Here are 100 books that Prisoners of Secrets fans have personally recommended if you like
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As an Indian writer of contemporary fiction revolving around family, relationships, emotions, and hope, I am constantly on the lookout for similar novels to take inspiration from them and learn how to build beautiful, well-etched characters and portray heart-wrenching emotions. I love books that make me cry as they give me a fulfillment like nothing else. I love characters that are likable and make me feel a strong connection with them. And I like to write similar characters in my books as well. The readers of my novel The Fragile Thread of Hope have corroborated the same. I live in Gangtok, a hill station in northeast India.
This novel oscillates between pre-independent times in India and the present. It is about Gowri, Lucy, and James, the terrible sacrifices they make, and how they affect their families in the present. I love Renita D’Silva’s descriptions of Indian culture and food, and the powerful emotions her stories trigger in me. A Daughter’s Courage is my favorite book of hers. The sacrifices and dialogues wrenched my heart, the revelation of family secrets astonished me, and the skilled narrative bound me from start to finish. A masterpiece.
1929. When a passionate love affair threatens to leave Lucy in disgrace, she chooses a respectable marriage over a life of shame. With her husband, coffee-plantation-owner James, she travels to her new home in India, leaving her troubled past behind her.
Everything in India is new to Lucy, from the jewel-coloured fabrics to the exotic spices. When her path crosses that of Gowri, a young woman who tends the temple on the plantation’s edge, Lucy is curious to find out more about her, and the events that lead her to live…
As an Indian writer of contemporary fiction revolving around family, relationships, emotions, and hope, I am constantly on the lookout for similar novels to take inspiration from them and learn how to build beautiful, well-etched characters and portray heart-wrenching emotions. I love books that make me cry as they give me a fulfillment like nothing else. I love characters that are likable and make me feel a strong connection with them. And I like to write similar characters in my books as well. The readers of my novel The Fragile Thread of Hope have corroborated the same. I live in Gangtok, a hill station in northeast India.
A story of two characters, Meera and Jak. Jak, whose daughter is in a vegetative state after suffering from a tragic accident, and Meera, whose husband has just left her. I love books about complicated family relationships, regret, love, and second chances, and this was right up my alley. Certain revelations were devastating, and a few conversations brought a tear to my eye. The characters are real and relatable, and I found myself rooting for them until the very end. I was happy to know that this book has also been adapted into a movie.
As an Indian writer of contemporary fiction revolving around family, relationships, emotions, and hope, I am constantly on the lookout for similar novels to take inspiration from them and learn how to build beautiful, well-etched characters and portray heart-wrenching emotions. I love books that make me cry as they give me a fulfillment like nothing else. I love characters that are likable and make me feel a strong connection with them. And I like to write similar characters in my books as well. The readers of my novel The Fragile Thread of Hope have corroborated the same. I live in Gangtok, a hill station in northeast India.
Employing delectable metaphors and classy language, Stormy Hazika scripts a moving novel about love that defies the barriers of age and time. The unorthodox relationship between Ryeed, a professor and Nikita, his young student, is penned with such skill and depth that I couldn’t believe it’s her debut novel. I loved reading about the trials and tribulations they face from their respective families, their sacrifices, and how destiny gives them second chances. Several lines filled me with inspiration and tugged at my heartstrings. A wondrous novel indeed.
Devastated by the death of his wife, university Professor Ryeed Lahan initially ignores the attentions of the very young and attractive Nikita Adhikari, a young, college student who refuses to leave him alone. Gradually, Lahan begins to believe that he is being given a second chance at happiness. But Destiny has more challenging choices in store for him and Lahan is eventually compelled to make decisions that will forever alter the course of his life. A narrative of love, hate, betrayal and trust, A RIVER ON THE WALL explores the extraordinary range of human emotion that the ordinary individual experiences.…
As an Indian writer of contemporary fiction revolving around family, relationships, emotions, and hope, I am constantly on the lookout for similar novels to take inspiration from them and learn how to build beautiful, well-etched characters and portray heart-wrenching emotions. I love books that make me cry as they give me a fulfillment like nothing else. I love characters that are likable and make me feel a strong connection with them. And I like to write similar characters in my books as well. The readers of my novel The Fragile Thread of Hope have corroborated the same. I live in Gangtok, a hill station in northeast India.
Based in Darjeeling, my maternal home, Perfect is the story of a fatherless young man Gideon as he wrestles with self-doubt and a dark past as he makes his way into adulthood. It is a beautiful coming-of-age story narrating his special bond with an enigmatic girl Lakisha and his complicated relationship with his father. Highly underrated, extremely moving, and filled with doses of inspiration, this story from the gorgeous hills of Darjeeling will remain with me for a long time.
