100 books like Fool

The premise of a fussy angel and a fast-living demon positions the book with humor, which I absolutely loved. As the plot unfolds, we discover that these two figures have been living on Earth for thousands of years and enjoying it. So when the demon receives word that the Apocalypse is upon them, they conspire together to subvert the ancient prophecy that predicts the world's end. LOL

The ingenuity and cleverness of these authors are top-notch, starting with the character names: The demon character is Crawley. If you recall, Satan was made a snake in the Garden of Eden after tempting Adam and Eve. But it doesn’t stop there. Crawley creates a motorway that emanates evil, with all of the issues associated with that. LOL.

Discovering Diana, the reluctant witch who must rediscover herself and her supernatural talents, makes this novel a page-turner of magick and mystery. And I loved how the weave of those two powers pulled in the romance between Diana and Matthew. An added spicy balance that mixes like a brew into the witch and vampire families that are here and from the Otherworld.

I am not a vampire fan, but the magick here is irresistible. It became rather addictive because the witchcraft spells were so illusory that I felt “invited in.” The vampire scenes were a bit nerve-wracking, creating real tension for me. Diana’s journey was perfect, as it kept growing with obsessive and fantastical suspense. I was in their witch-vampire world, which was as frightening as it was compelling. 

I cut my young-adult teeth on the Dragonriders of Pern, and it contributed in large part to my fascination with dragons and subsequent dream of writing about them. McCaffrey’s dragonriders enjoyed such a long-enduring culture that many ancient, efficient ways of surviving were long forgotten to them. But now, while engaged in an unending battle against the thread—small, worm-like creatures invading their planet to prey on its biological matter—the dragonriders learn how severely they have been disadvantaged by the careless lapses in their cultural recordkeeping. This complexly interwoven and expansive cast of characters (which necessitates a glossary) unfolds the mysteries of dragons, dragonriders, and thread in surprising and creatively tangled ways.

Embracing the absurdist nature of this work (which is, of course, a play vs. a novel) is key to both understanding and enjoying it. I personally love how the story holds a mirror up to one of the central themes in Hamlet. The moral question of “should he act?” is replaced by the more existential question: are they (R & G) even capable of acting? Is control of one’s life even an option? 

The destiny vs. free will debate rings strong throughout, resonating with anyone like me who often wonders if outside forces are in charge. With wit and charm, this story can have you contemplating those aspects of your life in which you are more pawn than you’d like to be. 

As the kid who roamed the halls between classes with a book in my hand, I suspect Wraeththu gave my nerd façade an impressive boost: technically an omnibus of three stories, Wraeththu is very thick—in both binding and plot. It follows the emotionally charged and mesmeric tales of a hermaphroditic race that is steadily subsuming the human one in a Darwinian battle for biological perfection. We follow the journeys of a few characters as they navigate the mental and physical growing pains inherent in joining a new race and the wild tribes and communities that have emerged in the wake of their hermaphroditic transformations. Dark, fascinating characters and cultures drive this story to its unusual climax when their true purposes are stunningly revealed.

This book is the first retelling that I remember reading, so in some ways, it’s the standard by which I judge all others. Jane Smiley’s Pulitzer-Prize-winning novel imagines King Lear in a contemporary setting with an aging farmer signing over his land to his three daughters.

What I find most remarkable about this project is how Smiley captures the original play's melancholic spirit. There’s a sense of longing for a different past and sequence of events that might have prevented all this familial heartache. 

I know, I know—the same author. But wait–there’s more! Same protagonist, too! Lear’s Fool Pocket is back in this hilarious revenge sequel that features not only characters and plot from The Merchant of Venice but also Othello. (There’s also a sizeable nod to a Poe story with which I’m not familiar.) The craft of piecing this all together and making it work as a funny, engaging tale is impressive, to say the least.

Moore is a different, escapist type of read for me, and his embracing of Shakespeare in multiple books keeps me curious. Some feel this book has too much going on at the cost of depth, but I didn’t mind riding closer to the surface on this one. 

What I like most about this book is its richly painted characters. The Hamlet parallel serves only as a well-crafted backdrop, and there are virtually zero instances of “clever, matchy-matchy” with Shakespeare’s text. (I hate that. Can you tell?) This book actually is clever (no quotes) in addressing themes of life, mortality, and love.

This story goes beyond Hamlet to enlist the services of other recognizable characters like Macbeth’s three witches. All of this is done with impressive craft and style. I didn’t even mind that it is, at its core, a love story, mainly because love is portrayed as a cog in a wheel that features other themes and how they are all interconnected. 

It’s been a long time since I read an original magic system in a novel, and Stewart’s Locus Award-nominated The Bone Shard Daughter caught me completely off guard!

It was so easy to get lost in the dark, fascinating world, interesting yet flawed characters, and a tale that just won’t let go. 

Who doesn’t love this book? Only those who haven’t read it.

I love the blend of humour and adventure but, in particular, the way that White transforms these characters from mythical figures to real people. And what a story! Which, you may have forgotten, also features an appearance from another legendary British figure: Robin Hood.

Lots of swords in this one.