I love being entertained while I read, but I equally love to learn something. That has led me to fall in love with the historical fiction genre, and is what also led me to write We Came Here to Shine and The Subway Girls. Part of being able to write good historical fiction is to learn from the masters in the genre. I am drawn to historical fiction that features ambitious women who were notable in their time for going against the strictures and conventions forced upon them, and I have chosen all of these books for you because they feature women like that. I hope you enjoy!
The Show Girl is a delicious and entertaining exploration of the life of a 1920s Ziegfield girl with authentic period details and Harrison’s trademark ability to plunge the reader deep into the experiences of her characters. I loved being along for the ride as Olive navigated her relationships and friendships, followed her dreams, and pursued the glamorous life—with all its attendant ups and downs—of a show girl. The Show Girl is a fast-paced and engaging read that will leave readers giving a standing ovation to Olive and to all women who choose to live life on their own terms.
It's 1927 when Olive McCormick moves from Minneapolis to New York City determined to become a star in the Ziegfeld Follies. Extremely talented as a singer and dancer, it takes every bit of perseverance to finally make it on stage. And once she does, all the glamour and excitement is everything she imagined and more-even worth all the sacrifices she has had to make along the way.
Then she meets Archie Carmichael. Handsome, wealthy-the only man she's ever met who seems to accept her modern ways-her independent nature and passion for success. But once she accepts his proposal of marriage…
I loved this book for its slow-burn charm. However, at first, the heroine, Poppy Lively, had a lot of life problems that were making her very anxious, and I started to feel anxious, too! However, when she starts her new Hollywood job, Poppy comes into her own and begins to make a new life for herself, and it was then that this novel began to charm and delight me.
Poppy is a woman learning how to be herself in a difficult world, and I grew to love her for it. In the end, I was cheering her on as she confronts her past and realises where her real loyalties lie. There's also a really nice hint of romance.
"The show must go on" takes on a whole new meaning for one single mom in a witty and emotional novel by the USA Today bestselling author of I Thought You Said This Would Work.
It seems lately that Poppy Lively is invisible to everyone but the IRS.
After her accountant absconded with her life savings, newly bankrupt Poppy is on the verge of losing her home when an old flame, now a hotshot producer, gives her a surprising way out: a job in costumes on a Hollywood film set. It's a bold move to pack her bags, keep secrets…
I am fascinated by the idea of good people, moral people, people you know and like and love, who make terrible choices, wrong decisions, and mistakes that can’t be undone. And when the person who makes the mistake is a mother—my God! How the world turns on them. We live in a society where mothers are judged so harshly, where they are not allowed mistakes, where they are barely allowed to have a life or a want or a desire or a longing not connected to mothering. And so I write about this, and I read about this.
I couldn’t put it down, and thirty years after its publication, as with Sue Miller’s book, I still feel the emotions I felt reading it. I can’t think of a better recommendation for any book. I still care about the characters. I wonder how the main character, Alice, is doing. Simply writing this answer makes me want to go back and read the book again—it will be my fourth or fifth read.
NATIONAL BESTSELLER • From the author of the widely acclaimed The Book of Ruth comes a harrowing, heartbreaking drama about a rural American family and a disastrous event that forever changes their lives.
"It takes a writer of rare power and discipline to carry off an achievement like A Map of the World. Hamilton proves here that she is one of the best." —Newsweek
The Goodwins, Howard, Alice, and their little girls, Emma and Claire, live on a dairy farm in Wisconsin. Although suspiciously regarded by their neighbors as "that hippie couple" because of their well-educated, urban background, Howard and…
I was attending graduate school in Mankato, Minnesota when I first discovered that 38 Dakota men were hanged there on December 26, 1862. I was shocked to find out that the largest simultaneous mass execution in United States history happened right where I lived and I knew nothing about it. Since then, I’ve dedicated myself to learning, understanding, and sharing the history of the U.S. – Dakota War of 1862. Over the years, I’ve discovered not just the history, but the legacy of that history for us today. Someday, I hope we all come to understand, and eventually break down, that legacy.
Set before, during, and after the U.S. – Dakota War of 1862, The Night Birds by Thomas Maltman uses fiction to effectively convey the trauma of one of Minnesota’s most tragic events. Using well-developed, relatable characters, Maltman works hard to intertwine people and places in a way that is emotionally moving. Maltman includes numerous historic facts along with culturally relevant details that work to make the novel incredibly interesting, while making the characters and their journeys very compelling. Finally, he manages to capture the pain and suffering of Dakota and white characters alike. It’s a slow, but highly rewarding read.
