100 books like The Bus on Thursday

I am a half-Mexican author who grew up in a tiny Alabama town, where I spent my summers playing with sticks in the woods and exploring such distinguished careers as Forest Bandit, Wayward Orphan, and Woodland Fairy Princess. After college, I ran away to New Zealand for seven months and only pretended to be a character from Lord of the Rings on special occasions. Nowadays, I live and work in South Carolina with my clingy (and, unfortunately, non-magical) cat. 

In middle school, I wrote my first novel called Children of the House. It pulled inspiration from the likes of Shirley Jackson, Stephen King, William Shakespeare, and Leo Tolstoy. I was attempting to explore family dynamics while also describing bloody stains on the hallway carpet that would never quite go away. When I read, I would travel from literary fiction to horror with ease until I began to realize the distinction was unimportant. Horror reflects the struggles of the every day in a heightened fashion. Books of this genre often have more freedom to explore the deepest issues that plague us and to do so in a way that will reach a wider audience.

In my 25 years of writing short stories, novels, and plays, I have explored my Mexican and Chicano roots in a variety of genres, from literary fiction to horror to magical realism to science fiction and everything in between. In the end, I do not discriminate when it comes to genre because a well-told story is key for me, regardless of the mode chosen by the author. My most recent novel, Chicano Frankenstein, is a case in point. In it, I blend genres: horror, science fiction, political satire, and a bit of romance. So, too, I love reading fiction that bravely challenges conventional storytelling.

In middle school, I wrote my first novel called Children of the House. It pulled inspiration from the likes of Shirley Jackson, Stephen King, William Shakespeare, and Leo Tolstoy. I was attempting to explore family dynamics while also describing bloody stains on the hallway carpet that would never quite go away. When I read, I would travel from literary fiction to horror with ease until I began to realize the distinction was unimportant. Horror reflects the struggles of the every day in a heightened fashion. Books of this genre often have more freedom to explore the deepest issues that plague us and to do so in a way that will reach a wider audience.

In my teenage years, it was sci-fi (and later fantasy) comedies that made me fall in love with reading. There was just something about exploring worlds where anything could happen mixed with the joy of laughter that kept drawing me back in. Naturally, in the many...many...years that followed, I've read countless novels from a wide variety of genres, but sci-fi comedy will always hold a special place in my heart.

Being diagnosed with an incurable cancer and told I may only live 5-years forced me to become an expert in the misconceptions of how to behave and what to say to cancer patients. It’s all bunk! What I know: (1) Don’t tell me “Call if you need anything.” I’m the one who’s sick, you need to call me. (2) Please don’t patronize me; I live in reality, not the land of rainbows, unicorns, and miracles. (3) It’s okay not to know what to say; I’m as blown away as you are. What patients need is honesty, present and available support, and laughter – a lot of it.

I’ve always read and loved crime fiction – so much so I did a doctorate in it. I believe good crime fiction has the capacity to explore particular societies, places, and times in interesting and enjoyable ways. I also like crime fiction’s focus on character, and particularly in crime series which show a character evolving over time. That’s why I chose the theme of ‘flawed detective’ and that’s what I’m trying to do in my Schalk Lourens series, of which Present Tense is the first. I hope you enjoy it, and also the other books I’ve recommended here.

I grew up reading dark fiction, and the only two books I kept from that period were The Wicked Heart and Whisper of Death, both by Christopher Pike. Though both were categorized as horror, the first is a crime mystery that partly follows the murderer, while the latter feels like an episode out of The Twilight Zone. I never cared for pure horror, and a book doesn’t have to scare me for me to find them enjoyable. What I often wanted was a tangible sense of dread paired with insight into the human psyche, which I believe makes for a more potent reading experience. 

I wanted to write crime fiction from a young age. I took a Biomedical Science degree, hoping to follow this with a PhD in Forensics but soon realised I didn’t want to spend the rest of my working life in a lab. So I took a Master’s degree in Science Communication and became a health journalist and editor instead. I knew my own crime novel needed to feature a journalist. My main character, Shanna Regan, has spent her life travelling, whereas my own job has always been desk-based in the UK. Maybe this is why I love reading crime novels that whisk me off to other countries (in my head)!

I’m an Irish author who lives close to three very different forests: deciduous, planted coniferous, and the planned gardens of a former stately home that once welcomed WB Yeats and several other famous writers. I’ve always loved the woods – it often feels like stepping through a portal into some other, stranger parallel world – and drew huge inspiration from these places for Shiver the Whole Night Through. I wanted the forest to feel like a character, which was sentient and had agency. I incorporated several real-life locations into the fictional Shook Woods…and wrote a lot of the story in the forest, gazing into the dark trees, waiting for them to speak.