I grew up in the Scottish countryside, reading passionately. When adults asked what I wanted to be when I grew up, the answer came from my latest book: a nun, an outlaw, a queen, or an explorer. Not until I was in my twenties did I realise that I wanted to be the person behind the covers of a book, not between them. My early stories, written between waitressing shifts, were bafflingly bad. Gradually I began to understand that the fiction I loved was driven by a hidden machinery. I now teach at the Iowa Writers’ Workshop and have been lucky enough to explore this idea with many talented students.
As a boy, Baxter stood at the window of his mid-western home and looked out at the empty street. He went on to fill that street with stories. In Wonderlands he talks about how those stories were made in terms of craft—he writes vividly about requests, lists, dreams, ghosts—and the events in his own life that shaped his fiction, including a long period of failure. An deeply companionable book.
Searching and erudite new essays on writing from the author of Burning Down the House.
Charles Baxter’s new collection of essays, Wonderlands, joins his other works of nonfiction, Burning Down the House and The Art of Subtext. In the mold of those books, Baxter shares years of wisdom and reflection on what makes fiction work, including essays that were first given as craft talks at the Bread Loaf Writers’ Conference.
The essays here range from brilliant thinking on the nature of wonderlands in the fiction of Haruki Murakami and other fabulist writers, to how request moments function in a story.…
Stories help us understand ourselves, another culture, or a new student sitting alone at a nearby desk. While teaching, working side by side, and living on the Navajo Nation for nearly twenty years, I wanted to share some of the special and surprising aspects of their culture—especially the kindness, wisdom, and the laughter Navajo people shared with me. Laughter is a holy gift for the Navajo people. First Laugh shows the reader why this is true.
My books have been given a variety of national and international awards but the best reward is when a child looks up while reading one of my books, quietly grins, and then proudly says, “I am in this book.”
Powwow's Comingis a simple, colorful, and “full of dancing descriptions” that show the fun and importance of powwow celebrations. Linda is part Native and part teacher and fully a creative author and illustrator. She explains in rhyming narrative the reasons for the gathering of many tribal members at a powwow to share dancing, chanting, and drumming. Powwow’s Comingis a perfect read aloud for younger “listeners.” Boyden has included a teachers’ resource page so the book can easily be incorporated into different curriculums.
Powwow's coming, hear the beat? Powwow's coming, dancing feet. Powwow's coming, hear the drum? Powwow's coming, everyone! Frustrated as a school teacher not being able to find good instructional materials on American Indians, Linda Boyden has bypassed the tired stereotype of Indians on horseback or hunting game and placed them in today's setting of a powwow. ""Powwow's Coming"" provides children with a foundation for understanding and celebrating the enduring culture and heritage of American Indians. Boyden's exquisite cut-paper collage and engaging poem visually place readers within the scenes of a contemporary Native American community while offering a thoughtful look at…
As an Anishinaabe writer, my award-winning/nominated books, Murder on the Red River andGirl Gone Missing, feature Cash Blackbear; a young, Native woman, who solves crimes for the county sheriff. Oprah Magazine 2020 listed me as a Native American Author to read. I received Minnesota's 2020 McKnight Distinguished Artist Award. My script, Say Their Names, had a staged reading with Out of Hand Theater, Atlanta, 2021. Vazquez and I received the Loft’s 2017 Spoken Word Immersion Fellowship for work with incarcerated women. I have been a friend, colleague, and peer with the authors recommended. We might currently be a small crew writing but we are a mighty, award-winning crew.
Jim Northrup, Fond du lac Ojibwe author, was my writing mentor from the time I met him in 1991 until he passed away in 2015. He would always ask, “What are you writing today?” That was his way of encouraging me to keep writing.His crime novel, Dirty Copper is the story of Luke Warmwater, who returns to the Reservation after serving in Vietnam. Luke becomes a deputy sheriff on the Rez and sees firsthand the war raging below the appearance of peace.
I would listen to Jim talk about his writing and the progress he was making on his story as he wrote it. Listening to him encouraged me to keep going with my writing. Jim’s way of storytelling through the written word is something I have tried to emulate.
Dirty Copper, the prequel to Walking the Rez Road, tells the story of Luke Warmwater, an Anishinaabe soldier, as he returns to the Reservation after serving in Vietnam. Once again, Luke is torn between duty and morality as he becomes a deputy sheriff on the Rez and sees firsthand the war raging below the appearance of peace.
