Here are 83 books that Tale of Kasaya fans have personally recommended if you like
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When I first met Michael Majok Kuch and he asked me if I was interested in writing his life story, I knew nothing about South Sudan. Over the next several years, we met weekly. I’d interview him, write a chapter, research it, and then show it to him for his approval. I read everything I could find on South Sudan and the adjacent countries. In fact, I became so obsessed with Michael's culture that once I read Francis Mading Deng's Dinka Folktales, Mike’s sister arranged a meeting between Francis Mading Deng and me. These books prepared me for writing How Fast Can You Run, helping other “Lost Boys” of Sudan reunite with their mothers.
When One Book, One Philadelphia called me in my office at Drexel University and asked me to select 10 students to interview 10 South Sudanese refugees for a One Book project, I read Dave Egger’s epic tale of Valentino Achak Deng’s survival as a so-called “Lost Boy" of Sudan. Valentino along with thousands of other “Lost Boys” was forced to separate from his parents at a young age and trek thousands of miles across Sudan, Ethiopia, and Kenya without resources to food or water to arrive at several refugee camps. This is Valentino’s story yet it resonates with fleeing people worldwide. Anyone who lives in freedom will stop and listen to the plight of others after reading this astonishing book.
NEW YORK TIMES BESTSELLER • The epic novel based on the life of Valentino Achak Deng who, along with thousands of other children —the so-called Lost Boys—was forced to leave his village in Sudan at the age of seven and trek hundreds of miles by foot, pursued by militias, government bombers, and wild animals, crossing the deserts of three countries to find freedom.
When he finally is resettled in the United States, he finds a life full of promise, but also heartache and myriad new challenges. Moving, suspenseful, and unexpectedly funny, What Is the What is an astonishing novel that…
I grew up in Britain and emigrated to Canada in 1981. I was a late starter in the Canadian Foreign Service, which I joined for the not-very-laudable reason that I wanted to travel to interesting places and get paid for it. Little by little, starting with the 1994 Zapatista uprising in Mexico, I found myself drawn to conflictive states—Colombia, Pakistan, Sudan, South Sudan—where, with growing seniority and responsibility, it fell to me to recommend Canadian government approaches to aid, development, human rights, and conflict resolution. South Sudan is a tragedy that I can’t help thinking about. I can see where everything went wrong, but it’s much more difficult to see how it can be fixed.
Emma McCune was a beautiful young British aid worker who fell for—and married—Riek Machar, a rival of John Garang for most of the long years of Sudan’s second civil war (1983-2005), reluctant leader of a bloody post-independence revolt, and now one of the country’s five (sic) Vice-Presidents. Emma died in 1993 in a traffic accident in Kenya, but wherever I have been in both Sudan and South Sudan, hosted by aid workers, I have found echoes of her. Emma wanted to make the world a better place—who can knock that?—but her naivete allowed her to be easily manipulated and impressed by raw power, increasingly blind to the corruption and violence within the cause she had adopted. She is buried at Leer, South Sudan, the hometown of Riek Machar.
Glamorous aid worker Emma McCune conformed to none of the stereotypes: although driven and committed to her work she was at least partially attracted to Africa because it enabled her to live in a style she could not achieve in Britain, and she was famous in East Africa for wearing mini-skirts and for her affairs with African men. Initially much admired, if also suspect for her social flair, she appalled the aid community with her marriage to a local warlord, who was deeply enmeshed in both rebellion and murder. She had fallen in love and, a rebel to the end,…
When I first met Michael Majok Kuch and he asked me if I was interested in writing his life story, I knew nothing about South Sudan. Over the next several years, we met weekly. I’d interview him, write a chapter, research it, and then show it to him for his approval. I read everything I could find on South Sudan and the adjacent countries. In fact, I became so obsessed with Michael's culture that once I read Francis Mading Deng's Dinka Folktales, Mike’s sister arranged a meeting between Francis Mading Deng and me. These books prepared me for writing How Fast Can You Run, helping other “Lost Boys” of Sudan reunite with their mothers.
