Here are 100 books that A Stranger Among Us fans have personally recommended if you like
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I am a Canadian-American writer of Indian heritage, an award-winning novelist and short fiction writer, playwright, and poet. I grew up in Delhi, hearing stories from my maternal grandparents who were refugees during the 1947 Partition of India. So, as my work reflects, Iâm drawn to stories of resilience in the face of cultural conflict, religious upheaval, migration, immigration, and displacement. My MBA is from Marquette University, and my MFA from the University of British Columbia. I am working on another novel.
This Trinidadian writer crosses religious, ethnic, and gender lines to show us the history of slavery in Haiti, Jamaica, Trinidad, Barbados, and Guyana. Adam Avatar reincarnates in different centuries and continents as an Amerindian, a Spanish conquistador, a Portuguese slaver, a Yoruba slave, a female pirate, and a female stick fighter in nineteenth-century Trinidad. To tell his engrossing story, Baldeosingh writes in several historical Englishes, crossing language boundaries, demonstrating how language has changed over time. Along the way, I learned about the different phases of slavery, from the view of the slavers and enslaved. The story invites comparison to indenture, apartheid, and Jim Crow. It was a difficult read, horrific at times. But so was slavery.
This postmodern historical novel addresses power, sex, and the role of the imagination in constructing social realities. Adam Avatar has been, among other incarnations, a Spanish priest, a slave trader, a white indentured servant, and a female pirate. In each incarnation, however, he is killed at age 50 by his nemesis the Shadowman, a fate he hopes to elude in his life as a Caribbean everyman, with the aid of a psychiatrist. The historical periods of his life are vividly portrayed with Joycean grasp of historical voice, examining the wrongs of each period and discovering the malleability of individuals inâŠ
I am a Canadian-American writer of Indian heritage, an award-winning novelist and short fiction writer, playwright, and poet. I grew up in Delhi, hearing stories from my maternal grandparents who were refugees during the 1947 Partition of India. So, as my work reflects, Iâm drawn to stories of resilience in the face of cultural conflict, religious upheaval, migration, immigration, and displacement. My MBA is from Marquette University, and my MFA from the University of British Columbia. I am working on another novel.
Sujata Massey is Indian and German. She has written a whole series of books set in Japan or featuring Japanese characters. This is her seventh featuring investigator Rei Shimura, and is set in Washington DC's restaurant world. Shimura's task: find a Japanese war bride who disappeared 30 years earlier. I love Rei Shimuraâs wry humor and intelligence. My husband founded, and we owned, The Safe House, an espionage-theme restaurant in Milwaukee, so this book resonated with my experience.
The seventh book in Sujata Massey's Agatha and Macavity Awardâwinning mystery series is a witty, suspenseful story that takes its young sleuth into the Washington DC restaurant world.
A dazzling engagement ring and the promise of a fresh start bring antiques dealer and sometime sleuth Rei Shimura to Washington, DC. But just as she's starting to settle down âcatching up with a longâlost cousin and undertaking a lucrative commission furnishing a trendy Japanese restaurant nearby â things begin to go haywire. First, her cousin vanishes from the restaurant's openingânight party, and then Rei is drafted to help find a JapaneseâŠ
I am a Canadian-American writer of Indian heritage, an award-winning novelist and short fiction writer, playwright, and poet. I grew up in Delhi, hearing stories from my maternal grandparents who were refugees during the 1947 Partition of India. So, as my work reflects, Iâm drawn to stories of resilience in the face of cultural conflict, religious upheaval, migration, immigration, and displacement. My MBA is from Marquette University, and my MFA from the University of British Columbia. I am working on another novel.
In 1984, a 15-year old Indo-Canadian Maya travels with her father to India to consign her mother's ashes to the Ganges. Prime Minister Indira Gandhi is assassinated the very day they arrive and Delhi descends into state-sponsored carnage as Sikh men and women are held collectively responsible. Separated from her father, Maya has to find her way home. This novel in verse is by Canadian writing across ethnic and religious lines. As a Sikh, I am familiar with details of the pogrom. Instead of applying the usual Western label of âsenseless violenceâ Ostlere sensitively explores the impact on two ordinary young people.
