97 books like Here

Everything Lynda Barry touches is earthy human gold.

One! Hundred! Demons! is one part memoir of a difficult childhood, one part comics how-to, and six parts warmth and humor and unruly red hair. It isn’t quite as dark as some of her other work, though it certainly gestures in that direction at times.

It also exemplifies Barry’s knack for finding beauty and delight inside the most difficult, unfair garbage life can throw at you. Such a great book.

This is an excellent textbook to get readers and comic makers of all experience levels to loosen up, think deeply and personally, and make better, more confident comics. It’s warm but practical, smart but approachable, deep but unpretentious. This is a comics veteran generously sharing both her knowledge of comics and teaching, as well as her own methods for drawing, brainstorming, and writing. It’s an incredible resource and one I often find myself quoting and recommending to my own students. 

One of the most meditative books I’ve ever experienced. I read this for the first time on an airplane and it felt like having a lucid dream. It’s an entirely wordless graphic novel documenting all the details and experienced moments of a train ride, from finding a seat, to the patterns of rain on the windows and the passing landscapes, all rendered in highly stylized but clear line work. This book left me wanting to notice and appreciate my own movement through the physical spaces of my daily life. I recommend anything you can find by Yokoyama, but this one feels especially important to me.   

I consider this to be one of the great wordless graphic novels. It’s a hyper-colored meditation on the creative power and potential of human hands, full of movement, energy, and effort. It’s amazing to see a work like this that’s so full of power, like a raw force of nature, yet there’s no violence or destruction. Sit in a quiet corner and give every page of this book your full attention and tell me how your brain feels afterward. 

One of the most treasured and unusual books in my personal library. It’s an encyclopedia from another world, entirely written in a made-up language. Page after page of haunting and strange illustrations, organized into specific categories and concepts. Sitting with this book transports me back to the time before I could read, when words felt like incomprehensible symbols. Taking the time to puzzle over this book feels like such a valuable experience. It takes me right out of the familiar ways of taking in information and puts me in a state of mind that has to search and consider the juxtaposition of images and ideas in totally new ways. I can’t recommend this book enough.

I own a number of books on Adolf Wolfli, but this one feels the most extensive and valuable to me. Wolfli spent most of his life in an isolated cell in a mental hospital in Switzerland. During that time he created a hyper-detailed graphic work that’s thousands of pages long. His dense drawings contain writings that chronicle an epic personal fantasy along with musical notation, lists of inventions, giant equations, and maps. This kind of creative output from a single person is both stunning and frightening. Spending time with this book really makes me contemplate the complexity and importance of human creativity, the nature of madness, trauma, and true originality. 

You could really choose any graphic novel by Patrick Kyle—they’re all excellent. I personally like this collection of his short stories. The art is abstract, cartoony, expressive, drawn with a stylistic boldness not often seen in graphic novels. 

The art could stand on its own, and often I find myself skimming this novel just to look at the art. But the narratives themselves are the real key here—completely original, contemporary thinking that discusses things like the end of cell phones and purifying skin creams. These narratives will change the way you think about narrative.

Press Enter to Continue is incredible on every level. The art is beautiful, with a technicolor palette and skillful drawing that belies the corporate horror in the narratives. We see humiliating job interviews, vampiric computer viruses, and cosmic labor camps that feel a little too close for comfort in our online world. It’s a collection of short stories told with a deadpan minimalism that makes the reader think, sweat, and maybe put their phone away for a while.

This is one of the first graphic novels to truly reinvent the medium, and is absolutely required reading for anyone who wants to experiment with visual storytelling. Instead of a traditionally bound book, you get an oversized box filled with pamphlets, booklets, newspapers, and more. The comics themselves read pretty straightforwardly, but it's the act of rifling through this giant box for the first time, not knowing exactly where it'll lead you, that's truly a unique reading experience. 

This book is, to me, one of the true weird masterpieces of human imagination.

It is one of the things that made me want to make comics in the first place, that expanded my idea of what comics and storytelling could do. It’s deeply weird, extremely unsettling, dark, funny, and, at times, a little offensive. And it is unlike anything you will ever read anywhere else for the rest of your life.

One of its delights is how clear it is at the beginning that the author didn’t know what he was getting into when he started. He just followed his imagination, trusting completely, and ended up with something grand and unique. And none of his work after this is anything like it. Which is probably for the best.