Here are 66 books that The Serpent of Venice fans have personally recommended if you like
The Serpent of Venice.
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I’ve become a bit of a Hamlet geek in my adult years, including having a framed poster in my house that features the entire text. The passion, for me, comes from the depth and complexity of the story. It sounds like hyperbole, but there really is always something new to discover. Some years ago, I taught Hamlet in a college writing class. That experience really allowed me to dive into the text and much of the attendant criticism. The academic approach opened up whole new worlds of opinions and perspectives for which I’m very grateful.
Embracing the absurdist nature of this work (which is, of course, a play vs. a novel) is key to both understanding and enjoying it. I personally love how the story holds a mirror up to one of the central themes in Hamlet. The moral question of “should he act?” is replaced by the more existential question: are they (R & G) even capable of acting? Is control of one’s life even an option?
The destiny vs. free will debate rings strong throughout, resonating with anyone like me who often wonders if outside forces are in charge. With wit and charm, this story can have you contemplating those aspects of your life in which you are more pawn than you’d like to be.
Acclaimed as a modern dramatic masterpiece, Rosencrantz & Guildenstern are Dead is the fabulously inventive tale of Hamlet as told from the worm’s-eve view of the bewildered Rosencrantz and Guildenstern, two minor characters in Shakespeare’s play. In Tom Stoppard’s best-known work, this Shakespearean Laurel and Hardy finally get a chance to take the lead role, but do so in a world where echoes of Waiting for Godot resound, where reality and illusion intermix, and where fate leads our two heroes to a tragic but inevitable end.
Tom Stoppard was catapulted into the front ranks of modem playwrights overnight when Rosencrantz…
I’ve become a bit of a Hamlet geek in my adult years, including having a framed poster in my house that features the entire text. The passion, for me, comes from the depth and complexity of the story. It sounds like hyperbole, but there really is always something new to discover. Some years ago, I taught Hamlet in a college writing class. That experience really allowed me to dive into the text and much of the attendant criticism. The academic approach opened up whole new worlds of opinions and perspectives for which I’m very grateful.
This retelling of King Lear from the point of view of the king’s jester (or “Fool”) named Pocket is a fun read, but prepare yourself. If you’re not into bawdy humor, stay away. Personally, I found the vulgar irreverence funny, and seeing the tragic events of the original happen around this character who isn’t really affected by any of it gave the story a unique perspective.
This book is like Shakespeare told by Monty Python after the iconic troop is given the okay to proceed with a hard R-rating. The humor plays in both the small moments and the larger, thematic ones.
This is a bawdy tale. Herein you will find gratuitous shagging, murder, spanking, maiming, treason, and heretofore unexplored heights of vulgarity and profanity,. . . If that's the sort of thing you think you might enjoy, then you have happened upon the perfect story!'
So speaks Christopher Moore, one of America's funniest and bestselling authors, regarded as highly as classic satirists such as Terry Pratchett and Douglas Adams.
Read Fool and discover for yourself why this book has dominated bestseller lists across the world, and why it has reduced millions of grown men and women to tears of helpless laughter...
Before fan fiction was popular, I would often daydream about the lives of my favorite book characters. Did Jane Eyre gain more confidence from her inheritance? Did Ponyboy find a way to survive his tragic childhood? Decades later, I gravitate toward retellings, often picking them up simply because I like the source material. Still, when I started working on this list, I realized what a daunting task I’d set myself. There are so many! And I haven’t even read two recently lauded titles: Barbara Kingsolver’s Demon Copperhead and Percival Everett’s James. So hat in my hand, I present these favorites ranging from serious to light-hearted.
This book is the first retelling that I remember reading, so in some ways, it’s the standard by which I judge all others. Jane Smiley’s Pulitzer-Prize-winning novel imagines King Lear in a contemporary setting with an aging farmer signing over his land to his three daughters.
What I find most remarkable about this project is how Smiley captures the original play's melancholic spirit. There’s a sense of longing for a different past and sequence of events that might have prevented all this familial heartache.
This powerful twentieth-century reimagining of Shakespeare's King Lear centers on a wealthy Iowa farmer who decides to divide his farm among his three daughters. When the youngest objects, she is cut out of his will, which sets in motion a chain of events that brings dark truths to light. Ambitiously conceived and stunningly written, A Thousand Acres spins the most fundamental themes of truth, justice, love, and pride into a universally acclaimed masterpiece.
I’ve become a bit of a Hamlet geek in my adult years, including having a framed poster in my house that features the entire text. The passion, for me, comes from the depth and complexity of the story. It sounds like hyperbole, but there really is always something new to discover. Some years ago, I taught Hamlet in a college writing class. That experience really allowed me to dive into the text and much of the attendant criticism. The academic approach opened up whole new worlds of opinions and perspectives for which I’m very grateful.
