Here are 100 books that A Stranger Among Us fans have personally recommended if you like
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I am a Canadian-American writer of Indian heritage, an award-winning novelist and short fiction writer, playwright, and poet. I grew up in Delhi, hearing stories from my maternal grandparents who were refugees during the 1947 Partition of India. So, as my work reflects, I’m drawn to stories of resilience in the face of cultural conflict, religious upheaval, migration, immigration, and displacement. My MBA is from Marquette University, and my MFA from the University of British Columbia. I am working on another novel.
This Trinidadian writer crosses religious, ethnic, and gender lines to show us the history of slavery in Haiti, Jamaica, Trinidad, Barbados, and Guyana. Adam Avatar reincarnates in different centuries and continents as an Amerindian, a Spanish conquistador, a Portuguese slaver, a Yoruba slave, a female pirate, and a female stick fighter in nineteenth-century Trinidad. To tell his engrossing story, Baldeosingh writes in several historical Englishes, crossing language boundaries, demonstrating how language has changed over time. Along the way, I learned about the different phases of slavery, from the view of the slavers and enslaved. The story invites comparison to indenture, apartheid, and Jim Crow. It was a difficult read, horrific at times. But so was slavery.
This postmodern historical novel addresses power, sex, and the role of the imagination in constructing social realities. Adam Avatar has been, among other incarnations, a Spanish priest, a slave trader, a white indentured servant, and a female pirate. In each incarnation, however, he is killed at age 50 by his nemesis the Shadowman, a fate he hopes to elude in his life as a Caribbean everyman, with the aid of a psychiatrist. The historical periods of his life are vividly portrayed with Joycean grasp of historical voice, examining the wrongs of each period and discovering the malleability of individuals in…
I am a Canadian-American writer of Indian heritage, an award-winning novelist and short fiction writer, playwright, and poet. I grew up in Delhi, hearing stories from my maternal grandparents who were refugees during the 1947 Partition of India. So, as my work reflects, I’m drawn to stories of resilience in the face of cultural conflict, religious upheaval, migration, immigration, and displacement. My MBA is from Marquette University, and my MFA from the University of British Columbia. I am working on another novel.
Sujata Massey is Indian and German. She has written a whole series of books set in Japan or featuring Japanese characters. This is her seventh featuring investigator Rei Shimura, and is set in Washington DC's restaurant world. Shimura's task: find a Japanese war bride who disappeared 30 years earlier. I love Rei Shimura’s wry humor and intelligence. My husband founded, and we owned, The Safe House, an espionage-theme restaurant in Milwaukee, so this book resonated with my experience.
The seventh book in Sujata Massey's Agatha and Macavity Award–winning mystery series is a witty, suspenseful story that takes its young sleuth into the Washington DC restaurant world.
A dazzling engagement ring and the promise of a fresh start bring antiques dealer and sometime sleuth Rei Shimura to Washington, DC. But just as she's starting to settle down –catching up with a long–lost cousin and undertaking a lucrative commission furnishing a trendy Japanese restaurant nearby – things begin to go haywire. First, her cousin vanishes from the restaurant's opening–night party, and then Rei is drafted to help find a Japanese…
I am a Canadian-American writer of Indian heritage, an award-winning novelist and short fiction writer, playwright, and poet. I grew up in Delhi, hearing stories from my maternal grandparents who were refugees during the 1947 Partition of India. So, as my work reflects, I’m drawn to stories of resilience in the face of cultural conflict, religious upheaval, migration, immigration, and displacement. My MBA is from Marquette University, and my MFA from the University of British Columbia. I am working on another novel.
In 1984, a 15-year old Indo-Canadian Maya travels with her father to India to consign her mother's ashes to the Ganges. Prime Minister Indira Gandhi is assassinated the very day they arrive and Delhi descends into state-sponsored carnage as Sikh men and women are held collectively responsible. Separated from her father, Maya has to find her way home. This novel in verse is by Canadian writing across ethnic and religious lines. As a Sikh, I am familiar with details of the pogrom. Instead of applying the usual Western label of “senseless violence” Ostlere sensitively explores the impact on two ordinary young people.
