I have always been the ‘observing individual’ and deeply interested in knowing the connection between mind and soul. This always led me to the question what are the roots of happiness and content? Since materialism has a strong, complex, and intricate impact on our lifestyle and choices, my observation led me to conclude that despite unparalleled access to wealth, people still struggle with concepts of serenity, peace, happiness, and contentment. This disconnect prompted me to explore the various socio-psychological dimensions of materialism. While writing this book my objective was to highlight subtle yet profound materialistic omnipresence on our life choices, often at the expense of genuine well-being.
Every philosophical orientation is matched by the hardcore facts that lead to it. I love this book and recommend as it is a serious discussion on how Hyper-capitalism draws from contemporary values, well-being, and consumerism that are based on corporate power, free trade, privatization, deregulation and the associated reactions developed in the system.
The profound cartoon narratives provide a deep exploration of the global economy and the movements seeking to change it. The graphics, I feel, give it a different texture and connectivity to the reader compared to other books, and the hilarious rendition takes it to another level.
Bestselling 'overeducated cartoonist' Larry Gonick has delighted readers for years with sharp, digestible, and funny accounts of everything from the history of the universe to the intricacies of calculus. Now Gonick teams up with psychologist and scholar Tim Kasser to create an accessible and pointed cartoon guide to how global, privatising, market-worshiping hypercapitalism threatens human well-being, social justice, and the planet. But Gonick and Kasser don't stop at an analysis of how the economic system got out of whack - they also point the way to a healthier future.
Since childhood, when I first witnessed Mary and Collin grow hale and hearty by breathing in fresh air from the moor while sinking their hands into the soil of The Secret Garden,I have been drawn toward stories featuring the healing power of nature. And when I discovered Karana, resilient and resourceful, fending for herself onThe Island of the Blue Dolphins,I realized nature could be as violent a mentor as she could be nurturing, less a wellspring for the thirsty than a fiery forge for the spirited. The mystifying interplay of this gentle/fierce duality and its effect on the lives of characters continues to intrigue me and influences my writing.
Sometimes it takes dust, drought, and desperation for us to realize what we’re capable of changing. Landscape has the power to alter us and for Rachel it both whittles away and fortifies. The wrath of nature is a tangible presence in her story, though we come to realize the hostile land and searing sky pale in comparison to the silent destruction wrought by the person in whom she has placed her life’s trust. Weisgarber’s ability to slow time down to the painful passing of seconds draws me in every time.
Soon to be a Major Motion Picture Starring Emmy Award Winner and Oscar Nominee Viola Davis; "An eye-opening look at the little-explored area of a black frontier woman in the American West." --Chicago Sun-Times
Praised by Alice Walker and many other bestselling writers, The Personal History of Rachel DuPree is an award-winning debut novel with incredible heart about life on the prairie as it's rarely been seen. Reminiscent of The Color Purple, as well as the frontier novels of Laura Ingalls Wilder and Willa Cather, it opens a window on the little-known history of African American homesteaders and gives voice…
Dandelion Wine is a 1957 semi-autobiographical novel by Ray Bradbury, taking place in the summer of 1928 in the fictional town of Green Town, Illinois — a pseudonym for Bradbury's childhood home of Waukegan, Illinois. The novel developed from the short story "Dandelion Wine" which appeared in the June 1953 issue of Gourmet magazine.
It was an amazing story and I enjoyed it so much! I was heartbroken to discover the author had passed away when I reached out to tell her how much I loved the series.
Gina Royal is the definition of average-a shy Midwestern housewife with a happy marriage and two adorable children. But when a car accident reveals her husband's secret life as a serial killer, she must remake herself as Gwen Proctor-the ultimate warrior mom.
With her ex now in prison, Gwen has finally found refuge in a new home on remote Stillhouse Lake. Though still the target of stalkers and Internet trolls who think she had something to do with her husband's crimes, Gwen dares to think her kids can finally grow up in peace.…
Someone bought me Missouri. I had it on my shelf for ages, not thinking so much of it (judging the book by its cover). As soon as I started reading it though I was transfixed.