It is 1984, and fifteen-year-old Maya is on her way to India with her father. She carries with her the ashes of her mother, who recently committed suicide, and arrives in Delhi on the eve of Prime Minister Indira Gandhi's assassination.
Maya is separated from her father and must rely upon the mysterious, kindhearted Sandeep to safely reunite them. As her love for Sandeep begins to blossom, Maya must face the truth about her painful adolescence...if she's ever to imagine her future.
Truth told, folks still ask if Saul Crabtree sold his soul for the perfect voice. If he sold it to angels or devils. A Bristol newspaper once asked: âAre his love songs closer to heaven than dying?â Others wonder how he wrote a song so sad, everyone who heard itâŠ
I am a Canadian-American writer of Indian heritage, an award-winning novelist and short fiction writer, playwright, and poet. I grew up in Delhi, hearing stories from my maternal grandparents who were refugees during the 1947 Partition of India. So, as my work reflects, Iâm drawn to stories of resilience in the face of cultural conflict, religious upheaval, migration, immigration, and displacement. My MBA is from Marquette University, and my MFA from the University of British Columbia. I am working on another novel.
Bombay-born Indo-American Thrity Umrigar tells the story of Anton, a neglected biracial boy adopted into a white family. Umrigar stretches past boundaries of race, class, and gender to bring us a tale of moral choices made from power, helplessness, or the neighborhood we live in â and the uncomfortable truths that ensue. I am always impressed by Umrigarâs transparent prose that allows her story and characters to shine through, but even more so in this novel where her characters are not brown but black or white.
"Everybody's Son probes directly into the tender spots of race and privilege in America. . . . With assured prose and deep insight into the human heart, Umrigar explores the moral gray zone of what parents, no matter their race, will do for love." - Celeste Ng, author of Everything I Never Told You
The bestselling, critically acclaimed author of The Space Between Us deftly explores issues of race, class, privilege, and power and asks us to consider uncomfortable moral questions in this probing, ambitious, emotionally wrenching novel of two families-one Black, one white.
I always felt that Middle Eastern studies is different from other fields of history. Its ever-presence in our life, the news cycle, religious life, political life, yet, because of language barriers and other filters, thereâs a gap in knowledge that is highly conspicuous when forming oneâs opinion. When I started my academic training, I felt like I was swimming in this ocean of histories that were completely unknown to me. I studied the Jewish histories of the region only later in my training and found that this gap is even more visible when talking about the history of Jews in the Middle East, because of misconceptions of antisemitism, the Israel-Palestine conflict, political tilt of media outlet, and more. For me, entering this field was a way to understand long-term processes in my own society, and expand the body of scholarship to enrich the public conversation on top of the academic one.
Haggai Ram was one of my Masterâs thesis advisors. In this book, he shows how the idea of the Iranian threat was developed, partly as a process of Israeli self-reflection. Iranophobia is indispensable for the reader who would like to know about the roots of animosity between Iran and Israel, the history of the imagination of Iran and Israel vis-Ă -vis The West, and critical gaze on Zionism and Jewish Statehood in the Middle East. This book exemplifies the importance of looking beyond filters of mythmaking and the political tendencies of history writing and being on the lookout when reading contemporary history for political persuasions and connections between politics and academia.
Israel and Iran invariably are portrayed as sworn enemies, engaged in an unending conflict with potentially apocalyptic implications.Iranophobia offers an innovative and provocative new reading of this conflict. Concerned foremost with how Israelis perceive Iran, the author steps back from all-too-common geopolitical analyses to show that this conflict is as much a product of shared cultural trajectories and entangled histories as it is one of strategic concerns and political differences.
