Here are 100 books that Powwow's Coming fans have personally recommended if you like
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Stories help us understand ourselves, another culture, or a new student sitting alone at a nearby desk. While teaching, working side by side, and living on the Navajo Nation for nearly twenty years, I wanted to share some of the special and surprising aspects of their culture—especially the kindness, wisdom, and the laughter Navajo people shared with me. Laughter is a holy gift for the Navajo people. First Laugh shows the reader why this is true.
My books have been given a variety of national and international awards but the best reward is when a child looks up while reading one of my books, quietly grins, and then proudly says, “I am in this book.”
This is a delightful journey of seeing the thankfulness expressed by the Cherokee people for the gifts of each season. Reader and listeners might pause and think about “what is something for which I am thankful?” Page by page this question is answered as one becomes aware of the gifts we often take for granted—water to refresh us; air to sustain us; earth to hold us; and family who love us, and thus we give thanks.
2019 Sibert Honor Book 2019 Orbis Pictus Honor Book NPR's Guide To 2018’s Great Reads 2018 Book Launch Award (SCBWI) Kirkus Reviews Best Books of 2018 School Library Journal Best Books of 2018
2018 JLG selection 2019 Reading the West Picture Book Award
The Cherokee community is grateful for blessings and challenges that each season brings. This is modern Native American life as told by an enrolled citizen of the Cherokee Nation.
The word otsaliheliga (oh-jah-LEE-hay-lee-gah) is used by members of the Cherokee Nation to express gratitude. Beginning in the fall with the new year and ending in summer, follow…
My grandparents played a pivotal role in my childhood, living with us and raising my brother and me while my parents worked long hours. Some of my favorite memories of those years are lying in bed as Abuelo told me stories that made me laugh instead of making me sleepy, cooking picadillo with my abuela in the kitchen, and going on long walks along the beach with my abuelo. Though they didn’t speak to me in Spanish, they taught me to sing nursery rhymes and enticed me with sticks of Big Red gum to get me to learn how to roll my r’s.
This book's evocative verse drew me in immediately, whisking me into a cozy childhood memory of my own. I love the repeated refrains of Fry Bread…which allows young ones to anticipate and ‘read along,’ increasing engagement with the child.
The beautiful illustrations, which show children of many different skin tones in the kitchen assisting and then awaiting the delicious result, amplify the story, showing how grandparents can be sources of love and support for their grandchild's network of friends.
I especially love this book because it reminds me of cooking Cuban bread pudding with my abuela for Thanksgiving, her contribution to the American holiday that reminded her of her home.
Fry bread is food. It is warm and delicious, piled high on a plate.
Fry bread is time. It brings families together for meals and new memories.
Fry bread is nation. It might look or taste different, but it is still shared by many, from coast to coast and beyond.
Fry bread is us. It is a celebration of old and new, traditional and modern, similarity and difference.
Fry Bread is a story told in lively and powerful verse by Seminole Nation member Kevin Noble Maillard, with vibrant art from Pura Belpre Award winner Juana Martinez-Neal.
Stories help us understand ourselves, another culture, or a new student sitting alone at a nearby desk. While teaching, working side by side, and living on the Navajo Nation for nearly twenty years, I wanted to share some of the special and surprising aspects of their culture—especially the kindness, wisdom, and the laughter Navajo people shared with me. Laughter is a holy gift for the Navajo people. First Laugh shows the reader why this is true.
My books have been given a variety of national and international awards but the best reward is when a child looks up while reading one of my books, quietly grins, and then proudly says, “I am in this book.”
This book was one of the first—and still one of the best—picture books to describe the importance of jingle dancing and powwow today. The setting is contemporary. The story is engaging. The author, Cynthia Leitig Smith, is a tribal member and weaves many authentic details into the story.
New York Times bestselling author Cynthia Leitich Smith's lyrical text is paired with the warm, evocative watercolors of Cornelius Van Wright and Ying-Hwa Hu in this affirming story of a contemporary Native American girl who turns to her family and community.
The cone-shaped jingles sewn to Grandma Wolfe's dress sing tink, tink, tink, tink…
Jenna loves the tradition of jingle dancing that has been shared over generations in her family and intertribal community. She hopes to dance at the next powwow.
But with the day quickly approaching, she has a problem—how will her dress sing if it has no jingles?…
Stories help us understand ourselves, another culture, or a new student sitting alone at a nearby desk. While teaching, working side by side, and living on the Navajo Nation for nearly twenty years, I wanted to share some of the special and surprising aspects of their culture—especially the kindness, wisdom, and the laughter Navajo people shared with me. Laughter is a holy gift for the Navajo people. First Laugh shows the reader why this is true.
