Fans pick 88 books like Ballet Shoes

Despite draft-stage admonitions from his great friend, the Jesuit priest Ronald Knox, the amount of sex Waugh layers into Brideshead Revisited is surprising for 1945: functionally heterosexual couplings, more given over to class imperatives of property, inheritance and trophy wives, and the tentatively homosexual (depending on interpretation), as located in the awakenings of young adulthood, as sluiced by wine, aesthetic beauty, cigars and Venice in Summer.

But it’s Venice and its architecture that’s the actual location of the full sensual awakening, triggering the protagonist’s eventual journey to Catholicism as he passes time among the Venetian stone of churches… and a fountain: “This was my conversion to the baroque...I felt a whole new system of nerves alive within me, as though the water that spurted and bubbled among its stones was indeed a life-giving spring.” Eroticized Ruskinalia, finally stepping beyond the Anglo-Catholicism of the Oxford Movement.

This is a history of the decade that was published in 1973. What it lacks in the perspective of greater hindsight, it gains in the energy and immediacy that Cockburn brings to the subject. It feels vivid and urgent, and conveys the sense of fear and alarm of that time very well. Parts are almost an eyewitness account. In my reading of history books that deal with the time, this stood out as being accessible and lively. 

The first half of this book is a deep immersion into the shockingly bleak living conditions of 1930s working-class families in the impoverished industrial north of England, then in the grip of the Great Depression. As an Irish person – and given the historic nature of the relationship between the two countries, in which Britain has always been the dominant and powerful one – it was genuinely eye-opening to me to understand how hard life was for ordinary English people.

Orwell’s writing was undertaken from the vantage point of his own experience. He spent months living with families in Lancashire and Yorkshire, and his descriptions of their lives are detailed and very vivid. The second half is an essay about the development of his own political conscience – interesting, but not essential in the way the first half is. 

Christie’s Jane Marple inspired me to write mysteries. As Miss Marple made her starring debut in Murder at the Vicarage, it holds a dear place in my heart.

In quaint St. Mary’s Mead, a man named Colonel Protheroe meets with foul play, and it’s Miss Marple’s keen insights that prove invaluable. Jane Marple may be “of a certain age,” but she’s as sharp as a tack. I admire how Christie plunks the reader right into the story, introducing would-be suspects at a rapid pace, particularly Miss Marple, who takes tea with the Vicar’s younger wife and spills plenty of tea in the process.

This one’s a classic for lovers of traditional mysteries like me!

I’m a sucker for endpapers so, with inside covers that appear browned with age, this book instantly grabbed me. I was even more drawn in by the edges of all pages looking aged, with the book’s title repeatedly running along the bottom of each one like a handwritten footer. Once I was reading, the flavour of classics like those by the Bronte sisters and Jane Austin meant I couldn’t put it down.

Set in the later part of the 20th century, Kate’s story explores self-worth and finding purpose. First-person narrative uses language cleverly. It is easy to read, the voice unpretentious. I felt like I knew Kate. We have so much in common, including the ability to write in the dark and a penchant for taking laneways rather than main roads.

As a young kid reading Dickens for the first time I was mesmerised by this journey into the underworld of Victorian London. I would go on my own imaginary adventures with the Artful Dodger and his gang of thieving street urchins. Years later, when writing my own book about modern street gang members I had the same sense of going on a thrilling journey of discovery and escapades.

Do not be put off by the fact this book, and the others in the Sally Lockhart quartet, are often marketed as children’s/YA literature. Like the best of fiction, they transcend categorisation.

The Ruby in the Smoke introduces us to the indomitable Sally Lockhart, orphaned and forced to uncover the secret behind her father’s death. She’s feisty and fiercely independent, navigating her way in a world where the chips are stacked against her. Pullman provides us with an impeccably researched foray into the 1870s, all wrapped up in a hugely entertaining read. 

It is about courage and standing up for what is right, even in front of people who are bigger and stronger than you are. It is about being the smallest/ youngest person in the room, and still being able to lead – it is about ostensibly having the least power in the room and still being able to lead and persuade others to follow your lead. It is about using your voice.

Sophie is the creator of her own story, she isn’t passive. Valuable lessons, particularly for girls, to learn, so that their voices can always be heard and so that they always have the courage to challenge wrongs and wrongdoing and so help make the world a better place.

I absolutely loved this series! The heroine is a young woman struggling to survive the harsh streets of Victorian England. Caught stealing, Mary Quinn is convicted and sentenced to hang. However, the Agency rescues her from the noose and provides her with an education. In return, she trains to work as an investigative agent among the upper-class society of London. These books expose the realistic darker side of that world, but if you could handle Oliver Twist, you can handle these. Lee captured the mystery and intrigue so brilliantly I could not put them down.

If you are like me, and you are a vehement admirer of both dogs and tales of global destruction, The Last Dog on Earth, is the perfect canine-based/post-apocalyptic book for you! Centered around an expletive-spouting dog named Lineker, and his agoraphobic owner, Reginald, Walker’s story of survival in the dystopian ruins of a future London is at times humorous, dark, and thought-provoking. On an unexpected quest to deliver an orphaned girl to her family, Lineker and his owner are faced with dangers from all angles including riots, murderous government agents, and of course squirrels—the common and hated enemy of dogs across the world. In the end, I found the canine’s ongoing commentary to be both hilarious and spot-on, and if you’re planning to face Armageddon one step at a time, what better way to do than with a faithful and foul-mouthed dog by your side.