Here are 100 books that Ash Mistry and the Savage Fortress fans have personally recommended if you like
Ash Mistry and the Savage Fortress.
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Middle grade always takes a big portion of my TBR pile. I love the hopefulness that kids this age have. And for a child reader, a book can be a way to work out big emotions in a place far removed from their own life. I love the function of a portal in taking the reader that much further away from their reality. As a child, the fantasy A Wrinkle in Time got me through a difficult period. This love of fantasy and children’s literature is the reason I started writing in the first place. And why I got an MFA in writing specifically for children and young adults.
This is a “big” book in that it is reminiscent of Rick Riordan’s Percy Jackson series.
It is epic in scope, in action, and in humor—it is laugh-out-loud funny! The portals are many and, to further complicate things, have guardians. I loved the mixture of Hindu mythology with modern-day references (there are a lot!) along with a very modern kid sensibility. A thrill ride of an adventure.
Best-selling author Rick Riordan introduces this fantasy adventure by New York Times best-selling author, Roshani Chokshi, inspired by the great epics she grew up on.
Named one of 100 Best Fantasy Books of All Time by Time magazine!
Twelve-year-old Aru Shah has a tendency to stretch the truth in order to fit in at school. While her classmates are jetting off to family vacations in exotic locales, she'll be spending her autumn break at home, in the Museum of Ancient Indian Art and Culture, waiting for her mom to return from her latest archeological trip. Is it any wonder that…
I was born and raised in Mumbai, India, and as a kid I loved to read. But I never saw myself—an Indian girl like me—represented in children’s books before. I didn’t realize how much it affected me until I began writing my first novel at age 23. When I did, I wrote the entire first draft with white characters and set it in a western country. I believed my Indian culture and my experience as an Indian kid was not worth writing about. I was so wrong! Now, with the novels I write, I’m passionate about representation, especially South Asian representation because all kids deserve to see themselves and their cultures in the books they read.
Easy. Because the protagonist, Pinki, is a fire-breathing rakkhosh a.k.a demon. Need I say more? This book was so much fun to read because you are rooting for a rakkhosh who is trying to control her fire breathing powers while she must protect the Moon Maiden and save the demon realm from snake oppressors. Apart from being an incredible adventure with witty and hilarious dialogue, Sayantani DasGupta expertly weaves in commentary about colonialism and the effects it has on a land and its people.
From New York Times bestselling author Sayantani DasGupta comes the story of a demon who must embrace her bad to serve the greater good.
Pinki hails from a long line of rakkhosh resisters, demons who have spent years building interspecies relationships, working together to achieve their goal of overthrowing the snakey oppressors and taking back their rights. But she has more important things to worry about, like maintaining her status as fiercest rakkhosh in her class and looking after her little cousins. There is also the teeny tiny detail of not yet being able to control her fire breathing and…
I was born and raised in Mumbai, India, and as a kid I loved to read. But I never saw myself—an Indian girl like me—represented in children’s books before. I didn’t realize how much it affected me until I began writing my first novel at age 23. When I did, I wrote the entire first draft with white characters and set it in a western country. I believed my Indian culture and my experience as an Indian kid was not worth writing about. I was so wrong! Now, with the novels I write, I’m passionate about representation, especially South Asian representation because all kids deserve to see themselves and their cultures in the books they read.
Farah and her two best friends get sucked into a Jumanji-inspired mechanical board game called The Gauntlet of Blood and Sand and it’s up to them to defeat the villainous architect of the game and save themselves and all those trapped inside. This fantasy story set in a Middle Eastern and Bangladeshi-inspired world is nail-biting to say the least and Karuna Riazi’s lush prose with descriptions of taste and smell transported me straight into the story and deadly game (and also left me very hungry!). Besides, when there are red scorpions, grease monkeys, and sand cats who wouldn’t want to join in this captivating adventure?
A trio of friends from New York City find themselves trapped inside a mechanical board game that they must dismantle in order to save themselves and generations of other children in this action-packed debut that's a steampunk Jumanji with a Middle Eastern flair.
Nothing can prepare you for The Gauntlet...
It didn't look dangerous, exactly. When twelve-year-old Farah first laid eyes on the old-fashioned board game, she thought it looked...elegant.
It is made of wood, etched with exquisite images-a palace with domes and turrets, lattice-work windows that cast eerie shadows, a large spider-and at the very center of its cover,…
I was born and raised in Mumbai, India, and as a kid I loved to read. But I never saw myself—an Indian girl like me—represented in children’s books before. I didn’t realize how much it affected me until I began writing my first novel at age 23. When I did, I wrote the entire first draft with white characters and set it in a western country. I believed my Indian culture and my experience as an Indian kid was not worth writing about. I was so wrong! Now, with the novels I write, I’m passionate about representation, especially South Asian representation because all kids deserve to see themselves and their cultures in the books they read.