Prolific author and intellectual Francis Mading Deng became South Sudan’s first ambassador to the United Nations. Meeting Dr. Deng in person was one of the highlights of my life. To read any of his 40-some books is a privilege. It is possible to read Dinka Folktales as astonishing anthropological events, but Francis Mading Deng provides an introduction that reveals the “truth” in storytelling. These folktales contain the philosophical, religious, and day-to-day practices of the Dinka, who are the largest ethnic tribe in South Sudan. Given the civil war with north Sudan and the south’s dramatic victory in establishing their own country, these extraordinary stories belong in the ranks of world literature.
When I first met Michael Majok Kuch and he asked me if I was interested in writing his life story, I knew nothing about South Sudan. Over the next several years, we met weekly. I’d interview him, write a chapter, research it, and then show it to him for his approval. I read everything I could find on South Sudan and the adjacent countries. In fact, I became so obsessed with Michael's culture that once I read Francis Mading Deng's Dinka Folktales, Mike’s sister arranged a meeting between Francis Mading Deng and me. These books prepared me for writing How Fast Can You Run, helping other “Lost Boys” of Sudan reunite with their mothers.
I was a religious studies minor in college and love reading about traditional religious practices. When I met Nigerian American author Okey Ndibe at a writing retreat in Kenya, I couldn’t wait to get my hands on a copy of his second novel. This satirical novel gives new life to the meaning of worship. When statue buyer, Ike Uzondu steals an African sculpture from a New York shop and sells it in his ancestral village in Nigeria, the two worlds collide and we witness the cost of modernity to the human spirit
From a disciple of the late Chinua Achebe comes a masterful and universally acclaimed novel that is at once a taut, literary thriller and an indictment of greed’s power to subsume all things, including the sacred.
Foreign Gods, Inc., tells the story of Ike, a New York-based Nigerian cab driver who sets out to steal the statue of an ancient war deity from his home village and sell it to a New York gallery.
Ike's plan is fueled by desperation. Despite a degree in economics from a major American college, his strong accent has barred him from the corporate world.…
For more than two decades, I have been travelling to the wild places of this planet looking for stories. Africa in all its diversity has always been my first love. Whether I’m off the grid in the Kalahari, or scanning the far horizon of the Serengeti looking for lions, Africa feels like home to me, and I’m passionate about finding, and then telling the stories of the people I meet, and the wildlife I encounter, along the way. And driving me every step of the way is my great belief in the power of the written word and that of a good story to transform the way we think about, and interact with, the natural world.
Funny and wise in equal measure, A Primate’s Memoir is a window on baboon social dynamics with plenty of forays into the world of safari tourism that he observes from askance. Sapolsky has since gone on to become one of the science world’s keenest observers of human behaviour, and his portrayals of baboon and human interactions are priceless.
In the tradition of Jane Goodall and Dian Fossey, Robert Sapolsky, a foremost science writer and recipient of a MacArthur Genius Grant, tells the mesmerizing story of his twenty-one years in remote Kenya with a troop of Savannah baboons.
“I had never planned to become a savanna baboon when I grew up; instead, I had always assumed I would become a mountain gorilla,” writes Robert Sapolsky in this witty and riveting chronicle of a scientist’s coming-of-age in remote Africa.
An exhilarating account of Sapolsky’s twenty-one-year study of a troop of rambunctious baboons in Kenya, A Primate’s Memoir interweaves serious scientific…
I am a journalist, travel writer, and author based in Australia, writing about all sorts of people and on topics that I find personally inspiring and thrilling, and which are guaranteed to raise the spirits of readers. I was born in England but travelled the world for 10 years before ending up in Australia in 1989. I also lecture in travel writing at Boston University’s Sydney campus.
