Here are 74 books that Imperial Women of Rome fans have personally recommended if you like
Imperial Women of Rome.
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I am a professor of ancient art at Vassar College where I teach Roman art and archaeology. I have published widely in the field and traveled extensively in the Mediterranean. My first encounters with Roman art occurred as a child in the Metropolitan Museum of Art in NYC where I would stand before Roman portrait heads because their faces seemed stern and grim, yet ordinary and matter-of-fact. I have continued to observe Roman portraits over the years, but admit that I still sometimes find them daunting.
Tourists, who are marched through the only designated, purposely-built brothel in Pompeii, stare at the cubicles with built-in masonry beds and wall paintings depicting sexual acts. Richardson pieces together an array of evidence, from various finds and graffiti to the early excavation reports, to assess the experiences of both the male clients and the female prostitutes. According to Richardson, more than sex was provided by the women of the brothel. This book imaginatively reconstructs the activities of the brothel in an intriguing way.
In this book, Sarah Levin-Richardson offers the first authoritative examination of Pompeii's purpose-built brothel, the only verifiable brothel from Greco-Roman antiquity. Taking readers on a tour of all of the structure's evidence, including the rarely seen upper floor, she illuminates the subculture housed within its walls. Here, prostitutes could flout the norms of society and proclaim themselves sexual subjects and agents, while servile clients were allowed to act as 'real men'. Prostitutes and clients also exchanged gifts, greetings, jokes, taunts, and praise. Written in a clear, engaging style, and accompanied by an ample illustration program and translations of humorous and…
I’ve always been fascinated by the ancient Romans and particularly by the ways they wrote about themselves. A Professor of Ancient History at Birkbeck, University of London since 2005, I regularly take part in BBC Radio 4’s In Our Time, discussing topics such as Roman decadence. Later generations look back on ancient Rome as mired in luxury and sexual misbehaviour—but that’s because the Romans themselves were constantly accusing one another of terrible vices. What can these claims tell us about Roman society? That’s a question that I’ve often returned to in many years of university teaching—and writing books, such asThe Politics of Immorality in Ancient Rome.
This enthralling evocation of the long life of Rome’s first emperor, Augustus, uses fictional letters and other invented documents to tell his story, from the point when, as a teenager, he found himself the heir of the assassinated dictator Julius Caesar, to his final days as sole ruler of a vast empire. Emerging as victor from a protracted civil war, Augustus managed to impose a degree of stability across the Roman world, though at a cost. Could the bloodthirsty youth have really turned into the modest statesman? His contemporaries found him hard to read. Williams charts with subtlety and insight the phases in Augustus’ self-reinvention, shining a particular spotlight on his fraught relationship with Julia, his daughter, whom he found himself obliged to send into exile, as a conspicuous offender against his flagship legislation on adultery.
By the author of Stoner, the surprise international bestseller
After the brutal murder of his great-uncle, Julius Caesar, Octavian, a shy and scholarly youth of nineteen, suddenly finds himself heir to the vast power of Rome. He is destined, despite vicious power struggles, bloody wars and family strife, to transform his realm and become the greatest ruler the western world had ever seen: Augustus Caesar, the first Roman Emperor.
Building on impeccable research, John Williams brings the legendary figure of Augustus vividly to life, and invests his characters with such profound humanity that we enter completely into the heat and…
I am a professor of ancient art at Vassar College where I teach Roman art and archaeology. I have published widely in the field and traveled extensively in the Mediterranean. My first encounters with Roman art occurred as a child in the Metropolitan Museum of Art in NYC where I would stand before Roman portrait heads because their faces seemed stern and grim, yet ordinary and matter-of-fact. I have continued to observe Roman portraits over the years, but admit that I still sometimes find them daunting.
This is the book that changed my perspective on Roman art. It focuses on relief sculptures, mainly from tombs in the port of Rome, that commemorated the livelihoods of ordinary people, artisans, shopkeepers, and laborers, with scenes of their work rendered in their own artistic styles (rather than those of the official state monuments). Now some of these tomb plaques are included in mainstream Roman art history textbooks, but the effect of this book taking both class (particularly those of low status) and gender seriously in the study of ancient art and archaeology was groundbreaking.
I am a professor of ancient art at Vassar College where I teach Roman art and archaeology. I have published widely in the field and traveled extensively in the Mediterranean. My first encounters with Roman art occurred as a child in the Metropolitan Museum of Art in NYC where I would stand before Roman portrait heads because their faces seemed stern and grim, yet ordinary and matter-of-fact. I have continued to observe Roman portraits over the years, but admit that I still sometimes find them daunting.
