Drew Hayden Taylor is an award-winning playwright, novelist, journalist, and filmmaker. Born and raised on the Curve Lake First Nation in Ontario (Anishnawbe), Drew has had over a hundred productions of his plays and enjoys spreading the gospel of Indigenous literature across the world.
A historical play that tells the story of a single Cree warrior doing battle with the Canadian military. Each of the two acts approaches the story differently. The first is more linear and poetic, the second more lyrical and surreal. Many have said they loved the first act and hated the second. And vice versa. Whatever you may feel, an excellent exploration of colonization as seen through the eyes of a poet.
I am an illustrator, author, and animator. When I write and draw, I hope to vividly bring characters and settings to life in the imaginations of readers. Mischievous dogs, mysterious old houses, and brilliant mathematicians are some of the subjects I’ve had the pleasure of putting on the pages of books. I love animals and art, so artistic picture books with animals at their heart, give me a lot of joy. Because the illustrations in a picture book tell stories, I look for artwork that expresses character, mood, and movement. The best picture books leave a mark
in visual memory that connects to the feeling of a story.
Black Bear, Red Fox is a board book introducing colours in both English and Cree using animals and plants. Julie Flett’s lush, vibrant illustrations highlight the colours so vividly they seem to pop off the page. Board books are associated with very young children, however, this one can be enjoyed by anyone who is interested in learning some words in Cree while enjoying some beautiful artwork. Arden Ogg of the Cree Literacy Network provides an interesting and informative introduction about the use of colour words in the Cree language. There is also a helpful pronunciation chart. If you are looking for colour, this book delivers! Each page is a gorgeous work of art and design.
Born in Baghdad and raised in America, I come from an ancient lineage of people called the Chaldeans (Neo-Babylonians who still speak Aramaic). The first book I read was Gone with the Wind, at age nine, in Arabic. We lived in Jordan at the time, awaiting a visa to the United States and Scarlett O’Hara’s land and people were my impressions of what America would look like. But Michigan in the 1980s was not Georgia in the 1860s. Still, that book proved that great storytelling transcends ethnicity, age, and gender. So in my writing and film career, I have focused on the art of storytelling as I share the stories my people, culture, and heritage.
Native Americans have played a strong role in my life over the decades, especially as teachers of wisdom.
Reading Medicine Womanfor the first time, I immediately connected with Lynn’s Native American teachers, Agnes and Ruby and learned a great deal through her journey to find her inner power. Her teachers brought forth ancient knowledge by way of the sacred feminine which felt familiar to my heart and soul, familiar to my indigenous people, the Chaldeans, Neo-Babylonians who still speak Aramaic.
Each time I re-read this book, I find something new that speaks to me.
Lynn V. Andrews takes the reader with her as she goes on inward journeys with the help of the Sisterhood of the Shields, and relates the stories of others.
Join her as she is initiated into the Sisterhood and creates her own shield, which will show her the nature of her spiritual path (Spirit Woman). Follow her to the Yucatan, where the medicine wheel leads her, and she is faced with the terrifying reality of the butterfly tree (Jaguar Woman). Enter the Dreamtime with her, where she emerges in medieval England as Catherine, and encounters the Grandmother, who offers to…
While it is fiction, it eloquently describes the impact of the horrific Boarding School experiences on 5 American Indian children. While there were differences in their experiences, the trauma impacts behavior on those who experienced it, as well as on future generations.
WINNER: Governor General’s Literary Award for Fiction
WINNER: Amazon First Novel Award
WINNER: Kobo Emerging Author Prize
Finalist: Scotiabank Giller Prize
Finalist: Atwood Gibson Writers Trust Prize
Finalist: BC & Yukon Book Prize
Shortlist: Indigenous Voices Awards
National Bestseller; A Globe and Mail Top 100 Book of the Year; A CBC Best Book of the Year; An Apple Best Book of the Year; A Kobo Best Book of the Year; An Indigo Best Book of the Year
Taken from their families when they are very small and sent to a remote, church-run residential school, Kenny, Lucy,…
I really am passionate about children and education. Reading to children is such a joy especially when they snuggle in and get absorbed in the story. Education is the only way to achieve some sort of equity in our world. The world I knew as a child is no more and that is a good thing. Cruel biases and intolerance hurt so many. Today there is more freedom and the potential to live true to yourself whatever that may be. I like books that show the diversity of our humanity, that can be read to children to broaden their understanding, acceptance, and tolerance of family which may be very different from their own.
