Here are 37 books that A Study in Scarlet Women fans have personally recommended if you like
A Study in Scarlet Women.
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I’ve obviously read a lot of Holmes retellings. Part of the impetus behind my new novella was trying to figure out whyI was so attracted to them. Part of it, I realized, is the neurodivergence aspect: fundamental to the Holmes story is the idea of someone who thinks differently—and who finds a way to interact with the world that uses that as an asset. The other component I love is the Holmes-Watson dynamic. Whether it's romantic or not, the development of a relationship of affection between two people who think very differently is an emotional counterpoint to plot-driven mysteries. Those elements—along with stellar writing, gripping mysteries, and characters I love spending time with.
This is probably the strangest retelling on this list (rivaling Alexis Hall’s wonderful The Affair of the Mysterious Letter) and—perhaps because of that?—the one that follows the original stories most closely.
Indeed, the mysteries explored by Crow are beat-by-beat versions of Holmes’s, except where they deviate to puncture racism, xenophobia, and sexism or to reflect the dictates of the fascinating paranormal world Addison created.
The wary developing friendship between Watson and Crow, the bizarre half-glimpsed world they live in, and the urgency of the prose make it hugely readable.
This is not the story you think it is. These are not the characters you think they are. This is not the book you are expecting. London 1888. Angels inhabit every public building, and vampires and werewolves walk the streets with human beings in a well-regulated truce. A utopia, except for one thing: Angels can Fall, and that Fall is like a nuclear bomb in both the physical and metaphysical worlds. Dr J. H. Doyle returns to London having been wounded in Afghanistan by a Fallen, and finds himself lodging in Baker Street with the enigmatic angel Crow. But living…
On the surface, my childhood was characterized by 1980s unsupervised country freedom in rural Alberta. Deeper in, my history involved emotional abuse and neglect. I wanted nothing more than to be seen and loved for my true self. The library was a refuge, but the fiction section allowed me to find the community I so greatly desired. I was seen and loved by the characters I read. They showed me it was possible to be myself–loudly and audaciously–and still be accepted. I read and now write books that delve into themes of identity, autonomy, and acceptance because I still struggle with these themes today.
She is 11 years old, self-schooled, and lives outside a small English town in the 1950s. She is overlooked and underestimated by everyone. Deep inside, I’m still 11 years old, underestimated, and overlooked. I had an insatiable desire to learn about my environment, and I often saw things others didn’t. Flavia also reminds me of my childhood living in the country in the 1980s. I ran unchecked, safe, and constantly delighted in discovering new things about my corner of the world. I wince at the de Luce family politics. I cheer Flavia’s investigations and her fearlessness. I want nothing more than to stay in Flavia’s 11-year-old world forever. She is the kick-ass kid I wanted to be.
Meet Flavia: Mystery Solver. Master Poisoner. 11 Years Old.
England 1950. At Buckshaw, the crumbling country seat of the de Luce family, very-nearly-eleven-year-old Flavia is plotting revenge on her older sisters.
Then a dead bird is left on the doorstep, which has an extraordinary effect on Flavia's eccentric father, and a body is found in the garden. As the police descend on Buckshaw, Flavia decides to do some investigating of her own.
Praise for the historical Flavia de Luce mysteries: 'The Flavia de Luce novels are now a cult favourite' Mail on Sunday
I’ve obviously read a lot of Holmes retellings. Part of the impetus behind my new novella was trying to figure out whyI was so attracted to them. Part of it, I realized, is the neurodivergence aspect: fundamental to the Holmes story is the idea of someone who thinks differently—and who finds a way to interact with the world that uses that as an asset. The other component I love is the Holmes-Watson dynamic. Whether it's romantic or not, the development of a relationship of affection between two people who think very differently is an emotional counterpoint to plot-driven mysteries. Those elements—along with stellar writing, gripping mysteries, and characters I love spending time with.
The Irene Adler books mirror the Holmes-Watson relationship—brilliant detective, adoring documenter—centering Holmes’s famously successful adversary.
This story builds a much more interesting narrative into the original Adler story, changing the way we understand the stakes and the outcome, and then continues, lifting Irene Adler into a fascinating character in her own right.
Winner of the American Mystery Award for Best Novel of Romantic Suspense, and the Romantic Times Award for Best Historical Mystery
Miss Irene Adler, the beautiful American opera singer who once outwitted Sherlock Holmes, is also a superb detective, as Oscar Wilde and Bram Stoker can attest. Even Holmes himself must admit--albeit grudgingly--that she acquits herself competently.
But in matters of the heart she encounters difficulty. The Crown Prince of Bohemia--tall, blonde, and handsome--proves to be a cad. Will dashing barrister Godfrey Norton be able to convince Irene that not all handsome men are cut from the same broadcloth?
I’m a Roman historian (associate professor at the University of Birmingham, UK), who’s particularly interested in understanding the nature of Roman power and how Rome’s presence and impact within the Mediterranean changed over time. I’m dyslexic and I think this, in part, might explain why I am quite a visual learner and find material culture a really valuable way to engage with the past, just as much as through written sources. I really hope that my selection of books offers you various different (and perhaps new) ways to think about ancient Rome!
