64 books like Histories of the Hanged

A landmark work by virtue of being the first book by a black woman to be published in Britain, this is a powerfully harrowing account of Mary’s own life as a slave in the Caribbean. Though only short, it supplies valuable testimony on the gruesome British exploitation of enslaved people over the centuries, and the many cruelties inflicted upon Mary personally by her brutal ‘owners’. Should be required reading for all those who think of the British Empire with nostalgia.

The canon of anti-colonial, anti-racism writing from and about Africa includes many authors whose passion and insights are sometimes muddied by turgid or masculinist prose. For me, Rodney stands out – and stands the test of time – by the way he so masterfully weaves history into a compelling narrative that utterly demolishes the lies and conceits about supposed Western benevolence toward the continent. Scales fell from my eyes the first time (of many) I read this book. And yes, Rodney is almost as androcentric in his language, sources, and arguments as was the norm in those days. But his acknowledgment of the dignity of African women is implicit, and his discussion of the regressive elements of the colonial economy and education for African women and girls presaged a field of scholarly enquiry and activism that still intrigues me.

Lorde’s landmark collection of essays amplifies ways of living and knowing long familiar to women and other marginalized groups. Her exploration of eroticism—a fully vivacious, embodied experience of life—as a source of women’s knowledge, wisdom, and power is yet unmatched in American letters.

Essential reading for anyone who has felt unsatisfied or unseen by the narratives handed down by the white, heteronormative, patriarchal powers that continue to hold our imaginations in a vice grip. 

Fanon’s analysis of how Black people in colonized Africa and in the United States were one oppressed people was part of my political education. This book was formative to my politics, which are rooted in Fanon’s combination of Marxism and resistance to racial oppression.

Reading Fanon allowed me to accept my culture and who I was as a Black person. I started reflecting on assimilation and how we changed our hair and skin to look more acceptable to white people. He was also my friend Nate’s favorite author.

After Nate got out of prison, he became an attorney and director of prisoner legal services at the San Francisco Sheriff’s Department. There’s a memorial to him there still, in the jail lobby, and Fanon’s book is in there.

I was entranced by this book when I first read it, and still am. I loved the way Kenyan writer and activist Ngugi wa Thiong'o told a story in such a simple, unadorned way that just manages to get under your skin. It’s an important lesson for any writer about unaffected writing! This was the first major novel in English by an East African writer and is just so redolent of its time and place. It charts the life of a young boy growing up through a major change in his home country, and the rise of the Mau Mau freedom fighters.

I recommend this book because it takes the reader to a totally different world of a child growing up in the 1940s and 50s in Kenya, East Africa, during the war between the British colonials and Mau Mau freedom fighters. The author was born into a typical African compound ruled by a patriarch with four wives. He had many adventures in his attempts to escape the restrictions of his native culture. In Chapter 3 of my memoir, titled “First Dreams of Africa,” I describe how I saw shapes which looked like African animals on a hill, the other side of the chemical factory and town dump. That’s when I started to dream about going to a more verdant faraway land. Ngugi wa Thiong'o became a novelist and playwright and I became an international film and media producer, and much later a creative nonfiction writer. 

This book tells the true story of an African couple who adopted a lion cub, raised her to adulthood, and then eventually returned her to the wild.

In my reporting on wild pets and reintroductions of captive animals, I learned that Elsa’s story was a bit of a miracle. Such successful reintroductions are very rare. The Adamsons were complex people and their story has an ambiguous legacy, especially given that it may have inspired people who were not really able to care for big cats to try to keep them as pets.

However, there’s no denying that their experience makes for a fascinating read. And by living so closely with her, they were able to see and describe Elsa as an individual, not just “a lioness” interchangeable with any other.

In the 1970s, Maathai founded the Green Belt Movement, an environmental non-governmental organization focused on tree planting, environmental conservation, and women's rights. She became the first African woman to receive the Nobel Peace Prize for “her contribution to sustainable development, democracy, and peace.”

That sounds straightforward if remarkable, but it doesn’t reflect the courage she needed to achieve it. Her work was often considered both unwelcome and subversive in her own country, where her outspokenness constituted stepping far outside traditional gender roles—a situation Nancy understands all too well, having grown up in West Kenya. Unbowed is Wangari’s story in her own words.

Feel the force of fifty children’s voices and celebrate how art and story-telling unite young people who live continents apart. At age seven, I discovered libraries and a love of reading and writing, but the idea that a working-class girl from Luton could become an author was as crazy as eating the straw boater with which my birthplace was associated.

Middle-class parents can afford to buy books for their children. Lack of access to books for children without them is a handicap for upward mobility. That is why the Nasio Trust wants to build the first community library in West Kenya, and Cosmic Cats will be the first book in the library to show the children that they belong there. In our imaginations, we are all equal. BBC South recorded the launch, bringing together the two schools.

Sulwe is a little girl with skin the ‘color of midnight’. But she just wants to be like her mother and sister, who are lighter skinned. This is an emotional read with stunning illustrations that teaches us to love ourselves just as we were made and embrace our own unique beauty.