I was entranced by this book when I first read it, and still am. I loved the way Kenyan writer and activist Ngugi wa Thiong'o told a story in such a simple, unadorned way that just manages to get under your skin. It’s an important lesson for any writer about unaffected writing! This was the first major novel in English by an East African writer and is just so redolent of its time and place. It charts the life of a young boy growing up through a major change in his home country, and the rise of the Mau Mau freedom fighters.
This is a powerful, moving story that details the effects of the infamous Mau Mau war, the African nationalist revolt against colonial oppression in Kenya, on the lives of ordinary men and women, and on one family in particular. Two brothers, Njoroge and Kamau, stand on a rubbish heap and look into their futures. Njoroge is excited; his family has decided that he will attend school, while Kamau will train to be a carpenter. Together they will serve their country - the teacher and the craftsman. But this is Kenya and the times are against them. In the forests, the…
From my days as a student in India in the early 1970s through my years in the U.S. Foreign Service with postings in Pakistan, Bangladesh, and Kenya, as well as assignments to the India, Kenya, and Uganda desks at the Department of State, I learned something of the cultures of South Asia and East Africa and gained an appreciation for the peoples of those countries. During the early months of the Covid-19 pandemic, I had the time to write. I developed a novel that was part autobiography and part fiction, and most of which was set in South Asia and East Africa. The result is Danger and Romance in Foreign Lands.
Kenya was an exotic territory for British colonial interests in the late 19th century. For reasons almost impossible to understand today, the British decided to build a railroad from Mombasa, the seaport on the Indian Ocean, through the Kenyan savannah, to Kampala, a city of some riches in the far interior of what is now Uganda. The story of the building of the railroad at the end of the 19th century is hair-raising, thanks to Miller’s classic history, as imported Indian workers had to endure predatory lions, harsh climates, and raging rivers to forge across the frontier. That the railroad to nowhere was completed is a tribute to those Indian workers and their intrepid British overseers.
Today, one can take the train from Mombasa to Nairobi, some three hundred miles distant, either in the daylight, hoping to spy some wildlife, or in a sleeping berth at night. I…
In 1895, George Whitehouse arrived at the east African post of Mombasa to perform an engineering miracle: the building of the Mombasa-Nairobi-Lake Victoria Railway - a 600-mile route that was largely unmapped and barely explored. Behind Mombasa lay a scorched, waterless desert. Beyond, a horizonless scrub country climbed toward a jagged volcanic region bisected by the Great Rift Valley. A hundred miles of sponge-like quagmire marked the railway's last lap. The entire right of way bristled with hostile tribes, teemed with lions and breathed malaria.
What was the purpose of this 'giant folly' and whom would it benefit? Was it…
I’ve always been fascinated by monsters. Growing up I saw television shows and read books about famous ones like Bigfoot and Nessie, and always wanted to search for them and discover the truth. That led me to a degree in psychology to learn about human cognition and perception, and a career in folklore to understand how legends and rumors spread. But I also wanted field experience, and spent time at Loch Ness, in Canadian woods said to house Sasquatch, to the Amazon, Sahara, and the jungles of Central America looking for the chupacabra. Along the way became an author, writing books including Tracking the Chupacabra, Lake Monster Mysteries, Big—If True, and Investigating Ghosts.
Among all the world’s monsters one perennial favorite is vampires.
Yes, I know they’ve been done to death (or would that be undeath?) but there’s a rich history of vampires beyond Dracula, Nosferatu, Lestat, and their legions. I’m talking about “real” vampires—or at least those people believed to be real vampires.
This is the subject of Luise White’s book Speaking with Vampires: Rumor and History in Colonial Africa.White is an anthropologist and folklorist who investigated rumors of vampires throughout East Africa. She found that many Africans told similar stories of real, actual vampires that sucked the blood out of Africans.
What I love about this book is how White takes a scholarly approach to the rumors of (alleged) real-life vampires, sometimes from their victims. Along the way we learn about colonialism, racism, and the cultural contexts in which these rumors flourish.
