Here are 100 books that Lessons In Forgetting fans have personally recommended if you like
Lessons In Forgetting.
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As an Indian writer of contemporary fiction revolving around family, relationships, emotions, and hope, I am constantly on the lookout for similar novels to take inspiration from them and learn how to build beautiful, well-etched characters and portray heart-wrenching emotions. I love books that make me cry as they give me a fulfillment like nothing else. I love characters that are likable and make me feel a strong connection with them. And I like to write similar characters in my books as well. The readers of my novel The Fragile Thread of Hope have corroborated the same. I live in Gangtok, a hill station in northeast India.
This novel oscillates between pre-independent times in India and the present. It is about Gowri, Lucy, and James, the terrible sacrifices they make, and how they affect their families in the present. I love Renita D’Silva’s descriptions of Indian culture and food, and the powerful emotions her stories trigger in me. A Daughter’s Courage is my favorite book of hers. The sacrifices and dialogues wrenched my heart, the revelation of family secrets astonished me, and the skilled narrative bound me from start to finish. A masterpiece.
1929. When a passionate love affair threatens to leave Lucy in disgrace, she chooses a respectable marriage over a life of shame. With her husband, coffee-plantation-owner James, she travels to her new home in India, leaving her troubled past behind her.
Everything in India is new to Lucy, from the jewel-coloured fabrics to the exotic spices. When her path crosses that of Gowri, a young woman who tends the temple on the plantation’s edge, Lucy is curious to find out more about her, and the events that lead her to live…
As an Indian writer of contemporary fiction revolving around family, relationships, emotions, and hope, I am constantly on the lookout for similar novels to take inspiration from them and learn how to build beautiful, well-etched characters and portray heart-wrenching emotions. I love books that make me cry as they give me a fulfillment like nothing else. I love characters that are likable and make me feel a strong connection with them. And I like to write similar characters in my books as well. The readers of my novel The Fragile Thread of Hope have corroborated the same. I live in Gangtok, a hill station in northeast India.
Employing delectable metaphors and classy language, Stormy Hazika scripts a moving novel about love that defies the barriers of age and time. The unorthodox relationship between Ryeed, a professor and Nikita, his young student, is penned with such skill and depth that I couldn’t believe it’s her debut novel. I loved reading about the trials and tribulations they face from their respective families, their sacrifices, and how destiny gives them second chances. Several lines filled me with inspiration and tugged at my heartstrings. A wondrous novel indeed.
Devastated by the death of his wife, university Professor Ryeed Lahan initially ignores the attentions of the very young and attractive Nikita Adhikari, a young, college student who refuses to leave him alone. Gradually, Lahan begins to believe that he is being given a second chance at happiness. But Destiny has more challenging choices in store for him and Lahan is eventually compelled to make decisions that will forever alter the course of his life. A narrative of love, hate, betrayal and trust, A RIVER ON THE WALL explores the extraordinary range of human emotion that the ordinary individual experiences.…
As an Indian writer of contemporary fiction revolving around family, relationships, emotions, and hope, I am constantly on the lookout for similar novels to take inspiration from them and learn how to build beautiful, well-etched characters and portray heart-wrenching emotions. I love books that make me cry as they give me a fulfillment like nothing else. I love characters that are likable and make me feel a strong connection with them. And I like to write similar characters in my books as well. The readers of my novel The Fragile Thread of Hope have corroborated the same. I live in Gangtok, a hill station in northeast India.
Set in South India in the 1950s, this is a story of Meera, Manuel, and Shankar—three conflicted souls, each with secrets that can destroy the other. It is a beautiful novel showing how one can become a prisoner of one's secrets and live compromised lives. The descriptions are so hauntingly vivid that they will remain etched in my mind forever. I loved the narration and the poetic language, and the bittersweet ending was like icing on the cake.
A most unusual story of love.Do relationships built upon the one foundation that relationships must never be built on – secrets – really crumble?Set in South India in the 1950s, this is the story of Meera, Manuel, and Shankar – three conflicted souls each with secrets that can destroy the other.A story told in a way where you, the reader, are privy to the secrets, and made part of the conflict as you watch the story unfurl into consequences that arise when one becomes a prisoner of their secret.
As an Indian writer of contemporary fiction revolving around family, relationships, emotions, and hope, I am constantly on the lookout for similar novels to take inspiration from them and learn how to build beautiful, well-etched characters and portray heart-wrenching emotions. I love books that make me cry as they give me a fulfillment like nothing else. I love characters that are likable and make me feel a strong connection with them. And I like to write similar characters in my books as well. The readers of my novel The Fragile Thread of Hope have corroborated the same. I live in Gangtok, a hill station in northeast India.
