Here are 80 books that King Lear fans have personally recommended if you like
King Lear.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
One of the things I love most about fiction is the way it allows you to “be” different people—to experience, think, feel, and behave from inside a particular temperament, worldview, or experience. My very favorite is adding the complexity of multiple perspectives to that magic trick so that you get to live inside two or more people who may be at complete odds with each other. Reading good fiction is an exercise in empathy, and reading good fiction from multiple viewpoints is empathy supercharged. I’ve loved that immersion since I was a little kid who believed there was nothing better than a novel.
This novel is an immersive read with heaps of empathy for all its characters but especially for the two sisters whose perspectives are at the center of the story: the twin who disappears to live a secret life, passing as white, and the twin left behind.
We don’t get the perspective of Stella, the vanished twin, until 14 years after her disappearance, 150 pages into the book. By then, I was fully absorbed in the grief and unanswered questions of the people she’d abandoned, eager to finally know where she’d been all this time and to understand her complex motivations and the emotional and mental toll of relinquishing—and hiding—her racial identity, her community, her sister, and her past. I picked this book up and didn’t put it down until it was done.
THE SUNDAY TIMES TOP BESTSELLER #1 NEW YORK TIMES BESTSELLER
SHORTLISTED FOR THE WOMEN'S PRIZE LONGLISTED FOR THE ORWELL PRIZE
'An utterly mesmerising novel..I absolutely loved this book' Bernardine Evaristo, winner of the Booker Prize 2019
'Epic' Kiley Reid, O, The Oprah Magazine
'Favourite book [of the] year' Issa Rae
The Vignes twin sisters will always be identical. But after growing up together in a small, southern black community and running away at age sixteen, it's not just the shape of their daily lives that is different as adults, it's everything: their families, their communities, their racial identities. Ten years…
Rabbit Hole is about Teddy’s obsession with her sister Angie’s cold-case disappearance. When Angie was alive, she was angry and difficult, but Teddy still misses her. While writing the book, I thought a lot about my relationships with my own sisters and how unique that particular bond is. I love books that capture the at-times-uncomfortable closeness of sisterhood and grapple with its power.
Austen writes sisters like no one else, and the dynamic between tempestuous Marianne and practical Elinor is the template for so many novels that have followed.
Austen keeps the two sisters from becoming caricatures by making them more alike than different, and the love that anchors their relationship is at the heart of the novel.
I first read this as a freshman in college, and I still think about it every time I’m writing sisters. A classic.
'The wit of Jane Austen has for partner the perfection of her taste' Virginia Woolf
Jane Austen's subtle and witty novel of secrets and suppression, lies and seduction, brilliantly portrays a world where rigid social convention clashes with the impulses of the heart. It tells the story of two very different sisters who find themselves thrown into an unkind world when their father dies. Marianne, wild and impulsive, falls dangerously in love, while Elinor suffers her own private heartbreak but conceals her true feelings, even from those closest to her.
My first true religion was being a boy alone in the woods and feeling a deep connection to nature in all its aspects. I felt a connection with all life and knew myself to be an animal—and gloried in it. Since then, I've learned how vigorously humans fight our animal nature, estranging us from ourselves and the planet. Each of these books invites us to get over ourselves and connect with all life on Earth.
I loved how the novel doesn't reveal right away what it is truly about but lets it dawn on you and then invites you into a moving family story. Another tale of humans and apes, it made me feel the joys and repercussions of deep bonds across species and between siblings.
I was moved by a family that begins as a scientific experiment, struggling to find love and justice and what we like to call humanity, though maybe we need to find another word.
The New York Times bestselling author of The Jane Austen Book Club introduces a middle-class American family that is ordinary in every way but one in this novel that won the PEN/Faulkner Award and was a finalist for the Man Booker Prize.
Meet the Cooke family: Mother and Dad, brother Lowell, sister Fern, and Rosemary, who begins her story in the middle. She has her reasons. “I was raised with a chimpanzee,” she explains. “I tell you Fern was a chimp and already you aren’t thinking of her as my sister. But until Fern’s expulsion...she was my twin, my funhouse…
I like books about big families, especially unusual ones, but I have only one sister and only one child, so when I set out to write about these families, I read about them first. We place so much importance on how kids are raised, what kind of childhood and home life and family they have growing up, what gifts and what challenges they’re bestowed by genetics, history, identity, society, circumstance. Siblings usually share all or at least most of these markers and yet turn into often wildly different adults. It’s also true that all those fine sibling balances – love/hate, adored/annoyed, admired/appalled, alike/different – are great fun to read and write.
The sisters in Girls Burn Brighter aren’t related by blood or family or tradition or history. They are sisters in ways much more profound and important and life-changing and path-determining than that. This beautiful novel traverses continents and cultures to prove blood ties and family ties have nothing on sister ties.
'A treat for Ferrante fans, exploring the bonds of friendship and how female ambition beats against the strictures of poverty and patriarchal societies' Huffington Post
An electrifying debut novel - the story of the unbreakable bond between two girls driven apart, and their journeys across continents to find each other again.