It’s a pitch-perfect novella, beautifully written, heartbreaking, tender, funny, and tragic; a remarkable gay love story, easily on a par with Annie Proulx’s wonderful Brokeback Mountain. Like all major novels – and this is a very short one – I came to care deeply about the two lovers at the heart of Missouri.
Erotic (in the best sense), cinematic in its evocation of the American landscape, I’d highly recommend it to any and every reader, but if you’re a gay man (like myself) you’ll find it especially moving.
This earnest, violent, yet utterly transfixing gay love story is set in the nineteenth-century American Midwest. Douglas Fortescue is a successful poet who flees England for America following a scandal; Joshua Jenkins is a feral young outlaw who was taught how to shoot a man at age six. The two men meet when Joshua robs Douglas’ carriage and takes him hostage; soon, a remarkable secret is revealed, and these two very different men grow closer, even as Douglas’ brother tries to “save” him from his uncivilized surroundings.
First published in Germany, Missouri is available in English for the first time.
As an Anishinaabe writer, my award-winning/nominated books, Murder on the Red River andGirl Gone Missing, feature Cash Blackbear; a young, Native woman, who solves crimes for the county sheriff. Oprah Magazine 2020 listed me as a Native American Author to read. I received Minnesota's 2020 McKnight Distinguished Artist Award. My script, Say Their Names, had a staged reading with Out of Hand Theater, Atlanta, 2021. Vazquez and I received the Loft’s 2017 Spoken Word Immersion Fellowship for work with incarcerated women. I have been a friend, colleague, and peer with the authors recommended. We might currently be a small crew writing but we are a mighty, award-winning crew.
Jim Northrup, Fond du lac Ojibwe author, was my writing mentor from the time I met him in 1991 until he passed away in 2015. He would always ask, “What are you writing today?” That was his way of encouraging me to keep writing.His crime novel, Dirty Copper is the story of Luke Warmwater, who returns to the Reservation after serving in Vietnam. Luke becomes a deputy sheriff on the Rez and sees firsthand the war raging below the appearance of peace.
I would listen to Jim talk about his writing and the progress he was making on his story as he wrote it. Listening to him encouraged me to keep going with my writing. Jim’s way of storytelling through the written word is something I have tried to emulate.
Dirty Copper, the prequel to Walking the Rez Road, tells the story of Luke Warmwater, an Anishinaabe soldier, as he returns to the Reservation after serving in Vietnam. Once again, Luke is torn between duty and morality as he becomes a deputy sheriff on the Rez and sees firsthand the war raging below the appearance of peace.
As a human, I struggle with staying connected during conflict. Because conflict naturally shows up in all relationships, I had to figure out how to do it better, or die alone! My path has woven through studying conflict resolution, becoming a relationship therapist, doing deep learning within my own life partnership, and exploring the realm of somatic psychology in my doctoral work. I long for a world where we have the skills we need to work through conflict without resorting to violence. In my dreams, the world is able to coexist with love and conflict. Our relationships thrive when we speak our full truth, and embody our values in action.
I grew up in the midwest, where conflict is to be avoided at all costs.
Reading this book helped me understand that conflict is really about our deepest longings, and our fears that they will not be met. Through developing tolerance for being in direct conflict and skills to work through it, conflict becomes a friend instead of an enemy.
The Crossroads of Conflict: A Journey into the Heart of Dispute Resolution (Second Edition) describes all conflicts as “crossroads” and catalysts for learning, evolution, growth, and wisdom. It shows how to locate the root sources of conflict and remove the barriers to forgiveness and reconciliation, collaboration, and community.
Ken Cloke’s analysis of the inner sources of chronic conflict and ideas for a unified theory for resolving conflict is groundbreaking and destined to become a cornerstone of the future of dispute resolution.
