Here are 100 books that The First Victory fans have personally recommended if you like
The First Victory.
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War is a horror story, laying bare the harm that humankind is capable of. Being a stubborn historian, I set myself the task of finding humanity in the face of conflict. I am especially intrigued by first-hand accounts that leave little to the imagination, yet I am not drawn to record the distress of the individual, but rather the ability to live through a war and find peace. I am a South African historian with a PhD from Stellenbosch University. I write about individuals in war, and I am determined to give a voice to those South African servicemen who were forgotten when they came home in 1945.
Starting with the battle between the Brits and the Boers at the turn of the twentieth century and ending with a Cold War battlefield in Angola, Van der Waag’s record of the development of South African military history is an interesting and invaluable aid for researchers and military enthusiasts.
I like this book because it gives a holistic picture of the country’s military. It is also evident that thousands of hours were spent in the archives, something I find reassuring, as the book is, for me, a reliable source of information.
Twentieth-century South Africa saw continuous, often rapid and fundamental socio-economic and political change. The century started with a brief but total war. Less than ten years later Britain brought the conquered Boer republics and the Cape and Natal colonies together into the Union of South Africa.
The Union Defence Force (UDF, later SADF), was deployed during most of the major wars of the century as well as a number of internal and regional struggles: the two world wars, Korea, uprising and rebellion on the part of Afrikaner and black nationalists, and industrial unrest. The century ended as it started, with…
War is a horror story, laying bare the harm that humankind is capable of. Being a stubborn historian, I set myself the task of finding humanity in the face of conflict. I am especially intrigued by first-hand accounts that leave little to the imagination, yet I am not drawn to record the distress of the individual, but rather the ability to live through a war and find peace. I am a South African historian with a PhD from Stellenbosch University. I write about individuals in war, and I am determined to give a voice to those South African servicemen who were forgotten when they came home in 1945.
The South African contribution to the Second World War is small compared to that of Britain, the US, and others, yet those South Africans who volunteered to fight did so with commitment, humor, and even a sense of destiny.
This is what I found so fascinating in David Katz’s book, while analyzing military strategy, he never neglected the humanity behind the battles.
After bitter debate, South Africa, a dominion of the British Empire at the time, declared war on Germany five days after the invasion of Poland in September 1939. Thrust by the British into the campaign against Erwin Rommel's German Afrika Korps in North Africa, the South Africans fought a see-saw war of defeats followed by successes, culminating in the Battle of El Alamein, where South African soldiers made a significant contribution to halting the Desert Fox's advance into Egypt. This is the story of an army committed somewhat reluctantly to a war it didn't fully support, ill-prepared for the battles…
War is a horror story, laying bare the harm that humankind is capable of. Being a stubborn historian, I set myself the task of finding humanity in the face of conflict. I am especially intrigued by first-hand accounts that leave little to the imagination, yet I am not drawn to record the distress of the individual, but rather the ability to live through a war and find peace. I am a South African historian with a PhD from Stellenbosch University. I write about individuals in war, and I am determined to give a voice to those South African servicemen who were forgotten when they came home in 1945.
Many war graves in Italy are inscribed with South African names, attesting to the hard-won victories and the tragic losses of the 6th Armoured Division in Italy.
As a stickler for detail, I was impressed by Bourhill’s descriptions and meticulous attention to the minutia that makes for an immersive reading experience. It is especially the first-hand accounts of servicemen that bring this book to life and give a clear picture of what it was like to fight and live in Italy during the war.
Using archival sources and private documents recently unearthed, Come Back to Portofino chronicles the journey taken by volunteers in the 6th South African Armoured Division. From training camps in Egypt through to the blissful summer of 1945 the 'Div' left its mark on towns and villages across Italy. From Monte Cassino to the outskirts of Venice and the River Po, the campaign lasted exactly twelve months.
During the advance through Rome up to Florence, it was a case of constant movement and violent contact with the enemy. Experiences which left an enduring impression on returned soldiers included the periods of…
War is a horror story, laying bare the harm that humankind is capable of. Being a stubborn historian, I set myself the task of finding humanity in the face of conflict. I am especially intrigued by first-hand accounts that leave little to the imagination, yet I am not drawn to record the distress of the individual, but rather the ability to live through a war and find peace. I am a South African historian with a PhD from Stellenbosch University. I write about individuals in war, and I am determined to give a voice to those South African servicemen who were forgotten when they came home in 1945.
South Africa was a divided country at the start of the war, with many Afrikaner nationalists showing support for the Nazi cause. As such, it should perhaps not be a surprise that many of them acted as spies for Adolf Hitler’s regime.