It is 1984, and fifteen-year-old Maya is on her way to India with her father. She carries with her the ashes of her mother, who recently committed suicide, and arrives in Delhi on the eve of Prime Minister Indira Gandhi's assassination.
Maya is separated from her father and must rely upon the mysterious, kindhearted Sandeep to safely reunite them. As her love for Sandeep begins to blossom, Maya must face the truth about her painful adolescence...if she's ever to imagine her future.
I am a Canadian-American writer of Indian heritage, an award-winning novelist and short fiction writer, playwright, and poet. I grew up in Delhi, hearing stories from my maternal grandparents who were refugees during the 1947 Partition of India. So, as my work reflects, I’m drawn to stories of resilience in the face of cultural conflict, religious upheaval, migration, immigration, and displacement. My MBA is from Marquette University, and my MFA from the University of British Columbia. I am working on another novel.
Bombay-born Indo-American Thrity Umrigar tells the story of Anton, a neglected biracial boy adopted into a white family. Umrigar stretches past boundaries of race, class, and gender to bring us a tale of moral choices made from power, helplessness, or the neighborhood we live in – and the uncomfortable truths that ensue. I am always impressed by Umrigar’s transparent prose that allows her story and characters to shine through, but even more so in this novel where her characters are not brown but black or white.
"Everybody's Son probes directly into the tender spots of race and privilege in America. . . . With assured prose and deep insight into the human heart, Umrigar explores the moral gray zone of what parents, no matter their race, will do for love." - Celeste Ng, author of Everything I Never Told You
The bestselling, critically acclaimed author of The Space Between Us deftly explores issues of race, class, privilege, and power and asks us to consider uncomfortable moral questions in this probing, ambitious, emotionally wrenching novel of two families-one Black, one white.
I always felt that Middle Eastern studies is different from other fields of history. Its ever-presence in our life, the news cycle, religious life, political life, yet, because of language barriers and other filters, there’s a gap in knowledge that is highly conspicuous when forming one’s opinion. When I started my academic training, I felt like I was swimming in this ocean of histories that were completely unknown to me. I studied the Jewish histories of the region only later in my training and found that this gap is even more visible when talking about the history of Jews in the Middle East, because of misconceptions of antisemitism, the Israel-Palestine conflict, political tilt of media outlet, and more. For me, entering this field was a way to understand long-term processes in my own society, and expand the body of scholarship to enrich the public conversation on top of the academic one.
Haggai Ram was one of my Master’s thesis advisors. In this book, he shows how the idea of the Iranian threat was developed, partly as a process of Israeli self-reflection. Iranophobia is indispensable for the reader who would like to know about the roots of animosity between Iran and Israel, the history of the imagination of Iran and Israel vis-à-vis The West, and critical gaze on Zionism and Jewish Statehood in the Middle East. This book exemplifies the importance of looking beyond filters of mythmaking and the political tendencies of history writing and being on the lookout when reading contemporary history for political persuasions and connections between politics and academia.
Israel and Iran invariably are portrayed as sworn enemies, engaged in an unending conflict with potentially apocalyptic implications.Iranophobia offers an innovative and provocative new reading of this conflict. Concerned foremost with how Israelis perceive Iran, the author steps back from all-too-common geopolitical analyses to show that this conflict is as much a product of shared cultural trajectories and entangled histories as it is one of strategic concerns and political differences.
Haggai Ram, an Israeli scholar, explores prevalent Israeli assumptions about Iran to look at how these assumptions have, in turn, reflected and shaped Jewish Israeli identity. Drawing on diverse political,…
I teach anthropology but find my niche in the blurred zone of history and anthropology. My research interests include South Asian Studies; Historiography; Memory/Forgetting, and Postcolonial Nation, State, and Nationalism. My book Partition as Border-Making draws upon ethnographic details, using oral historical accounts from the Bengal borderland and archival materials. Focusing upon the significance of the mundane in history and its presentness, this research contributes to understanding postcolonial South Asia beyond “indocentrism.” At present, I am co-editing a Bangladesh Reader. In 2021, I jointly conducted a research project on the Partition migrants to Dhaka in partnership with Goethe Institute, Bangladesh.
