, its explicit evocation of the early 20th century gay British novelist Ronald Firbank and its sometimes cringe-y look at cross-class and cross-racial desire, the novel showcases gay men driven ecstatically and obsessively by both libidinous and aesthetic yearnings—all of them oblivious to the dark clouds of AIDS gathering on London’s horizon.

I read this book as a contest judge. I’d never heard of the author before. Little did I know that I’d fall in love with Morgan and Lance. Hooked from the first book. Morgan is caught between a rock and a hard place. Tessa, who couldn’t be more ‘girl next door’–also Morgan’s kids’ babysitter–was murdered. Her neighbor needs Morgan to defend her son, who is accused of the murder. Morgan has known him for years and is determined to prove his innocence.  

Morgan asks her friend Lance, an ex-cop turned private investigator, to help solve the murder. I loved how they formed a relationship that developed with each new book of the series. I love series, especially when I love the author. I highly recommend this book. 

I love that this book focuses on the “who,” not the “what.” Most often, with mysteries, the focus is on learning about the perpetrator of the crime. In this one, I loved that the real mystery is in discovering who the victim, Alice, was. I especially love that we get to hear her story in her own words, as a second narrator telling her history after her death.

The other part of the story–events after Alice’s death and the discovery of her body–is told by another compelling character, Ruby. I’m normally wary when I see the words “strong female character,” but these are two strong, beautiful women whose heartbreaking stories held me captive in these pages.  

I am, and always will be, a sucker for a murder mystery in an isolated location with no escape. That's because of the added suspense of being trapped, knowing there's a killer among you but not knowing who keeps me turning the page.

This book does the scenario justice with its exceptional character introductions, mystery, and suspense. The clues were subtle but also reasonable for me to pick up on, and the conflicting motives made anyone a possible suspect. The dynamic between Ellery and his father never fails to get a chuckle out of me.

Set in 1920s New York City, the story follows a girl with a hidden gift: the ability to read objects. She chooses to use her power for good and helps to solve a series of murders.

The setting is a character, and we learn all about the seamy side of Roaring Twenties New York, the fun and the feared.

This Agatha Christie doesn’t feature her famous Hercule Poirot or Miss Marple. Instead, it introduces a likable young couple, Bobby and Frankie, who fall into adventure by accident.

This book has the best one-line denouement of all mystery novels. It is a line that will give you chills when you read it. (Or re-read it. This mystery is so good that I have reread it many times in my life, and I get chills each time.)

One question ties the whole mystery together. As a mystery writer, I wish I could find that turning point question for each of my novels. But, alas, Agatha Christie was the queen. 

I was lucky enough to read an early copy of this book, and I am blown away at how Jesse Sutanto continues to smash both her novel concepts and character voices out of the park!

Vera Wong herself is the ultimate amateur sleuth, but she is not reluctant whatsoever. When a dead body turns up in her tea shop, Vera Wong—the most wonderfully grandmotherly non-grandmother—decides the police aren’t up to the task of realizing the young man was murdered, obviously, and so she decides to hunt down the suspects and interview them herself.

Vera is at turns heartwarming and hilarious, infuriating, and delightful. Told through the perspective of Vera and all her murder suspects, this book will keep you guessing until the end—and might just charm your socks off.