I found this book valuable in that it brought a little-known piece of history into the public sphere. I also love that the book does not shy away from controversial matters and confronts several myths.
The story of the intelligence war in South Africa during the Second World War is one of suspense, drama and dogged persistence. In 1939, when the Union of South Africa entered the war on Britain's side, the German government secretly contacted the political opposition, and the leadership of the anti-war movement, the Ossewabrandwag.
The Nazis' aim was to spread sedition, undermine the Allied war effort, and - given the strategic importance of the Cape of Good Hope sea route - gain naval intelligence. Soon U-boat packs were sent to operate in South African waters, to deadly effect.
Two of my three novels have young women protagonists. I find young adulthood a fascinating time in women’s lives and I enjoy creating a character and putting her in a historical setting. The Second World War offers fertile ground for storytelling, and I grew up south of London after the war. My father’s unpublished memoir, in which he describes an event that he experienced in the war, inspired me to write about it, but I told the story through the eyes of the protagonist, Kate.
This well-written book taught me a great deal about WW2. I especially appreciated learning more about Mary Churchill, Winston’s youngest daughter, who was seventeen at the start of the war. The author obtained access to her diaries, and he quotes from them often, so I got a feel for the life of a young woman in society during wartime. Mary had a conscience and good insights and became a main character in this historical book.
#1 NEW YORK TIMES BESTSELLER • The author of The Devil in the White City and Dead Wake delivers an intimate chronicle of Winston Churchill and London during the Blitz—an inspiring portrait of courage and leadership in a time of unprecedented crisis
“One of [Erik Larson’s] best books yet . . . perfectly timed for the moment.”—Time • “A bravura performance by one of America’s greatest storytellers.”—NPR
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The New York Times Book Review • Time • Vogue • NPR • The Washington Post • Chicago Tribune • The Globe &…
For more than two decades, I have been travelling to the wild places of this planet looking for stories. Africa in all its diversity has always been my first love. Whether I’m off the grid in the Kalahari, or scanning the far horizon of the Serengeti looking for lions, Africa feels like home to me, and I’m passionate about finding, and then telling the stories of the people I meet, and the wildlife I encounter, along the way. And driving me every step of the way is my great belief in the power of the written word and that of a good story to transform the way we think about, and interact with, the natural world.
I could have chosen any of Matthiessen’s books set in Africa – Sand Rivers and African Silences are both magnificent – but The Tree Where Man Was Born is a book of wise observations, superb writing, and great humanity. Whether writing about the Maasai, the poignant death of a zebra, or the landscapes of the Serengeti, the words are perfectly chosen and the tone elegiac. The final chapter, ‘At Gidabembe’ is a masterpiece.
A timeless and majestic portrait of Africa by renowned writer Peter Matthiessen (1927-2014), author of the National Book Award-winning The Snow Leopard and the new novel In Paradise
A finalist for the National Book Award when it was released in 1972, this vivid portrait of East Africa remains as fresh and revelatory now as on the day it was first published. Peter Matthiessen exquisitely combines nature and travel writing to portray the sights, scenes, and people he observed firsthand in several trips over the course of a dozen years. From the daily lives of wild herdsmen and the drama of…
I am a painter who specializes mostly in sleazy sports (boxing, snooker, etc. – nothing really healthy!) who happens to have written and designed 18 books. Obviously, producing books has become something of a habit. These books are about curiosities of natural history and also about art – but they have little to do with my paintings. Anyone who is interested in either the books or the paintings can see them on my website. I suppose the book that I’m best known for is Drawn from Paradise, a book that I did with David Attenborough on one of our two mutual obsessions – birds of paradise.
Apart from books and paintings, my life is fairly humdrum; in fact, there isn’t a lot of time for much else, although I’ve been married more than once and have children. I’ve now reached an age when I should start slowing down but I’ve no intention of stopping what I do until either bad health or death finish me off!
Peter Beard settled in Kenya in the late 1950s and became obsessed with the plight of wildlife in Africa. The book is full of evocative photos that he took over a period of some 20 years – some of them absolutely tragic. It is not a book for the faint-hearted; but it tells with truth the stories of explorers, entrepreneurs, big game hunters, and missionaries.
It has been published in several editions and formats. The copy I have is a large paperback that dates from 1989, but there are editions that were produced before that time and many that have been published since.