It is an anthology of essays that provide a range of topics and approaches to women who lived and worked in these small towns, now spectacularly preserved despite their sudden destruction by the eruption of Mt. Vesuvius in 79 CE. The lives lived here tend towards the gritty, workaday world with studies of women in business and trade, although elite women, public priestesses, also make an appearance. Two that feature women's names scratched on walls (graffiti) and drawings of women etched in or painted on Pompeian walls (by Erika Zimmermann Damer and Margaret L. Laird) argue for women's (partial) literacy and their greater visibility. These essays do much to make the fascinating archaeological material accessible.
Literary evidence is often silent about the lives of women in antiquity, particularly those from the buried cities of Pompeii and Herculaneum. Even when women are considered, they are often seen through the lens of their male counterparts. In this collection, Brenda Longfellow and Molly Swetnam-Burland have gathered an outstanding group of scholars to give voice to both the elite and ordinary women living on the Bay of Naples before the eruption of Vesuvius.
Using visual, architectural, archaeological, and epigraphic evidence, the authors consider how women in the region interacted with their communities through family relationships, businesses, and religious practices,…
I'm the multiple, award-winning author of 4 novels and one novella, raised in Memphis, Tennessee, and now living in Southern California. The geographical distance gives me a laser-sharp, appreciative perspective of the South, and I celebrate the literary greats from the region. The South is known as the last romantic place in America, and I believe this to be true. The South’s culture, history, and social mores are part and parcel to its fascinating characters, and nothing is more important in the South than the telling of a good story. As a writer, I'm in love with language. I love Southern turns of phrase and applaud those writers who capture Southern nuance. It is well worth writing about Southern sensibilities.
Peachtree Road is considered a modern-day Gone with The Wind, in that it is set in the pivotal, changing times of 1960’s Atlanta, and concerns the opulent area of Buckhead, where the privileged who built modern-day Atlanta live. The story is narrated in lyrical language by Shep Bondurant, an insightful young man born to privilege, who tells the coming-of-age story of Southern traditions and hypocrisy, and the impact of growing up alongside his troubled cousin, Lucy. A deeply probing story on multiple levels concerning society and the impact of family.
“A blockbuster of a novel. . . . Peachtree Road is the meaty and absorbing story of a city turned on to power and of the privileged inhabitants who led it to its current station as a mecca of business, culture, and progress. . . . To say this book is potent does not come close to doing it justice. More than merely powerful, it is mesmerizing, enthralling, and totally unforgettable.” — Chattanooga Free Press
A masterful tale of love, hate, and rebellion set in an elite world of class and wealth, New York Times bestselling author Anne Rivers Siddons's…
I read (and write) biography as much for history as for an individual life story. It’s a way of getting a personalized look at an historical period. When the book is a family biography, the history is amplified by different family members' perspectives, almost like a kaleidoscope, and it stretches over generations, allowing the historical story to blossom over time. The genre also opens a window into the ethos that animated this unique group of individuals who are bound together by blood. Whether it's a desire for wealth or power, the zeal for a cause, or the need to survive adversity, I found it in these family stories.
When Cornelius Vanderbilt died in 1877, he was the richest man in America. Two generations later, the family parlayed their wealth into social status in the city's newly defined class structure.
Anderson Cooper, CNN news anchor, and his co-author trace the city's social history, beginning with Anderson's ancestor who emigrated to the small Dutch colony at the tip of Manhattan as an indentured servant. The story ends with Anderson's mother Gloria, the last Vanderbilt to have known the family at the peak of its wealth and social clout before lavish spending took its toll.
Most affecting are Anderson’s memories of his mother that have nothing to do with money and everything to do with sharing life with someone we love.
New York Times bestselling author and journalist Anderson Cooper teams with New York Times bestselling historian and novelist Katherine Howe to chronicle the rise and fall of a legendary American dynasty-his mother's family, the Vanderbilts.
One of the Washington Post's Notable Works of Nonfiction of 2021
When eleven-year-old Cornelius Vanderbilt began to work on his father's small boat ferrying supplies in New York Harbor at the beginning of the nineteenth century, no one could have imagined that one day he would, through ruthlessness, cunning, and a pathological desire for money, build two empires-one in shipping and another in railroads-that would…
I’m an eclectic reader and writer, happily moving from one interest to the next. My first published book was a travel guide to the wine country of Northern California. Then came The Recipe Club — a mostly epistolatory novel written with my friend Andrea Israel. My latest book (seeking representation! Agents, if you’re listening…) is hybrid literary fiction that takes you on a deep and steep rollercoaster ride, no seatbelts included. It’s a surprising loop-de-loop of what it means to be human, what it means to belong to family and to the world, and what it means to love.
Adais the five-part fictional memoir of Dr. Van Veen — psychologist, professor of philosophy, and student of time — who chronicles his life-long love affair with his half-sister Ada. A deliberately falsified family tree prefaces the book, and the alternative title to Van’s memoir is Ardor: A Family Chronicle. Nabokov is my favorite writer and Ada is my favorite Nabokov: a long, complicated, totally original, and brilliant novel that takes explores the landscapes of Self, imagination, and consciousness, all through the lens of family. It’s not an easy read, but it is one I find infinitely inspiring.
