Here are 100 books that They'll Never Put That on the Air fans have personally recommended if you like
They'll Never Put That on the Air.
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The short version: I just really love television! The slightly longer version is that, in my career, I’ve had a very unusual perspective on both entertainment and activism. My first jobs out of college were at companies like Lucasfilm and The Jim Henson company, where I saw first-hand just how important pop culture and fandom can be for audiences. And I also worked extensively on queer causes, eventually making activism my full-time job when I joined the team that brought marriage equality to the US Supreme Court. Through that work, I became more and more interested in the ways that pop culture – particularly television – has been a tool for advancing civil rights.
An absolutely exhaustive catalog of queer milestones on television, I’m constantly consulting this amazing book.
There’s no more authoritative examination of the people, shows, and trends that shaped queer representation in broadcast media over the 20th century. Exhaustively researched, it’s not just a must-read – it’s a must-read-multiple-times.
I own two copies, each one jam-packed with bookmarks and notes to myself about the best bits.
Definitive, vibrant, and utterly fascinating, Alternate Channels traces the monumental growth of gay, lesbian, and bisexual images on radio and television from the 1930s to the present. Splashed against the tumultuous backdrop of the McCarthy witch hunts, Stonewall and the gay liberation movement, the birth of the 700 Club and the religious right, the outbreak of AIDS and the arrival of in-your-face queer activism, this chatty, authoritative broadcast history tells the stories of such notorious and noteworthy moments as
- 1947: Radio gays--A bitchy fashion photographer throws fits at the drop of a designer hat on the adaptation of Moss…
The short version: I just really love television! The slightly longer version is that, in my career, I’ve had a very unusual perspective on both entertainment and activism. My first jobs out of college were at companies like Lucasfilm and The Jim Henson company, where I saw first-hand just how important pop culture and fandom can be for audiences. And I also worked extensively on queer causes, eventually making activism my full-time job when I joined the team that brought marriage equality to the US Supreme Court. Through that work, I became more and more interested in the ways that pop culture – particularly television – has been a tool for advancing civil rights.
Although this book is about film, rather than television, it’s impossible to understand the TV landscape without also understanding what was happening at the movies.
And then there’s Vito Russo’s incredible research and activism, which made this book possible – an inspiration for anyone interested in how media can make the world a better place.
Praised by the Chicago Tribune as "an impressive study" and written with incisive wit and searing perception--the definitive, highly acclaimed landmark work on the portrayal of homosexuality in film.
The short version: I just really love television! The slightly longer version is that, in my career, I’ve had a very unusual perspective on both entertainment and activism. My first jobs out of college were at companies like Lucasfilm and The Jim Henson company, where I saw first-hand just how important pop culture and fandom can be for audiences. And I also worked extensively on queer causes, eventually making activism my full-time job when I joined the team that brought marriage equality to the US Supreme Court. Through that work, I became more and more interested in the ways that pop culture – particularly television – has been a tool for advancing civil rights.
Along with Kathryn Montgomery’s book Target: Primetime, this book is a fascinating peek into the furious fights over sex and violence on television.
It shines a light on a mostly-invisible struggle between creators, executives, censors, and the public. I love how vividly this book is written; it really feels like you’re right there on the front lines.
And the fact that it was published in 1978 means that it’s possible now to see the repercussions of this fight, nearly fifty years later.
From Simon & Schuster, See No Evil is Geoffrey Cowan's fascinating exploration of the backstage battle over sex and violence in the television medium.
In See No Evil, Cowan offers a probing investigation into the history, impact, and politics of television censorship, examining network programming, and such controversial practices as the Family Hour.
The short version: I just really love television! The slightly longer version is that, in my career, I’ve had a very unusual perspective on both entertainment and activism. My first jobs out of college were at companies like Lucasfilm and The Jim Henson company, where I saw first-hand just how important pop culture and fandom can be for audiences. And I also worked extensively on queer causes, eventually making activism my full-time job when I joined the team that brought marriage equality to the US Supreme Court. Through that work, I became more and more interested in the ways that pop culture – particularly television – has been a tool for advancing civil rights.
It’s hard to pick just one of Jim Colucci’s books to put on this list, but this one is probably my favorite. (He’s also written excellent books about The Golden GirlsandWill & Grace, among other topics.)
