100 books like The Passage

Cormac McCarthy does the impossible in this book—he writes an emotionally satisfying, literary-minded travelogue of horrors. It shatters the reader but then lifts them up with its beautifully wrought prose.

Be patient: the novel gets brutally dark before the light.

The story of people living in an underground Silo who don’t know why they're there, and only that the outside world is toxic and they must survive.

The characters in this story are heroic and relatable. I just wanted this book to keep going, and luckily there are two more in the series – Shift and Dust. The TV series is also a great addition and keeps a similar tone to the book.

Tigana might be my favorite book of all time, any genre, which says a lot.

Every time I read it, I am blown away by the perfection of the story and characters and the intricate story of love, hate, rebellion, magic, and politics. I have read it at least a dozen times since I first discovered it, and every time, I find something new or rediscover something I’d forgotten that makes this book wonderful.

It has the structure of a fantasy story and quest for redemption but is also a story of family, friendship, trust, loyalty, and love. It could be any empire and conquest in history. Imagine how devastating it would be to have the name of your country erased from time and memory. 

Discovering Diana, the reluctant witch who must rediscover herself and her supernatural talents, makes this novel a page-turner of magick and mystery. And I loved how the weave of those two powers pulled in the romance between Diana and Matthew. An added spicy balance that mixes like a brew into the witch and vampire families that are here and from the Otherworld.

I am not a vampire fan, but the magick here is irresistible. It became rather addictive because the witchcraft spells were so illusory that I felt “invited in.” The vampire scenes were a bit nerve-wracking, creating real tension for me. Diana’s journey was perfect, as it kept growing with obsessive and fantastical suspense. I was in their witch-vampire world, which was as frightening as it was compelling. 

I fell in love with Katniss from the very beginning. I was the oldest daughter in a single-parent family and had to take over and care for my younger sisters a lot of times because my father was dysfunctional. So I get it. The whole concept is horrifying to me—children forced to kill each other—but following along as Katniss manages to defeat the fate waiting for her inspired me.

I related to how she did most of it on her own, seeing as she had been let down by her mother, her country, and, later, those she thought were friends. Trust is so important and valuable for young people to have, and so easy to destroy.

Who Fears Death was a book assigned to me in a college course, and it was the most enjoyable piece of course work I ever had to read. Centered in post-apocalyptic Africa, Who Fears Death follows a biracial girl living in a segregated society that rejects “mixed blood.” I was endlessly cheering for the main character—Onyesonwu—and her stubborn pursuit of her own magical path. I pushed off reading most of my other coursework in order to finish this story and discover where Onye’s path would take her. Okorafor’s society-building was not only convincing, but also heartbreaking, and contained mirrors to present-day society. This book had me excited to do my homework, and is one I would recommend to anyone—in school or not.

At a whopping 1,152 pages, Stephen King’s The Stand was just too much to capture in a single movie.

That’s why, in 1994, CBS adapted it across four, ninety-minute episodes of a limited run “mini-series” (a fancy way of saying “a really long movie”). In all fairness, it had a great cast and was better than it had any right to be, and was far more enjoyable than CBS’s 2020 attempt at a do-over.

But even with a total six-hour runtime, it couldn’t capture all the story, heart, and nuance that made the book so incredible. It’s a feat to read, one I did to pass the time when bored in school, and one I will surely do again in the future.

I love this book for its Matroyska doll-style structure: The first five sections tell stories in different periods— from the mid-19th century to the 22nd—loosely connected by repeating characters and media, each ending abruptly and without resolution. The sixth section, set in the 24th century, is the spine of the novel, told in its entirety. Then Mitchell revisits the time periods in reverse chronological order, resolving each story, ending where we began in the mid-19th century.

It was a highly satisfying experience that changed my view of how a story could be told. It is widely considered one of the finest novels of the 21st century. It covers ideas I would normally balk at, like reincarnation and the existence of eternal consciousness. Still, the storytelling is so powerful that it all came across as believable to me. I loved the way Mitchell demonstrated how an idea in one time period… show more.

While I don’t always love mainstream classics, The Giver is a classic for a reason, and, in my opinion, it rightfully deserves its place on the shelf.

I love the emotional draw of this book and the invitation to think deeper about the meaning of life and the burden it can take on us. I love books that challenge us to think about the bigger concepts of life and all they entail: the good, the bad, and the ugly.

This a beautifully lyrical book. The first chapter winds and twists through different scenes and places, like a gentle lake through a peaceful forest. Emily St John Mantel leads you through the past, present, and future so softly that it takes you a moment to realize the bleakness and horror of the post-pandemic world she’s describing.

I love a story told from multiple points of view, and this one is a masterclass. It weaves different events and characters so precisely that when everything comes to a head in the final chapters, it feels inevitable and natural. I also love a nuanced villain, and (without giving away who) this one is fantastic! I understood their motivation and logic, even as I desperately wanted them to lose.