This book is probably among the first ones written by a Pakistani author on the history of the 1971 war, aka Liberation War of Bangladesh, which thrilled me as a reader. It challenges not only the statist-nationalist accounts of Pakistan but those from India and Bangladesh as well.
Anam, the author, accomplished commendable work by talking to people across the cartographies and bringing up diverse and contradictory perspectives about the pretexts and events of 1971-related politics. While after all these years, both the state and society of Pakistan and Bangladesh remained taboo to each other, such a venture appears to be the silver lining of knowledge sharing between the entities in the two territories.
Unsettling for the conformists, nationalists, and statists, this piece of work is a must-read for everyone interested in the region.
The year 1971 exists everywhere in Bangladesh-on its roads, in sculptures, in its museums and oral history projects, in its curriculum, in people's homes and their stories, and in political discourse. It marks the birth of the nation, its liberation. More than 1000 miles away, in Pakistan too, 1971 marks a watershed moment, its memories sitting uncomfortably in public imagination. It is remembered as the 'Fall of Dacca', the dismemberment of Pakistan or the third Indo-Pak war. In India, 1971 represents something else-the story of humanitarian intervention, of triumph and valour that paved the way for India's rise as a…
I began writing Ali’s incredible international odyssey as a film, but once I discovered the epic breadth of his journey, I decided on a book first.
For 3 years I worked intensely with Ali. Not only was it a passionate and personal epic tale about love and loss, overcoming insurmountable odds, endurance and survival, but it hit a chord with readers from all walks of life, bringing understand to why people fled their countries, and help to change attitudes on refugees from fear to compassion. After three years on the road with the book I have now completed the screenplay.
Kooshyar Karimi wrote this stunning memoir so beautifully it blew me away. Now a Sydney-based doctor and writer, he grew up as a Jew in Muslim Iran, hiding his origins from a brutal regime, always with a humorous eye.
It is such a powerful story of survival, torture, and spying, plus forced deceptions and betrayal of others for helping desperate female rape victims. The struggle for redemption and eventual escape make his journey an unforgettable one.
Whilst many stories have come out of Iran in the last few decades, nothing matches the grittiness of this portrayal of life in the crumbling alleyways and damp cellars of an Iranian slum district--the extreme poverty and desperation, and the regular betrayals and compromises, even within families, in the fight for survival. Born on the back seat of a police car in the subzero temperatures of a bleak and icy winter's night, Karimi summons extraordinary and unwavering dedication throughout his childhood to break free of this hopeless existence, culminating in the achievement of his dream to become a surgeon. But…
I’ve always loved to read, but on the other hand, there are few good books by and about Persian Americans. I took it upon myself to begin writing fiction about the Persian-Jewish American experience to preserve a limited historical window that is almost closed. As a third-generation Persian-American, I want readers to enjoy the transition story of an elegant, humorous, and diligent people. I continue to gobble up the literature of the Persian Americans, whether Christian, Muslim, or Jewish. I haven’t run across any works from a Zoroastrian yet, but I’m hoping to!
My favorite line from this book is “When you have been a refugee, abandoned all your loves and belongings, your memories become your belongings.”
I appreciated this book when I read it the first time, and I recently re-read it. Immigrant stories are half-and-half: how it was there, and how it is here. For those of us who are second or third-generation, we rely upon those who remember or record how it was there.
Often those stories focus on only the good things, omitting the trauma. Hakakian wonderfully balances the memories of Iran in its beauty and ugliness. This is an excellent snapshot of revolution-era Iran and how Jews were able to interact with their Muslim neighbors before and after the fall of the Shah.
