100 books like Song of a Captive Bird

Growing up during the Islamic Revolution in Iran in 1979, Marji is outspoken and brave and one of several strong female characters in this book who challenges stereotypes and kicks ass. I loved following her political, spiritual, and personal growth.

Persepolis is a much-needed history lesson in the form of a comic book. It deals with heavy themes, but not without a generous dose of humor and heart. My students and I often spent several minutes dissecting one panel—and the last panel made some of us weep. 

If you identify anywhere on the LGBTIQ2+ scale and haven’t heard of Sarah Waters, you’ve likely been living under a rock.

Her debut novel, Tipping the Velvet, is probably better known as the three-part BBC series, but the book is what truly makes the characters come to life. From naïve, small town, oyster-girl in Kent to the life of the London Stage, Waters takes you through Victorian-era England via the point of view of beloved heroine Nan Astley.

If you’re looking for a sexy, sensuous, and downright gritty novel about what life was truly like for a ‘tom’ growing up and coming out in the nineteenth century, this is the book.

This 1925 autobiographical novel dropped me into the middle of New York’s Lower East Side Jewish neighborhoods in the early 20th century. The main character has a life of substantial struggle with and against her family, employers, landlords, and an American society that seems intent on erasing her.

While the book has elements of both a classic immigrant story and a coming-of-age tale, I love how it reveals the realities of urban living for a young immigrant woman. The pace and practices of making a home in a too-small space, getting by on minimal resources, scrumming for work, and avoiding harassment fill this book’s chapters. As a social and cultural historian, reading about daily activities–both struggles and joys–in a different time and place helps fire my imagination about not just what happened but how it might have felt to experience it.  

I think the title pulled me toward this book. I knew it was about a carpetmaker in 17th-century Persia, and I guessed that the blood of flowers might refer to the dye used to color the wool for the rugs.

I found this way of describing dye to be extremely evocative. As it turns out, that was only the beginning of my fascination with this beautiful book. Following a young woman in the beautiful city of Isfahan, I had no idea that I would learn so much about the process of making carpets. I even found myself looking up ancient and medieval Persian carpet photos online (they’re amazing!).

The protagonist manages to do some extremely stupid things, and at one point, I found myself yelling at her. But she matures. That character development from an immature and reckless young girl to a strong, self-reliant woman was really lovely to experience. 

This is a memoir by a 32-year-old Iranian-American journalist who, in 2009, was accused and sentenced to 8 years in Evin Prison for being an American spy. Paraphrasing my review in The San Francisco Chronicle, Saberi's skillful reconstruction of dialogue leads to a spot-on chronicle of the paranoia and utter buffoonery of the Iranian government and its apparatchiks. I was especially impressed by the way she survives her time in solitary confinement – the resources of her mind that keep her sane. Beyond that, this memoir is a kind of coming-of-age story for those of us in the diaspora who can be a bit naïve about how safe we are as journalists and US citizens in dictatorships. Saberi is freed after 4 months, thanks to international pressures, but she’s haunted by those she met in prison who are left behind. 

Five Iranian women of very different backgrounds come together in a lush Persian garden outside Tehran. We learn their stories, their dreams, their hopes. The central theme is as the title suggests: what would a world without men be like? How would life away from the narrow gender-defined roles of an oppressive patriarchal system work? If you like magical realism, there is plenty here, and it’s beautifully rendered. Because of her writing, the author spent many years in prison under the Islamic Republic. Yet she never stopped writing. I think she should be considered for the Nobel Prize in literature. This novel was also made into a film.

Where do I start? Breasts and Eggs is a fantastic example of contemporary Japanese literature.

The main character comes from a broken family that saw her mother die early. She feels that she is getting older and that if she is to ever have children she must act soon. But that’s only one small facet of this richly-drawn protagonist.

The novel also takes some great shots at the publishing industry, which, as a novelist, I found quite enjoyable. But most interesting is the history of this book. Kawakami originally wrote the first part as a novella, which was published in 2008.

Breasts and Eggs, published in 2019, saw her rewriting that novella and adding a second part to continue the story. If I have a favorite contemporary Japanese writer, it’s Mieko Kawakami.

Alice Walker is one of my constant and favorite authors and I find myself re-reading her works often. I was fortunate enough to be part of a discussion of this book with Alice Walker present and was in awe of how forthright she was. Gathering Blossoms Under Fire is a collection of her journals that shared such intimate moments from her life.

I have immense admiration for Ava Homa, the first female Iranian Kurd to publish in English. Her novel is part political expose, part history, and part feminist coming-of-age story, all wrapped up in a nail-biter of an adventure. The narrator is a woman, adding unexpected plot twists. Given the repression faced by Kurds in Iran, and the wall of silence maintained by the regime, Homa’s book is an important and courageous plea to the world for empathy and action -- plus it’s a downright riveting read.

This novel was banned in Iran and published outside of it by a renowned Iranian author who grew up in a village and moved to Tehran, where he became a prominent writer and political prisoner. It lends a surreal and personal perspective to the Iranian Revolution and the Iran-Iraq War – the two most dramatic and formative events in the Islamic Republic’s forty-year existence. It tells the haunting and heart-wrenching story of an unnamed and disgraced former army colonel, who futilely tries to keep his mind intact and his family together during this tumultuous period. The novel poignantly demonstrates how the revolution and war tore individuals and their loved ones apart to the point of madness and death. It is a microcosm of the deep-seated dissonance and disillusionment that Iranians have experienced over aspirational nationalism and piety, on one side, and endemic fragmentation and repression, on the other. A difficult… show more.