It’s an incredible insider’s look at the making of one of the most important television programs ever made, with lots of original documents, interviews with creators, and insights that yield an even greater appreciation for this groundbreaking show.
Television was changed forever in 1971 with the premiere of All in the Family. Archie Bunker (Carroll O Connor), his wife Edith (Jean Stapleton), daughter Gloria (Sally Struthers), and son-in-law Mike Meathead Stivic (Rob Reiner) instantly became and half a century later still are four of the most iconic characters in television. Here, Norman Lear shares his take on fifty episodes that exemplify why All in the Family remains as funny and relevant as ever. Its boundary-pushing approach to hot-button topics is examined with commentary from its costars, writers, directors, and guest stars. With previously unseen notes from Lear, script…
A theatre, film, and television historian, I've spent the last fifteen years researching and writing about all three areas of entertainment. I'm also a travel and tourism writer for a variety of e-commerce platforms. Television history is an area that I have researched extensively over the last twenty years, resulting in my booksThe Encyclopedia of Television Theme Songs and Sitcommentary: Television ComediesThat Change America.
Anyone who knows anything about television comedy will tell you that producer/developer Norman Lear was the force behind some of the greatest sitcoms of all time including All in the Family, Maude, The Jeffersons, Good Times, Sanford and Son, and One Day at a Time. The Sitcoms of Norman Lear by Sean Campbell takes a closer look at this titan of television and the game-changing sitcoms he produced.
Archie Bunker, George Jefferson, Maude - the television sitcom world of the 1970s was peopled by the creations of Norman Lear. Beginning in 1971, with the premier of ""All in the Family"", Lear's work gave sitcoms a new face and a new style. No longer were families perfect and lives in order. Mostly blue-collar workers and their families, Lear's characters argued, struggled, uttered sometimes shocking opinions and had no problem contributing to - or at least, acknowledging - the turmoil so shunned by 1960s television. Significantly, not only did Lear address difficult issues, but he did so through successful programming.…
I worked in television as a development producer for twenty years, designing game shows, reality shows, formatted documentaries, all sorts of programming. One of the prerequisites of working in telly is to watch a lot of it, and that has always been a joy for me, as I love the medium. Even after I left the profession to become an author, I’ve retained my passion for the small screen and write a regular blog on what I’m watching. So, for me, a combination of books and television is something to be savored and celebrated.
Nick Hornby is one of my favorite writers, and About a Boy is one of my favorite books of all time.
I love how his prose is pared down but so profound; every sentence, however simple, carries weight, and his characterization is wonderfully human. In this book, Hornby champions mainstream entertainment, something I’m passionate about, as I can’t stand cultural snobbishness.
It’s an homage to a golden age of light entertainment, and, like television comedy, this is a book that "makes us all part of something."
THE INTERNATIONAL BESTSELLER SOON TO BE A TV SERIES STARRING GEMMA ARTERTON AND RUPERT EVERETT
'Simply unputdownable' Guardian
'Hilarious' Daily Telegraph
'Highly entertaining' Sunday Times _________________
Make them laugh, and they're yours forever . . .
Barbara Parker is Miss Blackpool of 1964, but she doesn't want to be a beauty queen. She wants to make people laugh.
So she leaves her hometown behind, takes herself to London, and overnight she becomes the lead in a new BBC comedy, Sophie Straw: charming, gorgeous, destined to win the nation's hearts.
Funny Girl is the story of a smash-hit TV show and…
Megan is a long-time resident of queer fantasy romance and keeps herself busy reading and writing it. She has been doing so for nearly twenty years, and hopes to do it at least another twenty. She is asexual, biromantic, and married to a wonderful woman. When she’s not busy writing, she likes to cook, harass her wife and cats, or watch movies and play video games.
This is one of the best books of redemption I've ever read, about a man who did some truly horrible, some would say unforgivable things, and has been working hard the past several years to make amends for his wrongs, a journey he continues even as he meets the man who just might be the love of his life. All this in a beautifully built fantasy world, and while it is book two in the series it stands on its own just fine. When it comes to tales of redemption and forgiveness, though, of facing a sordid past and working to overcome it, this book continues to set the bar for me.