Jinn. A sleep spell. A mystical land. A piece of the moon hurtling towards Earth. An ancient prophecy. And my favorite—a tale of siblings. What sets this book apart from other fantasy novels is that when Amira and her younger brother Hamza are tasked to save the world from the wrath of terrifying jinn, devs, and ghuls, they use science and logic instead of magic to win. This book is full of relatable references and hilarious puns while Amira is a budding feminist. What’s not to love in this riveting story of legend, science, history, adventure, and humor?
From bestselling author Samira Ahmed comes a thrilling and magical adventure intertwining Islamic legend and history, perfect for fans of Aru Shah and the Land of Stories.
On the day of a rare super blue blood moon eclipse, twelve-year-old Amira and her little brother, Hamza, can’t stop their bickering while attending a special exhibit on medieval Islamic astronomy. While stargazer Amira is wowed by the amazing gadgets, a bored Hamza wanders off, stumbling across the mesmerizing and forbidden Box of the Moon. Amira can only watch in horror as Hamza grabs the…
Nicholas Jubber has written for the Guardian, Irish Times and Telegraph, amongst other publications. He has won the Dolman Travel Book Award, for which he has been shortlisted three times, and his books have been picked by National Geographic, Wanderlust and the New York Times, amongst other publications, for their books of the year.
The scale of this ancient Indian epic is off the charts, fusing Hindu iconography with story beats of startling familiarity. Monkeys build a bridge between India and Sri Lanka, an army of demons takes on the vanguard of the gods and the villain is felled by a celestial bow. An influence on storytelling down the ages – notably Star Wars – it’s a tale as exciting as it is charming, with a surprisingly downbeat coda, as Queen Sita discovers that being rescued by her divine husband isn’t enough to survive the prejudices of her age.
Which version to read? Arshia Sattar’s 1996 translation is available in Penguin translation. I can’t testify to its accuracy, but it’s a magnificent read.
One of India's greatest epics, the Ramayana pervades the country's moral and cultural consciousness. For generations it has served as a bedtime story for Indian children, while at the same time engaging the interest of philosophers and theologians. Believed to have been composed by Valmiki sometime between the eighth and sixth centuries BC, the Ramayana tells the tragic and magical story of Rama, the prince of Ayodhya, an incarnation of Lord Visnu, born to rid the earth of the terrible demon Ravana. An idealized heroic tale ending with the inevitable triumph of good over evil, the Ramayana is also an…
My debut duet came out of necessity to handle the grief of losing our first child almost thirty years ago. As part of my writing journey, I searched for stories by people like me, migrants who draw on their upbringing and living with their heritage in their adopted country. One thing I came across was the use of the language, the food, and the many family gatherings and music. I enjoyed reading of people from all communities and liked exploring new cultures and these books do just that for me. They take me to families who embrace the joy of their life in a foreign land.
Bhog’s Sehgal saga takes you to the world of India’s mega-rich. Kabier Sehgal returns to India to take over the running of Sehgal Systems from his grandfather, Janak Sehgal. Janak is a loveable grandfather figure, who keeps a close eye on his grandchildren and is a mentor to many of their friends too. Keya Karia is one of the trio known as Janak’s Angels, the other being Sheena Sehgal and Raashi Dewan. In this enemy-to-lover romance, Kabier suspects Keya of selling company secrets, but their instant chemistry plays havoc with their lives. As Sheena’s wedding nears, they admit their feelings. Bhog’s books take you to the world of found families and the joy of lifelong friendships and to the world of crazy rich South Asians.
"A must reader for all the romantic people out there." - Amazon Reader
Enter a world of glamour, wealth and beautiful people. Enter the world of the Sehgals!
He made a mistake and now he will pay the price for it...with his heart. KABIER SEHGAL, scion of the Sehgal empire, has returned to India to take over the helm of his companies from his grandfather. His first mission is to find out who is selling his company's secrets. When the suspicion falls on KEYA KARIA, he decides to work closely with her to expose her fraud. He accuses her of…
I have for over fifty years studied and written about the Indian nationalist movement, examining it from many different angles. I lived and worked for many years in India. I have throughout had an appreciative but often troubled relationship with Gandhi – admiring him for much of what he stood for, while finding it hard to accept many of his beliefs and actions. This will be apparent to anyone reading the books that I have written. Despite this, I have a deep respect for a man who was undoubtedly a towering figure in twentieth-century history.