An emotional, evocative coming-of-age story about one deeply intelligent and perceptive girl’s attempt to find her own voice in prerevolutionary Iran
“An immensely moving, extraordinarily eloquent, and passionate memoir.”—Harold Bloom
Roya Hakakian was twelve years old in 1979 when the revolution swept through Tehran. The daughter of an esteemed poet, she grew up in a household that hummed with intellectual life. Family gatherings were punctuated by witty, satirical exchanges and spontaneous recitations of poetry. But the Hakakians were also part of the very small Jewish population in Iran who witnessed the iron fist of the Islamic fundamentalists increasingly tightening its…
I’ve been fascinated with ancient history since childhood, but really fell in love with the Achaemenids in college while taking classes on Greek history and wondering about the other side’s perspective on familiar stories of the Persian Wars. I was fortunate to get the opportunity to study both Greek and Persian history in graduate school at the University of Chicago, a leading center of scholarship on the Achaemenid world since the Persepolis excavations in the 1930s. Since 2006, I’ve taught in the History department at Christopher Newport University, a liberal arts university in Newport News, Virginia. I’m currently working on my next book, a new history of Persia’s Greek campaigns.
Almost three decades after its original French publication, this magnum opus continues to stand alone as the definitive narrative history of the first Persian empire under the Achaemenid dynasty. Briant’s sweeping account offers countless insights into Persian political history, demolishing dated views of the Persian-Greek wars as the beginning of the empire’s decline, and exploring the resilience of Persian elites and institutions even during the conquest by Alexander of Macedon. But the analysis is hardly limited tohistoire événementielle, and is at its most impressive in the exploration of social and economic conditions and interactions between Iranian officials and settlers and the empire’s diverse subject populations, from Egypt and the Aegean to Central Asia and the Indus valley.
Around 550 B.C.E. the Persian people-who were previously practically unknown in the annals of history-emerged from their base in southern Iran (Fars) and engaged in a monumental adventure that, under the leadership of Cyrus the Great and his successors, culminated in the creation of an immense Empire that stretched from central Asia to Upper Egypt, from the Indus to the Danube. The Persian (or Achaemenid, named for its reigning dynasty) Empire assimilated an astonishing diversity of lands, peoples, languages, and cultures. This conquest of Near Eastern lands completely altered the history of the world: for the first time, a monolithic…
My career has taken me zero millimeters from a large college, Christ Church, to a small, adjacent one, Corpus Christi, in 1971. In my mind, though, I have crisscrossed the world, leaping back in time to late antiquity and the Middle Ages, and nowhere proved more fascinating than Iran, which I have visited twice, in 1998 and 2002. I have written about different facets of its history at the end of antiquity, in particular its dominant role in the India trade and the coming of the Arabs.
Great writers of the past are revered in Iran, none more so than Hafiz. One of the most magical places in the country is the garden around his alabaster tomb in Shiraz. Dominic Brookshank whisks one far from the Western present into an extraordinary world of high culture in Shiraz in the fourteenth century.
He has helped me understand Hafiz’s ghazals, short lyric poems full of cryptic allusions. I am still dumbfounded at what they reveal of small elite gatherings of the court, at which wine is drunk (and praised), and Hafiz casts rapt, homoerotic gazes at young males. What an extraordinary disjunction with ordinary life in the Islamic world!
Despite his towering presence in premodern Persian letters, Shams al-Din Muhammad Hafiz of Shiraz (d. 1390) remains an elusive and opaque character for many. In order to look behind the hyperbole that surrounds Hafiz's poetry and penetrate the quasi-hagiographical film that obscures the poet himself, this book attempts a contextualisation of Hafiz that is at once socio-political, historical, and literary. Here, Hafiz's ghazals (short, monorhyme, broadly amorous lyric poems) are read comparatively against similar texts composed by his less-studied rivals in the hyper competitive, imitative, and profoundly intertextual environment of fourteenth-century Shiraz. By bringing Hafiz's lyric poetry into productive, detailed…
