Here are 100 books that Weep Not, Child fans have personally recommended if you like
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Through the 88 years of my life, I have experienced more diverse situations than most people even dream about, from being the youngest dentist in Canada at age 21 being the first Canadian to invent, patent, obtain international approval, and market several of the most successful dental implant systems in the world for humans and small animals, attempt to sail around the world, be the oldest rugby player in the world at age 85, and meet and befriend a myriad of weird and wonderful people by practicing the mantra of saying "YES." I am not ashamed to pass on my lessons from these experiences.
I admire Mandela’s strong character in overcoming what must’ve been his pursuit of a seemingly impossible goal. At the time, his fight was against the overwhelming strength of the people in power, who had no hesitation about using extreme force and imprisonment to prevent him from achieving his goals.
'The authentic voice of Mandela shines through this book . . . humane, dignified and magnificently unembittered' The Times
The riveting memoirs of the outstanding moral and political leader of our time, A Long Walk to Freedom brilliantly re-creates the drama of the experiences that helped shape Nelson Mandela's destiny. Emotive, compelling and uplifting, A Long Walk to Freedom is the exhilarating story of an epic life; a story of hardship, resilience and ultimate triumph told with the clarity and eloquence of a born leader.
I moved from Germany to Botswana when I was a fledgling translator, and then on to South Africa 2 years later. I fell in love with this part of Africa that had a hand in making me the person I am today. Since I used to travel a lot, not all of my books are set in Southern Africa, but I have a passion for sharing my African stories with the world, and in a few of my novels, I include African wildlife in the storyline. Being a translator, I also translate books into German/English, and four of my own books - so far - are also available in German.
I don’t remember if there is actual wildlife in this book (apart from a dog), but nature plays a big part in the story. It was one of the first novels about Africa I read and it moved me deeply. Doris Lessing has written quite a few books about Africa, some political, others with a focus on the land, its people, and nature. She grew up in Zimbabwe (which was called Rhodesia back then) and is an award-winning author. I had to include at least one of her books in my list, so there.
The Nobel Prize-winner Doris Lessing's first novel is a taut and tragic portrayal of a crumbling marriage, set in South Africa during the years of Arpartheid.
Set in Rhodesia, 'The Grass is Singing' tells the story of Dick Turner, a failed white farmer and his wife, Mary, a town girl who hates the bush and viciously abuses the black South Africans who work on their farm. But after many years, trapped by poverty, sapped by the heat of their tiny house, the lonely and frightened Mary turns to Moses, the black cook, for kindness and understanding.
I was born in Ghana and migrated to the US, where I have spent most of my adult life. The antipathy in certain circles towards immigrants still surprises me. I have tried to address this in my own way through fiction in the hope that readers can come to see migrants as multi-dimensional people with similar hopes, dreams, and aspirations. As such, I am similarly drawn to books that address the humanity of migrants. It has always been my belief that a better understanding of those we think are different from us will help bridge our various divides. I hope my recommendations help get readers there. One book at a time.
Nadine Gordimer’s book sucked me into its post-apartheid South Africa setting.
I greatly admired how Gordimer bravely tackles the thorny matter of interracial relationships, chronicling an improbable love affair between an illegal immigrant in South Africa and a privileged white South African. Gordimer navigates the complexity of the relationship with insight and empathy, sidestepping the expediency of simplicity to deal frontally with matters of love, race, and class struggle.
When Julie Summers' car breaks down in a sleazy street, a young Arab garage mechanic comes to her rescue. Out of this meeting develops a friendship that turns to love. But soon, despite his attempts to make the most of Julie's wealthy connections, Abdu is deported from South Africa and Julie insists on going too - but the couple must marry to make the relationship legitimate in the traditional village which is to be their home. Here, whilst Abdu is dedicated to escaping back to the life he has discovered, Julie finds herself slowly drawn in by the charm of…
I was a marathon runner, and then I became a cyclist and started racing bicycles, especially ultra events: 24-hour and 12-hour races. I love activities that require guts and perseverance. Characters who dig deep to accomplish what they want are the ones with whom I want to spend my reading and writing time.
Writing a book, doing good research, and being a good friend require the same characteristics. I know the healing power of activity and of pushing ourselves to excellence. I also know the huge benefit of finding friends who share our passions. When we’ve got those things, we can heal, we can strive, and we can thrive.
This is one of my favorite books ever. I’ve read it many times, and it’s 500 pages long. The voice of the first-person narrator is so delightful I get hooked on the first page. Set in South Africa, Peekay is the ultimate underdog.