Haggai Ram, an Israeli scholar, explores prevalent Israeli assumptions about Iran to look at how these assumptions have, in turn, reflected and shaped Jewish Israeli identity. Drawing on diverse political,âŠ
I teach anthropology but find my niche in the blurred zone of history and anthropology. My research interests include South Asian Studies; Historiography; Memory/Forgetting, and Postcolonial Nation, State, and Nationalism. My book Partition as Border-Making draws upon ethnographic details, using oral historical accounts from the Bengal borderland and archival materials. Focusing upon the significance of the mundane in history and its presentness, this research contributes to understanding postcolonial South Asia beyond âindocentrism.â At present, I am co-editing a Bangladesh Reader. In 2021, I jointly conducted a research project on the Partition migrants to Dhaka in partnership with Goethe Institute, Bangladesh.
This book is probably among the first ones written by a Pakistani author on the history of the 1971 war, aka Liberation War of Bangladesh, which thrilled me as a reader. It challenges not only the statist-nationalist accounts of Pakistan but those from India and Bangladesh as well.
Anam, the author, accomplished commendable work by talking to people across the cartographies and bringing up diverse and contradictory perspectives about the pretexts and events of 1971-related politics. While after all these years, both the state and society of Pakistan and Bangladesh remained taboo to each other, such a venture appears to be the silver lining of knowledge sharing between the entities in the two territories.
Unsettling for the conformists, nationalists, and statists, this piece of work is a must-read for everyone interested in the region.
The year 1971 exists everywhere in Bangladesh-on its roads, in sculptures, in its museums and oral history projects, in its curriculum, in people's homes and their stories, and in political discourse. It marks the birth of the nation, its liberation. More than 1000 miles away, in Pakistan too, 1971 marks a watershed moment, its memories sitting uncomfortably in public imagination. It is remembered as the 'Fall of Dacca', the dismemberment of Pakistan or the third Indo-Pak war. In India, 1971 represents something else-the story of humanitarian intervention, of triumph and valour that paved the way for India's rise as aâŠ
Hemingway's Goblet is a rollicking read about a mismatched relationship between a middle-aged commitment-phobic university professor in London and one of his female students, a Korean 15 years younger than him. He is accused of sexually harassing her, but somehow their relationship survives as they join forces to seek toâŠ
I was born in Israel, but spent my formative years in Iran, a country rich in culture, superstition, and a history that is nothing short of an authorâs dream. I also joined a large, colorful family, whose members possessed their own quirks and habits, which my future fictional characters inherited in one or another of my novels. Although the Iran I knew during the reign of the Shah was quite different than the Iran I had to flee at the onset of the Islamic revolution and the arrival of Ayatollah Khomeini, her history remains ever timely, and never ceases to captivate me.
The grandson of an eminent ayatollah and the son of an Iranian diplomat, Hooman Majd offers perspective on Iran's complex and misunderstood culture through an insightful tour of Iranian culture, introducing fascinating characters from all walks of life, including zealous government officials, tough female cab drivers, and open-minded, reformist ayatollahs. It's an Iran that will surprise readers and challenge Western stereotypes.
Hooman Majd, acclaimed journalist and New York-residing grandson of an Ayatollah, has a unique perspective on his Iranian homeland. In this vivid, warm and humorous insider's account, he opens our eyes to an Iran that few people see, meeting opium-smoking clerics, women cab drivers and sartorially challenged presidential officials, among others.
Revealing a country where both t-shirt wearing teenagers and religious martyrs express pride in their Persian origins, that is deeply religious yet highly cosmopolitan, authoritarian yet reformist, this is the one book you should read to understand Iran and Iranians today.
Growing up during the Cold War, I became interested in Communism early. I read about how the Communist International worked to spread the world revolution. Despite its Eurocentrism, Communism appealed to people in Asia, Latin America, and Africa. However, it failed to make meaningful inroads in the Middle East. I wanted to know why. When I trained to become a historian, my curiosity turned towards the Arab world. I decided to combine my two interests and research the history of Arab Communist movements. I discovered a fascinating world of firebrand activists struggling against the tide of nationalism, fascism, and religious bigotry. I hope you find these books as gripping as I did.
