Fans pick 100 books like Codex Seraphinianus

This is the most profoundly absorbing experimental art-comic the world has ever produced.

It’s a fun book to sit with someone else and page through, backward or forward, or just ambling around, discovering things. The very simple conceit is that it’s a book that spans millions of years in time, but all happens in exactly one single space. It grew out of a six-page short story that blew people’s minds in the 80’s comics anthology Raw.

I remember hearing that the author had decided, two decades later, to expand it to book form, and wondered if that was really necessary. The short version had been such a perfect jewel of a piece. Turns out he had very good reason. 

One of the most meditative books I’ve ever experienced. I read this for the first time on an airplane and it felt like having a lucid dream. It’s an entirely wordless graphic novel documenting all the details and experienced moments of a train ride, from finding a seat, to the patterns of rain on the windows and the passing landscapes, all rendered in highly stylized but clear line work. This book left me wanting to notice and appreciate my own movement through the physical spaces of my daily life. I recommend anything you can find by Yokoyama, but this one feels especially important to me.   

I consider this to be one of the great wordless graphic novels. It’s a hyper-colored meditation on the creative power and potential of human hands, full of movement, energy, and effort. It’s amazing to see a work like this that’s so full of power, like a raw force of nature, yet there’s no violence or destruction. Sit in a quiet corner and give every page of this book your full attention and tell me how your brain feels afterward. 

I own a number of books on Adolf Wolfli, but this one feels the most extensive and valuable to me. Wolfli spent most of his life in an isolated cell in a mental hospital in Switzerland. During that time he created a hyper-detailed graphic work that’s thousands of pages long. His dense drawings contain writings that chronicle an epic personal fantasy along with musical notation, lists of inventions, giant equations, and maps. This kind of creative output from a single person is both stunning and frightening. Spending time with this book really makes me contemplate the complexity and importance of human creativity, the nature of madness, trauma, and true originality. 

When I first heard about cryptography at university, it sounded like mathematical magic. After looking into some randomly chosen crypto books, I was discouraged from digging deeper because they were full of math details.

Understanding Cryptography was different. It was aimed at engineering students like me, and it provided me with the most relevant facts necessary for designing secure devices. Since then, it has always been a great reference book for me.

This book is essential in that it follows a systematic and scientific approach to software development, advocating for clarity in expressing algorithms, providing a rigorous framework for designing and reasoning about programs, and, fundamentally, always focusing on formal methods and mathematical techniques to ensure correctness and efficiency in programming code.

Most importantly, the book doesn’t just show you how to prove programs correct, but also teaches how to arrive from a definition to an efficient and correct solution, so I would recommend this to every developer.

Okay, hear me out. Yes, this book was published in 2007. Yes, it’s ostensibly about ActionScript, the coding language in Flash, which no one uses anymore. But you won’t use this book to learn ActionScript or Flash: You’ll use it to learn how to make things move with code, in any language. You’ll skip over the ActionScript-specific parts in favor of the lucid explanations and helpful illustrations. Your visual brain will appreciate seeing how sines, cosines, and tangents are relevant—and necessary!—to make digital things move. (Your heart will wish your brain had paid better attention in trigonometry class years earlier, but hey, no regrets!) The chapters “Trigonometry for Animation” and “Velocity and Acceleration” alone are worth the purchase price.

Michael Lopp, or Rands, as he is commonly known online, has been sharing his knowledge as a software manager for years, mainly through his blog. He is one of the most insightful voices about the art of management in a software environment, and even if you are not a manager yourself (and don’t want to become one), will make you understand and better collaborate with your own manager, and be ready when you need to lead a team or understand how it is to work with other humans.

Continuing down the engineering part of this mini-curriculum, we have a collection of interesting ideas, each written by a different author, all of them inspiring.

Some of the chapters in this book I have reread more times than I can count, because the ideas are so original and intriguing that my fingers start to tingle.

Yes, it’s a textbook, albeit a particularly well-written one. You may already have it on your shelf, if you’ve taken a programming class or two.

I’m way too old to have used CLRS as a textbook, though! For me, it’s an effectively bottomless collection of neat little ideas—an easy-to-describe problem, then a series of increasingly clever ways to solve that problem. How often do I end up using one of those algorithms? Not very often! But every time I read the description of an algorithm, I get a nugget of pure joy from the “aha” moment when I first understand how it works.