Here are 100 books that The Music of Erich Zann fans have personally recommended if you like
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I'm perhaps the inevitable result of a lifetime spent on a steady diet of magical realism, literary fiction, science-fiction, and Spider-Man comics. Fortunately I’ve been able to channel my simultaneous loves of storytelling and structure into a life as a developmental editor. And where my own work is concerned, I’ve been able to do a lot of those things my childhood self might have hoped for: a novel inThe Listeners, a feature film in Ape Canyon, and a litany of strange and usually distressing short stories. These days I do those things from my Washington, D.C. apartment with my wife and our two cats with a combined seven legs.
Richard Matheson is a horror legend for good reason, and most casual viewers of genre films and TV would probably be surprised at how much of his work they’ve encountered in some form or another. The Will Smith movie I Am Legendis adapted from his work. Steven Spielberg’s first film, Duel, as well. The paranoid Nightmare at 20,000 Feet is best known as a classic Twilight Zone episode, referenced and parodied numerous times in the decades since, but Matheson’s original reflects everything that’s great about his work: a fairly practical, everyman sort of protagonist (for the 1960s anyway) undone by an impossible situation.
Personally selected by Richard Matheson, the bestselling author of I Am Legend and What Dreams May Come, the stories in Nightmare at 20,000 feet more than demonstrate why Matheson's regarded as one of our most influential horror writers.
Featuring the story "Duel," a nail-biting tale of man versus machines that inspired Steven Spielberg's first film.
Remember that monster on the wing of the airplane? William Shatner saw it on The Twilight Zone, John Lithgow saw it in the movie-even Bart Simpson saw it. "Nightmare at 20,000 Feet" is just one of many classic horror stories by Richard Matheson that have…
I'm perhaps the inevitable result of a lifetime spent on a steady diet of magical realism, literary fiction, science-fiction, and Spider-Man comics. Fortunately I’ve been able to channel my simultaneous loves of storytelling and structure into a life as a developmental editor. And where my own work is concerned, I’ve been able to do a lot of those things my childhood self might have hoped for: a novel inThe Listeners, a feature film in Ape Canyon, and a litany of strange and usually distressing short stories. These days I do those things from my Washington, D.C. apartment with my wife and our two cats with a combined seven legs.
Specifically, I'm recommending the short story "Sea Oak." In the expanse of horror fiction, it has to be said that there are very few stories about a kindly old woman who returns from the dead as a pissed-off, vulgar, rotting corpse demanding her nephew start showing his cock (Saunders’s phrasing, not mine) for extra money so that his family can stop being pushovers and start earning some cash. George Saunders, it should be noted, is not remotely a horror author—rather, one of the more offbeat, distinctive writers of short literary fiction of the last quarter century—and Pastoralia is determinedly not a horror collection. But it’s exactly this that makes “Sea Oak” the strangest, least likely zombie story, if you can call it that, that you’ll ever read.
'Saunders is an astoundingly tuned voice - graceful, dark, authentic and funny - telling just the kind of stories we need to get us through these times' Thomas Pynchon
In PASTORALIA elements of contemporary life are twisted, merged and amplified into a slightly skewed version of modern America. A couple live and work in a caveman theme-park, where speaking is an instantly punishable offence. A born loser attends a self-help seminar where he is encouraged to rid himself of all the people who are 'crapping in your oatmeal'. And a male exotic dancer and his family are terrorised by their…
I'm perhaps the inevitable result of a lifetime spent on a steady diet of magical realism, literary fiction, science-fiction, and Spider-Man comics. Fortunately I’ve been able to channel my simultaneous loves of storytelling and structure into a life as a developmental editor. And where my own work is concerned, I’ve been able to do a lot of those things my childhood self might have hoped for: a novel inThe Listeners, a feature film in Ape Canyon, and a litany of strange and usually distressing short stories. These days I do those things from my Washington, D.C. apartment with my wife and our two cats with a combined seven legs.
The Twilight Zone, again? Yes, The Twilight Zone again. There are tons of great stories here, but I'm highlighting Lynn Venable's "Time Enough at Last," which is arguably even more iconic than "Nightmare at 20,000 Feet." While most would regard it as a science-fiction story more than a horror story, I think it’s one of the best examples ever put to paper of the principle that horror is personal. One person’s inconvenience is another’s world-ending nightmare—and vice versa. Lynn Venable’s broader body of work is not especially well known, but with this one story dropped into a genre dominated by men, Venable turned out one of the greatest and most memorable genre stories there would ever be. So check it out—you know, while there’s still time.
I'm perhaps the inevitable result of a lifetime spent on a steady diet of magical realism, literary fiction, science-fiction, and Spider-Man comics. Fortunately I’ve been able to channel my simultaneous loves of storytelling and structure into a life as a developmental editor. And where my own work is concerned, I’ve been able to do a lot of those things my childhood self might have hoped for: a novel inThe Listeners, a feature film in Ape Canyon, and a litany of strange and usually distressing short stories. These days I do those things from my Washington, D.C. apartment with my wife and our two cats with a combined seven legs.