History and historical fiction are my abiding passions, and as a child of the Missouri Ozarks, I’ve always been drawn to depictions of Midwestern and rural life in particular. I have studied 19th-century utopian communities for many years and have always been fascinated by the powerful appeal of such communities, and the internal dynamics that always seem to arise within them. My novel series follows the rise and decline of one such community, using it as a microcosm for American culture in general. What might seem like a byway of American history is to me a powerful source of insight.
Unlike the novels of warfare and suffering, The Moonflower Vine is an intimate portrait of family life, set in 1920s Missouri. It was a bestseller when it was first published in the early 1960s, but has since suffered neglect. But it richly rewards the reader with its heartfelt depiction of three sisters and their aging parents, whose passions, aspirations, and failures are portrayed with complex sensitivity. I don’t think historical novels have to focus on historical events – capturing the spirit of an era is just as important. And this novel took me into rural life of a hundred years ago with great generosity.
“Wit, emotion and undiminished boldness. . . . This is a book which celebrates life and warms the heart.” —Tulsa World
A timeless American classic, this beloved family saga of the heartland is “deeply felt . . . dramatic . . . constantly alive” (Harper’s Magazine)
On a farm in western Missouri during the first half of the twentieth century, Matthew and Callie Soames create a life for themselves and raise four headstrong daughters. Jessica will break their hearts. Leonie will fall in love with the wrong man. Mary Jo will escape to New York. And wild child Mathy's fate…
Growing up as a kid, I was obsessed with R.L. Stine’s Goosebumpsbooks, most of which took place in small-town settings. Horror could hide anywhere in those towns, whether out in the woods or on the shelf at the local general store. I loved those books to death because they taught me (or perhaps reminded me) that darkness existed within daily life. As I grew older, my passion for the subgenre led me to consume more stories and eventually write my own.
This Stoker Award-winner nearly caused me to miss a connecting flight to Los Angeles. I started reading it in an airport restaurant and got completely swept away until the final boarding call. In Covenant, a big-city journalist visits a small Midwest town to investigate a series of mysterious suicides. What unfolds is a gripping supernatural tale filled with mysterious characters, riveting conflict, and unthinkable twists.
In a small town with a strange history of teen suicides, a group of five women have made a pact with a demon and must sacrifice their firstborn.
To the residents of the sleepy coastal town of Terrel, the cliffs of Terrel's Peak are a deadly place, an evil place where terrible things happen. Like a series of mysterious teen suicides over the years, all on the same date. Or other deaths, usually reported as accidents. Could it be a coincidence? Or is there more to it? Reporter Joe Kieran is determined to find the truth.
I’m a research nerd at heart. I am happiest pouring over historic newspapers online (thank you Library of Congress) or digging into a non-fiction book. The research I do for a book can be more rewarding than writing the book itself. When I read a 1933 article about a baby that would be given away as a prize during a civic fundraiser, I was hooked. What desperation would lead a parent to give away a child? Who would buy such a raffle ticket? Who thought this would be a good idea? I never did find the answers to my questions, so I made up my own.
The author is a sociologist who rode the rails, on and off, alongside homeless youth in the early 1930s. He did not disguise himself or pretend to be “one of them.” Instead, he chronicled their stories in oral histories that are intimate and thorough depictions of how young men and women existed on the road, what was important to them, what they yearned for, how they protected themselves, and each other. As a sociologist and chronicler of groups within society, the author remained true to his obligations as an academic not to glorify, white-wash, or romanticize what he saw. As a result, the experiential dimensions of this book are incredibly robust and meaningful.
In 1933 and 1934, Thomas Minehan, a young sociologist at the University of Minnesota, joined the ranks of a roving army of 250,000 boys and girls torn from their homes during the Great Depression. Disguised in old clothes, he hopped freight trains crisscrossing six midwestern states. While undercover, Minehan associated on terms of social equality with several thousand transients, collecting five hundred life histories of the young migrants. The result was a vivid and intimate portrayal of a harrowing existence, one in which young people suffered some of the deadliest blows of the economic disaster.
As a lifetime Midwesterner, I've found that, just as the richness and beauty of our beloved "flyover states" can be overlooked by the rest of the country, there is a powerful collection of Midwestern novels that don't get the attention they deserve. I once read a passage by a New York writer that described a character as being from “some non-descript Midwestern town.” The Midwest is only non-descript if you’re too lazy to describe it. I kind of like that I can keep the Midwest like a secret. But I’ll share these novels with you. Best enjoyed on the coast of a freshwater lake or in your favorite worn-out easy chair.