A “luminously written and harrowing” historical saga of three generations of German immigrants to the Midwest (Minneapolis Star Tribune).
“Set in the 1860s and ’70s, Maltman’s superb debut evokes a Midwest lacerated by clashes between European and Native American, slaveowner and abolitionist, killer and healer, nature and culture. Asa Senger, a lonely 14-year-old boy, is at first wary when his father’s sister, Hazel, arrives at his parents’ Minnesota home after a long stay in a faraway asylum, but he comes to cherish the mysterious Hazel’s warmth and company. Through her stories, Asa learns of his family’s bitter past: the lore…
As a human, I struggle with staying connected during conflict. Because conflict naturally shows up in all relationships, I had to figure out how to do it better, or die alone! My path has woven through studying conflict resolution, becoming a relationship therapist, doing deep learning within my own life partnership, and exploring the realm of somatic psychology in my doctoral work. I long for a world where we have the skills we need to work through conflict without resorting to violence. In my dreams, the world is able to coexist with love and conflict. Our relationships thrive when we speak our full truth, and embody our values in action.
I grew up in the midwest, where conflict is to be avoided at all costs.
Reading this book helped me understand that conflict is really about our deepest longings, and our fears that they will not be met. Through developing tolerance for being in direct conflict and skills to work through it, conflict becomes a friend instead of an enemy.
The Crossroads of Conflict: A Journey into the Heart of Dispute Resolution (Second Edition) describes all conflicts as “crossroads” and catalysts for learning, evolution, growth, and wisdom. It shows how to locate the root sources of conflict and remove the barriers to forgiveness and reconciliation, collaboration, and community.
Ken Cloke’s analysis of the inner sources of chronic conflict and ideas for a unified theory for resolving conflict is groundbreaking and destined to become a cornerstone of the future of dispute resolution.
Stories help us understand ourselves, another culture, or a new student sitting alone at a nearby desk. While teaching, working side by side, and living on the Navajo Nation for nearly twenty years, I wanted to share some of the special and surprising aspects of their culture—especially the kindness, wisdom, and the laughter Navajo people shared with me. Laughter is a holy gift for the Navajo people. First Laugh shows the reader why this is true.
My books have been given a variety of national and international awards but the best reward is when a child looks up while reading one of my books, quietly grins, and then proudly says, “I am in this book.”
Powwow's Comingis a simple, colorful, and “full of dancing descriptions” that show the fun and importance of powwow celebrations. Linda is part Native and part teacher and fully a creative author and illustrator. She explains in rhyming narrative the reasons for the gathering of many tribal members at a powwow to share dancing, chanting, and drumming. Powwow’s Comingis a perfect read aloud for younger “listeners.” Boyden has included a teachers’ resource page so the book can easily be incorporated into different curriculums.
Powwow's coming, hear the beat? Powwow's coming, dancing feet. Powwow's coming, hear the drum? Powwow's coming, everyone! Frustrated as a school teacher not being able to find good instructional materials on American Indians, Linda Boyden has bypassed the tired stereotype of Indians on horseback or hunting game and placed them in today's setting of a powwow. ""Powwow's Coming"" provides children with a foundation for understanding and celebrating the enduring culture and heritage of American Indians. Boyden's exquisite cut-paper collage and engaging poem visually place readers within the scenes of a contemporary Native American community while offering a thoughtful look at…
I grew up in the Scottish countryside, reading passionately. When adults asked what I wanted to be when I grew up, the answer came from my latest book: a nun, an outlaw, a queen, or an explorer. Not until I was in my twenties did I realise that I wanted to be the person behind the covers of a book, not between them. My early stories, written between waitressing shifts, were bafflingly bad. Gradually I began to understand that the fiction I loved was driven by a hidden machinery. I now teach at the Iowa Writers’ Workshop and have been lucky enough to explore this idea with many talented students.
As a boy, Baxter stood at the window of his mid-western home and looked out at the empty street. He went on to fill that street with stories. In Wonderlands he talks about how those stories were made in terms of craft—he writes vividly about requests, lists, dreams, ghosts—and the events in his own life that shaped his fiction, including a long period of failure. An deeply companionable book.
Searching and erudite new essays on writing from the author of Burning Down the House.