This book is a conversation between a grandchild and their grandma who is a residential school survivor. With childlike simplicity, grandma explains why her colourful clothes, long hair, and treasured time with her brother are a reaction to being taken “from community” and being sent “far far away”. Grandma talks about students forced to wear uniforms, cut their hair, forbidden from speaking Cree, and separation from her brother.
This is a book I would probably have steered clear of “not wanting to frighten my children” when I was parenting, David Roberson does a masterful job of gently laying out facts without explanation or accusation. The book opens the door to further questions and conversations that have to be had but are very difficult to start. This is a great start.
A young girl notices things about her grandmother that make her curious. Why does her grandmother have long, braided hair and beautifully coloured clothing? Why does she speak Cree and spend so much time with her family? As she asks questions, her grandmother shares her experiences in a residential school, when all of these things were taken away.
Also available in a bilingual Swampy Cree/English edition.
When We Were Alone won the 2017 Governor General's Literary Award in the Young People's Literature (Illustrated Books) category, and was nominated for the TD Canadian's Children's Literature Award.
The
beautiful prose kept me wanting to find out how Jesse went from an abandoned
child to a homeless addict and then persevered to become an academic as an
adult.
It was a difficult read at times, and I needed to process what I was
reading. At one point, I thought I would cry from the heartbreak of what Jesse,
as both a young child and an adult, endured. Jesse shines a light on Canada’s systemic racism and the treatment of
the homeless population.
I was left wondering how he survived all his
tribulations and happy that he did. We need to hear more stories like this on
our way to reconciliation.
This
is a must-read for anyone who enjoys memoirs!
*#1 NATIONAL BESTSELLER *Winner, Kobo Emerging Writer Prize Nonfiction *Winner, Indigenous Voices Awards *Winner, High Plains Book Awards *Finalist, CBC Canada Reads *A Globe and Mail Book of the Year *An Indigo Book of the Year *A CBC Best Canadian Nonfiction Book of the Year
In this extraordinary and inspiring debut memoir, Jesse Thistle, once a high school dropout and now a rising Indigenous scholar, chronicles his life on the streets and how he overcame trauma and addiction to discover the truth about who he is.
If I can just make it to the next minute...then I might have a…
I moved to Canada because I fell wildly in love eighteen years ago. It wasn’t Canada I loved, but a man, and it’s taken me years to get over my homesickness for the country of my birth. I've found as I’ve grown older that the stories of this place have given me a sense of home and belonging—perhaps that’s why so many of the books I’ve recommended are about identity and what it means to the authors. I’m lucky enough to share my favourite books every month on CTV here in Saskatoon, and I focus almost exclusively on Canadian and local books. I hope you love these books as much as I do!
David Robertson is well known as an author for young readers, with two stunning picture books, a pile of graphic novels, and several amazing middle-grade novels to his name. All of those are also amazing! Yep, all of them. This book is the memoir of his experiences growing up in Canada, all explored through the lens of visiting his father’s trapline. Although a Swampy Cree man, he was initially taught to hide his identity, and what I most love about this work and all of Robertson’s work, is how his sense of identity now roots all of his writing. His message is urgent, necessary, and powerful; his words easy to read yet profound. The raw honesty of this memoir make it a terrific read.
A Globe and Mail Top 100 Book of the Year A Quill & Quire Book of the Year A CBC Books Nonfiction Book of the Year A Maclean’s 20 Books You Need to Read this Winter
“An instant classic that demands to be read with your heart open and with a perspective widened to allow in a whole new understanding of family, identity and love.” —Cherie Dimaline
In this bestselling memoir, a son who grew up away from his Indigenous culture takes his Cree father on a trip to the family trapline and finds that revisiting the past not only…
Nancy Bo Flood earned her Ph.D. in Experimental Psychology and Child Development at the University of Minnesota and has authored a variety of award-winning books. Walking Grandma Home came from her own experience as a child, as a counselor, and as a daughter. She has lived and taught on the Pacific island of Saipan, where she worked with teachers and parents to create resources and programs for students with disabilities, and for the past twenty years, she has taught in the Navajo Nation. With Native educators, she co-founded an early-literacy nonprofit, Read at Home, which encourages parents to read regularly with their children.
