When I first met Michael Majok Kuch and he asked me if I was interested in writing his life story, I knew nothing about South Sudan. Over the next several years, we met weekly. I’d interview him, write a chapter, research it, and then show it to him for his approval. I read everything I could find on South Sudan and the adjacent countries. In fact, I became so obsessed with Michael's culture that once I read Francis Mading Deng's Dinka Folktales, Mike’s sister arranged a meeting between Francis Mading Deng and me. These books prepared me for writing How Fast Can You Run, helping other “Lost Boys” of Sudan reunite with their mothers.
Set across a backdrop of refugee migration, How Fast Can You Run is the inspiring story of Michael Majok Kuch and his journey to find his mother. In 1988, Majok, as a five-year-old boy, fled his burning village in southern Sudan and trekked through the wilderness in Sudan, Ethiopia, and Kenya to arrive at a series of refugee camps where he would live for the next ten years. When the U.S. brokered an agreement granting approximately 4,000 unaccompanied minors political asylum, Majok, now Michael, was given a new start. Yet his new life was not without trauma. He faced prejudice once again, disrupting the promise of new beginnings. How Fast Can You Run summons the courageous spirit of millions of refugees throughout history and today.
I’ve always been interested in the subculture of Peace Corp and NGO workers in Africa. Journalist Deborah Scroggins traveled to Sudan to research British aid worker Emma McCune and to interview the people whose lives she recounts. Emma McCune, reputed to have said to Scroggins, “In my heart, I’m Sudanese,” left her former life behind to marry SPLM guerilla leader Riek Macher. During the years McCune and Macher were married, the country was engaged in a brutal civil war. Years after Emma McCune died, Macher became South Sudan’s first vice-president. Emma McCune died in a car accident in Nairobi in 1993 while pregnant. Emma McCune personifies the idealism of the new nation as we read her story of trying to make a difference in a country overrun by the longest-running civil war in Africa. Just like South Sudan itself, Emma McCune is a legend whose short life disturbs and inspires.
Glamorous aid worker Emma McCune conformed to none of the stereotypes: although driven and committed to her work she was at least partially attracted to Africa because it enabled her to live in a style she could not achieve in Britain, and she was famous in East Africa for wearing mini-skirts and for her affairs with African men. Initially much admired, if also suspect for her social flair, she appalled the aid community with her marriage to a local warlord, who was deeply enmeshed in both rebellion and murder. She had fallen in love and, a rebel to the end,…
Prolific author and intellectual Francis Mading Deng became South Sudan’s first ambassador to the United Nations. Meeting Dr. Deng in person was one of the highlights of my life. To read any of his 40-some books is a privilege. It is possible to read Dinka Folktales as astonishing anthropological events, but Francis Mading Deng provides an introduction that reveals the “truth” in storytelling. These folktales contain the philosophical, religious, and day-to-day practices of the Dinka, who are the largest ethnic tribe in South Sudan. Given the civil war with north Sudan and the south’s dramatic victory in establishing their own country, these extraordinary stories belong in the ranks of world literature.
When One Book, One Philadelphia called me in my office at Drexel University and asked me to select 10 students to interview 10 South Sudanese refugees for a One Book project, I read Dave Egger’s epic tale of Valentino Achak Deng’s survival as a so-called “Lost Boy" of Sudan. Valentino along with thousands of other “Lost Boys” was forced to separate from his parents at a young age and trek thousands of miles across Sudan, Ethiopia, and Kenya without resources to food or water to arrive at several refugee camps. This is Valentino’s story yet it resonates with fleeing people worldwide. Anyone who lives in freedom will stop and listen to the plight of others after reading this astonishing book.
NEW YORK TIMES BESTSELLER • The epic novel based on the life of Valentino Achak Deng who, along with thousands of other children —the so-called Lost Boys—was forced to leave his village in Sudan at the age of seven and trek hundreds of miles by foot, pursued by militias, government bombers, and wild animals, crossing the deserts of three countries to find freedom.
When he finally is resettled in the United States, he finds a life full of promise, but also heartache and myriad new challenges. Moving, suspenseful, and unexpectedly funny, What Is the What is an astonishing novel that…
I was fortunate to have met Eva Kasaya at a writing retreat in Kenya shortly after she wrote this book. Part novel, part biography, Tale of Kasaya is the astonishing story of Eva Kasaya’s journey from a 13-year-old village girl in rural Kenya to a published author in Nairobi. Kasaya, who leaves her family’s farm for a job as a domestic worker in the city recounts the horrific situation some domestic workers undergo. Sexually assaulted, she overcomes her trauma and finds solace in the written word. A beautifully written book that deserves to be a classic.
I was a religious studies minor in college and love reading about traditional religious practices. When I met Nigerian American author Okey Ndibe at a writing retreat in Kenya, I couldn’t wait to get my hands on a copy of his second novel. This satirical novel gives new life to the meaning of worship. When statue buyer, Ike Uzondu steals an African sculpture from a New York shop and sells it in his ancestral village in Nigeria, the two worlds collide and we witness the cost of modernity to the human spirit
From a disciple of the late Chinua Achebe comes a masterful and universally acclaimed novel that is at once a taut, literary thriller and an indictment of greed’s power to subsume all things, including the sacred.
Foreign Gods, Inc., tells the story of Ike, a New York-based Nigerian cab driver who sets out to steal the statue of an ancient war deity from his home village and sell it to a New York gallery.
Ike's plan is fueled by desperation. Despite a degree in economics from a major American college, his strong accent has barred him from the corporate world.…
I became fascinated with 16th-century and 17th-century Europe after reading Don Quixote many years ago. Since then, every novel or nonfiction book about that era has felt both ancient and contemporary. I’m always struck by how much our environment has changed—transportation, communication, housing, government—but also how little we as people have changed when it comes to ambition, love, grief, and greed. I doubled down my reading on that time period when I researched my novel, Dulcinea. Many people read in the eras of the Renaissance, World War II, or ancient Greece, so I’m hoping to introduce them to the Baroque Age.
Dolça Llull Prat, a wealthy Barcelona woman, is only 15 when she falls in love with an impoverished poet-solder. Theirs is a forbidden relationship, one that overcomes many obstacles until the fledgling writer renders her as the lowly Dulcinea in his bestseller.
By doing so, he unwittingly exposes his muse to gossip. But when Dolça receives his deathbed note asking to see her, she races across Spain with the intention of unburdening herself of an old secret.
On the journey, she encounters bandits, the Inquisition, illness, and the choices she's made. At its heart, Dulcinea is about how we betray the people we love, what happens when we succumb to convention, and why we squander the few chances we get to change our lives.
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