Here are 81 books that A River on the Wall fans have personally recommended if you like
A River on the Wall.
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As an Indian writer of contemporary fiction revolving around family, relationships, emotions, and hope, I am constantly on the lookout for similar novels to take inspiration from them and learn how to build beautiful, well-etched characters and portray heart-wrenching emotions. I love books that make me cry as they give me a fulfillment like nothing else. I love characters that are likable and make me feel a strong connection with them. And I like to write similar characters in my books as well. The readers of my novel The Fragile Thread of Hope have corroborated the same. I live in Gangtok, a hill station in northeast India.
This novel oscillates between pre-independent times in India and the present. It is about Gowri, Lucy, and James, the terrible sacrifices they make, and how they affect their families in the present. I love Renita D’Silva’s descriptions of Indian culture and food, and the powerful emotions her stories trigger in me. A Daughter’s Courage is my favorite book of hers. The sacrifices and dialogues wrenched my heart, the revelation of family secrets astonished me, and the skilled narrative bound me from start to finish. A masterpiece.
1929. When a passionate love affair threatens to leave Lucy in disgrace, she chooses a respectable marriage over a life of shame. With her husband, coffee-plantation-owner James, she travels to her new home in India, leaving her troubled past behind her.
Everything in India is new to Lucy, from the jewel-coloured fabrics to the exotic spices. When her path crosses that of Gowri, a young woman who tends the temple on the plantation’s edge, Lucy is curious to find out more about her, and the events that lead her to live…
As an Indian writer of contemporary fiction revolving around family, relationships, emotions, and hope, I am constantly on the lookout for similar novels to take inspiration from them and learn how to build beautiful, well-etched characters and portray heart-wrenching emotions. I love books that make me cry as they give me a fulfillment like nothing else. I love characters that are likable and make me feel a strong connection with them. And I like to write similar characters in my books as well. The readers of my novel The Fragile Thread of Hope have corroborated the same. I live in Gangtok, a hill station in northeast India.
A story of two characters, Meera and Jak. Jak, whose daughter is in a vegetative state after suffering from a tragic accident, and Meera, whose husband has just left her. I love books about complicated family relationships, regret, love, and second chances, and this was right up my alley. Certain revelations were devastating, and a few conversations brought a tear to my eye. The characters are real and relatable, and I found myself rooting for them until the very end. I was happy to know that this book has also been adapted into a movie.
As an Indian writer of contemporary fiction revolving around family, relationships, emotions, and hope, I am constantly on the lookout for similar novels to take inspiration from them and learn how to build beautiful, well-etched characters and portray heart-wrenching emotions. I love books that make me cry as they give me a fulfillment like nothing else. I love characters that are likable and make me feel a strong connection with them. And I like to write similar characters in my books as well. The readers of my novel The Fragile Thread of Hope have corroborated the same. I live in Gangtok, a hill station in northeast India.
Set in South India in the 1950s, this is a story of Meera, Manuel, and Shankar—three conflicted souls, each with secrets that can destroy the other. It is a beautiful novel showing how one can become a prisoner of one's secrets and live compromised lives. The descriptions are so hauntingly vivid that they will remain etched in my mind forever. I loved the narration and the poetic language, and the bittersweet ending was like icing on the cake.
A most unusual story of love.Do relationships built upon the one foundation that relationships must never be built on – secrets – really crumble?Set in South India in the 1950s, this is the story of Meera, Manuel, and Shankar – three conflicted souls each with secrets that can destroy the other.A story told in a way where you, the reader, are privy to the secrets, and made part of the conflict as you watch the story unfurl into consequences that arise when one becomes a prisoner of their secret.
As an Indian writer of contemporary fiction revolving around family, relationships, emotions, and hope, I am constantly on the lookout for similar novels to take inspiration from them and learn how to build beautiful, well-etched characters and portray heart-wrenching emotions. I love books that make me cry as they give me a fulfillment like nothing else. I love characters that are likable and make me feel a strong connection with them. And I like to write similar characters in my books as well. The readers of my novel The Fragile Thread of Hope have corroborated the same. I live in Gangtok, a hill station in northeast India.