This book is certainly not an attempt to be gently persuasive, and the author’s position can be summed up in these words that he wrote:
When I first escaped to East Africa in August 1955…it was
one of the heaviest wildlife areas…in the world…No one then
could…
This book describes the origins, history, and prospects of big game in Africa.Researched, photographed, and compiled over 20 years, Peter Beard's "End of the Game" tells the tale of the enterprisers, explorers, missionaries, and big-game hunters whose quests for adventure and "progress" were to change the face of Africa in the 20th century. This landmark volume is assembled from hundreds of historical photographs and writings, starting with the building of the Mombasa Railroad ("The Lunatic Line") and the opening-up of darkest Africa. The stories behind the heroic figures in Beard's work - Theodore Roosevelt, Frederick Courtney Selous, Karen Blixen (Isak…
When I first met Michael Majok Kuch and he asked me if I was interested in writing his life story, I knew nothing about South Sudan. Over the next several years, we met weekly. I’d interview him, write a chapter, research it, and then show it to him for his approval. I read everything I could find on South Sudan and the adjacent countries. In fact, I became so obsessed with Michael's culture that once I read Francis Mading Deng's Dinka Folktales, Mike’s sister arranged a meeting between Francis Mading Deng and me. These books prepared me for writing How Fast Can You Run, helping other “Lost Boys” of Sudan reunite with their mothers.
I was fortunate to have met Eva Kasaya at a writing retreat in Kenya shortly after she wrote this book. Part novel, part biography, Tale of Kasaya is the astonishing story of Eva Kasaya’s journey from a 13-year-old village girl in rural Kenya to a published author in Nairobi. Kasaya, who leaves her family’s farm for a job as a domestic worker in the city recounts the horrific situation some domestic workers undergo. Sexually assaulted, she overcomes her trauma and finds solace in the written word. A beautifully written book that deserves to be a classic.
For more than two decades, I have been travelling to the wild places of this planet looking for stories. Africa in all its diversity has always been my first love. Whether I’m off the grid in the Kalahari, or scanning the far horizon of the Serengeti looking for lions, Africa feels like home to me, and I’m passionate about finding, and then telling the stories of the people I meet, and the wildlife I encounter, along the way. And driving me every step of the way is my great belief in the power of the written word and that of a good story to transform the way we think about, and interact with, the natural world.
Funny and wise in equal measure, A Primate’s Memoir is a window on baboon social dynamics with plenty of forays into the world of safari tourism that he observes from askance. Sapolsky has since gone on to become one of the science world’s keenest observers of human behaviour, and his portrayals of baboon and human interactions are priceless.
In the tradition of Jane Goodall and Dian Fossey, Robert Sapolsky, a foremost science writer and recipient of a MacArthur Genius Grant, tells the mesmerizing story of his twenty-one years in remote Kenya with a troop of Savannah baboons.
“I had never planned to become a savanna baboon when I grew up; instead, I had always assumed I would become a mountain gorilla,” writes Robert Sapolsky in this witty and riveting chronicle of a scientist’s coming-of-age in remote Africa.
An exhilarating account of Sapolsky’s twenty-one-year study of a troop of rambunctious baboons in Kenya, A Primate’s Memoir interweaves serious scientific…
I’ve always been fascinated by monsters. Growing up I saw television shows and read books about famous ones like Bigfoot and Nessie, and always wanted to search for them and discover the truth. That led me to a degree in psychology to learn about human cognition and perception, and a career in folklore to understand how legends and rumors spread. But I also wanted field experience, and spent time at Loch Ness, in Canadian woods said to house Sasquatch, to the Amazon, Sahara, and the jungles of Central America looking for the chupacabra. Along the way became an author, writing books including Tracking the Chupacabra, Lake Monster Mysteries, Big—If True, and Investigating Ghosts.
Among all the world’s monsters one perennial favorite is vampires.
Yes, I know they’ve been done to death (or would that be undeath?) but there’s a rich history of vampires beyond Dracula, Nosferatu, Lestat, and their legions. I’m talking about “real” vampires—or at least those people believed to be real vampires.
This is the subject of Luise White’s book Speaking with Vampires: Rumor and History in Colonial Africa.White is an anthropologist and folklorist who investigated rumors of vampires throughout East Africa. She found that many Africans told similar stories of real, actual vampires that sucked the blood out of Africans.
What I love about this book is how White takes a scholarly approach to the rumors of (alleged) real-life vampires, sometimes from their victims. Along the way we learn about colonialism, racism, and the cultural contexts in which these rumors flourish.
During the colonial period, Africans told each other terrifying rumors that Africans who worked for white colonists captured unwary residents and took their blood. In colonial Tanganyika, for example, Africans were said to be captured by these agents of colonialism and hung upside down, their throats cut so their blood drained into huge buckets. In Kampala, the police were said to abduct Africans and keep them in pits, where their blood was sucked. Luise White presents and interprets vampire stories from East and Central Africa as a way of understanding the world as the storytellers did. Using gossip and rumor…