'A great work of art, radiant and rapturous, affirming the power of love and imagination' The New York Times Book Review
Ada or Ardor is a romance that follows Ada from her first childhood meeting with Van Veen on his uncle's country estate, in a 'dream-bright' America, through eighty years of rapture, as they cross continents, are continually parted and reunited, come to learn the strange truth about their singular relationship and, decades later, put their extraordinary experiences into words.
Written in mischievous and magically flowing prose, Nabokov's longest, richest novel is a love story, but also a fairy tale,…
My love for reading suspense helped me develop the desire to write novels. It is as if I always have a movie in my head, so why not write them out. I have dyslexia, and reading along with learning is a challenge, but both have become my escape. I’ve always been fascinated by how a good suspense plays out and the relief that comes with the resolution. I added the paranormal world because I had a NDE (near death experience) in the 80s and became open to the paranormal. I became unafraid and see the paranormal as good.
I have been subjected to the control of a narcissist and reading this book was something I felt deep.
Liv Constantine brought forth the reality of what the outside world sees in a marriage, compared to what goes on behind closed doors. The control a spouse can have on a loved one puts a different spin on love.
I couldn’t help but feel the love grow and wonder what could go wrong when two people are so happy together. Having another woman setting up a plan to steal a husband made her despicable, but in the end, it became an amazing escape for one Mrs. Parrish.
I felt so connected to the character in this book, not as a victim but as a woman who regained her strength and escaped.
"Deliciously duplicitous. . . . equally as twisty, spellbinding, and addictive as Gillian Flynn's Gone Girl or Paula Hawkins's The Girl on the Train."-Library Journal (starred review)The mesmerizing debut about a coolly manipulative woman and a wealthy "golden couple," from a stunning new voice in psychological suspense.Some women get everything. Some women get everything they deserve.Amber Patterson is fed up. She's tired of being a nobody: a plain, invisible woman who blends into the background. She deserves more-a life of money and power like the one blond-haired, blue-eyed goddess Daphne Parrish takes for granted. To everyone in the exclusive town…
I’ve been reading romance novels since I was way too young to be reading romances and I love the romance genre. I’m a fan of many tropes, but second-chance romance is one of my favorites and it is the main trope in my debut novel, Just a Fling. When I read romance, I want to read stories that make my heart break and then stitch it back together. Second-chance romances do that because they capture the essence of hope and forgiveness. They give readers the opportunity to experience the beauty and power of forgiveness and to believe in the transformative power of love.
Ain't She Sweet is my favorite second-chance romance. It will make you laugh, cry, and fall in love all over again.
It's about Sugar Beth Carey, the ultimate mean girl, who returns to her hometown and tries to make amends for all the drama she caused in the past. And of course, there's a handsome man from her past, Colin Byrne, who she just can't resist.
With hilarious banter, relatable characters, and steamy scenes, Ain't She Sweet is a must-read for romance junkies.
In high school Sugar Carey had reigned supreme. She alone had decided what or who was cool. Her spiral perm had been the perm against which all others were measured, and her opinion on which boys were acceptable to date the only one that counted. A beautiful, blonde - if not always benevolent - dictator, she had a reputation for being the wild child of Parrish, Mississippi, the girl most likely to set the world on fire, and leave a trail of destruction in her wake. When she left home she swore she'd never return. Only now, fifteen years and…
I am a professor of sociology at the University of Chicago, and I am interested in global capitalism, financial elites, and all aspects of how people broker capital deals. I am a scholar of anti-heroes who studies all of the ways that people play in the gray. My first book, Dealing in Desire, is an ethnography where I embedded myself in several different hostess bars to study the relationship between sex work and financial deal-making. I grew up in California but have lived most of my adult life in Ho Chi Minh City, Houston, Boston, and Chicago.
This is one of my favorite new books that provides an on-the-ground investigation of the global market for citizenship. I learned a tremendous amount about the “market” for passports.
Surak provides a window into the states and brokers who sell them and the billionaire/multimillionaire elites who can afford to buy them. With an incredible six years of fieldwork and hundreds of interviews, she shows the scale of a full-blown industry where buyers, brokers, and sellers all profit from the citizenship trade.
"[A] fascinating study of how people and their capital seek to move around a world that is at once hugely interconnected and driven by inequities...definitive, detailed, and unusually nuanced." Atossa Araxia Abrahamian, Foreign Affairs
The first comprehensive on-the-ground investigation of the global market for citizenship, examining the wealthy elites who buy passports, the states and brokers who sell them, and the normalization of a once shadowy practice.
Our lives are in countless ways defined by our citizenship. The country we belong to affects our rights, our travel possibilities, and ultimately our chances in life. Obtaining a new citizenship is rarely…