There are people who strike the right chords in our lives and make our hearts sing.' Living has been all about hiding away and pretentions for Gideon who has always preferred being alone. However when he joins college he comes across people of all sorts and he begins to realise that life may be a sum total of little miracles after all. As he matures and begins to open up he discovers that he is not far from the healing he has always been in search of.
My debut duet came out of necessity to handle the grief of losing our first child almost thirty years ago. As part of my writing journey, I searched for stories by people like me, migrants who draw on their upbringing and living with their heritage in their adopted country. One thing I came across was the use of the language, the food, and the many family gatherings and music. I enjoyed reading of people from all communities and liked exploring new cultures and these books do just that for me. They take me to families who embrace the joy of their life in a foreign land.
Bhog’s Sehgal saga takes you to the world of India’s mega-rich. Kabier Sehgal returns to India to take over the running of Sehgal Systems from his grandfather, Janak Sehgal. Janak is a loveable grandfather figure, who keeps a close eye on his grandchildren and is a mentor to many of their friends too. Keya Karia is one of the trio known as Janak’s Angels, the other being Sheena Sehgal and Raashi Dewan. In this enemy-to-lover romance, Kabier suspects Keya of selling company secrets, but their instant chemistry plays havoc with their lives. As Sheena’s wedding nears, they admit their feelings. Bhog’s books take you to the world of found families and the joy of lifelong friendships and to the world of crazy rich South Asians.
"A must reader for all the romantic people out there." - Amazon Reader
Enter a world of glamour, wealth and beautiful people. Enter the world of the Sehgals!
He made a mistake and now he will pay the price for it...with his heart. KABIER SEHGAL, scion of the Sehgal empire, has returned to India to take over the helm of his companies from his grandfather. His first mission is to find out who is selling his company's secrets. When the suspicion falls on KEYA KARIA, he decides to work closely with her to expose her fraud. He accuses her of…
I was born and raised in Mumbai, India, and as a kid I loved to read. But I never saw myself—an Indian girl like me—represented in children’s books before. I didn’t realize how much it affected me until I began writing my first novel at age 23. When I did, I wrote the entire first draft with white characters and set it in a western country. I believed my Indian culture and my experience as an Indian kid was not worth writing about. I was so wrong! Now, with the novels I write, I’m passionate about representation, especially South Asian representation because all kids deserve to see themselves and their cultures in the books they read.
I absolutely adore stories where a seemingly innocuous vacation turns on its heels into a gripping, out-of-this-world adventure. And this book is exactly that! When Ash (Ashoka) Mistry, an Indian mythology geek who lives in England, visits his aunt and uncle in Varanasi, the holy city of the Ganges in India, strange occurrences begin to happen, and Ash discovers that heroes and monsters of Indian myths have come back to life. Top that up with one character wanting to bring back Ravana, the demon king with ten heads and the ultimate essence of evil, and you have an adventure that’s got you at the edge of your seat!
Breathtaking action adventure for 8 to 12-year-olds. Ash Mistry, reluctant hero, faces ancient demons... and comes into an astonishing, magical inheritance.
Varanasi: holy city of the Ganges.
In this land of ancient temples, incense and snake charmers...
Where the monsters and heroes of the past come to life...
One slightly geeky boy from our time... IS GOING TO KICK SOME DEMONS BACK TO HELL.
Ash Mistry hates India. Which is a problem since his uncle has brought him and his annoying younger sister Lucky there to take up a dream job with the mysterious Lord Savage. But Ash immediately suspects…
I’ve been intrigued by the Hindu goddess traditions since I first read Is the Goddess a Feminist as an undergraduate student. After reading this book, I changed my course of study and life, writing my Ph.D. dissertation and my first few books on Indian goddess traditions. Now, I continue to share my passion for Indian goddesses as a professor of Religious Studies at the University of Arizona.
This book is a riveting exploration of the major goddess festival in India, Navaratri, and a follow-up volume of the popular Nine Nights of the Goddess.
I love this book because it dives into the regional diversity of the festival, taking me on a journey into the many ways that the goddess is celebrated throughout India and into the lives of her devotees. What I find so mesmerizing about Nine Nights of Power is the balance between breadth and depth that gives me a flavor of the diversity of the traditions with deep dives into the individual case studies.
