100 books like Pastoralia

Richard Matheson is a horror legend for good reason, and most casual viewers of genre films and TV would probably be surprised at how much of his work they’ve encountered in some form or another. The Will Smith movie I Am Legend is adapted from his work. Steven Spielberg’s first film, Duel, as well. The paranoid Nightmare at 20,000 Feet is best known as a classic Twilight Zone episode, referenced and parodied numerous times in the decades since, but Matheson’s original reflects everything that’s great about his work: a fairly practical, everyman sort of protagonist (for the 1960s anyway) undone by an impossible situation.

I don’t think most Lovecraft fans casual or devoted would single out The Music of Erich Zann, given the staying power of the Cthulhu mythos and everything associated with it. But what causes Lovecraft’s work to resonate so many decades later is his mastery over the disquieting, and this story about music channeled from a horrific place played on a street that doesn’t seem to exist by a violinist terrified and compelled to keep playing has stayed with me more than any of Lovecraft’s other stories in the years since I read it. Maybe it’s the musician in me, or maybe it’s the distortions of reality that tend to crop up in my own writing. Either way it’s striking, and a good introduction to the strangeness of H. P. Lovecraft.

The Twilight Zone, again? Yes, The Twilight Zone again. There are tons of great stories here, but I'm highlighting Lynn Venable's "Time Enough at Last," which is arguably even more iconic than "Nightmare at 20,000 Feet." While most would regard it as a science-fiction story more than a horror story, I think it’s one of the best examples ever put to paper of the principle that horror is personal. One person’s inconvenience is another’s world-ending nightmare—and vice versa. Lynn Venable’s broader body of work is not especially well known, but with this one story dropped into a genre dominated by men, Venable turned out one of the greatest and most memorable genre stories there would ever be. So check it out—you know, while there’s still time.

"The One Who Waits," one of my favorite stories in this collection, would be regarded more commonly as science fiction, as it takes place during an Earth expedition to Mars. But Ray Bradbury’s story also pioneers the classic horror trope of a small group of people falling one by one to a mysterious creature they cannot see—and with a means of disguise highly imaginative, beautifully written, and fundamentally terrifying. Bradbury is a phenomenal writer and it’s difficult to recommend any one story without feeling certain you’ve dropped the ball in not recommending another--you really can't go wrong with this entire collection--but the quick, clever, nuanced "The One Who Waits" is one of the best sci-fi/horror hybrids ever written.

If you were suddenly awarded 8.5 million pounds, what would you do with it? Would you take the advice of the financial consultants and invest it sensibly? How boring. If you were a visionary you might create a sensual paradise of your imagination. But if you are just an ordinary young working-class Londoner? You might remember an instant—on holiday, or at a party—when you felt happy and content, and decide to recreate it. 

This time the writing is sparse and matter-of-fact. I hardly noticed as the hero’s project proceeds gradually, logically into realms of absurdity, told with deadpan humour. For me, speculative fiction involves a world that is recognisable and familiar—but which gradually becomes ‘curiouser and curiouser’.

It’s a story that makes you think—though without telling you what to think.

Frank and Bean opens with Frank, who visits the great outdoors to find peace and quiet. Then, Bean shows up. He is literally a one bean band, with a drum, trumpet, triangle and more. Needless to say, they don’t initially hit it off. But then it gets dark, and fears bring them together. Before you know it, they are making beautiful music together. The text is full of wry humor presented with a wink for adults, while the illustrations are pitched perfectly to make five- to eight-year-old readers giggle along. I love this friendship story because it’s so much fun to read out loud. 

Clive James is one of those writers whose voice you hear as he writes.

His journey from childhood in Sydney to adulthood at Oxford University in England is beautifully written and so very funny. The entire trilogy is good, but this first one – it’s one of the funniest books I’ve ever read.

And if you have heard him speak, his dry, clever wit, and his ability to pick precisely the right word rides through and adds a lovely Australian spark to it all. A brilliant work. 

The Cornish Wedding Murder is the first installment of Fiona Leitch’s wonderful cosy mystery series. It features Jodie ‘Nosey’ Parker, ex-copper turned caterer, who butts heads with handsome DCI Nathan Winters to prove a childhood friend’s innocence, after an unexpected guest is found dead at his wedding. It’s an entertaining read with plenty of twists and turns and some added romantic tension to keep you wanting more. 

Jodie’s on my list as a female lead who’d make a great dinner guest because she’s bold, fiercely loyal and she doesn’t let others push her around. She’s also one to raise a smile with her deadpan humour and she’d have many a story from her police days to share. Oh, and with her being a caterer, I might not even have to cook!    

I Was Born a Baby is my favorite Meg Fleming book – and that’s saying a lot! The rhyme and meter are wonderful! “I was born a baby. I was born a colt. / I was born a piglet. I’m a billy goat.”

The illustrations are so adorable and add to the humor! Not only will kids love listening to the rollicking rhyme, but they’ll also learn the names of animal babies! It’s the kind of book you love reading again and again and again! 

I don’t usually read sweet, fade-to-black romance (I’m a fan of the full-steam-ahead stuff), but there is so much deadpan Native humor I was howling with laughter the whole time. The Crooked Rock Urban Indian Center staff and regulars are wonderful characters. How they establish this new community in the city, displaced from their tribal communities, is so recognizable for someone who lives 500 miles away from my tribe.