Here are 93 books that The Blank Wall fans have personally recommended if you like
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In my early twenties, I worked in a maximum security, Category A men’s prison. I got to know the prisoners, who were usually polite, funny, and, for want of a better word, ‘normal,’ even if guilty of terrible crimes. It made me realize you can’t simply tell if someone is ‘good’ or ‘bad’ by looking at them. It left an indelible mark on me: a fascination with people who lie easily and fool the world. My fascination grew when I became a journalist, but writing fiction has given me the freedom to truly explore liars of all types and try to understand them.
He’s charming, he’s intelligent, and he’s a professional conman who is out to steal his new best friend’s life. And I can’t get enough of Tom Ripley! I absolutely love an anti-hero, and I like nothing better than getting a look inside a psychopath’s mind. I’ve read this book at least five times.
The writing is tight as a drum, Italy is brought to life, and it’s understandable why Tom falls in love with it…and Dickie. He falls in love so much he wants to become Dickie. The more Tom is backed into a corner, the more clever, audacious, and vicious he becomes. It’s no surprise to me that this book is such a classic.
It's here, in the first volume of Patricia Highsmith's five-book Ripley series, that we are introduced to the suave Tom Ripley, a young striver seeking to leave behind his past as an orphan bullied for being a "sissy." Newly arrived in the heady world of Manhattan, Ripley meets a wealthy industrialist who hires him to bring his playboy son, Dickie Greenleaf, back from gallivanting in Italy. Soon Ripley's fascination with Dickie's debonair lifestyle turns obsessive as he finds himself enraged by Dickie's ambivalent affections for Marge, a charming American dilettante, and Ripley begins a deadly game. "Sinister and strangely alluring"…
My mother got cancer when I was seven and died when I was in college. So, I began to consider death and the afterlife from a very young age. I don’t know if ghosts are real, but I know that people are haunted. I explore this idea—that haunted houses are really settings for haunted humans—as well as the ambiguity between ghosts and mental descents in my own teaching and writing. I love haunted house novels because they’re wonderful vehicles for this sort of exploration and because they’re so much fun to read! I hope you enjoy these books as much as I do!
I believe that the best haunted house books are ones in which it’s the characters who are haunted. In this bookby Daphne du Maurier, I’m not sure if the house is haunted by the specter of Rebecca, but I know the narrator certainly is.
I love how the author creates an atmosphere filled with dread as the new wife imagines her predecessor, tries to live up to her reputation, and finally learns who she really was.
* 'The greatest psychological thriller of all time' ERIN KELLY * 'One of the most influential novels of the twentieth century' SARAH WATERS * 'It's the book every writer wishes they'd written' CLARE MACKINTOSH
'Last night I dreamt I went to Manderley again . . .'
Working as a lady's companion, our heroine's outlook is bleak until, on a trip to the south of France, she meets a handsome widower whose proposal takes her by surprise. She accepts but, whisked from glamorous Monte Carlo to brooding Manderley, the new Mrs de Winter finds Max a changed man. And the memory…
I have always been intrigued by missing persons. I wonder how their family copes with having no closure on the situation and how they can live wondering where their loved one is and whether they are dead or alive. I have read these recommended books many times to satisfy this craving. I enjoy a sense of the macabre even though the story may be about mundane everyday topics. This only adds to the sense of dread and wonder. I enjoy the intriguing twists and turns, keeping me on my toes and wanting more until the end. I hope you enjoy the books on this list as much as I have.
I was intrigued by the twists and turns in this story. The writing is matter-of-fact, describing everyday events that culminate in a wonderfully unexpected ending.
I love the characters and, even though the main character is really not nice, I was drawn to him, realising that the influence of your parents, your upbringing, can affect who you are.
A psychological thriller following Teddy Brex, a handsome, young autistic man who comes to the aid of Francine Hill, a beautiful young woman traumatised by the murder of her mother, and now stifled by the overprotectiveness of an obsessive stepmother; but Teddy has already committed two murders.
Do you see the pattern in the five books I’ve recommended? In each of them, a woman writer explores the darker side of human nature and lures the law-abiding reader to explore it, too. I do not expect to ever commit a murder or to have to cover one up for the sake of a loved one. But could I? Could the person next to me in the grocery store line? Hmmm, I wonder. Traditional mystery stories and police procedurals reassure the reader that in the end, justice will be served and order restored. The women writers of noir/psychological suspense make us contemplate the world very differently.
