Here are 100 books that Nine Nights of Power fans have personally recommended if you like
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I’ve been intrigued by the Hindu goddess traditions since I first read Is the Goddess a Feminist as an undergraduate student. After reading this book, I changed my course of study and life, writing my Ph.D. dissertation and my first few books on Indian goddess traditions. Now, I continue to share my passion for Indian goddesses as a professor of Religious Studies at the University of Arizona.
This is my favorite book on Indian/Hindu goddesses. Even after all these years, I believe it to be the erudite and accessible book that portrays the complexity of goddesses and their relationships with devotees. Each time I re-read the book, I glean additional insights into India, Hinduism, and the ways that the sacred feminine shapes the lives of people in the Northeast region of India.
The worship of Devi (the Goddess) is one of the most vigorous and visible religious phenomena in northwest India today. This study uses interviews, participant observations, and textual analysis to explore the nature of the Goddess and her devotees' experience of her.
I’ve been intrigued by the Hindu goddess traditions since I first read Is the Goddess a Feminist as an undergraduate student. After reading this book, I changed my course of study and life, writing my Ph.D. dissertation and my first few books on Indian goddess traditions. Now, I continue to share my passion for Indian goddesses as a professor of Religious Studies at the University of Arizona.
This book served as my entry point to Indian goddess traditions. It examines a millennia-old tradition alongside the modern concept of feminism. What emerges is a nuanced and complicated set of essays that challenges my understanding of goddesses and their relation to women and men. At the end of the day, I walk away with a greater appreciation for both goddesses and feminism.
In India, God can be female. The goddesses of Hinduism and Buddhism represent the largest extant collection of living goddesses anywhere on the planet. Feminists in the West often draw upon South Asian goddesses as theological resources in the contemporary rediscovery of the Goddess. Yet, these goddesses are products of a male supremacist society. What is the impact of powerful female deities--their images, projections, textuality, and history--on the social standing and psychological health of women? Do they empower women, or serve the interests of patriarchal culture? Is the Goddess a Feminist? looks at the goddesses of South Asia to address…
I’ve been intrigued by the Hindu goddess traditions since I first read Is the Goddess a Feminist as an undergraduate student. After reading this book, I changed my course of study and life, writing my Ph.D. dissertation and my first few books on Indian goddess traditions. Now, I continue to share my passion for Indian goddesses as a professor of Religious Studies at the University of Arizona.
This book takes an interesting approach to regional goddesses in India by looking at the seeds of their cults and how they grow and flower into powerful traditions in lived and literary traditions. I particularly love this approach because it not only spans the different regions of India, but it also spans the scope of time connecting ancient and medieval traditions with pan-Indian and local understandings of the goddess.
Imagining the divine as female is rare-even controversial-in most religions. Hinduism, by contrast, preserves a rich and continuous tradition of goddess worship. A Garland of Forgotten Goddesses conveys the diversity of this tradition by bringing together a fresh array of captivating and largely overlooked Hindu goddess tales from different regions. As the first such anthology of goddess narratives in translation, this collection highlights a range of sources from ancient myths to modern lore. The goddesses featured here battle demons, perform miracles, and grant rare Tantric visions to their devotees. Each translation is paired with a short essay that explains the…
I’ve been intrigued by the Hindu goddess traditions since I first read Is the Goddess a Feminist as an undergraduate student. After reading this book, I changed my course of study and life, writing my Ph.D. dissertation and my first few books on Indian goddess traditions. Now, I continue to share my passion for Indian goddesses as a professor of Religious Studies at the University of Arizona.
This book is not only a deep scholarly engagement with the world of art collection and Hindu goddesses, but it also reads like a mystery novel. Kaimal took me on a journey from India, the home of the images/works of art under discussion, through their disparate journeys in the shadowy world of international art collecting and sales. It made me understand how the modern museum is stocked with images taken from active sites of religious practice.
Scattered Goddesses: Travels with the Yoginis is a book about the lost home, the new homes, and the journeys in between of nineteen sculptures that now reside in at least twelve separate museums across North America, Western Europe, and South India. After piecing together what these goddesses and their former companions might have meant when they were together in tenth-century South India, Kaimal traces them into the hands of private collectors and public museums as these objects became more thoroughly separated from each other with each transaction. In the process of export and purchase, and in the hostile as well…
My debut duet came out of necessity to handle the grief of losing our first child almost thirty years ago. As part of my writing journey, I searched for stories by people like me, migrants who draw on their upbringing and living with their heritage in their adopted country. One thing I came across was the use of the language, the food, and the many family gatherings and music. I enjoyed reading of people from all communities and liked exploring new cultures and these books do just that for me. They take me to families who embrace the joy of their life in a foreign land.