Based in Darjeeling, my maternal home, Perfect is the story of a fatherless young man Gideon as he wrestles with self-doubt and a dark past as he makes his way into adulthood. It is a beautiful coming-of-age story narrating his special bond with an enigmatic girl Lakisha and his complicated relationship with his father. Highly underrated, extremely moving, and filled with doses of inspiration, this story from the gorgeous hills of Darjeeling will remain with me for a long time.
There are people who strike the right chords in our lives and make our hearts sing.' Living has been all about hiding away and pretentions for Gideon who has always preferred being alone. However when he joins college he comes across people of all sorts and he begins to realise that life may be a sum total of little miracles after all. As he matures and begins to open up he discovers that he is not far from the healing he has always been in search of.
Victoria Twead is the New York Times bestselling author of Chickens, Mules and Two Old Fools and the subsequent six books in the Old Fools series. After living in a remote mountain village in Spain for eleven years, and owning probably the most dangerous cockerel in Europe, Victoria and Joe retired to Australia. Another joyous life-chapter has begun.
Who hasn’t learnt useful stuff from one of the “For Dummies” books? Our command of the Spanish language was lamentable when we first moved to Spain and we had to learn super-fast. The step-by-step approach in this book made learning the language a little less daunting and the accompanying CD was great for hearing how words should be pronounced. Although not hugely enthusiastic about following the course, the Spanish girl’s husky voice held Joe’s attention...
Learn Latin American Spanish quickly and painlessly The job market for those who are bilingual is expanding rapidly. Businesses and government agencies are hiring translators; retailers and advertisers are concentrating more energy in targeting the Spanish-speaking; and hospitals and agencies are seeking to overcome language barriers. Whether you re a student studying Spanish, a traveler gearing up for a trip to a Spanish-speaking country and need to learn the basics, or a upwardly mobile looking to get ahead of the pack in your career by learning a second language, Spanish For Dummies, 2nd edition is your hands-on guide to quickly…
I’ve always been curious about how stories shape how we see the world. As a child, I noticed there were countless conflicting stories explaining how things worked. But which stories were the real ones? Which were true? At university, I studied the stories we tell ourselves about how the world will end. And as we live in times that can feel quite apocalyptic, I’m particularly fascinated by the stories we tell ourselves about who we are and what the future holds. If society dissolved around us, what stories would we tell ourselves to keep going? Are we telling those stories now?
I found this book realistic in a really frightening way. The entire societal structure of the world depends on the stories we humans tell ourselves about ‘us’ and ‘them,’ and I think the book plays with this very cleverly.
It has a very tender depiction of what happens to us and our stories when we’re all alone, and I still think about the way generational guilt is woven through the story.
It was one of those books where I kept walking up to my wife to say, “Can I read you something?” and, “Listen to this…” because the ideas are so big, but the language is so clipped and to the point.
In this taut, dystopian tale, an island nation ravaged by the Change has built an enormous concrete barrier around its coastline-the Wall. Joseph Kavanagh, a new Defender, has one task: to protect his section of the Wall from the Others, the desperate souls trapped amid the rising seas outside. A blend of the most compelling issues of our time-climate change, increasing fear, widening divisions-The Wall is a suspenseful story of love, trust, and survival.
Do you see the pattern in the five books I’ve recommended? In each of them, a woman writer explores the darker side of human nature and lures the law-abiding reader to explore it, too. I do not expect to ever commit a murder or to have to cover one up for the sake of a loved one. But could I? Could the person next to me in the grocery store line? Hmmm, I wonder. Traditional mystery stories and police procedurals reassure the reader that in the end, justice will be served and order restored. The women writers of noir/psychological suspense make us contemplate the world very differently.
The Blank Wallis a departure from my first three recommendations. It focuses on a woman who leads a frazzled but ordinary life during World War II. She must keep her family and home going while her husband is at war. She has to fight a source of evil that invades her home to preserve the norms that seem all-important to her. The fight means stepping outside of those very norms. I recommend this book as an exploration of what it means to do whatever it takes to protect a loved one.
