Here are 100 books that Lessons In Forgetting fans have personally recommended if you like
Lessons In Forgetting.
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As an Indian writer of contemporary fiction revolving around family, relationships, emotions, and hope, I am constantly on the lookout for similar novels to take inspiration from them and learn how to build beautiful, well-etched characters and portray heart-wrenching emotions. I love books that make me cry as they give me a fulfillment like nothing else. I love characters that are likable and make me feel a strong connection with them. And I like to write similar characters in my books as well. The readers of my novel The Fragile Thread of Hope have corroborated the same. I live in Gangtok, a hill station in northeast India.
This novel oscillates between pre-independent times in India and the present. It is about Gowri, Lucy, and James, the terrible sacrifices they make, and how they affect their families in the present. I love Renita D’Silva’s descriptions of Indian culture and food, and the powerful emotions her stories trigger in me. A Daughter’s Courage is my favorite book of hers. The sacrifices and dialogues wrenched my heart, the revelation of family secrets astonished me, and the skilled narrative bound me from start to finish. A masterpiece.
1929. When a passionate love affair threatens to leave Lucy in disgrace, she chooses a respectable marriage over a life of shame. With her husband, coffee-plantation-owner James, she travels to her new home in India, leaving her troubled past behind her.
Everything in India is new to Lucy, from the jewel-coloured fabrics to the exotic spices. When her path crosses that of Gowri, a young woman who tends the temple on the plantation’s edge, Lucy is curious to find out more about her, and the events that lead her to live…
As an Indian writer of contemporary fiction revolving around family, relationships, emotions, and hope, I am constantly on the lookout for similar novels to take inspiration from them and learn how to build beautiful, well-etched characters and portray heart-wrenching emotions. I love books that make me cry as they give me a fulfillment like nothing else. I love characters that are likable and make me feel a strong connection with them. And I like to write similar characters in my books as well. The readers of my novel The Fragile Thread of Hope have corroborated the same. I live in Gangtok, a hill station in northeast India.
Employing delectable metaphors and classy language, Stormy Hazika scripts a moving novel about love that defies the barriers of age and time. The unorthodox relationship between Ryeed, a professor and Nikita, his young student, is penned with such skill and depth that I couldn’t believe it’s her debut novel. I loved reading about the trials and tribulations they face from their respective families, their sacrifices, and how destiny gives them second chances. Several lines filled me with inspiration and tugged at my heartstrings. A wondrous novel indeed.
Devastated by the death of his wife, university Professor Ryeed Lahan initially ignores the attentions of the very young and attractive Nikita Adhikari, a young, college student who refuses to leave him alone. Gradually, Lahan begins to believe that he is being given a second chance at happiness. But Destiny has more challenging choices in store for him and Lahan is eventually compelled to make decisions that will forever alter the course of his life. A narrative of love, hate, betrayal and trust, A RIVER ON THE WALL explores the extraordinary range of human emotion that the ordinary individual experiences.…
As an Indian writer of contemporary fiction revolving around family, relationships, emotions, and hope, I am constantly on the lookout for similar novels to take inspiration from them and learn how to build beautiful, well-etched characters and portray heart-wrenching emotions. I love books that make me cry as they give me a fulfillment like nothing else. I love characters that are likable and make me feel a strong connection with them. And I like to write similar characters in my books as well. The readers of my novel The Fragile Thread of Hope have corroborated the same. I live in Gangtok, a hill station in northeast India.
Set in South India in the 1950s, this is a story of Meera, Manuel, and Shankar—three conflicted souls, each with secrets that can destroy the other. It is a beautiful novel showing how one can become a prisoner of one's secrets and live compromised lives. The descriptions are so hauntingly vivid that they will remain etched in my mind forever. I loved the narration and the poetic language, and the bittersweet ending was like icing on the cake.
A most unusual story of love.Do relationships built upon the one foundation that relationships must never be built on – secrets – really crumble?Set in South India in the 1950s, this is the story of Meera, Manuel, and Shankar – three conflicted souls each with secrets that can destroy the other.A story told in a way where you, the reader, are privy to the secrets, and made part of the conflict as you watch the story unfurl into consequences that arise when one becomes a prisoner of their secret.
As an Indian writer of contemporary fiction revolving around family, relationships, emotions, and hope, I am constantly on the lookout for similar novels to take inspiration from them and learn how to build beautiful, well-etched characters and portray heart-wrenching emotions. I love books that make me cry as they give me a fulfillment like nothing else. I love characters that are likable and make me feel a strong connection with them. And I like to write similar characters in my books as well. The readers of my novel The Fragile Thread of Hope have corroborated the same. I live in Gangtok, a hill station in northeast India.