I’ve always been fascinated by philosophical ideas, the more radical and counterintuitive the better. But as someone who’s never excelled at abstract thought, I’ve found these ideas’ expression in argumentative nonfiction both dry and unpersuasive, lacking the human context that would alone test the strength of propositions about spirituality, justice, love, education, and more. The novel of ideas brings concepts to life in the particular personalities and concrete experiences of fictional characters—a much more vivid and convincing way to explore the world of thought. Many readers will be familiar with the genre’s classics (Voltaire, Dostoevsky, Mann, Camus), so I’d like to recommend more recent instances I find personally or artistically inspiring.
Cynthia Ozick's 1983 novel is set in a Midwestern academy founded by a Jewish refugee from Nazi-occupied France who wants to offer students a “dual curriculum” combining traditional Jewish religious instruction with the secular liberal arts. Eventually, this principal comes into conflict with a brilliant philosopher who insists that he not judge her under-achieving daughter too quickly when she becomes a student at the school. Ozick’s richly descriptive prose recreates the horrors of 1940s Europe and the placidity of the midcentury American Midwest as she surveys the dangers of American assimilation and anti-intellectualism with all the rigor we'd expect of a novelist who doubles as one of our best essayists. As a teacher myself, I recognize the anxieties of pedagogy Ozick portrays—how do we know when and if we’re doing justice to our students?—and I would recommend it to anyone who teaches at any level.
I’m a research nerd at heart. I am happiest pouring over historic newspapers online (thank you Library of Congress) or digging into a non-fiction book. The research I do for a book can be more rewarding than writing the book itself. When I read a 1933 article about a baby that would be given away as a prize during a civic fundraiser, I was hooked. What desperation would lead a parent to give away a child? Who would buy such a raffle ticket? Who thought this would be a good idea? I never did find the answers to my questions, so I made up my own.
The author is a sociologist who rode the rails, on and off, alongside homeless youth in the early 1930s. He did not disguise himself or pretend to be “one of them.” Instead, he chronicled their stories in oral histories that are intimate and thorough depictions of how young men and women existed on the road, what was important to them, what they yearned for, how they protected themselves, and each other. As a sociologist and chronicler of groups within society, the author remained true to his obligations as an academic not to glorify, white-wash, or romanticize what he saw. As a result, the experiential dimensions of this book are incredibly robust and meaningful.
In 1933 and 1934, Thomas Minehan, a young sociologist at the University of Minnesota, joined the ranks of a roving army of 250,000 boys and girls torn from their homes during the Great Depression. Disguised in old clothes, he hopped freight trains crisscrossing six midwestern states. While undercover, Minehan associated on terms of social equality with several thousand transients, collecting five hundred life histories of the young migrants. The result was a vivid and intimate portrayal of a harrowing existence, one in which young people suffered some of the deadliest blows of the economic disaster.
I don’t know how I missed this
extraordinary debut novel when it was first published back in 1994, but I count
myself very lucky to have finally found my way to it.
One reviewer put it this way: “Miraculous. . .
. reads like life itself.” Another
described it as “quietly heartbreaking, laugh-out-loud funny, and always,
absolutely convincing.”
Add to that
characters who, however egregious their flaws, are rendered honestly and
sympathetically, and you have a novel that is as rich and deeply heart felt as
any I’ve ever read.
Set in rural Iowa, this “breathtaking . . . remarkable achievement” of a debut novel by the author of Pacific is “at once funny, sad, and touching” (New York Newsday).
A New York Magazine and Publishers Weekly Best Book of the Year
With extensive excerpts appearing in the New Yorker before its release, Tom Drury’s groundbreaking debut, The End of Vandalism, drew widespread acclaim and comparison to the works of Sherwood Anderson and William Faulkner.
With his fictional Grouse County, Tom Drury conjures a Midwest that is at once familiar and amusingly eccentric—where a thief vacuums the church before stealing…