Emotionally deserted by his mom at boarding school, he doesn’t even know his own name and calls himself P.K. He’s a white English kid bullied by the dominant Dutch-descendant Boers as Apartheid (Governmental violent, oppressive racism) becomes law.
Peekay grows to become a champion boxer and champions the oppressed. I became obsessed with South Africa and could not look away from this story. It’s a wonderful example of a novel about an athlete, and even when I don’t like the sport, I adore the character and story.
“The Power of One has everything: suspense, the exotic, violence; mysticism, psychology and magic; schoolboy adventures, drama.” –The New York Times
“Unabashedly uplifting . . . asserts forcefully what all of us would like to believe: that the individual, armed with the spirit of independence–‘the power of one’–can prevail.” –Cleveland Plain Dealer
In 1939, as Hitler casts his enormous, cruel shadow across the world, the seeds of apartheid take root in South Africa. There, a boy called Peekay is born. His childhood is marked by humiliation and abandonment, yet he vows to survive and conceives heroic dreams–which are nothing compared…
As a creative nonfiction writer, I’m interested in exploring how the environments of our early years shape us. I read many different childhood memoirs while writing my own. Many of us have stories worth telling if we dig into our memories and let our creative juices flow. But it helps to have had an antagonist. The chemical stinks and pressure to conform in my hometown provided that, allowing me to use the humorous theme of escape. Everyone has had challenges to overcome, rivals, opponents, supporters, and friends, and that is the stuff of good stories. The feedback I have received indicates that, as I hoped, my memoir strikes a chord with many.
I recommend this book because it takes the reader to a totally different world of a child growing up in the 1940s and 50s in Kenya, East Africa, during the war between the British colonials and Mau Mau freedom fighters. The author was born into a typical African compound ruled by a patriarch with four wives. He had many adventures in his attempts to escape the restrictions of his native culture. In Chapter 3 of my memoir, titled “First Dreams of Africa,” I describe how I saw shapes which looked like African animals on a hill, the other side of the chemical factory and town dump. That’s when I started to dream about going to a more verdant faraway land. Ngugi wa Thiong'o became a novelist and playwright and I became an international film and media producer, and much later a creative nonfiction writer.
In Dreams in a Time of War, Ngugi wa Thiong'o paints a mesmerising portrait of a young boy's experiences in an African nation in flux.
Beginning in the late 1930s, this moving and entertaining memoir describes Ngugi's day-to-day life as the fifth child of his father's third wife in a family that included twenty-four children born to four different mothers. Against the backdrop of World War II, which affected the lives of Africans under British colonial rule in unexpected ways, Ngugi spent his childhood as the apple of his mother's eye before attending school to slake what was then considered…
I’m a historian of empire, with a particular interest in the British Empire, colonial violence, and the ways in which imperialism is shown and talked about in popular culture. I studied at Oxford University, and having lived in and travelled around much of the Middle East, South Asia and Africa, I am always trying to understand a bit more if I can… but reading is best for that… My first book was The Khyber Pass.
This is the kind of book that all British historians should be trying to write: an honest, factual, detailed account of what British officials actually did in the service of the Empire. There is no scope for imperial nostalgia over this horrifying story of the brutal violence employed by Britain in the 1950s in an effort to hang onto its colony of Kenya in the face of the Mau Mau Rebellion. With concentration camps, collective punishments, and multiple judicial murders, British methods were among the worst. The ideal Christmas present for any Empire supporters among your friends & family.
"A remarkable account of Britain's last stand in Kenya. This is imperial history at its very best."--John Hope Franklin
In "a gripping narrative that is all but impossible to put down" (Joseph C. Miller), Histories of the Hanged exposes the long-hidden colonial crimes of the British in Kenya. This groundbreaking work tells how the brutal war between the colonial government and the insurrectionist Mau Mau between 1952 and 1960 dominated the final bloody decade of imperialism in East Africa. Using extraordinary new evidence, David Anderson puts the colonial government on trial with eyewitness testimony from over 800 court cases and…
When I first met Michael Majok Kuch and he asked me if I was interested in writing his life story, I knew nothing about South Sudan. Over the next several years, we met weekly. I’d interview him, write a chapter, research it, and then show it to him for his approval. I read everything I could find on South Sudan and the adjacent countries. In fact, I became so obsessed with Michael's culture that once I read Francis Mading Deng's Dinka Folktales, Mike’s sister arranged a meeting between Francis Mading Deng and me. These books prepared me for writing How Fast Can You Run, helping other “Lost Boys” of Sudan reunite with their mothers.