Based in Darjeeling, my maternal home, Perfect is the story of a fatherless young man Gideon as he wrestles with self-doubt and a dark past as he makes his way into adulthood. It is a beautiful coming-of-age story narrating his special bond with an enigmatic girl Lakisha and his complicated relationship with his father. Highly underrated, extremely moving, and filled with doses of inspiration, this story from the gorgeous hills of Darjeeling will remain with me for a long time.
There are people who strike the right chords in our lives and make our hearts sing.' Living has been all about hiding away and pretentions for Gideon who has always preferred being alone. However when he joins college he comes across people of all sorts and he begins to realise that life may be a sum total of little miracles after all. As he matures and begins to open up he discovers that he is not far from the healing he has always been in search of.
Writing for children is the most gloriously tricky thing in the world, and I love doing it. With fiction, am I telling a story worth telling to someone who’s new to the planet and new to our way of life? With non-fiction, am I distilling complexity into a shape they can grasp quickly? Am I showing them how wonderful and strange our world is, and can I make ‘em laugh while learning? I’ve written 18 books for kids, many commissioned by Think Equal for their global SEL program and used in the national curricula of 20 countries.
A tale of perseverance and cleverness, told in gentle rhyme with a soft colour palette, this is a lovely book for younger readers.
Dr. Bath’s inventions and contributions to ophthalmology were driven by curiosity and compassion and cannot be overstated. Mosca’s text addresses racism and misogyny head-on, while Rieley’s easy-to-parse illustrations leave plenty of room for questions and discussion.
As part of a series about women scientists, the book ends with a word from Dr. Bath, a visual timeline, and notes on further reading.
Chicago Public Library Best of the Best Selection NSTA Best STEM Books for K-12 Selection A Mighty Girl Book of the Year
If you like to think big, but some say you're too small, or they say you're too young or too slow or too tall... Meet Dr. Bath―the scientist who never lost sight of her dreams!
As a girl coming of age during the Civil Rights Movement, Patricia Bath made it her mission to become a doctor. When obstacles like racism, poverty, and sexism threatened this goal, she persevered―brightening the world with a game-changing treatment for blindness!
As a child, I loved stories about people who accomplished extraordinary things – I read our set of encyclopedias from cover to cover. Those first forays into research stood me in good stead when I started writing nonfiction picture books about people who believed that nothing is impossible if you can imagine it – people like Robert Goddard who climbed a cherry tree when he was 13 and looked at the moon and decided he was going to build a vehicle that could take people there. As a teacher and as a parent, I read picture books on a daily basis, and as a writer for children, I love sparking the curiosity of young readers.
Having experienced several eye operations, I really connected with this story about a female African American ophthalmologist who pioneered laser surgery and received a patent for the ingenious device used to perform the delicate procedure of removing cataracts. An important book on so many layers, Patricia's Vision is a mirror for children in marginalized groups to see themselves as successful professionals, a window for other children to observe a diverse person in the role of an inventor and a doctor, and a sliding glass door for all to envision their own endless possibilities. The story also shows how young Patricia Bath grew up with hopes and dreams, and plans of what might be – and it will empower young readers today to build their dreams into reality.
The inspiring story of Dr Patricia Bath, a groundbreaking ophthalmologist who pioneered laser surgery - and gave her patients the gift of sight. Born in the 1940s, Patricia Bath dreamed of being an ophthalmologist at a time when becoming a doctor wasn't a career option for most women, especially African-American women. This empowering biography follows Dr Bath in her quest to save and restore sight to the blind, and her decision to "choose miracles" when everyone else had given up hope. Along the way, she co-founded the American Institute for the Prevention of Blindness, invented a specialised laser for removing…
I’ve always been drawn to comics. I started out as a humorous card writer, and later I became a syndicated cartoonist and author. I collect graphic novels of all kinds and I appreciate the unique talent that goes into the collaborative marriage of writing and art. I especially love stories told with humor, and these types of books lend themselves so well to that. And, boy, do kids appreciate it, too (guess I’m still a kid at heart). As someone who’s read many, many middle grade graphic and illustrated novels—for blurbs, reference, as well as for pleasure—I feel like an expert by now. I hope you enjoy these books as much as I have!
One of my favorites, Wink is so funny, moving, and deeply personal. The main character, Ross, is diagnosed with a rare eye cancer (based on the author’s own experiences) and deals with that as well as a myriad of other issues (bullying, a crush, a best friend that’s moving away). What I love most is the character development. I swear I’ve met the same quirky people you’ll find in this book. There’s so much feeling poured into the story. There are also funny comics and rock music. What could be better?
3
authors picked
Wink
as one of their favorite books, and they share
why you should read it.
This book is for kids age
9,
10,
11, and
12.
What is this book about?