Based in Darjeeling, my maternal home, Perfect is the story of a fatherless young man Gideon as he wrestles with self-doubt and a dark past as he makes his way into adulthood. It is a beautiful coming-of-age story narrating his special bond with an enigmatic girl Lakisha and his complicated relationship with his father. Highly underrated, extremely moving, and filled with doses of inspiration, this story from the gorgeous hills of Darjeeling will remain with me for a long time.
There are people who strike the right chords in our lives and make our hearts sing.' Living has been all about hiding away and pretentions for Gideon who has always preferred being alone. However when he joins college he comes across people of all sorts and he begins to realise that life may be a sum total of little miracles after all. As he matures and begins to open up he discovers that he is not far from the healing he has always been in search of.
As a child, I loved stories about people who accomplished extraordinary things – I read our set of encyclopedias from cover to cover. Those first forays into research stood me in good stead when I started writing nonfiction picture books about people who believed that nothing is impossible if you can imagine it – people like Robert Goddard who climbed a cherry tree when he was 13 and looked at the moon and decided he was going to build a vehicle that could take people there. As a teacher and as a parent, I read picture books on a daily basis, and as a writer for children, I love sparking the curiosity of young readers.
Having experienced several eye operations, I really connected with this story about a female African American ophthalmologist who pioneered laser surgery and received a patent for the ingenious device used to perform the delicate procedure of removing cataracts. An important book on so many layers, Patricia's Vision is a mirror for children in marginalized groups to see themselves as successful professionals, a window for other children to observe a diverse person in the role of an inventor and a doctor, and a sliding glass door for all to envision their own endless possibilities. The story also shows how young Patricia Bath grew up with hopes and dreams, and plans of what might be – and it will empower young readers today to build their dreams into reality.
The inspiring story of Dr Patricia Bath, a groundbreaking ophthalmologist who pioneered laser surgery - and gave her patients the gift of sight. Born in the 1940s, Patricia Bath dreamed of being an ophthalmologist at a time when becoming a doctor wasn't a career option for most women, especially African-American women. This empowering biography follows Dr Bath in her quest to save and restore sight to the blind, and her decision to "choose miracles" when everyone else had given up hope. Along the way, she co-founded the American Institute for the Prevention of Blindness, invented a specialised laser for removing…
Writing for children is the most gloriously tricky thing in the world, and I love doing it. With fiction, am I telling a story worth telling to someone who’s new to the planet and new to our way of life? With non-fiction, am I distilling complexity into a shape they can grasp quickly? Am I showing them how wonderful and strange our world is, and can I make ‘em laugh while learning? I’ve written 18 books for kids, many commissioned by Think Equal for their global SEL program and used in the national curricula of 20 countries.
A tale of perseverance and cleverness, told in gentle rhyme with a soft colour palette, this is a lovely book for younger readers.
Dr. Bath’s inventions and contributions to ophthalmology were driven by curiosity and compassion and cannot be overstated. Mosca’s text addresses racism and misogyny head-on, while Rieley’s easy-to-parse illustrations leave plenty of room for questions and discussion.
As part of a series about women scientists, the book ends with a word from Dr. Bath, a visual timeline, and notes on further reading.
Chicago Public Library Best of the Best Selection NSTA Best STEM Books for K-12 Selection A Mighty Girl Book of the Year
If you like to think big, but some say you're too small, or they say you're too young or too slow or too tall... Meet Dr. Bath―the scientist who never lost sight of her dreams!
As a girl coming of age during the Civil Rights Movement, Patricia Bath made it her mission to become a doctor. When obstacles like racism, poverty, and sexism threatened this goal, she persevered―brightening the world with a game-changing treatment for blindness!
I’ve always been drawn to comics. I started out as a humorous card writer, and later I became a syndicated cartoonist and author. I collect graphic novels of all kinds and I appreciate the unique talent that goes into the collaborative marriage of writing and art. I especially love stories told with humor, and these types of books lend themselves so well to that. And, boy, do kids appreciate it, too (guess I’m still a kid at heart). As someone who’s read many, many middle grade graphic and illustrated novels—for blurbs, reference, as well as for pleasure—I feel like an expert by now. I hope you enjoy these books as much as I have!
One of my favorites, Wink is so funny, moving, and deeply personal. The main character, Ross, is diagnosed with a rare eye cancer (based on the author’s own experiences) and deals with that as well as a myriad of other issues (bullying, a crush, a best friend that’s moving away). What I love most is the character development. I swear I’ve met the same quirky people you’ll find in this book. There’s so much feeling poured into the story. There are also funny comics and rock music. What could be better?
3
authors picked
Wink
as one of their favorite books, and they share
why you should read it.
This book is for kids age
9,
10,
11, and
12.
What is this book about?