Although I contributed to this volume, I am recommending it not because of that but because it has a couple of excellent chapters on Gandhi. Best known is Shahid Amin’s, "Gandhi as Mahatma: Gorakhpur District, Eastern UP, 1921-2". In this, he examines Gandhi’s fleeting visit in February 1921 to Gorakhpur District, a largely rural area close to the border with Nepal – showing how this visit was understood by the local peasantry. Many tales circulated, many of which involved the idea that Gandhi had the power of rewarding those who accepted his message and punishing those who did not in supernatural ways. The chapter provides a superb analysis of the ways in which his message was filtered and changed in ways that Gandhi himself not only had no part in, but which he – when brought to his notice – repudiated. The chapter by Partha Chatterjee, "Gandhi and the Critique…
This third volume in the "Subaltern Studies" series contains essays and discussion pieces designed to promote a systematic and detailed discussion of subaltern themes in the field of South East Asian studies and research.
I’ve been intrigued by the Hindu goddess traditions since I first read Is the Goddess a Feminist as an undergraduate student. After reading this book, I changed my course of study and life, writing my Ph.D. dissertation and my first few books on Indian goddess traditions. Now, I continue to share my passion for Indian goddesses as a professor of Religious Studies at the University of Arizona.
This book is a riveting exploration of the major goddess festival in India, Navaratri, and a follow-up volume of the popular Nine Nights of the Goddess.
I love this book because it dives into the regional diversity of the festival, taking me on a journey into the many ways that the goddess is celebrated throughout India and into the lives of her devotees. What I find so mesmerizing about Nine Nights of Power is the balance between breadth and depth that gives me a flavor of the diversity of the traditions with deep dives into the individual case studies.
The autumnal Navaratri festival—also called Durga Puja, Dassehra, or Dasain—is the most important Hindu festival in South Asia and wherever Hindus settle. A nine-night-long celebration in honor of the goddess Durga, it ends on the tenth day with a celebration called "the victorious tenth" (vijayadasami). The rituals that take place in domestic, royal, and public spaces are closely connected with one's station in life and dependent on social status, economic class, caste, and gender issues. Exploring different aspects of the festival as celebrated in diverse regions of South Asia and in the South Asian diaspora, this book addresses the following…
As an Indian writer of contemporary fiction revolving around family, relationships, emotions, and hope, I am constantly on the lookout for similar novels to take inspiration from them and learn how to build beautiful, well-etched characters and portray heart-wrenching emotions. I love books that make me cry as they give me a fulfillment like nothing else. I love characters that are likable and make me feel a strong connection with them. And I like to write similar characters in my books as well. The readers of my novel The Fragile Thread of Hope have corroborated the same. I live in Gangtok, a hill station in northeast India.
Set in South India in the 1950s, this is a story of Meera, Manuel, and Shankar—three conflicted souls, each with secrets that can destroy the other. It is a beautiful novel showing how one can become a prisoner of one's secrets and live compromised lives. The descriptions are so hauntingly vivid that they will remain etched in my mind forever. I loved the narration and the poetic language, and the bittersweet ending was like icing on the cake.
A most unusual story of love.Do relationships built upon the one foundation that relationships must never be built on – secrets – really crumble?Set in South India in the 1950s, this is the story of Meera, Manuel, and Shankar – three conflicted souls each with secrets that can destroy the other.A story told in a way where you, the reader, are privy to the secrets, and made part of the conflict as you watch the story unfurl into consequences that arise when one becomes a prisoner of their secret.
I’ve been intrigued by the Hindu goddess traditions since I first read Is the Goddess a Feminist as an undergraduate student. After reading this book, I changed my course of study and life, writing my Ph.D. dissertation and my first few books on Indian goddess traditions. Now, I continue to share my passion for Indian goddesses as a professor of Religious Studies at the University of Arizona.
This book served as my entry point to Indian goddess traditions. It examines a millennia-old tradition alongside the modern concept of feminism. What emerges is a nuanced and complicated set of essays that challenges my understanding of goddesses and their relation to women and men. At the end of the day, I walk away with a greater appreciation for both goddesses and feminism.
In India, God can be female. The goddesses of Hinduism and Buddhism represent the largest extant collection of living goddesses anywhere on the planet. Feminists in the West often draw upon South Asian goddesses as theological resources in the contemporary rediscovery of the Goddess. Yet, these goddesses are products of a male supremacist society. What is the impact of powerful female deities--their images, projections, textuality, and history--on the social standing and psychological health of women? Do they empower women, or serve the interests of patriarchal culture? Is the Goddess a Feminist? looks at the goddesses of South Asia to address…