I was fortunate to have met Eva Kasaya at a writing retreat in Kenya shortly after she wrote this book. Part novel, part biography, Tale of Kasaya is the astonishing story of Eva Kasaya’s journey from a 13-year-old village girl in rural Kenya to a published author in Nairobi. Kasaya, who leaves her family’s farm for a job as a domestic worker in the city recounts the horrific situation some domestic workers undergo. Sexually assaulted, she overcomes her trauma and finds solace in the written word. A beautifully written book that deserves to be a classic.
For more than two decades, I have been travelling to the wild places of this planet looking for stories. Africa in all its diversity has always been my first love. Whether I’m off the grid in the Kalahari, or scanning the far horizon of the Serengeti looking for lions, Africa feels like home to me, and I’m passionate about finding, and then telling the stories of the people I meet, and the wildlife I encounter, along the way. And driving me every step of the way is my great belief in the power of the written word and that of a good story to transform the way we think about, and interact with, the natural world.
Funny and wise in equal measure, A Primate’s Memoir is a window on baboon social dynamics with plenty of forays into the world of safari tourism that he observes from askance. Sapolsky has since gone on to become one of the science world’s keenest observers of human behaviour, and his portrayals of baboon and human interactions are priceless.
In the tradition of Jane Goodall and Dian Fossey, Robert Sapolsky, a foremost science writer and recipient of a MacArthur Genius Grant, tells the mesmerizing story of his twenty-one years in remote Kenya with a troop of Savannah baboons.
“I had never planned to become a savanna baboon when I grew up; instead, I had always assumed I would become a mountain gorilla,” writes Robert Sapolsky in this witty and riveting chronicle of a scientist’s coming-of-age in remote Africa.
An exhilarating account of Sapolsky’s twenty-one-year study of a troop of rambunctious baboons in Kenya, A Primate’s Memoir interweaves serious scientific…
I am a social scientist who has been doing fieldwork and research in Africa since 1999. For me, there’s no more fascinating part of the planet – Africa is the cradle of civilization, more diverse than anywhere else and culturally and institutionally vibrant and creative. I have worked in Botswana, the Democratic Republic of Congo, Nigeria, Sierra Leone, South Africa and Zimbabwe investigating the determinants of political institutions and economic prosperity. I have taught courses on Africa at Harvard University, the University of Chicago, the University of Ghana at Legon and this summer the University of Nigeria in Nsukka.
It isn’t just African politics that is different. Economics is too. If modern economics had been invented by an African, instead of Adam Smith, it would look very different. Wealth would be measured in people rather than material objects, property, and capital. There would be much less emphasis on markets. Some things, should never be sold, and if they were it would create “bitter money” and bad luck. This book is a great place to start to re-think your ideas about economics.
“fascinating little book adds to the study of culture to political economy” MacGaffey ~Journal of Anthropological Research “presents fascinating material on beliefs about money in some Luo-speaking communities of Kenya… an insightful analysis… a case that will generate fruitful discussions for years to come” Ferguson ~American Ethnologist BITTER MONEY unites symbolic and economic analysis in exploring the beliefs about forbidden exchanges among the Luo of Kenya and other African peoples. Shipton's multi-paradigmatic theoretical explanation briefly summarizes a century of anthropological thought about African exchange, while integrating ways of understanding rural African economy, politics, and culture.
I grew up in the high plains mining towns of Montana and Wyoming but I couldn’t wait to get out and see the world. Peace Corps was my ticket. A teaching post in Chad, Africa, was open, but civil war and famine loomed, so I chose Afghanistan. After my two-year contract in Kabul, I continued traveling but my fascination with Africa never waned. A job teaching college English allowed me summers to continue traveling. However, I never did get to Africa, so when Carolyn suggested we write about Namibia, I agreed. Someday, I hope to visit before the magnificent black rhino has been wiped off the face of the planet.
Huxley’s parents go to Kenya to start a coffee plantation. And like Blixen and her husband, they know nothing about Africa or growing coffee and must depend on Africans to teach them. Huxley writes a delightful account of her life and the struggles they endure. Her portrayal of the people who work on the family’s plantation is brilliant as is the description of the environment and animals. Huxley also writes from the unsentimental eyes of a child.
When Elspeth Huxley's pioneer father buys a remote plot of land in Kenya, the family sets off to discover their new home: five hundred acres of Kenyan scrubland, infested with ticks and white ants, and quavering with heat. What they lack in know-how they make up for in determination: building a grass house, employing local Kikuyu tribe members and painstakingly transforming their patch of wilderness into a working farm. Huxley's unforgettable childhood memoir is a sensitive account of settler life at the turn of the twentieth century and a love song to the harshness and beauty of East Africa.