Poornima and Savitha, born in poverty, have known little kindness in their lives until they meet as teenagers. When an act of devastating cruelty drives Savitha away, Poornima leaves behind everything she has ever known to find her friend.
Alternating between the girls' perspectives as they face apparently insurmountable…
I’ve become a bit of a Hamlet geek in my adult years, including having a framed poster in my house that features the entire text. The passion, for me, comes from the depth and complexity of the story. It sounds like hyperbole, but there really is always something new to discover. Some years ago, I taught Hamlet in a college writing class. That experience really allowed me to dive into the text and much of the attendant criticism. The academic approach opened up whole new worlds of opinions and perspectives for which I’m very grateful.
This retelling of King Lear from the point of view of the king’s jester (or “Fool”) named Pocket is a fun read, but prepare yourself. If you’re not into bawdy humor, stay away. Personally, I found the vulgar irreverence funny, and seeing the tragic events of the original happen around this character who isn’t really affected by any of it gave the story a unique perspective.
This book is like Shakespeare told by Monty Python after the iconic troop is given the okay to proceed with a hard R-rating. The humor plays in both the small moments and the larger, thematic ones.
This is a bawdy tale. Herein you will find gratuitous shagging, murder, spanking, maiming, treason, and heretofore unexplored heights of vulgarity and profanity,. . . If that's the sort of thing you think you might enjoy, then you have happened upon the perfect story!'
So speaks Christopher Moore, one of America's funniest and bestselling authors, regarded as highly as classic satirists such as Terry Pratchett and Douglas Adams.
Read Fool and discover for yourself why this book has dominated bestseller lists across the world, and why it has reduced millions of grown men and women to tears of helpless laughter...
My mom says I always had my head in a book. In fact, I got in trouble once for reading a questionable book while sitting in the choir stand at church. I’ve always been a reluctant rule-follower. Reading allowed me to explore worlds that I wasn’t allowed to talk about, let alone visit. Even now, as an adult, my life is pretty boring. But the books I read and the stories I write—that’s where it all goes down, baby!
Just wow. The siblings in this book are super-angry with their brother, whose addictions and reckless behavior racked up huge bills, eating through the joint inheritance they were all counting on to deal with their own bad (but perhaps less shameful) behaviors.
I loved the complexity of this book. The bad brother—and let’s be clear that he was definitely a piece of work—was such a scapegoat for everyone else’s issues. I loved learning about the characters’ hidden flaws, watching the hypocrisy unfold, and seeing them all work through their anger and their differing versions of their childhood.
It’s another reminder that people can grow up in the same house with the same parents and take vastly different routes in life.
'I couldn't stop reading or caring about the juicy and dysfunctional Plumb family' AMY POEHLER
'A masterfully constructed, darkly comic, and immensely captivating tale...Cynthia D'Aprix Sweeney is a real talent' ELIZABETH GILBERT
When black sheep Leo has a costly car accident, the Plumb siblings' much-anticipated inheritance is suddenly wiped out. His brother and sisters come together and form a plan to get back what is owed them - each grappling with their own financial and emotional turmoil from the fallout. As 'the nest' fades further from view, they must decide whether they will build their…
Garrett Epps is the author of two published novels and five works of non-fiction about the U.S. Constitution. He graduated from Duke Law School in 1991; since then he has taught Constitutional Law at the American University, the University of Baltimore, Boston College, Duke University, and the University of Oregon. For ten years he was Supreme Court Correspondent for The Atlantic, and covered from close up cases involving the Affordable Care Act, same-sex marriage, and the Trump Administration’s immigration policies. He is now Legal Affairs Editor of The Washington Monthly, and at work on a novel about crime and justice during the years of Southern segregation.
A World War II bomber pilot returns home thoroughly determined to have no more excitement in his life. He settles down in a quiet wills-and-trusts practice. In a dusty file about an unclaimed estate, he sees that a missing heir may be living in Europe. Searching for this heir, he is pulled into Cold War politics, kidnaped, and dragged into Communist Albania, where his fate becomes an international incident. The law overtakes George in a thoroughly believable way; it is an example of why readers fear the law, which may at any moment demand that we sacrifice our comfort, our place in society, and even our very lives.
"A masterful contribution to the literature of international dirty work." - The New Yorker
George Cary, former WWII bomber pilot and newly minted lawyer, reviews the files on the Schneider Johnson case, to make sure nothing has been overlooked. What George discovers connects a deserter from Napoleon's defeated army to a guerrilla fighter in post-war Greece, and leads him into a dangerous situation where his own survival will depend more on what he learned in the army than anything he learned in law school.
As a child, I listened to scary Korean folklore and then devoured all of Grimm’s fairy tales with their themes of good versus evil, disguise and betrayal, sacrifice, and magic. It’s not surprising that as I grew older, my reading tastes skewed toward darkness, mystery, madness, and the uncanny. There’s a penitential aspect to gothic stories, with their superstitious moralism, often with elements of the supernatural manifesting not as monsters but restless spirits—the repressed ghosts of a location’s history. I’ve always been intrigued by the idea of a place absorbing and regurgitating the histories and sins of its occupants, whether it be a town, a house, or both.