Toews is a Canadian writer, not Midwestern, but I’m from Michigan and we tend to lump Canada in with us whenever possible. My list, my rules. The book takes place in the adorable town of Algren with heroine Knute and her daughter Summer Feelin’ as well as a cast of other quirky lovable small-town characters. Toews has the ability to write sweet and funny small-town stories without pandering to stereotypical character tropes. Whenever I think of this book, I think of the peaceful feeling it gave me one summer, reading on my porch steps or leaned over my grocery cart in line for checkout, whenever I had two free minutes to read. Toews later fiction is quite a bit darker and she does that well too, but I always love to sink into her earlier works when I want something feel-good.
Winner of the McNally Robinson Book of the Year Award
“Tonic for the spirit: a charming, deeply moving, unerringly human story, perfectly shaped and beautifully told.” —The Globe and Mail
Life in Winnipeg didn’t go as planned for Knute and her daughter. But living back in Algren with her parents and working for the longtime mayor, Hosea Funk, has its own challenges: Knute finds herself mixed up with Hosea’s attempts to achieve his dream of meeting the Prime Minister—even if that means keeping the town’s population at an even 1,500. Bringing to life small–town Canada and all its larger–than–life characters,…
I was a teen in the midwest in the 1990s, so my debut novel, To the Top of Greenfield Street, really hits home. There’s something so potent about where I grew up, and who I met at that formative age, that doesn’t leave me, no matter how hard I try. Professionally or non, I’ve always written, drawn, and acted on stage, and the theater background ensured every conflict in my book was soaked with in-the-moment urgency and discovery. Most of all, I wanted honesty to come through. Thoughts and decisions were as real as possible, and characters breathed with laughter and tears along the way.
First off, I love the classics, and Steinbeck was a master. I recommend this book because it makes an appearance in my book. Tortilla was an inspiration. I loved the way Steinbeck casually described the average goings-on, for an average day, with average people. Sometimes novels don’t need to be bursting with conflict. And Steinbeck was a setting pro, I saw his little town and felt it. Vignettes were relatable individually and as one whole tale. Tragedy, comedy, and humor were all there, and totally accessible in one of Steinbeck’s less serious endeavors.
Steinbeck's first major critical and commercial success, TORTILLA FLAT is also his funniest novel. Danny is a paisano, descended from the original Spanish settlers who arrived in Monterey, California, centuries before. He values friendship abovemoney and possessions, so that when he suddently inherits two houses, Danny is quick to offer shelter to his fellow gentlemen of the road. Their love of freedom and scorn for material things draw them into daring and often hilarious adventures. Until Danny, tiring of his new reponsibilities, suddenly disappears...
I’ve been fascinated by paranormal stories for years. One of the first books I truly loved was A Wrinkle in Time. I loved the Dragons of Pern, as well. As a girl, I read more stories featuring witches and magical creatures than one ought. But I also loved mysteries—Nancy Drew,as well as all the Agatha Christie books. At present, I’m working on my fifth Fairy Garden Mystery, and I recently completed a mystery novella featuring an elf. To round out the experience, I have personally crafted over fifty fairy gardens. I’m pretty certain a fairy spirit had something to do with my obsession... or perhaps it all started when I kissed the Blarney Stone.
I was swept away by this story. The magic and mystery were entrancing.
Pippin and her twin brother, Grey, live on the Outer Banks island of Devil’s Cove. Pippin has a rare gift.
She is a bibliomancer, meaning she can “read” books. Can you imagine? I’d love to have that ability.
In this story, Pippin needs to break the curse that has haunted her family for two thousand years. The story is original and deftly crafted with a wonderful blend of books and magic.
#1 Amazon Bestseller! Perfect for fans of Ellery Adams, Carlene O'Connor, and Barbara Freethy.
“...a deftly crafted and impressively original novel by an author with a genuine flair for originality...certain to be an unusual, immediate and enduringly popular addition to community library Mystery/Suspense collections…” ~Midwest Book Review
After twenty years, Pippin Lane Hawthorne and her twin brother, Grey, return to their birth place—the Outer Banks island of Devil’s Cove. But what was supposed to be a chance at a new life turns sinister when their father’s old fishing boat reveals a dark secret.
It was an amazing story and I enjoyed it so much! I was heartbroken to discover the author had passed away when I reached out to tell her how much I loved the series.
Gina Royal is the definition of average-a shy Midwestern housewife with a happy marriage and two adorable children. But when a car accident reveals her husband's secret life as a serial killer, she must remake herself as Gwen Proctor-the ultimate warrior mom.
With her ex now in prison, Gwen has finally found refuge in a new home on remote Stillhouse Lake. Though still the target of stalkers and Internet trolls who think she had something to do with her husband's crimes, Gwen dares to think her kids can finally grow up in peace.…