Charles Baxter’s new collection of essays, Wonderlands, joins his other works of nonfiction, Burning Down the House and The Art of Subtext. In the mold of those books, Baxter shares years of wisdom and reflection on what makes fiction work, including essays that were first given as craft talks at the Bread Loaf Writers’ Conference.
The essays here range from brilliant thinking on the nature of wonderlands in the fiction of Haruki Murakami and other fabulist writers, to how request moments function in a story.…
Someone bought me Missouri. I had it on my shelf for ages, not thinking so much of it (judging the book by its cover). As soon as I started reading it though I was transfixed.
It’s a pitch-perfect novella, beautifully written, heartbreaking, tender, funny, and tragic; a remarkable gay love story, easily on a par with Annie Proulx’s wonderful Brokeback Mountain. Like all major novels – and this is a very short one – I came to care deeply about the two lovers at the heart of Missouri.
Erotic (in the best sense), cinematic in its evocation of the American landscape, I’d highly recommend it to any and every reader, but if you’re a gay man (like myself) you’ll find it especially moving.
This earnest, violent, yet utterly transfixing gay love story is set in the nineteenth-century American Midwest. Douglas Fortescue is a successful poet who flees England for America following a scandal; Joshua Jenkins is a feral young outlaw who was taught how to shoot a man at age six. The two men meet when Joshua robs Douglas’ carriage and takes him hostage; soon, a remarkable secret is revealed, and these two very different men grow closer, even as Douglas’ brother tries to “save” him from his uncivilized surroundings.
First published in Germany, Missouri is available in English for the first time.
I love big books with strong thematic cores, sprawling casts, and curious timelines (from books that take place over four seconds to several decades) that explore what it means to be human on the most primal, unfiltered, and unflinching level. These books feature characters who are trying to reconcile the expectations they had for their lives, with their complicated realties. And yet, they simmer with warmth and hope, all of them reminders that there’s nobility in the struggle, and that there’s still plenty of room for joy, even when things don’t go as planned. Especially if they don’t. Ballsy, wise, and funny, these books speak to my existential comedic heart.
A multigenerational sprawling Midwest masterpiece, Saturday Night at the Lakeside Supper Club is one of those rare books that will make you laugh and cry, sometimes even on the same page, sometimes even in the same sentence.
It explores family dynamics, grief (in all its applications), love (romantic, familial, convenient, complicated), estrangement, and supper clubs in all their old-fashioned antlered glory. With Stradal’s trademark warmth and imitable prose, Saturday Night at the Lakeside Supper Club is ripe with heartbreaking and at times, humorous reminders that life rarely goes as planned, and that’s exactly the point: you carry on in spite of it.
The perfect read if you’veever considered throwing in the towel. Wise, big-hearted, and deeply human.
From the New York Times bestselling author J. Ryan Stradal, a story of a couple from two very different restaurant families in rustic Minnesota, and the legacy of love and tragedy, of hardship and hope, that unites and divides them
Mariel Prager needs a break. Her husband Ned is having an identity crisis, her spunky, beloved restaurant is bleeding money by the day, and her mother Florence is stubbornly refusing to leave the church where she’s been holed up for more than a week. The Lakeside Supper Club has been in her family for decades, and while Mariel’s grandmother embraced…
Growing up as a kid, I was obsessed with R.L. Stine’s Goosebumpsbooks, most of which took place in small-town settings. Horror could hide anywhere in those towns, whether out in the woods or on the shelf at the local general store. I loved those books to death because they taught me (or perhaps reminded me) that darkness existed within daily life. As I grew older, my passion for the subgenre led me to consume more stories and eventually write my own.
This Stoker Award-winner nearly caused me to miss a connecting flight to Los Angeles. I started reading it in an airport restaurant and got completely swept away until the final boarding call. In Covenant, a big-city journalist visits a small Midwest town to investigate a series of mysterious suicides. What unfolds is a gripping supernatural tale filled with mysterious characters, riveting conflict, and unthinkable twists.
In a small town with a strange history of teen suicides, a group of five women have made a pact with a demon and must sacrifice their firstborn.
To the residents of the sleepy coastal town of Terrel, the cliffs of Terrel's Peak are a deadly place, an evil place where terrible things happen. Like a series of mysterious teen suicides over the years, all on the same date. Or other deaths, usually reported as accidents. Could it be a coincidence? Or is there more to it? Reporter Joe Kieran is determined to find the truth.