With few words and simple images, we journey with a child as she becomes friends with an elderly neighbor who also loves birds, nature, the changing seasons, and expressing that love through art. But as the change of seasons continues, the girl’s elderly friend becomes fragile in health and strength. Even with an ache in her heart, the child discovers the comfort of remembering special times together and gathering together the drawings they shared. At night, while watching the rising of the full round “frog moon,” the child bundles up close to her mother and “My hands feel warm, and the covers feel soft, and I think of my friend until I fall asleep.”
1
author picked
Birdsong
as one of their favorite books, and they share
why you should read it.
This book is for kids age
3,
4,
5, and
6.
What is this book about?
BEST BOOK OF THE YEAR: PUBLISHERS WEEKLY, SCHOOL LIBRARY JOURNAL, KIRKUS, HORN BOOK, QUILL & QUIRE, GLOBE AND MAIL
WINNER OF THE TD CANADIAN CHILDREN'S LITERATURE AWARD
FINALIST FOR THE GOVERNOR GENERAL'S AWARD
AN AMERICAN INDIAN YOUTH LITERATURE HONOR TITLE
A BOSTON GLOBE--HORN BOOK HONOR BOOK
When Katherena and her mother move to a small town, Katherena feels lonely and out of place. But when she meets an elderly woman artist who lives next door, named Agnes--her world starts to change.
Katherena and Agnes share the same passions for arts and crafts, birds, and nature. But as the seasons change,…
I read this book when it was first published back in 1995, but I re-read it
this year. Ackroyd sets his tales in London, whether modern or historic (sometimes,
like in Hawksmoor, both), and this one is set in the Victorian era.
We are in
the pre-Jack the Ripper East End, where there is a series of gruesome killings
by the almost supernatural "Limehouse Golem" while, at the same time, Elizabeth
Cree (a music hall performer) is on trial for killing her husband. Inspector
Kildare has to deal with both.
Kildare is a wonderfully drawn character, world-weary but half-enamored of Ms Cree. Bill Nighy was a superb choice of actor in
the film.
The
dark and dangerous streets of Limehouse give way to the naptha and greasepaint
of the music hall, as Dan Leno (a real person) is drawn into the case, as are
Karl Marx and George Gissing. Leno…
NOW AN UNMISSABLE FILM STARRING BILL NIGHY, DOUGLAS BOOTH AND OLIVIA COOKE.
'Mesmerising, macabre and totally brilliant' Daily Mail
Before the Ripper, fear had another name.
London, 1880. A series of gruesome murders attributed to the mysterious 'Limehouse Golem' strikes fear into the heart of the capital. Inspector John Kildare must track down this brutal serial killer in the damp, dark alleyways of riverside London. But how does Dan Leno, music hall star extraordinaire, find himself implicated in this crime spree, and what does Elizabeth Cree, on trial for the murder of her husband, have to hide?
I am an Associate Lecturer and Adjunct in the Faculty of Arts at the University of Alberta. After being a piano teacher, working in communications for an NGO, and heading up the children’s department at a public library, I returned to university. While in graduate school, I underwent treatments for breast cancer, leading me into researching and teaching medical narratives, while focusing on works by breast cancer survivors. Introduced to graphic literature by a colleague, I began exploring a whole new world of literature. I now teach courses on graphic literature: memoirs, histories, speculative fiction, and the occasional comic.
This 4-volume serialized graphic novel tells the story of an Indigenous family across centuries and generations, stretching from Indigenous history before colonialism to ongoing colonial violence in Residential Schools until the present world of a Cree youth in existential crisis as he attempts to take his own life. His mother then guides him on a path of personal healing from his intergenerational trauma through stories about their history and traditions; Edwin’s journey takes him into the heart of ceremony and connection with his culture and history. He discovers his own strength to heal and then offers his father the opportunity to find his own healing path.
In this graphic novel, we are educated about Indigenous history through stories of struggle, resilience, and resurgence across the centuries. As Edwin, guided by his mother, meets with Elders, embraces his Cree identity, and pursues a path of healing through traditional teachings and practices,…
Illustrated in vivid colour, 7 Generations: A Plains Cree Saga is an epic story that follows one Indigenous family over three centuries and seven generations. This compiled edition was originally published as a series of four graphic novels: Stone, Scars, Ends/Begins, and The Pact.
Stone introduces Edwin, a young man who must discover his family's past if he is to have any future. Edwin learns of his ancestor, Stone, a Plains Cree warrior who came of age in the early 19th century. When Stone's older brother is tragically killed during a Blackfoot raid, he must overcome his grief to avenge…