On the outside, Mayr seems to have it all: a successful career as Head of the Guard for a prominent politician, family and friends who rely on him, and the attention of beautiful lovers. But appearances are a good way to bury secrets, including mistakes he can never fix and a broken heart that never seems to heal, forever searching for the one person to share his life with.When his last girlfriend takes him back and suggests an intimate night together with Tash, one of her lovers, Mayr reluctantly agrees. The last thing he expects is to fall hard for…
As a queer millennial myself, I’m fascinated by the many different approaches writers of my generation have taken to queerness. American millennials have, I think, a unique perspective—when we were kids, gay jokes were prevalent everywhere on TV. Now same sex marriage is legal. On the other hand, there has also been a hard swing of the pendulum, and LGBTQ rights are being curtailed once again. Celebrating the plurality of queer contemporary stories is important to me, a reminder that we’re always going to be here, and that just as queer artists always have, we’ll continue having an impact on the cultural landscape.
I really love books about artists, women who are able to get angry, queer flourishing, and difficult family dynamics, and this book is about all of this. Angelina has recently graduated college when a car accident causes her to lose work and need to move back in with her parents. She and her father have always had a difficult relationship and being under his roof now is harder than ever, especially as she knows he doesn’t appreciate her desire to have a career as an artist. When Angelina meets Janet, a young queer artist, the two begin a friendship that blossoms soon into something more, inspiring Angelina’s own work. The writing is so mesmerizing, and Bogart’s description of the artwork Angelina makes is beautiful. Also – there’s a dog in this book, a very good dog, and she lives.
The last place Angelina Moltisanti ever wants to go is home. She barely escaped life under the roof, and the thumb, of her violent but charismatic father, Jack. Yet home is exactly where she ends up after an SUV plows into her car just weeks after she graduates from college, fracturing her wrist and her hopes to start a career as an artist.
Angelina finds herself smothered in a plaster cast, in Jack's obsessive urge to get her a giant accident settlement, in her mother Marie's desperation to have a second chance, and in her own stifled creativity - until…
I’m a reader and an author who loves stories that are so beautifully written they wrap you up tight in comfort, ensuring no matter what hurt the characters go through, you know it will all be okay in the end. And in stressful times—even in times that aren’t so stressful!—I think we all need that little bit of fictional certainty, that knowing that everything is going to be okay in the end. I started writing to give queer characters suffering from problems like loneliness, anxiety, and homelessness, as many happy endings as I could.Because no matter the difficulties you may be going through, everyone deserves a happy ending.😊
A beautifully written coming-of-age tale. And another book I have read many times. The descriptions are so sensuous and evocative of a hot summer in the French countryside that it’s easy to lose yourself in them. This story isn’t a straightforward romance and reading about deeply flawed but very human characters are ultimately what gives me comfort with this one.
Now also available as an audio-book, read by the author. Adam is a delightful 16-year-old who does well in school and spends his spare time practising the cello. Or that’s what his parents think. But there is another side to him, as farmer’s son Sylvain discovers when he meets Adam alone in the middle of a wood… The results of this chance encounter are explosive in this classic, passionate story of illicit romance and teenage sex during one long, hot summer in the French countryside…
Reviews:
A fine and elegantly written work deserving of a wide readership irrespective of sexual…
When I was a queer teen in the early 2000s, I didn’t have sapphic books or media available to me aside from anime, and even then, the dubbed versions on TV were scrubbed of queerness (I’m looking at you, Sailor Moon and Cardcaptor Sakura). I did have Revolutionary Girl Utena, and it was everything to me: fantasy, ballgowns, and girls dancing together. I wrote my book for that me who craved to see herself in beautiful, fantastical stories, and it’s why I love the fact that we have so many more out there right now that I can recommend to all of you!
This book has all the things I love about a swashbuckling fantasy–found family, romance, and magic. The art is gorgeous, the characters are loveable, and the world is bustling with excitement and danger at every turn.
I loved the One Piece vibes, and it’s so wonderful to see queerness just be there. I could not stop turning the pages.
Our Flag Means Death gets a magical, sapphic twist in this swashbuckling young adult graphic novel adventure full of high-stakes adventure, fantastical creatures, and a swoony enemies-to-lovers romance perfect for fans of In Deeper Waters and The Prince and the Dressmaker.
“I want to be beautiful. I want to be interesting. I want to be enough.”
That was Ferra Brickminder’s prayer to win back the love of her life. And the gods answer—just not in the way she expected. After hoping for a miracle, Ferra instead watches her skin turn into delicate and dangerously breakable porcelain.