My books have been given a variety of national and international awards but the best reward is when a child looks up while reading one of my books, quietly grins, and then proudly says, “I am in this book.”
Josie wants to dance at next summer’s powwow. But she needs nearly everyone in her family to help make this possible. As Josie’s story unfolds we are introduced to the special people in her family. We learn of their love, their kindness, and their special talents. We are also introduced to the beautiful connections to many parts of our natural world.
Josie dreams of dancing at next summer's powwow. But first she needs many special things: a dress, a shawl, a cape, leggings, moccasins, and, perhaps most important of all, her spirit name. To gather all these essential pieces, she calls on her mom, her aunty, her kookum, and Grandma Greatwalker. They have the skills to prepare Josie for her powwow debut.
As the months go by, Josie practices her dance steps while Mom stitches, Aunty and Kookum bead, and Grandma Greatwalker dreams Josie's spirit name. Josie is nervous about her performance in the arena and about all the pieces falling…
Historian Doug Hocking grew up on the Jicarilla Apache Reservation of New Mexico. He knows her peoples, towns, and trails. He has completed advanced studies in history, his first love, anthropology, and historical archaeology. Since retiring as an armored cavalry officer, Doug has owned his own business. With this background he has insight into America’s great commercial road, the Santa Fe Trail, and into battles and soldiering. He understands Apache lives as few others do.
This is a collection of articles including some by Marc Simmons, Gardner’s mentor and frequent writing partner. The pair are the greatest experts on the trail to be found. If you can locate a copy, its articles provide a broad perspective on where Santa Fe Trail research has taken us in recent years by people who love the trail and its peoples.
Thirteen papers on the Santa Fe Trail, of which ten are reprinted from the April 1989 issue of Journal of the West . Annotation copyright Book News, Inc. Portland, Or.
I was attending graduate school in Mankato, Minnesota when I first discovered that 38 Dakota men were hanged there on December 26, 1862. I was shocked to find out that the largest simultaneous mass execution in United States history happened right where I lived and I knew nothing about it. Since then, I’ve dedicated myself to learning, understanding, and sharing the history of the U.S. – Dakota War of 1862. Over the years, I’ve discovered not just the history, but the legacy of that history for us today. Someday, I hope we all come to understand, and eventually break down, that legacy.
Set before, during, and after the U.S. – Dakota War of 1862, The Night Birds by Thomas Maltman uses fiction to effectively convey the trauma of one of Minnesota’s most tragic events. Using well-developed, relatable characters, Maltman works hard to intertwine people and places in a way that is emotionally moving. Maltman includes numerous historic facts along with culturally relevant details that work to make the novel incredibly interesting, while making the characters and their journeys very compelling. Finally, he manages to capture the pain and suffering of Dakota and white characters alike. It’s a slow, but highly rewarding read.
A “luminously written and harrowing” historical saga of three generations of German immigrants to the Midwest (Minneapolis Star Tribune).
“Set in the 1860s and ’70s, Maltman’s superb debut evokes a Midwest lacerated by clashes between European and Native American, slaveowner and abolitionist, killer and healer, nature and culture. Asa Senger, a lonely 14-year-old boy, is at first wary when his father’s sister, Hazel, arrives at his parents’ Minnesota home after a long stay in a faraway asylum, but he comes to cherish the mysterious Hazel’s warmth and company. Through her stories, Asa learns of his family’s bitter past: the lore…
Words have been part of my life since I was ten years old when my father suggested I read a page from the dictionary each school night. “Words have lives and histories,” he said, ”make them your friends.” In my teens, I saw individual words setting the tone for how someone felt, and I promised myself one day I'd write a book about words and how they were a window to one's inner self. Little did I realize that when I wrote that book, it would morph into one about dialogue writing and achieve international kudos. The book offers this simple truth: make sure each line of dialogue moves your story forward...
Savvy writers don't limit themselves to writing dialogue in a single media market; they welcome opportunities and challenges in print and broadcast, whether it's writing fiction or doing film or television scripts. This book spells out how to approach dialogue writing with specific media and how to achieve realistic and dramatic effects. The author urges writers to listen... listen... listen...and “hear the people around you!” Be an eavesdropper, he suggests, and remember what you hear!
Whether you're writing an argument, a love scene, a powwow among sixth graders or scientists in a lab, this book demonstrates how to write dialogue that sounds authentic and original. You'll learn ways to find ideas for literary discussions by tuning in to what you hear every day. You'll learn to use gestures instead of speech, to insert silences that are as effective as outbursts, to add shifts in tone, and other strategies for making conversations more compelling. Nuts and bolts are covered, too - formatting, punctuation, dialogue tags - everything you need to get your characters talking.