Ross Molloy just wants to be normal. He doesn't want to lose his hair, or wear a weird hat, or deal with the disappearing friends who don't know what to say to 'the cancer kid'. But with his recent diagnosis of a rare eye cancer, simply blending in is no longer an option. Ross - and his friends and his family - all need to work out how to deal with this devastating challenge that Life has thrown down. Maybe Batpig can come to the rescue?
Based on Rob Harrell's own real life experience of eye cancer, and including amazing…
I was raised to be a Roman Catholic. I was not raised to think very deeply, but I did anyway. Eventually. When I was around fifteen, I started asking questions that irritated my parents. They referred me to our priest. Who basically patted me on the head and showed me the door. When the Pope said 'no contraception,' the shit really hit the fan. I haven't looked back. And I'm quite vocal about it because, damn it, religious beliefs and religions do damage, not the least of which involves hurting and killing people. (As for being funny, that's just icing on the cake.)
Many people will be familiar with Monty Python’s The Life of Brian – the movie. But the screenplay has actually been published as a book! Available online for less than twenty bucks! So you can have a permanent reference for all your favourite lines! And if by chance you haven’t heard of it, The Life of Brian has to be on any list about poking fun at religion and gods. To this day, whenever I think of "Always look on the bright side...," I burst into giggles.
When The Life of Brian was first released in 1979 it was hailed by most as Monty Python's finest parody and denounced by a few as the most blasphemous film of all time. With its unforgettable song, 'Always Look on the Bright Side of Life', and its infinitely quotable script The Life of Brian has since gone on to become an enduring cult classic.
I’ve
been a student of story structure for decades. As a novelist, this initially
started as a means to learn as much as I could from those with more experience
than myself, but quickly grew into a passion. I read everything on the subject
I could get my hands on and eventually began analyzing the plots of novels and
movies for myself, amalgamating what I had learned with my own theories and
insights which coalesced into a wholly new structural paradigm. Since then,
I’ve had the privilege of working with many talented screenwriters and
novelists to help them shape their stories using Six Act Structure.
While
most structural paradigms rely on a sequential series of seemingly unrelated
plot points, Chamberlain’s nutshell technique breaks stories into eight
interdependent stages that create a natural and logical flow to a story.
Additionally, within these stages, she places equal importance on both the
external elements of the plot and the internal motivations of the character to
demonstrate how their interaction shapes the narrative. This is one of the more
well-known books on the list, but one that I can’t recommend highly enough if
you haven’t read it. I’d lend you my copy but it’s dog-eared to
pieces.
Veteran script consultant Jill Chamberlain discovered in her work that an astounding 99 percent of first-time screenwriters don't know how to tell a story. These writers may know how to format a script, write snappy dialogue, and set a scene. They may have interesting characters and perhaps some clever plot devices. But, invariably, while they may have the kernel of a good idea for a screenplay, they fail to tell a story. What the 99 percent do instead is present a situation. In order to explain the difference, Chamberlain created the Nutshell Technique, a method whereby writers identify eight dynamic,…
It all goes back to growing up in the 1970s, when PBS would show the same handful of classic foreign movies over and over—Bergman, Truffaut, Fellini. And there was the rest of TV, too, where I discovered John Ford, Orson Welles, Hitchcock, Billy Wilder, and much more. On the late late show, you could usually find Casablanca. I saw Kubrick’s 2001 a few years after it came out and was knocked out by the first mainstream movie that asked its viewers to wonder—to actively speculate in awestruck fashion about what was happening on screen. The movies have always been a passion for me. The movie screen is where we dream and float away and sink within ourselves all at once. As the critic David Thomson put it, “Not even heroin or the supernatural ever went this far.”
If I had to pick the two most basic, and most enthralling, essays for understanding American movies, they would be Warshow’s "The Westerner" and "The Gangster," both included in this book. Warshow, who died tragically young, also gives us the two finest pieces ever written about Chaplin, in which he argues that the flaws and stresses in Chaplin’s film art somehow make it more, not less, impressive. Add Warshow’s properly skeptical account of Soviet cinema—he is appreciative, but also aware of how Communist ideology distorted Soviet film—and you have the very best from a star among the New York intellectuals.
This collection of essays, which originally appeared as a book in 1962, is virtually the complete works of an editor of Commentary magazine who died, at age 37, in 1955. Long before the rise of Cultural Studies as an academic pursuit, in the pages of the best literary magazines of the day, Robert Warshow wrote analyses of the folklore of modern life that were as sensitive and penetrating as the writings of James Agee, George Orwell, and Walter Benjamin. Some of these essays--notably "The Westerner," "The Gangster as Tragic Hero," and the pieces on the New Yorker, Mad Magazine, Arthur…