Bhog’s Sehgal saga takes you to the world of India’s mega-rich. Kabier Sehgal returns to India to take over the running of Sehgal Systems from his grandfather, Janak Sehgal. Janak is a loveable grandfather figure, who keeps a close eye on his grandchildren and is a mentor to many of their friends too. Keya Karia is one of the trio known as Janak’s Angels, the other being Sheena Sehgal and Raashi Dewan. In this enemy-to-lover romance, Kabier suspects Keya of selling company secrets, but their instant chemistry plays havoc with their lives. As Sheena’s wedding nears, they admit their feelings. Bhog’s books take you to the world of found families and the joy of lifelong friendships and to the world of crazy rich South Asians.
"A must reader for all the romantic people out there." - Amazon Reader
Enter a world of glamour, wealth and beautiful people. Enter the world of the Sehgals!
He made a mistake and now he will pay the price for it...with his heart. KABIER SEHGAL, scion of the Sehgal empire, has returned to India to take over the helm of his companies from his grandfather. His first mission is to find out who is selling his company's secrets. When the suspicion falls on KEYA KARIA, he decides to work closely with her to expose her fraud. He accuses her of…
I was born and raised in Mumbai, India, and as a kid I loved to read. But I never saw myself—an Indian girl like me—represented in children’s books before. I didn’t realize how much it affected me until I began writing my first novel at age 23. When I did, I wrote the entire first draft with white characters and set it in a western country. I believed my Indian culture and my experience as an Indian kid was not worth writing about. I was so wrong! Now, with the novels I write, I’m passionate about representation, especially South Asian representation because all kids deserve to see themselves and their cultures in the books they read.
I absolutely adore stories where a seemingly innocuous vacation turns on its heels into a gripping, out-of-this-world adventure. And this book is exactly that! When Ash (Ashoka) Mistry, an Indian mythology geek who lives in England, visits his aunt and uncle in Varanasi, the holy city of the Ganges in India, strange occurrences begin to happen, and Ash discovers that heroes and monsters of Indian myths have come back to life. Top that up with one character wanting to bring back Ravana, the demon king with ten heads and the ultimate essence of evil, and you have an adventure that’s got you at the edge of your seat!
Breathtaking action adventure for 8 to 12-year-olds. Ash Mistry, reluctant hero, faces ancient demons... and comes into an astonishing, magical inheritance.
Varanasi: holy city of the Ganges.
In this land of ancient temples, incense and snake charmers...
Where the monsters and heroes of the past come to life...
One slightly geeky boy from our time... IS GOING TO KICK SOME DEMONS BACK TO HELL.
Ash Mistry hates India. Which is a problem since his uncle has brought him and his annoying younger sister Lucky there to take up a dream job with the mysterious Lord Savage. But Ash immediately suspects…
As an Indian writer of contemporary fiction revolving around family, relationships, emotions, and hope, I am constantly on the lookout for similar novels to take inspiration from them and learn how to build beautiful, well-etched characters and portray heart-wrenching emotions. I love books that make me cry as they give me a fulfillment like nothing else. I love characters that are likable and make me feel a strong connection with them. And I like to write similar characters in my books as well. The readers of my novel The Fragile Thread of Hope have corroborated the same. I live in Gangtok, a hill station in northeast India.
Set in South India in the 1950s, this is a story of Meera, Manuel, and Shankar—three conflicted souls, each with secrets that can destroy the other. It is a beautiful novel showing how one can become a prisoner of one's secrets and live compromised lives. The descriptions are so hauntingly vivid that they will remain etched in my mind forever. I loved the narration and the poetic language, and the bittersweet ending was like icing on the cake.
A most unusual story of love.Do relationships built upon the one foundation that relationships must never be built on – secrets – really crumble?Set in South India in the 1950s, this is the story of Meera, Manuel, and Shankar – three conflicted souls each with secrets that can destroy the other.A story told in a way where you, the reader, are privy to the secrets, and made part of the conflict as you watch the story unfurl into consequences that arise when one becomes a prisoner of their secret.