I love historical detective novels, and this one, set in AD 70, is a great way to immerse yourself in the Roman world. Lindsey Davis does her research, creating a real, lived-in space that makes the ancient past feel alive and present.
Another big plus is that it’s hilariously entertaining: I’m regularly guffawing out loud while reading it. Best of all? It’s the first book in a fantastic series, and I’ve enjoyed following private instigator Marcus Didius Falco, and then later his daughter, Flavia Alba, over a number of adventures across the city of Rome and the wider Empire.
Rome. AD 70. Private eye Marcus Didius Falco knows his way round the eternal city. He can handle the muggers, the police and most of the girls. But one fresh 16 year old, Sosia Camillina, finds him a case no Roman should be getting his nose into . . . Sosia's uncle is a Senator with suspicions. Some friends, Romans and countryment are doing a highly profitable, if highly illegal, trade in silver ingots or pigs. For Falco it's the start of a murderous trail that leads far beyond the seven hills. To a godforsaken land called Britain, to Emperor…
My mother was an avid reader of Agatha Christie, and she gave me my first Nancy Drew book when I was nine, so I’ve loved mysteries all my life—not the ‘true crime’ kind, more the ‘cozy village’ kind, where the focus is on the characters and how they solve the mystery because of who they are and how they understand the people around them. After I wrote an historical novel about John Singer Sargent and his friends, I couldn’t stop thinking about them, even hearing their voices continuing to talk—I missed them! So naturally, I decided I’d turn John and his friend Violet into detectives and write mysteries.
This is the first book in a series that is as witty, complex, charming, and dark as Oscar Wilde himself. (“I can resist everything but temptation.”) The author is steeped in Wilde and his world, quotes him extensively (but appropriately) and also delivers a great mystery set in the fascinating era of Victorian decline and fin de siècle artistic fervor. Arthur Conan Doyle, in a great turnabout, plays “Watson” to Wilde’s “Sherlock” in all the mysteries. A later book in the series takes on Jack the Ripper, with some surprising suspects!
Lovers of historical mysteries will relish this chilling Victorian tale based on real events and cloaked in authenticity. The first in a series of fiendishly clever historical murder mysteries, it casts British literature’s most fascinating and controversial figure as the lead sleuth.
A young artist’s model has been murdered, and legendary wit Oscar Wilde enlists his friends Arthur Conan Doyle and Robert Sherard to help him investigate. But when they arrive at the scene of the crime they find no sign of the gruesome killing—save one small spatter of blood, high on the wall. Set in London, Paris, Oxford, and…
I’m an historian who writes novels, and an avid reader of historical murder mysteries—especially ones whose characters are affected by social, religious, and political change. Lately, I’ve been fascinated by the breakup of rural British estates between 1880 and 1925, when, in a single generation, the amount of British land owned by the aristocracy fell from 66% to perhaps 15%. I thought it might be interesting to set a “country house” mystery on one of the failing estates, with a narrator influenced by the other great change of the period: from horses to automobiles. “Interesting” was an understatement; writing it was eye-opening.
Jane and the Unpleasantness at Scargrave Manoris the first of Stephanie Barron’s 14 Jane Austen mysteries, based on Austen’s “discovered” diaries about her adventures as a sleuth. The series’ witty tone is true to Austen’s, and portrayals of Austen’s family are based in fact. In this opening volume, Jane is visiting a friend “of more fashion than means” newly married a middle aged earl—who dies, poisoned, after a celebratory party. His will divides his estate between his countess and an heir known to be too fond of her, making the pair obvious suspects. As Jane works to prove her friend innocent, the descriptions of aristocratic Regency life, dress, manners, and law are superb.
For everyone who loves Jane Austen...a marvelously entertaining new series that turns the incomparable author into an extraordinary sleuth!
On a visit to the estate of her friend, the young and beautiful Isobel Payne, Countess of Scargrave, Jane bears witness to a tragedy. Isobel's husband—a gentleman of mature years—is felled by a mysterious and agonizing ailment. The Earl's death seems a cruel blow of fate for the newly married Isobel. Yet the bereaved widow soon finds that it's only the beginning of her misfortune...as she receives a sinister missive accusing her and the Earl's nephew of adultery—and murder. Desperately afraid…
My mother was an avid reader of Agatha Christie, and she gave me my first Nancy Drew book when I was nine, so I’ve loved mysteries all my life—not the ‘true crime’ kind, more the ‘cozy village’ kind, where the focus is on the characters and how they solve the mystery because of who they are and how they understand the people around them. After I wrote an historical novel about John Singer Sargent and his friends, I couldn’t stop thinking about them, even hearing their voices continuing to talk—I missed them! So naturally, I decided I’d turn John and his friend Violet into detectives and write mysteries.
Talk about feisty women who advance against tremendous odds! Despite the stultifyingly constrained life of “almost-poor” women in early Victorian England, out in the moor country, the three Brontë sisters (Charlotte, Emily, and Anne) slip around the rules, their father, and manage their wayward but beloved brother—all while being determined to become writers—and solve the occasional murder that happens in their neighborhood. Great period details and fascinating information about these three remarkable sisters, along with a great mystery read. This is the first book in the series.