The Vault is the sequel to A Sight for Sore Eyes. It is a police procedural with the detective trying to identify several dead bodies found in an abandoned coal cellar. The dead seem to have no connection to each other, so the detective must also puzzle out how each of them came to be there. I recommend it because the reader has some fun: She knows the answers to all those questions from having read the first book. It’s a great twist on mystery-as-riddle whodunits.
INCLUDES AN EXCERPT OF RENDELL’S FINAL NOVEL, DARK CORNERS
In the stunning climax to Rendell’s classic 1998 novel A Sight for Sore Eyes, three bodies—two dead, one living—are entombed in an underground chamber beneath a picturesque London house. Twelve years later, the house’s new owner pulls back a manhole cover, and discovers the vault—and its grisly contents. Only now, the number of bodies is four. How did somebody else end up in the chamber? And who knew of its existence?
With their own detectives at an impasse, London police call on former Kingsmarkham Chief Inspector Wexford, now retired and living…
I teach literature, Labor Studies, and writing at San Diego City College and have written three San Diego-based novels: Drift, Flash, and Last Days in Ocean Beach, along with Under the Perfect Sun: The San Diego Tourists Never See, a radical history of San Diego that I co-wrote with Mike Davis and Kelly Mayhew. Both as a writer and as a daily wanderer on the streets of San Diego, I have a passion for the psychogeography of the city space and a deep curiosity for and love of the people I encounter there.
Jim Thompson’s novel is arguably San Diego’s greatest classic noir work.
While not a crime novel, it captures wartime San Diego through the glass darkly, and I was moved and unsettled by Thompson’s unsparing forays into the alienation of those who were the most exploited in the city.
San Diego in the years before World War II. James Dillon is barely scraping by working a menial job in manufacturing, trying to raise a family and support his elderly mother and sister Frankie at the same time. He drinks too hard -- just like his father and nearly everyone in his extended family. With so many people crammed into one home, sometimes there's so much fighting he can barely stand it. But if James can survive the chaos of everyday life long enough, maybe -- just maybe -- there's a chance it'll all get better.
You’ve got to root for the underdog, right? And there’s no bigger underdog than fictional villains. While real-life criminals are doing very nicely, thank you very much, in fiction, the bad guy is screwed from the start. What could be more relatable than knowing on a bone-deep, existential level that you’ve already lost? And what could be more heroic than stepping out onto the field of play knowing that no matter how hard you play, you’re still going down? Keep your flawed anti-heroes; they’re just too chicken to go over to the losing side. I’ll cheer for the doomed bad guy every single time.
Everyone loves a bastard, and Pinkie, the hero of Brighton Rock, is such an awful bastard. He doesn’t like his friends, hates his girlfriend, and is driven by a pathetically brittle ego that can never be satisfied. But it’s the fact he’s so hopelessly trapped in the prison of his own angry, petty horizons that makes me love him. I love a doomed character.
When an author can make you know, it’s all going to end badly and still make you hope it won’t? That’s magic. I love it when I’m reading books that I can feel playing with my emotions but I’m enjoying it so much I don’t care. Pinkie is a bastard, and he sort of knows it, when it comes to the crunch, and he goes out like a coward, I can’t help but wish he’d managed to pull it off.
Pinkie Brown, a neurotic teenage gangster wielding a razor blade and a bottle of sulfuric acid, commits a brutal murder - but it does not go unnoticed. Rose, a naive young waitress at a rundown cafe, has the unwitting power to destroy his crucial alibi, and Ida Arnold, a woman bursting with easy certainties about what is right and wrong, has made it her mission to bring about justice and redemption.
Set among the seaside amusements and dilapidated boarding houses of Brighton's pre-war underworld, Brighton Rock by Graham Greene is both a gritty thriller and a study of a soul…
I always wanted to be a spy, but as I scare easily and can’t keep a secret, it was never going to happen. My respect and fascination with the intelligence community has never abated however, and I will never pass up an opportunity to engage with spy-related content. From going to spy museums across the globe to attending lectures to watching the latest entertaining (and totally unrealistic) spy flick, I love it all. I channel that love into writing humorous spy novels that feature fun, fearless females and ripped-from-the-headlines scenarios.
Do I judge a book by its cover? Why yes, yes I do! And the moment I saw this gorgeous cover I put it right into my shopping cart, paid full price, and never looked back.
Luckily for me, Women in Intelligence happens to be an excellent book where the content more than matched the expectations I had from the fabulous artwork. Although there are a few familiar faces that appear, most of the women were completely new to me. Not the femme fatales of popular culture; these were patriotic women who often went unseen in the background.