I have for over fifty years studied and written about the Indian nationalist movement, examining it from many different angles. I lived and worked for many years in India. I have throughout had an appreciative but often troubled relationship with Gandhi – admiring him for much of what he stood for, while finding it hard to accept many of his beliefs and actions. This will be apparent to anyone reading the books that I have written. Despite this, I have a deep respect for a man who was undoubtedly a towering figure in twentieth-century history.
Although I contributed to this volume, I am recommending it not because of that but because it has a couple of excellent chapters on Gandhi. Best known is Shahid Amin’s, "Gandhi as Mahatma: Gorakhpur District, Eastern UP, 1921-2". In this, he examines Gandhi’s fleeting visit in February 1921 to Gorakhpur District, a largely rural area close to the border with Nepal – showing how this visit was understood by the local peasantry. Many tales circulated, many of which involved the idea that Gandhi had the power of rewarding those who accepted his message and punishing those who did not in supernatural ways. The chapter provides a superb analysis of the ways in which his message was filtered and changed in ways that Gandhi himself not only had no part in, but which he – when brought to his notice – repudiated. The chapter by Partha Chatterjee, "Gandhi and the Critique…
This third volume in the "Subaltern Studies" series contains essays and discussion pieces designed to promote a systematic and detailed discussion of subaltern themes in the field of South East Asian studies and research.
I teach anthropology but find my niche in the blurred zone of history and anthropology. My research interests include South Asian Studies; Historiography; Memory/Forgetting, and Postcolonial Nation, State, and Nationalism. My book Partition as Border-Making draws upon ethnographic details, using oral historical accounts from the Bengal borderland and archival materials. Focusing upon the significance of the mundane in history and its presentness, this research contributes to understanding postcolonial South Asia beyond “indocentrism.” At present, I am co-editing a Bangladesh Reader. In 2021, I jointly conducted a research project on the Partition migrants to Dhaka in partnership with Goethe Institute, Bangladesh.
Reading Guha was an eye-opening experience for me for at least two reasons. One, he was the founding figure of subaltern historiography; and two, abandoning the colonial knowledge project, he introduced a whole new horizon of South Asian studies to his readers. First by acknowledging and then by understanding the consciousness and politics of the colonial marginal, Guha explored peasant insurgency in a new light.
In his battle against colonialist and nationalist historiographies, Guha also distanced himself from his Marxist colleagues in history.
This classic work in subaltern studies explores the common elements present in rebel consciousness during the Indian colonial period. Ranajit Guha-intellectual founder of the groundbreaking and influential Subaltern Studies Group-describes from the peasants' viewpoint the relations of dominance and subordination in rural India from 1783 to 1900. Challenging the idea that peasants were powerless agents who rebelled blindly against British imperialist oppression and local landlord exploitation, Guha emphasizes their awareness and will to effect political change. He suggests that the rebellions represented the birth of a theoretical consciousness and asserts that India's long subaltern tradition lent…
From my days as a student in India in the early 1970s through my years in the U.S. Foreign Service with postings in Pakistan, Bangladesh, and Kenya, as well as assignments to the India, Kenya, and Uganda desks at the Department of State, I learned something of the cultures of South Asia and East Africa and gained an appreciation for the peoples of those countries. During the early months of the Covid-19 pandemic, I had the time to write. I developed a novel that was part autobiography and part fiction, and most of which was set in South Asia and East Africa. The result is Danger and Romance in Foreign Lands.
During my student days in the early 1970s, I travelled throughout North India by train and country bus, often staying in the countryside in former colonial rest houses from days of British rule in India. I tried to imagine what it was like for the British East India Company officials before 1857, and then for the British colonial officials who replaced the company officers after the Indian Sepoy Mutiny.The Siege of Krishnapurvividly recreates the 1857 mutiny from the perspective of British company officials and their families trapped by the local soldiers they had employed.
Farrell used a diary and letters from those besieged in the real city of Lucknow to illustrate the horrors of hunger, impending rape, torture, and eventual death that many of the British faced. The scenes are graphic, and the portrayals of the relationships among those trapped have stayed with me for years. The novel…
In the Spring of 1857, with India on the brink of a violent and bloody mutiny, Krishnapur is a remote town on the vast North Indian plain. For the British there, life is orderly and genteel. Then the sepoys at the nearest military cantonment rise in revolt and the British community retreats with shock into the Residency. They prepare to fight for their lives with what weapons they can muster. As food and ammunition grow short, the Residency, its defences battered by shot and shell and eroded by the rains, becomes ever more vulnerable.
