68 books like Sorry for the Inconvenience/Going Your Way

If you like small town settings with big old houses and hints of a ghost, intrigue, and simmering romance, you’ll love Storms of the Heart.

The story’s female main character, Emerson Lane, finds herself right in the middle of a raging thunderstorm at night on her way to her Uncle Wayne’s house in Twin Creeks, where she lived when her parents died in a car crash. She’s on a mission to reconnect with her uncle after leaving abruptly years ago to live in New York City. Trouble is waiting for her in the name of Sheriff Max Lomax, who she left behind.

Max has his own problems, but he is secretly but begrudgingly thrilled to see her, but questions whether this time she’ll stay. I liked the interesting characters in this story and the pleasant descriptions of Emerson’s hometown. The writing was so nice it felt like I could just… show more.

I was intrigued by the magical abilities in the “Hands” of each one of the three protagonists in this book. Tamara uses her hands for tarot readings to tell people’s futures, while Phyllis’s hands have a super-power strength for knife-throwing, and Dev has “Saint’s Hands” have a sort of spidey-sense, helping his work as a police spy.

I was intrigued by Tamara’s tarot readings as part of this crime story, with the weaving in of black people’s stories of trauma, the double-edged sword of passing for white, and Juju assassins. This alternate history is a nebula of magic, criminals, and an exploration of how love heals people.

This book was the 2021 Winner of the World Fantasy Award. It was an unexpected winner, but I can see how Johnson’s gritty writing pulled people in. Trigger warning: if you have nerves about reading about knives as weapons, you may want to… show more.

It’s near impossible not to fall for the lure of urban history when a skilled writer brings to light compelling stories of the men (atlas no women in this book) who transformed New York into an economic powerhouse, the capital of capitalism, in the late 19th century.

Their names are familiar but not so their complete stories: J.P. Morgan, Andrew Carnegie, John D. Rockefeller, Jay Gould, Samuel Gompers, Theodore Roosevelt. The writing is so good, it’s hard to put the book down.

One of my favorite novels is Herman Wouk’s Marjorie Morningstar, a coming of age story of Marjorie and Mrs Morgenster, a/k/a the original helicopter mom.

This Pulitzer Prize-winning author was male but managed to get into the head of both teenage girl and indomitable mother–and the results are funny and poignant. There’s all kinds of bonus detail about 1930s-1940s NYC: college, dating, and theater scenes.

As someone who is fascinated by mom culture, I like to recommend mother-daughter stories that illustrate how parenting styles and family relationships have changed over time. While it all started with Marmee, Louisa May Alcott (Jo’s) idealized supermom, I have a fondness for the ambivalently modern struggles between Mrs. Morgenstern and Marjorie, the female leads in Herman Wouk’s classic novel, Marjorie Morningstar. 

This is a coming of age story that has it all: beautiful and ambitious heroine, handsome love interest, colorful best friend, and the… show more.

While I was writing my novel about Elizabeth Arden and Helena Rubinstein, I heard that Renée Rosen was writing about Estée Lauder and couldn’t wait to read it.

She perfectly captures the pushy, driven, hilarious character of Estée, who was known for accosting strangers in the street to tell them they were wearing the wrong shade of lipstick for their skin tone. Renée Rosen is one of the authors whose books I always preorder: I love everything she writes.

Claire is seven years old when her college-age sister is found dead at a resort on the Caribbean island of Saint X.

Years later, Claire is living and working in New York City when a brief but fateful encounter brings her together with a man originally suspected of murdering her sister. This book is not your standard Thriller; the cast of characters is large and the plot complex, but the author pulls it off.

It’s also not a book to keep you up all night. Try three or four nights. The writing is brilliant in ways not often seen in the genre and I was forced to slow down and give myself over to the story. It’s one I will never forget.

I can still remember so much from this book. A great stat Hawes included was that in the year 1870, 90 percent of upper-class New Yorkers lived in townhouses or other types of single-family homes. By 1930, 90 percent lived in apartment buildings or “French flats,” as they were sometimes called. Basically, almost alone among American cities, New York chose to emulate Paris in its model of urbanism rather than London.

New York developers built and sold “French flats” that were large and ostentatious, like the Ansonia and the Dakota, which are still there today. These iconic apartment buildings were built along the streetcar and subway lines. Hawes was a writer for The New Yorker, so this is very readable.

I love prose poems, and they are a great introduction to poetry for those unfamiliar with the genre. I admire Sean Singer's singular sensibility, as he weaves the dailiness of driving a taxi with intimations of jazz, the divine, and insights into the human condition. I find this collection mesmerizing, and return to it over and again.

You wouldn’t think anyone could unearth something new about New York City. But that’s what Carla Peterson did with this book. I first came across it while researching my own work. By focusing on her own family history, Peterson flipped the wagon on the perception that NYC’s African American population was mostly enslaved laborers. 

Reading this, I discovered an elite class of black entrepreneurs who worked tirelessly to end slavery in the state and gain the civil rights all other New Yorkers enjoyed. Thoroughly researched, the book reads with the ebbs and flows of a novel. Anyone writing future screenplays, novels, or streaming series about old New York must face Peterson’s stereotype-busting work. 

This richly illustrated account of the century in which Manhattan was the preeminent metropolitan city at night is written by a scholar I admire enormously, who has become a friend since I first read this book. Sharpe has an encyclopedic knowledge of the art and literature of the modern city, and New York Nocturne is in consequence a treasure trove of cultural-historical information. But it is also beautifully written. It reads not only the paintings, photographs, poems, and novels about New York with sensitivity and insight, but the sometimes glamorous, sometimes painfully arduous lives of those who lived in it.