During the colonial period, Africans told each other terrifying rumors that Africans who worked for white colonists captured unwary residents and took their blood. In colonial Tanganyika, for example, Africans were said to be captured by these agents of colonialism and hung upside down, their throats cut so their blood drained into huge buckets. In Kampala, the police were said to abduct Africans and keep them in pits, where their blood was sucked. Luise White presents and interprets vampire stories from East and Central Africa as a way of understanding the world as the storytellers did. Using gossip and rumor…
I am a painter who specializes mostly in sleazy sports (boxing, snooker, etc. – nothing really healthy!) who happens to have written and designed 18 books. Obviously, producing books has become something of a habit. These books are about curiosities of natural history and also about art – but they have little to do with my paintings. Anyone who is interested in either the books or the paintings can see them on my website. I suppose the book that I’m best known for is Drawn from Paradise, a book that I did with David Attenborough on one of our two mutual obsessions – birds of paradise.
Apart from books and paintings, my life is fairly humdrum; in fact, there isn’t a lot of time for much else, although I’ve been married more than once and have children. I’ve now reached an age when I should start slowing down but I’ve no intention of stopping what I do until either bad health or death finish me off!
Peter Beard settled in Kenya in the late 1950s and became obsessed with the plight of wildlife in Africa. The book is full of evocative photos that he took over a period of some 20 years – some of them absolutely tragic. It is not a book for the faint-hearted; but it tells with truth the stories of explorers, entrepreneurs, big game hunters, and missionaries.
It has been published in several editions and formats. The copy I have is a large paperback that dates from 1989, but there are editions that were produced before that time and many that have been published since.
This book is certainly not an attempt to be gently persuasive, and the author’s position can be summed up in these words that he wrote:
When I first escaped to East Africa in August 1955…it was
one of the heaviest wildlife areas…in the world…No one then
could…
This book describes the origins, history, and prospects of big game in Africa.Researched, photographed, and compiled over 20 years, Peter Beard's "End of the Game" tells the tale of the enterprisers, explorers, missionaries, and big-game hunters whose quests for adventure and "progress" were to change the face of Africa in the 20th century. This landmark volume is assembled from hundreds of historical photographs and writings, starting with the building of the Mombasa Railroad ("The Lunatic Line") and the opening-up of darkest Africa. The stories behind the heroic figures in Beard's work - Theodore Roosevelt, Frederick Courtney Selous, Karen Blixen (Isak…
War is a horror story, laying bare the harm that humankind is capable of. Being a stubborn historian, I set myself the task of finding humanity in the face of conflict. I am especially intrigued by first-hand accounts that leave little to the imagination, yet I am not drawn to record the distress of the individual, but rather the ability to live through a war and find peace. I am a South African historian with a PhD from Stellenbosch University. I write about individuals in war, and I am determined to give a voice to those South African servicemen who were forgotten when they came home in 1945.
Andrew Stewart’s book left me in no doubt that the Second World War still holds many hidden tales.
The "first victory" he writes about, is the victory of the British and Commonwealth forces over the Italian colonies in East Africa. I loved the way Stewart describes the complex relationships between men like Churchill and Generals Wavell and Cunningham.
Yet, for me, it is the setting: African bush, rivers, and mountains–and their effect on the military strategy in this war theatre that held my interest.
A riveting new account of the long-overlooked achievement of British-led forces who, against all odds, scored the first major Allied victory of the Second World War
Surprisingly neglected in accounts of Allied wartime triumphs, in 1941 British and Commonwealth forces completed a stunning and important victory in East Africa against an overwhelmingly superior Italian opponent. A hastily formed British-led force, never larger than 70,000 strong, advanced along two fronts to defeat nearly 300,000 Italian and colonial troops. This compelling book draws on an array of previously unseen documents to provide both a detailed campaign history and a fresh appreciation of…