I love that Fry truly delves into uncovering the unsung heroines of WWI and WWII, giving these quiet, determined women a chance to be recognized and to shine.
A groundbreaking history of women in British intelligence, revealing their pivotal role across the first half of the twentieth century
From the twentieth century onward, women took on an extraordinary range of roles in intelligence, defying the conventions of their time. Across both world wars, far from being a small part of covert operations, women ran spy networks and escape lines, parachuted behind enemy lines, and interrogated prisoners. And, back in Bletchley and Whitehall, women's vital administrative work in MI offices kept the British war engine running.
In this major, panoramic history, Helen Fry looks at the rich and varied…
I am a Canadian with bachelor's degrees in history and communications and over thirty-five years of experience in the Canadian Army reserves. My interest in the German Army of the Third Reich period has led to interviews with surviving veterans, visits to various battlefields, a successful YouTube channel, and involvement in military-themed hobbies such as war re-enactment and wargaming which in turn has led to the publication of many related books and magazine articles. Like all of us writing on the subject of Germans in the Second World War, I find it often poorly understood yet hugely compelling for its complex legal, historical, and moral aspects.
With compelling characters and true insights into the historical period it is set in, I consider this the best novel of all time. The movie it inspired is a classic, but the novel delivers much more.
The characters are brought to life with realistic motivations, dialogue, and inner monologues. Heinrich's masterful changes of point of view and suspenseful chapter breaks still maintain my interest every time.
I can't praise the book enough for its pure literary quality, and even though it is a work of fiction, it has a ring of authenticity about it. The author served in the same regiment his fictional Steiner character belongs to and based him on a soldier who lived through the real-world events Heinrich set his novel in.
I’ve always been enamored with the World War II era. It was a time that seems virtually non-existent today, where almost everyone in my country was on the same page. There seemed to be a collective commitment to the struggle. An agreement that this was indeed good versus evil. Of course, I’m sure its nostalgic allure is much greater for those of us who didn’t actually have to live through it. But the strength, perseverance, and everyday heroism it brought out in soldiers and civilians alike, deserves to be chronicled and remembered forever.
Most of this novel’s action occurs between World War I and World War II. It’s the riveting tale of a young German crushed by his country’s defeat and dedicated to doing something about it. He joins a network of assassins and aids in the murder of a high-ranking Jew in the Weimar government. Sent to prison, he meets a unique individual and begins an acute reexamination of everything he’s previously believed. This is a passionately compelling tale of one man looking deep within himself to make sense of what he’s done with his life. The author brings the times, as well as his characters vividly to life and makes this chronicle of redemption a supremely fulfilling read.
Historical Fiction based on a true story of Weimar Germany and the rise of the Third Reich. Winner of 13 book awards.2017 Independent Press Award - Winner - Historical Fiction 2017 Independent Press Award - Winner - General Fiction 2016 IndieReader Discovery Award - 1st Place - Fiction2015 Nautilus Book Award Winner - Fiction - Silver medal2016 Readers' Favorite Book Award - Gold Medal - Fiction -Social Issues2016 Finalist - Grand Prize (Eric Hoffer Award) - Fiction2016 Honorable Mention (Eric Hoffer Award) - Commercial Fiction 2016 Finalist - First Horizon Award (Eric Hoffer Award) - Fiction 2015 Finalist - Foreword…
I am a New York Times bestselling author of six books, including The Mosquito: A Human History of Our Deadliest Predator. My works have been published globally in more than fifteen languages. I hold a PhD from the University of Oxford, served as an officer in the Canadian and British Armies, and have appeared in numerous documentaries, television programs, and podcasts. I am an associate professor of history (and, as a true Canadian, head coach of the hockey team) at Colorado Mesa University.
There are a handful of books that, upon finishing, I remark with absolute admiration, “I wish I would have written that.” This is one of these select, extraordinary books. Yergin presents an eye-opening, at times uncomfortably shocking, journey through petroleum geopolitics, challenging conventional notions about historical events, the modern world order, and how it came to pass.
Written by the author of "Shattered Peace" and "Energy Future", this book brings to life the tycoons, wildcatters, monopolists, regulators, presidents, generals and sheiks whose struggle for oil has shaken the world economy, dictated the outcome of wars, transformed the destiny of Britain and the world and profoundly changed all our lives. Beginning with the first oil well of the 1850s and continuing up to Saddam Hussein's invasion of Kuwait, it is a story of greed, gumption nad ingenuity, all in pursuit of "the prize" - worldwide economic, military and political mastery through the control of oil. The book includes…