This is the go-to book for the early Communist movement in Iran. Unlike the Arab countries of the Middle East, where Communism slowly spread in the early decades of the twentieth century, Iran experienced Communism as Soviet foreign policy in a direct manner. Bordering the Soviet Union, northern Iran was the subject of early attempts to spread the Communist creed in the aftermath of the October Revolution. Zabihâs book tells the story of those early inroads and the Iranian activists supporting the new ideology. The early attempts failed, but by the 1940s, the Communist Tudeh Party had emerged as a popular mass party. Zabihâs narrative is lucid, and his research is based on Soviet and Iranian materials.
I spent over two decades on the front lines of counterterrorism and counterinsurgency, working for many organisations and agencies around the globe. Having survived shootings, bombings, double agents, and kidnap attempts, I now prefer to write about such things rather than experience them! I grew up reading spy thrillers from the likes of Gerald Seymour and Frederick Forsyth and retain a passion for the genre. And thereâs nothing better than reading a new novel, getting lost in the plot, and appreciating the realism or authenticity the author brings to the story. I hope you enjoy the books Iâve recommended that were written by real-life spies.
Another experienced intelligence officer, M.P. Woodward has created a terrific cast of characters for his series that begins with The Handler.
Once again, thereâs a healthy dose of authenticity drawn from Woodwardâs background that helps drive the plot forward.
A CIA operative, Meredith Morris-Dale, is assigned to extract an Iranian nuclear scientist with vital intelligence. The scientist, however, will only agree to the extraction if Meredith's ex-husband and former disgraced CIA paramilitary, John, carries out the operation.
Throw in internal CIA politics, Russian and Iranian spies, and the strained relationship of the divorced couple now working together and you have a terrific plot that races along.
A disgraced former CIA operative must go back in the field with only his ex-wife as his handler in this electrifying thriller from a former intelligence officer.
Meredith Morris-Dale is a CIA case officer and a damn good one...even if this last mission did go terribly wrong. Now she has been summoned back to Langley where she expects to be fired. Instead, she is met by the Deputy Director with stunning news.
A single well-placed CIA mole in Iranâs uranium enrichment program has kept the terrorist nation from building a bomb by sabotaging the performance of their covert centrifuge arrays.âŠ
Love and War in the Jewish Quarter
by
Dora Levy Mossanen,
A breathtaking journey across Iran where war and superstition, jealousy and betrayal, and passion and loyalty rage behind the impenetrable walls of mansions and the crumbling houses of the Jewish Quarter.
Against the tumultuous background of World War II, Dr. Yaran will find himself caught in the thrall of theâŠ
Iâve always been interested in the interconnected lives of women and of womanhood. I find that it's also important to acknowledge the diversity in womenâs experiences in all cultures and points in history. My first academic essay, which was published, was âReevaluating of the Role of Women in Beowulfâ which, in my youth, helped to not only flesh out the historical and contemporary roles women or persons who identify as women have had but also to begin to understand what that means to myself and to those around me. Since then, when writing about women in my numerous stories and novels, I focus on how she exists within her world and how she defines herself.
I enjoyed the presentation of the historical and biographical point of view in this book which follows Forough Farrokhzad from a forced marriage to her life as a poet and filmmaker. The poetry from Forough Farrokhzad itself is used to give insight into her thoughts and desires. Her poem "Sin" was one that I read and re-read at different points during the book because of how it intertwined with the narrative.
LOS ANGELES TIMES BESTSELLER âą A spellbinding debut novel about the trailblazing Iranian poet Forugh Farrokhzad, who defied societyâs expectations to find her voice and her destiny
âA complex and beautiful rendering of [a] vanished country and its scattered people, a reminder of the power and purpose of art, and an ode to female creativity under a patriarchy that repeatedly tries to snuff it out.ââThe New York Times Book Review (Editorsâ Choice)
All through her childhood in Tehran, Forugh Farrokhzad is told that Persian daughters should be quiet and modest. She is taught only to obey, but she always findsâŠ