In The Blank Wall (1947) ‘a suburban matron, harassed by wartime domestic problems – her husband is overseas – finds herself implicated in the murder of her young daughter’s extremely unattractive beau’ (The New Yorker). An outstanding example of the psychological thriller genre, ‘worthy of the great Patricia Highsmith herself,’ as Lady Antonia Fraser said in the Spectator, it was filmed as The Reckless Moment in 1949 and as The Deep End in 2001, starring Tilda Swinton. In 1950 Raymond Chandler asked his English publisher, ‘Does anybody in England publish Elisabeth Sanxay Holding? For my money she’s the top suspense…
I always want to be where I am not. This was why I read sci-fi and fantasy as a child. This was why I left the country of my birth and became a professional nomad. This is why I am spellbound by mountains I will never climb and oceans I will never dive into. Imagination can take you everywhere. It took me to the academy, where speculative literature became my scholarly field, and to the publishing world, where I am now getting ready for the launch of my eighth novel. When you are at home nowhere, you are at home everywhere–including on the summits of impossible mountains.
I first read this book when my baby son was teething. I cradled him in my arms, walked around, and kept reading, unwilling to put it down. Since then, I have reread it several times. The goal of fantasy and science fiction is to transport you into a different world, and Silverberg, a veteran SF writer, knows how to do just that.
The impossible mountain of the book, the Wall, so tall and so sheer that nobody who tries to climb it comes back unchanged (or comes back at all), has loomed in my imagination ever since. I want to be the one to scale it and to find out what waits at the summit. And even though I know the ending, the thrill of discovery is still there every time I reread it.
Chosen to lead the forty men and women from the village of Jespodar in their annual quest to scale the Wall, a monstrous assemblage of cliffs, Poilar Crookleg is finally able to realize his lifelong dream
I became interested in metaphor and analogy as a graduate student in philosophy of science in the 1970s. Important scientific ideas such as natural selection and the wave theories of sound and light were built from metaphors and made to work by analogical thinking. In the 1980s, I started building computational models of analogy. So when I got interested in balance because of a case of vertigo in 2016, I naturally noticed the abundance of balance metaphors operating in science and everyday life. Once the pandemic hit, I was struck by the prevalence of the powerful metaphor of making public health decisions while balancing lives and livelihoods.
In the 1980s and 1990s, Keith Holyoak and I collaborated on a series of articles and books about analogy, which is the underpinning of complex metaphors. His new book is a delightfully insightful discussion of metaphors in poetry, drawing not only on his deep knowledge of cognitive psychology but also on his experience as a highly published poet. Through analysis of great poems by Walt Whitman, Emily Dickinson, and many others, he illuminates how metaphors contribute to beautiful poems and to creativity in general.
An examination of metaphor in poetry as a microcosm of the human imagination—a way to understand the mechanisms of creativity.
In The Spider's Thread, Keith Holyoak looks at metaphor as a microcosm of the creative imagination. Holyoak, a psychologist and poet, draws on the perspectives of thinkers from the humanities—poets, philosophers, and critics—and from the sciences—psychologists, neuroscientists, linguists, and computer scientists. He begins each chapter with a poem—by poets including Samuel Taylor Coleridge, Sylvia Plath, Walt Whitman, Emily Dickinson, Robert Frost, Theodore Roethke, Du Fu, William Butler Yeats, and Pablo Neruda—and then widens the discussion to broader notions of metaphor…
I’ve been fascinated by (and in love with) language for as long as I can remember; how and why it works, and how slight alterations in phrasing and framing can produce vastly different results in practice. I love looking out for metaphors and phrases that function as tools, directing how we understand and engage with the world. While my research applies these insights to both law and economics, the key takeaways are widely applicable and relevant to all areas of life. I hope you enjoy these books as much as I have.
This is a recommendation for those who want to go into a bit more depth with metaphor. The book is an edited collection of chapters written by experts who explore how metaphor constructs our reality, looking at metaphor as forms of language, and metaphor as forms of mental representation. Admittedly, there’s a little more jargon in this one, but the chapters are an excellent starting point for reflecting on the applications and implications of the way we talk and why it matters.
Metaphor and Thought, first published in 1979, reflects the surge of interest in and research into the nature and function of metaphor in language and thought. In this revised and expanded second edition, the editor has invited the contributors to update their original essays to reflect any changes in their thinking. Reorganised to accommodate the shifts in central theoretical issues, the volume also includes six new chapters that present important and influential fresh ideas about metaphor that have appeared in such fields as the philosophy of language and the philosophy of science, linguistics, cognitive and clinical psychology, education and artificial…