Before they became legendary writers, Charlotte Brontë, Emily Brontë, and Anne Brontë were detectors in this charming historical mystery...
Yorkshire, 1845. A young wife and mother has gone missing from her home, leaving behind two small children and a large pool of blood. Just a few miles away, a humble parson’s daughters—the Brontë sisters—learn of the crime. Charlotte, Emily, and Anne Brontë are horrified and intrigued by the mysterious disappearance.
These three creative, energetic, and resourceful women quickly realize that they have all the skills required to make for excellent “lady detectors.” Not yet published novelists, they have well-honed imaginations…
My mother was an avid reader of Agatha Christie, and she gave me my first Nancy Drew book when I was nine, so I’ve loved mysteries all my life—not the ‘true crime’ kind, more the ‘cozy village’ kind, where the focus is on the characters and how they solve the mystery because of who they are and how they understand the people around them. After I wrote an historical novel about John Singer Sargent and his friends, I couldn’t stop thinking about them, even hearing their voices continuing to talk—I missed them! So naturally, I decided I’d turn John and his friend Violet into detectives and write mysteries.
This book is a haunting and haunted story of the young Edgar Allen Poe when he was a cadet at West Point in 1830. Already a published poet at that point, young Edgar is a moody and very unlikely candidate for the army, but his inclination for the darker side of human life comes in handy when a cadet is found hanging—with his heart cut out—and Edgar is chosen to help the big city detective who comes on campus to solve the murder. I just learned this was made into a movie! I loved the book, read it years ago, and have never forgotten it—now I’ve got to go get the movie.
**Soon to be a major Netflix film starring Christian Bale and Gillian Anderson**
April 19th, 1831. In two or three hours I'll be dead.
So begins the chilling last testament of Gus Landor, a retired New York City police constable, whose numerous talents include code-breaking, riot control and the 'gloveless interrogation'. A young cadet has been found hanged at a military academy on the shores of the Hudson River. Before his body could be buried, however, it was stolen and his heart brutally carved out.
Fearing a scandal, the top brass at West Point have summoned Landor to help catch…
I made up Faythe of North Hinkapee by being a jerk! I was ranting about
how bad a "best seller" book I had read was. My wife looked at me and
said, "So, could you write a bestseller?" I was challenged, and then,
somehow, this book just tumbled out. It was about a girl in Colonial
Times—her family burned as witches—vowing vengeance and how she gets
it. My wife looked at me and said: “My God, that could be a bestseller!’ My kids also loved the story. For about twenty years, I
planned to write it, and after a ton of work, I finally finished.
I was hooked in the first chapter when the protagonist, Mary Russell, meets Sherlock Holmes, who is retired. There – do I have to say more?
She is a young woman and Sherlock is, well, Sherlock, and yet she matches wits with him while they end up in the middle of a creative and a bit scary Sherlock Holmes-ish tale. I couldn’t wait to get and read the sequels.
In 1915, Sherlock Holmes is retired and quietly engaged in the study of honeybees when a young woman literally stumbles into him on the Sussex Downs. Fifteen years old, gawky, egotistical, and recently orphaned, the young Mary Russell displays an intellect to impress even Sherlock Holmes--and match him wit for wit. Under his reluctant tutelage, this very modern twentieth-century woman proves a deft protegee and a fitting partner for the Victorian detective. But even in their first case together, the pair face a truly cunning adversary who will stop at nothing to put an end to their partnership.
I enjoy authors who craft twisty mystery plots with vivid historical settings filled with memorable characters. I enjoy them even more when they make me laugh out loud. When I read for pleasure, I don’t want books filled with gritty realism or tragic stories. I want a bit of fun, but my dry sense of humor is left wanting by many novels purported to be funny. I often find their main characters either annoyingly frivolous or painfully cynical. Give me intelligent characters, stories filled with hope, and an occasional one-liner that tickles my funny bone. I hope this list has introduced you to authors who do just that.
An unlikely pair fight crime and corruption in second-century Britain.
Meet Ruso and Tilla. He’s an educated, idealistic Roman serving as an army medic with the 20th Legion. She’s a feisty, pragmatic Briton and former slave. Together they fight injustice, solve murders, and share an endearing talent for getting themselves into awkward pickles by misconstruing each other’s intentions.
In Terra Incognito, Ruso travels to the British frontier, where he is the outsider and Tilla the one who understands the rules. Can a tough Roman soldier learn to take advice from his barbarian housekeeper? Can he trust her not to betray him or run away to rejoin her people? Tilla proves trustworthy, and a great crime-fighting partnership is formed.
It is spring in the year of 118, and Hadrian has been Emperor of Rome for less than a year. After getting involved with the murders of local prostitutes in the town of Deva, Doctor Gaius Petreius Ruso needs to get out of town, so has volunteered for a posting with the Army on the volatile border where the Roman-controlled half of Britannia meets the independent tribes of the North. Not only is he going to the hinterlands of the hinterlands, but it his slave Tilla's homeland and she has some scores to settle there. Soon they find that Tilla's…