I love big books with strong thematic cores, sprawling casts, and curious timelines (from books that take place over four seconds to several decades) that explore what it means to be human on the most primal, unfiltered, and unflinching level. These books feature characters who are trying to reconcile the expectations they had for their lives, with their complicated realties. And yet, they simmer with warmth and hope, all of them reminders that there’s nobility in the struggle, and that there’s still plenty of room for joy, even when things don’t go as planned. Especially if they don’t. Ballsy, wise, and funny, these books speak to my existential comedic heart.
On the eve of the biggest performance tour of their career, members of the famous Prairie Chicken Dance Troupe find themselves food-poisoned and unfit to fly forcing a group of unlikely, inexperienced, and grossly unprepared alternates to take their place.
Chaos ensues at every stop across Europe. The Prairie Chicken Dance Tour is an intricately choreographed exploration of identity, self-acceptance, and what it means to step up especially when it means stepping out of your social, physical, and spiritual comfort zones.
The perfect read if you’ve ever danced like nobody’s watching and somebody was in fact watching. Comedic, insightful, and wildly entertaining.
The hilarious story of an unlikely group of Indigenous dancers who find themselves thrown together on a performance tour of Europe
The Tour is all prepared. The Prairie Chicken dance troupe is all set for a fifteen-day trek through Europe, performing at festivals and cultural events. But then the performers all come down with the flu. And John Greyeyes, a retired cowboy who hasn't danced in fifteen years, finds himself abruptly thrust into the position of leading a hastily-assembled group of replacement dancers.
A group of expert dancers they are not. There's a…
I identify as an author, creator, and activist and when I write, I write calling forth the world that our Ancestors dreamed of and deserved and our future generations need. We often forget the power we have as individuals and how that power is amplified in community. I write towards that power being recognized in kids and for them to see how any change they step into can be nurtured and expanded by others. Stepping into Ancestral Veneration, I realize that I never write alone. My Ancestors are always present in my writing, co-creating towards building a sustainable, regenerative, just, decolonized, Indigenized, and liberated world.
School Library Journal invited Sandra, three other authors and myself to participate in their May 18th SLJ Day of Dialog to present our upcoming books centered around belonging. My first discovery of Sandra's book, We Belong to the Drum was through this event and collaboration.
Sandra's son is the star of the story, starting in the womb before Nikosis was born. The story centers around his Ancestral connection to the drum and the community found in gatherings and powwows. When Nikosis starts daycare he has separation anxiety and feels lonely in this new environment. Nikosis's mom has the brilliant idea to bring their Cree identity through music and drumming into the classroom which empowered both Nikosis and his peers.
It is a beautiful book of proudly walking in one's identity and communities welcoming that identity.
The drum represents the heartbeat of Mother Earth. We all belong to the earth and we all belong to the drum.
Nikosis grew up going to powwows with his family, happily immersed in music, dance and the sounds of the drum. But when he starts going to daycare, he doesn’t feel like he belongs. Nikosis cries every time his mother leaves him in the unfamiliar environment until, one day, she and the teachers use drums to help Nikosis find connection and comfort.
Inspired by her son’s experience―and her family's love of powwow music and dance―Indigenous educator and champion hoop dancer…
As an immigrant in the United States, I have been fascinated by the dynamics between races and cultures—both in the country and globally. As I travel extensively (63 countries so far), I experience some of the biases firsthand—sometimes in the unlikeliest places. I have come to realize that despite the difference in the color of our skin—and the clothes we wear—we are more alike than different.
I loved the book because it’s an insightful window into the challenges of a troubled community, the native Indians, who are still haunted by the painful past and face an uncertain future. I loved how the writer picks the thread of stories of many characters who have chosen to live outside reservations and then knits them all together in the end.
Unique characters with unique stories and strong evocative writing make There There a remarkable debut.
** Shortlisted for the 2020 International Dublin Literary Award **
One of Barack Obama's best books of 2018, the New York Times bestselling novel about contemporary America from a bold new Native American voice
'A thunderclap' Marlon James 'Astonishing' Margaret Atwood, via Twitter 'Pure soaring beauty' Colm Toibin
Jacquie Red Feather is newly sober and hoping to reconnect with her estranged family. That's why she is there. Dene is there because he has been collecting stories to honour his uncle's death, while Edwin is looking for his true father and Opal came to watch her boy Orvil dance.