This book is not for the faint of heart, but I loved all its disturbing, cyclical layers. Wang’s debut is a darkly mythical tale about inherited madness and sexual obsession.
Spanning decades, from the forties to the seventies, it centers around the Nowaks: David, the schizophrenic heir to a piano maker’s fortune; Jia-Hui (later Daisy), his wife from Taiwan; their son William; and Gillian, David’s daughter from an affair with his former sweetheart, who gives up their child to him and Daisy.
Its complex themes of mental illness, misogyny, and incest are difficult and possibly unpalatable for some. But for me, no subject is taboo if I can glean the humanity within it, and Wang’s prose is so strong and suffused with compassion it kept pulling me in.
A remarkable multigenerational novel, The Border of Paradise transports readers into the world of an iconoclastic midcentury family. In booming postwar Brooklyn, the Nowak Piano Company is an American success story. There is just one problem: the Nowak's only son, David. A handsome kid and shy like his mother, David struggles with neuroses. If not for his only friend, Marianne, David's life would be intolerable. When David inherits the piano company at just 18 and Marianne breaks things off, David sells the company and travels around the world. In Taiwan, his life changes when he meets the daughter of a…
I’m Julia Buckley, a passionate lifelong reader, English teacher, and mystery writer. I gravitated toward mystery as a child when my mom read all the greats of 20th Century Mystery and Romantic Suspense and then passed them on to me. When I became an English teacher, I had the privilege of teaching some of the great Gothic classics like Jane Eyre, Rebecca, and The Castle of Otranto. Teaching these great works and researching the way that all Gothic literature stemmed from Horace Walpole and Ann Radcliffe, I realized that MANY of the books I read are tinged with the Gothic.
No one writes suspense like Ruth Ware! Her books are all compelling page-turners, and yes, she follows my magic formula. All of her heroines are young women who go from a stable existence to some sort of fish-out-of-water situation that creates suspense. In this book, the young narrator, down on her luck, decides to respond to a letter claiming she is an heiress. While she knows that the letter has been sent to her because she bears the same name as the real heiress, she decides to claim the family fortune, or whatever she can get, and then run away.
But when she is introduced to the mysterious family members and finds that there are skeletons in the ancestral closet, she starts to feel trapped. At this point, I am nestling in with the popcorn and Diet Coke because this is the evening’s entertainment. I love the way Ware pushes…
'I read this in two lightning-quick sittings...I absolutely adored it' Lisa Jewell, bestselling author of The Family Upstairs
HAL MUST KEEP GOING OR RISK LOSING EVERYTHING...EVEN HER LIFE.
When Harriet Westaway receives an unexpected letter telling her she's inherited a substantial bequest from her Cornish grandmother, it seems like the answer to her prayers.
There's just one problem - Hal's real grandparents died more than twenty years ago.
Hal desperately needs the cash and makes a choice that will change her life for ever. She knows that her skills as a seaside fortune teller could help her con her way…
I began reading science fiction when I was 8 years old and "borrowed" my father’s library books until, in defense, he got me my own library card. Not only have I spent decades reading SF, I’ve written it as well. As a veteran reader and writer with plenty of kill marks on my fuselage, I'm literally married to the SF mob (Grandmaster Robert Silverberg, is my spouse). I can both walk the walk and talk the talk. And after writing 9 SF novels including a Star Trek Book and reading uncounted SF and F tales, I still think science fiction and fantasy can be a literature of ideas illuminating the human condition.
What happens when Charlie Fitzer, a former journalist and divorcee down on his luck inherits his great-uncle's evil empire?
Hugo Award-winner John Scalzi (Redshirts, Old Man's War) had me at his knowing depiction of cats and their ways of communicating. His other characters aren't bad, either, including the viewpoint character who receives an unexpected and highly daunting inheritance, and most especially Matilda Morrison, a woman of extreme agency. Known for his humorous take on various literary genres, Scalzi here provides action that is laugh-out-loud funny,
It's worth the price of admission just to read his dolphin scenes or the peculiar behavior of mourners at his uncle's funeral, but there's much much more including a clever satirical treatment of deep-state private clubs belonged to by so-called masters of the universe. Light, funny, heart-warming, and inventive.
Locus and Hugo Award-winning author John Scalzi brings us a turbo-charged tale of a family business with a difference - as Charlie discovers when he inherits it. This one comes with a hidden headquarters, minions, talking cats and James Bond-like supervillain rivals.
'Starter Villain establishes Scalzi as SF's leading humourist' - SFX
Warning: supervillain in training. Risk of world domination.
Inheriting his late uncle's business proves complicated. It's also way more dangerous than Charlie could ever have imagined. Because his uncle had kept his supervillain status a secret - until now.
Divorced and emotionally dependent on his cat, Charlie wasn't…