What I like most about this book is its richly painted characters. The Hamlet parallel serves only as a well-crafted backdrop, and there are virtually zero instances of “clever, matchy-matchy” with Shakespeare’s text. (I hate that. Can you tell?) This book actually is clever (no quotes) in addressing themes of life, mortality, and love.
This story goes beyond Hamlet to enlist the services of other recognizable characters like Macbeth’s three witches. All of this is done with impressive craft and style. I didn’t even mind that it is, at its core, a love story, mainly because love is portrayed as a cog in a wheel that features other themes and how they are all interconnected.
In this lush, magical, queer, and feminist take on Hamlet in modern-day New York City, a neuro-atypical physicist, along with his best friend Horatio and artist ex-fiancé, Lia, are caught up in the otherworldly events surrounding the death of his father.
Meet Ben Dane: brilliant, devastating, devoted, honest to a fault (truly, a fault). His Broadway theater baron father is dead—but on purpose or by accident? The question rips him apart.
Unable to face alone his mother's ghastly remarriage to his uncle, Ben turns to his dearest friend, Horatio Patel, whom he hasn't seen since their relationship changed forever from…
I’ve enjoyed dark fiction ever since I picked up Dracula for school. But I mostly avoided crime and thriller fiction. I couldn’t relate to a rogue detective with an alcohol problem or an FBI agent on the heels of the next Hannibal Lector. Police procedural books just aren’t my thing. But then Gone Girl came out and changed the genre. The domestic suspense subgenre has exploded over the last decade, and now there’s an abundance of books centered around the dangers within our family and friendship circle. And isn’t that the scariest part of life? Serial killers are rare, but domestic violence is, unfortunately, not rare. Where is more dangerous than in our own homes?
If you enjoyed Gone Girl, I’m guessing you have a soft spot for a well-written sociopath. Jane Doe will be right up your street and then some. Jane is the kind of sociopath you can’t help but love. She’s funny, she’s misanthropic and she doesn’t care about what anyone else thinks. But best of all, Jane is on a revenge mission and despite every horrible thing she does, you’ll still love her.
Jane's days at a Midwest insurance company are perfectly ordinary. She blends in well, unremarkably pretty in her floral-print dresses and extra efficient at her low-level job. She's just the kind of woman middle manager Steven Hepsworth likes-meek, insecure, and willing to defer to a man. No one has any idea who Jane really is. Least of all Steven.
But plain Jane is hiding something. And Steven's bringing out the worst in her.
Nothing can distract Jane from going straight for his heart: allowing herself to be seduced…
I love thrillers that give you something to think about, keep you on the edge of your seat and take you to new places. And, although I also like Daniel Silva and Lee Child and Tess Gerritsen et al, I love to find new voices in the thriller genre, especially ones (like mine) that haven’t become household names. And I am especially drawn to thrillers with great prose and great characters. Try some of the books I recommended. You will not be sorry.
I only read this book after watching The American, the movie (starring George Clooney) that was based on this book. And although I loved the movie, the book was even better. I love to travel, especially to Italy, and reading the book is the next best thing to going there.
The prose is elegant, bordering on poetic, and there is an underlying psychological tension that kept my stomach acid bubbling. And being a genre-bending kind of writer, I love to read books that bend genres. This is a thriller, yes, but it also reads like a memoir or literary fiction. Try it.
BASIS FOR THE MAJOR MOTION PICTURE THE AMERICAN, STARRING GEORGE CLOONEY AND DIRECTED BY ANTON CORBIJN
The locals in the Italian village where he lives call him Signor Farfalla--Mr. Butterfly--for he appears to be a discreet gentleman who paints rare butterflies. But as inconspicuous as Farfalla tries to make himself, his real profession is deadly, unbeknownst to the sometime brothel worker, Clara, with whom he sleeps.
Of a certain age, and as his feelings for Clara intensify, Farfalla has resolved to make his next job his last--all the while sensing a treacherous circle closing in on him.
Helen is an ambassador for the Museum of Military Intelligence, a trustee of the Friends of the Intelligence Corps Museum, and a trustee of the Medmenham Collection. Her latest book Spymaster: The Man Who Saved MI6 about one of the greatest spies of the 20th century, was a Daily Mail best biography for 2021. Her history of MI9—the first such history for over 40 years—was shortlisted for The Duke of Wellington Medal for Military History.
