100 books like Prisoners of Secrets

This novel oscillates between pre-independent times in India and the present. It is about Gowri, Lucy, and James, the terrible sacrifices they make, and how they affect their families in the present. I love Renita D’Silva’s descriptions of Indian culture and food, and the powerful emotions her stories trigger in me. A Daughter’s Courage is my favorite book of hers. The sacrifices and dialogues wrenched my heart, the revelation of family secrets astonished me, and the skilled narrative bound me from start to finish. A masterpiece.

A story of two characters, Meera and Jak. Jak, whose daughter is in a vegetative state after suffering from a tragic accident, and Meera, whose husband has just left her. I love books about complicated family relationships, regret, love, and second chances, and this was right up my alley. Certain revelations were devastating, and a few conversations brought a tear to my eye. The characters are real and relatable, and I found myself rooting for them until the very end. I was happy to know that this book has also been adapted into a movie.

Employing delectable metaphors and classy language, Stormy Hazika scripts a moving novel about love that defies the barriers of age and time. The unorthodox relationship between Ryeed, a professor and Nikita, his young student, is penned with such skill and depth that I couldn’t believe it’s her debut novel. I loved reading about the trials and tribulations they face from their respective families, their sacrifices, and how destiny gives them second chances. Several lines filled me with inspiration and tugged at my heartstrings. A wondrous novel indeed.

Based in Darjeeling, my maternal home, Perfect is the story of a fatherless young man Gideon as he wrestles with self-doubt and a dark past as he makes his way into adulthood. It is a beautiful coming-of-age story narrating his special bond with an enigmatic girl Lakisha and his complicated relationship with his father. Highly underrated, extremely moving, and filled with doses of inspiration, this story from the gorgeous hills of Darjeeling will remain with me for a long time.

It is hard to say whether the stories of Malgudi Days are for children or adults. R.K. Narayan, the pioneer of early Indian literature in English, has written a series of delightful books based upon a fictional village called Malgudi. This first one is a collection containing 32 short stories, a series of lovable characters. I especially love how he portrays the teen angst of characters like Iswaren, Ramu, and Sambu whose lives determined by passing exams, are so far from the lives of South Asian teens in the West. Unlike today’s stories with pacing and riveting plots, this one is a lesson in slowing down to take a deep and close examination of Indian rural life, particularly for these young adults in Malgudi.

Bhog’s Sehgal saga takes you to the world of India’s mega-rich. Kabier Sehgal returns to India to take over the running of Sehgal Systems from his grandfather, Janak Sehgal. Janak is a loveable grandfather figure, who keeps a close eye on his grandchildren and is a mentor to many of their friends too. Keya Karia is one of the trio known as Janak’s Angels, the other being Sheena Sehgal and Raashi Dewan. In this enemy-to-lover romance, Kabier suspects Keya of selling company secrets, but their instant chemistry plays havoc with their lives. As Sheena’s wedding nears, they admit their feelings. Bhog’s books take you to the world of found families and the joy of lifelong friendships and to the world of crazy rich South Asians.

I absolutely adore stories where a seemingly innocuous vacation turns on its heels into a gripping, out-of-this-world adventure. And this book is exactly that! When Ash (Ashoka) Mistry, an Indian mythology geek who lives in England, visits his aunt and uncle in Varanasi, the holy city of the Ganges in India, strange occurrences begin to happen, and Ash discovers that heroes and monsters of Indian myths have come back to life. Top that up with one character wanting to bring back Ravana, the demon king with ten heads and the ultimate essence of evil, and you have an adventure that’s got you at the edge of your seat!

Although I contributed to this volume, I am recommending it not because of that but because it has a couple of excellent chapters on Gandhi. Best known is Shahid Amin’s, "Gandhi as Mahatma: Gorakhpur District, Eastern UP, 1921-2". In this, he examines Gandhi’s fleeting visit in February 1921 to Gorakhpur District, a largely rural area close to the border with Nepal – showing how this visit was understood by the local peasantry. Many tales circulated, many of which involved the idea that Gandhi had the power of rewarding those who accepted his message and punishing those who did not in supernatural ways. The chapter provides a superb analysis of the ways in which his message was filtered and changed in ways that Gandhi himself not only had no part in, but which he – when brought to his notice – repudiated. The chapter by Partha Chatterjee, "Gandhi and the Critique… show more.

During my student days in the early 1970s, I travelled throughout North India by train and country bus, often staying in the countryside in former colonial rest houses from days of British rule in India. I tried to imagine what it was like for the British East India Company officials before 1857, and then for the British colonial officials who replaced the company officers after the Indian Sepoy Mutiny. The Siege of Krishnapur vividly recreates the 1857 mutiny from the perspective of British company officials and their families trapped by the local soldiers they had employed. 

Farrell used a diary and letters from those besieged in the real city of Lucknow to illustrate the horrors of hunger, impending rape, torture, and eventual death that many of the British faced. The scenes are graphic, and the portrayals of the relationships among those trapped have stayed with me for years. The novel… show more.

Reading Guha was an eye-opening experience for me for at least two reasons. One, he was the founding figure of subaltern historiography; and two, abandoning the colonial knowledge project, he introduced a whole new horizon of South Asian studies to his readers. First by acknowledging and then by understanding the consciousness and politics of the colonial marginal, Guha explored peasant insurgency in a new light.

In his battle against colonialist and nationalist historiographies, Guha also distanced himself from his Marxist colleagues in history.