The autumnal Navaratri festival—also called Durga Puja, Dassehra, or Dasain—is the most important Hindu festival in South Asia and wherever Hindus settle. A nine-night-long celebration in honor of the goddess Durga, it ends on the tenth day with a celebration called "the victorious tenth" (vijayadasami). The rituals that take place in domestic, royal, and public spaces are closely connected with one's station in life and dependent on social status, economic class, caste, and gender issues. Exploring different aspects of the festival as celebrated in diverse regions of South Asia and in the South Asian diaspora, this book addresses the following…
I have for over fifty years studied and written about the Indian nationalist movement, examining it from many different angles. I lived and worked for many years in India. I have throughout had an appreciative but often troubled relationship with Gandhi – admiring him for much of what he stood for, while finding it hard to accept many of his beliefs and actions. This will be apparent to anyone reading the books that I have written. Despite this, I have a deep respect for a man who was undoubtedly a towering figure in twentieth-century history.
Although I contributed to this volume, I am recommending it not because of that but because it has a couple of excellent chapters on Gandhi. Best known is Shahid Amin’s, "Gandhi as Mahatma: Gorakhpur District, Eastern UP, 1921-2". In this, he examines Gandhi’s fleeting visit in February 1921 to Gorakhpur District, a largely rural area close to the border with Nepal – showing how this visit was understood by the local peasantry. Many tales circulated, many of which involved the idea that Gandhi had the power of rewarding those who accepted his message and punishing those who did not in supernatural ways. The chapter provides a superb analysis of the ways in which his message was filtered and changed in ways that Gandhi himself not only had no part in, but which he – when brought to his notice – repudiated. The chapter by Partha Chatterjee, "Gandhi and the Critique…
This third volume in the "Subaltern Studies" series contains essays and discussion pieces designed to promote a systematic and detailed discussion of subaltern themes in the field of South East Asian studies and research.
I’ve been intrigued by the Hindu goddess traditions since I first read Is the Goddess a Feminist as an undergraduate student. After reading this book, I changed my course of study and life, writing my Ph.D. dissertation and my first few books on Indian goddess traditions. Now, I continue to share my passion for Indian goddesses as a professor of Religious Studies at the University of Arizona.
This book served as my entry point to Indian goddess traditions. It examines a millennia-old tradition alongside the modern concept of feminism. What emerges is a nuanced and complicated set of essays that challenges my understanding of goddesses and their relation to women and men. At the end of the day, I walk away with a greater appreciation for both goddesses and feminism.
In India, God can be female. The goddesses of Hinduism and Buddhism represent the largest extant collection of living goddesses anywhere on the planet. Feminists in the West often draw upon South Asian goddesses as theological resources in the contemporary rediscovery of the Goddess. Yet, these goddesses are products of a male supremacist society. What is the impact of powerful female deities--their images, projections, textuality, and history--on the social standing and psychological health of women? Do they empower women, or serve the interests of patriarchal culture? Is the Goddess a Feminist? looks at the goddesses of South Asia to address…
From my days as a student in India in the early 1970s through my years in the U.S. Foreign Service with postings in Pakistan, Bangladesh, and Kenya, as well as assignments to the India, Kenya, and Uganda desks at the Department of State, I learned something of the cultures of South Asia and East Africa and gained an appreciation for the peoples of those countries. During the early months of the Covid-19 pandemic, I had the time to write. I developed a novel that was part autobiography and part fiction, and most of which was set in South Asia and East Africa. The result is Danger and Romance in Foreign Lands.
During my student days in the early 1970s, I travelled throughout North India by train and country bus, often staying in the countryside in former colonial rest houses from days of British rule in India. I tried to imagine what it was like for the British East India Company officials before 1857, and then for the British colonial officials who replaced the company officers after the Indian Sepoy Mutiny.The Siege of Krishnapurvividly recreates the 1857 mutiny from the perspective of British company officials and their families trapped by the local soldiers they had employed.
Farrell used a diary and letters from those besieged in the real city of Lucknow to illustrate the horrors of hunger, impending rape, torture, and eventual death that many of the British faced. The scenes are graphic, and the portrayals of the relationships among those trapped have stayed with me for years. The novel…
In the Spring of 1857, with India on the brink of a violent and bloody mutiny, Krishnapur is a remote town on the vast North Indian plain. For the British there, life is orderly and genteel. Then the sepoys at the nearest military cantonment rise in revolt and the British community retreats with shock into the Residency. They prepare to fight for their lives with what weapons they can muster. As food and ammunition grow short, the Residency, its defences battered by shot and shell and eroded by the rains, becomes ever more vulnerable.