Ross Molloy just wants to be normal. He doesn't want to lose his hair, or wear a weird hat, or deal with the disappearing friends who don't know what to say to 'the cancer kid'. But with his recent diagnosis of a rare eye cancer, simply blending in is no longer an option. Ross - and his friends and his family - all need to work out how to deal with this devastating challenge that Life has thrown down. Maybe Batpig can come to the rescue?
Based on Rob Harrell's own real life experience of eye cancer, and including amazing…
I was lucky enough not only to get published in my thirties, I also got a film deal for those first two books. I was flown to Hollywood and it was all very grand. However, what they did to my stories in translating them into film scripts horrified me. And ruined them. And the films never got made. I started to look deeper into what ‘experts’ did, and it was awful. I became obsessed with how stories work, developed my own ‘knowledge gap’ theory, proved it through my Ph.D. research, and became a story consultant in the industry. Story theory has completely taken over my life and I love it!
This was the first story theory book I read and it was hugely influential on me, because it is probably the definitive work in terms of a formulaic, structural approach to story.
This book gave me a depth of knowledge of the traditional approach to story theory, but also a clear understanding of how people in the film industry are going about their work today. It is all wrong, in my opinion, but it is also the truth of what is going on.
It is wrong because a story does not begin with structure. A story begins in the mind, and a structure arrives later once the story is present. This book set me on my journey to find an alternative to structure.
Structure is Character. Characters are what they do. Story events impact the characters and the characters impact events. Actions and reactions create revelation and insight, opening the door to a meaningful emotional experience for the audience. Story is what elevates a film, a novel, a play, or teleplay, transforming a good work into a great one. Movie-making in particular is a collaborative endeavour - requiring great skill and talent by the entire cast, crew and creative team - but the screenwriter is the only original artist on a film. Everyone else - the actors, directors, cameramen, production designers, editors, special…
I’ve always been drawn to characters who are no longer on the edge but have stepped off and are halfway down the plummet—and while they’re falling through their trauma, they see the world’s darkness from an angle that translates into a beautiful kind of philosophy. People who have lived through hell have a perspective unlike those who have never struggled. The hell I lived through has given way to my own kind of philosophy and I let the darkness from my life come through my writing in streaks of light.
Whoa, this book is a fun, chaotic dip into burnout. I had to just let go when I was reading, let the words crash over me like a wave, and get bashed around by the crazy stream-of-consciousness. The narrator's memories, fantasies, thoughts, delusions, worries, and everything else are all mixed up with crazy secondary characters and set in a realistically gritty and raw New York City. As a former resident of NYC, who has heard horror stories from lifelong residents, I could hear the desperate truth in every line. The narrator wants to quit—quit the trauma, the stress eating away at his nerves, but he keeps drinking, shooting up, and speeding to the next overdose, shooting, and heart attack. The narrator’s struggle between giving up on everything and trying one more time to find redemption in a broken city full of violence, sickness, and death took me one step closer…
The author of Taxi Driver returns to the darkest streets of New York City for another story of lost souls. It is the early 1990s: Frank Pierce is an EMS paramedic, driving an ambulance through the city's darkest streets on the 'graveyard shift'. Surrounded by the injured and the dying, Frank is dwelling in an urban night-world, and crumbling under the accumulated weight of too many years spent saving - and losing - lives. Bringing Out the Dead is the account of fifty-six hours in Frank's life - two days and three nights on the job - as, hungering for…
I’ve always loved movies. In my 20s, I went to film school – perhaps you can still find a couple of the short films I wrote with animator Matthew Hood on Vimeo (Hourglass and Metalstasis) – and I worked a little in the UK film industry reading scripts for Film4, among others. I’ve also interviewed filmmakers, including Nicolas Winding Refn, Christopher Hampton, Life of Brian producer John Goldstone and editor Anne V. Coates. And I’ve always found a romance, despite the seedy aspects, of Tinseltown being developed out in Hollywoodland, a place of orange groves and pepper trees where people from the Midwest went to retire in the sun.
Sidney Lumet directed Twelve Angry Men and The Verdict, among many others, and the beauty of this short book is just how practical he is about his craft. In the magazine interviews and hagiographies about directors, we seldom get a true sense of the working day on a movie set, or what happens long before shooting begins and months after it finishes. But here Lumet reveals why he always tried to schedule a very simple shot for the first set-up on day 1 of production, the value of a rehearsal period (if he was granted one) and that he took a lunchtime nap. From first being offered a script to the final sound mix, this is what a movie director really does.
“Invaluable.... I am sometimes asked if there is one book a filmgoer could read to learn more about how movies are made and what to look for while watching them. This is the book.” —Roger Ebert, The New York Times Book Review
Why does a director choose a particular script? What must they do in order to keep actors fresh and truthful through take after take of a single scene? How do you stage a shootout—involving more than one hundred extras and three colliding taxis—in the heart of New York’s diamond district? What does it take to keep the studio…
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