100 books like Sense and Sensibility

I once had a history advisor in school whom I informed that I was studying history so I could write fiction better. I saw him cringe a bit at that. Even so, I think that history and fiction–and the mystery–go together well. I am always drawn by mystery dramas–and by the drama of real lives facing and unraveling their way through real events. Of course, that led to graduate studies in cultural and intellectual history, to many years of teaching literature, and to passionate reading of mystery novels. Sparkling fiction and strong narrative history, for me, continue to stimulate a sense of wonder at human experience and this incredible universe we live in.    

Rabbit Hole is about Teddy’s obsession with her sister Angie’s cold-case disappearance. When Angie was alive, she was angry and difficult, but Teddy still misses her. While writing the book, I thought a lot about my relationships with my own sisters and how unique that particular bond is. I love books that capture the at-times-uncomfortable closeness of sisterhood and grapple with its power.

I am the product of biracial parents, and the idea of passing or not has always fascinated me as well as disgusted me. The reasons one would want to pass in this era are much different than the survival aspect my ancestors who passed had to consider in the 19th century. In writing my YA historical novels, being biracial always enters in, no matter the topic, because it is who I am and, in the end, always rears its head for consideration.

I like books about big families, especially unusual ones, but I have only one sister and only one child, so when I set out to write about these families, I read about them first. We place so much importance on how kids are raised, what kind of childhood and home life and family they have growing up, what gifts and what challenges they’re bestowed by genetics, history, identity, society, circumstance. Siblings usually share all or at least most of these markers and yet turn into often wildly different adults. It’s also true that all those fine sibling balances – love/hate, adored/annoyed, admired/appalled, alike/different – are great fun to read and write.

Growing up in the sub-tropics of Brisbane, there was a magic in the heat. It was one that spoke to me from a really young age, and I’d daydream about finding portals to secret worlds in the stutter of a sprinkler’s spray, or the ooze of a monster in mid-afternoon sweat. There was no way I couldn’t find a story in the oppressive swelter of year-round summers, and in my head, I’d cast roles for my family and my friends. Over the years, that bred into a love of writing and reading stories about strange families finding their own sorts of magic with each other and their environments, and the ways that little taste of the uncanny can reveal and conceal in equal measure. 

I like books about big families, especially unusual ones, but I have only one sister and only one child, so when I set out to write about these families, I read about them first. We place so much importance on how kids are raised, what kind of childhood and home life and family they have growing up, what gifts and what challenges they’re bestowed by genetics, history, identity, society, circumstance. Siblings usually share all or at least most of these markers and yet turn into often wildly different adults. It’s also true that all those fine sibling balances – love/hate, adored/annoyed, admired/appalled, alike/different – are great fun to read and write.

Two of my three novels have young women protagonists. I find young adulthood a fascinating time in women’s lives and I enjoy creating a character and putting her in a historical setting. The Second World War offers fertile ground for storytelling, and I grew up south of London after the war. My father’s unpublished memoir, in which he describes an event that he experienced in the war, inspired me to write about it, but I told the story through the eyes of the protagonist, Kate. 

I’ve been fascinated by sisters, siblings, and my place in the family since I was old enough to realize I had an older sister and a younger brother. I asked my parents a lot of questions. Why am I blonde? Why is my sister taller? Lots of questions my parents didn’t have answers for. At school in biology, we studied genes, familial traits, and nature versus nurture. I was fascinated, and still am today. Why does my sister behave the way she does? Why do I? Is it because of our upbringing, or was she just born with an aversion to cheese? I wanted to know the answers. I’m still searching.

I’ve been heavily immersed in the fantasy and sci-fi world since the age of nine, across fiction novels, role-playing games, tabletop miniature gaming, and movies. My first love was fantasy, and that’s one of the reasons why the post-apocalyptic genre particularly appeals to me when it comes to sci-fi. It plays in that dark, gritty place between futuristic, sci-fi, technology, and dark-age style fantasy. In addition, I’ve always felt socially conscious and value writing that highlights themes that are relevant today. This is another place that the post-apocalyptic genre slides comfortably into. And, of course, there’s the zombies. Another fantasy element that works beautifully in post-apocalyptic, sci-fi settings.

I learned to read at four and have been telling stories ever since. Books were my escape from unhappiness into a new and endless world. Left to myself, I’d read ten or so weekly, and my mind was packed with characters, dialogue, jokes, prose, and poetry like an over-brimming literary reservoir. Words are my thing, and I am an avid collector of them. I was reading David Copperfield at eight and specialised in 18th and 19th-century literature at university. I’ve written five books and am working on the sixth. I love writing humour but have also authored Jane Austen Fan Fiction and poetry. Without books, my world is nothing.