This is perhaps an unusual choice in that it focuses on deception outside the sphere of countries usually covered by historians. Bendeck explores the numerous deceptions around D-Day, in a cluster of operations that were known as Plan Bodyguard. He explores the little-known, but vital, Plan Zeppelin which was the largest and most complex of the Bodyguard plans. Plan Zeppelin, in conjunction with A Force’s strategic deception plans in the Mediterranean, succeeded in convincing Hitler to hold back sixty German divisions from southern France and move them to the Balkans in time for D-Day. Focusing on the years 1943 to 1945, Bendeck illuminates how A Force, under the leadership of charismatic Dudley Clarke, orchestrated both strategic and tactical deception plans to create the illusion of military threats by the Allies to German defences and troops across the southern perimeter of Europe. Her book is a nuanced and important…
Among the operations known as Plan Bodyguard, the deception devised to cover the Allies' Normandy landing, was the little known but critical Plan Zeppelin, the largest and most complex of the Bodyguard plans. Zeppelin, in conjunction with the Mediterranean Strategy, succeeded in pinning down sixty German divisions from southern France to the Balkans in time for D-Day. This was the work of "A" Force, Britain's only military organization tasked with carrying out both strategic and tactical deception in World War II. Whitney T. Bendeck's Diversion and Deception finds "A" Force at its finest hour, as the war shifted from North…
As a licensed mental health professional, I once had a client claiming to be demonically possessed, and requested that I get an exorcist to drive the evil spirits out of her body. Instead, I utilized a therapeutic approach to challenge “irrational” beliefs. The problem was gone. I realized that people were prone to strange beliefs and started to read and listen to “experts” who were skeptical in nature. To my surprise, I saw Carl Sagan distinguishing astrology (pseudoscience) from astronomy (science). His talk was clear, convincing, and logical. I was hooked.
Instead of “writing” this book on each subject myself, chapters are written by the most noted experts in the field of the subject matter. Some of the topics include claims of astrology, psychic ability, alternative medicine, after-death communication, psychotherapy, and pseudoscience. Mostly, I’ve never seen people so excited to study critical thinking as when the subject matter involves the paranormal.
Pseudoscience and Deception is a compilation of some of the most eye-opening skeptical articles pertaining to extraordinary claims and pseudoscience. The articles explore paranormal, extraordinary, or fringe-science claims and reveal logical explanations or outline the deceptive tactics involved in convincing the vulnerable. Topics include claims of astrology, psychic ability, alternative medicine, after-death communication, psychotherapy, and pseudoscience. The contributors to this book are among the most accomplished critical thinkers, scientists, and educators in the world and tackle their respective topics from a rational, logical, and skeptical perspective. Most students are seldom excited to study "critical thinking"-with the exception of allegedly paranormal…
I have obsessed with maps my whole life, but I guess the main drive for studying them is my enjoyment of outdoor spaces, as a hiker, a mountaineer, and as a sailor: always with a paper map at hand. If you use GPS (a wonderful innovation) you will not only lose some of your precious orientation abilities but above all you will look less at the environment around you. I feel that paper maps do a great favor to my brain and to my enjoyment of places. The books below are a great tribute to maps; they helped me understand them better, and this affected the way I use them.
Maps lie. In the standard visualization you have on Google Maps, for instance, Greenland is shown as bigger than the whole South American continent, while it is, in fact, smaller than Argentina.
Monmonier did an incredible job unpacking the many surprising ways in which maps lie. My favorite case is the sneaky introduction, by publishing houses, of fake towns in US road maps to track plagiarists (as plagiarists just copy, they do not care about checking). There are so many fun examples in this profound book.
An instant classic when first published in 1991, How to Lie with Maps revealed how the choices mapmakers make--consciously or unconsciously--mean that every map inevitably presents only one of many possible stories about the places it depicts. The principles Mark Monmonier outlined back then remain true today, despite significant technological changes in the making and use of maps. The introduction and spread of digital maps and mapping software, however, have added new wrinkles to the ever-evolving landscape of modern mapmaking. Fully updated for the digital age, this new edition of How to Lie with Maps examines the myriad ways that…
I’m a historian of early modern Europe. I have a particular interest in the history of violence and social relations and how and why ordinary people came into conflict with each other and how they made peace, that’s the subject of my most recent book Enmity and Violence in Early Modern Europe, which compares the entanglement of everyday animosities and how these were resolved in Italy, Germany, France and England. I’m also passionate about understanding Europe’s contribution to world history. As editor of The Cambridge World History of Violence, I explored the dark side of this. But my next book, The Invention of Civil Society, will demonstrate Europe’s more positive achievements.
I love this book because it’s a story about ordinary people. But it’s a true story.
It reads like a fairytale: a peasant, Arnaud du Tilh, is accused of impersonating another man who had abandoned his wife several years before. Arnaud seems to have outwitted the judges until the errant husband returns condemning the impostor to death.
I like this story because it helps to identify with men and women in the past, who in many respects, are just like us. It’s also a piece of great history reconstructed from original trial records. Davis is a great writer.
The clever peasant Arnaud du Tilh had almost persuaded the learned judges at the Parlement of Toulouse when, on a summer's day in 1560, a man swaggered into the court on a wooden leg, denounced Arnaud, and reestablished his claim to the identity, property, and wife of Martin Guerre. The astonishing case captured the imagination of the continent. Told and retold over the centuries, the story of Martin Guerre became a legend, still remembered in the Pyrenean village where the impostor was executed more than 400 years ago.
Now a noted historian, who served as consultant for a new French…