"The One Who Waits," one of my favorite stories in this collection, would be regarded more commonly as science fiction, as it takes place during an Earth expedition to Mars. But Ray Bradbury’s story also pioneers the classic horror trope of a small group of people falling one by one to a mysterious creature they cannot see—and with a means of disguise highly imaginative, beautifully written, and fundamentally terrifying. Bradbury is a phenomenal writer and it’s difficult to recommend any one story without feeling certain you’ve dropped the ball in not recommending another--you really can't go wrong with this entire collection--but the quick, clever, nuanced "The One Who Waits" is one of the best sci-fi/horror hybrids ever written.
I’ve been a fan of the Cthulhu Mythos and detective fiction since childhood, cutting my teeth on Sir Arthur Conan Doyle, Raymond Chandler, and Dashiell Hammett at an early age. A voracious reader of both horror and mystery, I read and reread these tales and began crafting my own to the point where many years later, as an award-winning writer with over 200 fiction publications under my belt, I feel these genres go together like they were always destined to cross. I write daily, and have a Bachelor’s Degree in Crime Scene Science. You could say crime and horror are always on my mind!
This book features the best of author C.J. Henderson’s supernatural detective stories in one volume. Not only does it contain his creation P.I. Teddy London, he writes tales about many other supernatural detectives. There are stories here of Lin Carter's Anton Zarnak, H.P. Lovecraft's Inspector Legrasse, and more, including Cthulhu Mythos settings created by Brian Lumley and Ramsey Campbell. There are thirteen stories in total, this being an exciting collection detailing the adventures of investigators, both private and otherwise, taking on the horrors of the supernatural and the Cthulhu Mythos. I consider this book a must for all fans of detective fiction and horror.
Before The X-Files, before Buffy, his tales of P.I. Teddy London were being read and enjoyed by fans around the world. Now, for the first time ever, the absolute best of his supernatural sleuthing tales have been brought together in one incredible collection. Join him in the pages of fright-filled compilation as he furthers the careers of Lin Carter's remarkable Anton Zarnak and H.P. Lovecraft's resilient Inspector Legrasse. Experience his haunting takes on the mythos worlds of both Ramsey Campbell and Brian Lumley. And immerse yourself in stores featuring all the characters of his London universe. Here are thirteen tales…
I’ve been a fan of the Cthulhu Mythos and detective fiction since childhood, cutting my teeth on Sir Arthur Conan Doyle, Raymond Chandler, and Dashiell Hammett at an early age. A voracious reader of both horror and mystery, I read and reread these tales and began crafting my own to the point where many years later, as an award-winning writer with over 200 fiction publications under my belt, I feel these genres go together like they were always destined to cross. I write daily, and have a Bachelor’s Degree in Crime Scene Science. You could say crime and horror are always on my mind!
C.J. Henderson is recognized as the father of modern-day occult detective fiction. He wrote his protagonists' encounters with the Cthulhu Mythos in beautifully effective prose. Sadly, C.J. passed away in 2014 and his passing is a great loss to the literary world and fans old and new.
This book was written as a tribute to C.J.’s finest occult detectives, twelve authors being chosen to contribute to this hard-boiled, tentacle-smacking anthology. All earnings from this book go to support C.J.’s family. An added bonus for fans of weird hardboiled fiction is the never-before published novella by C.J. Henderson, The Temporal Deception.
I love this collection for it expands on both the Cthulhu Mythos and C.J.’s own creations.
Tamel Wino is a Canadian fiction writer from resplendent British Columbia whose works focus largely on the degeneration of sanity and morality. He studied Health Sciences and Psychology, which only furthered his interest in human nature. With inspirations including Shirley Jackson, Cormac McCarthy, Clive Barker, Margaret Atwood, and Edgar Allan Poe; Tamel’s expositions are strongly grounded in traditions of dark fiction. Yet, with his bold narrative voice and incisive plot construction, Wino is paving a new movement within the space.
A powerhouse collection, familiar and innovative, at times agonizingly devastating and horribly entertaining. After reading John Langan's novel The Fisherman, I just had to pick up this one. A profoundly, gratifying dark read. With such a sublime and unwavering collection, Langan rises in my book as one of the most fascinating in the contemporary, horror writer circle.
"I want to be like John Langan when I grow up, okay? He blends meticulously crafted traditional narratives with joyous genre-bending and narrative rule-breaking. His stories are fiercely smart, timely, timeless, heartbreaking, and of course, flat-out scary. Langan fearlessly commits to his monsters, his characters, his readers, to his vision of the horror story and the messed-up, broken, frightening world we inhabit. Wide, Carnivorous Sky, indeed."-Paul Tremblay, author of The Little Sleep and Swallowing a Donkey's Eye.
John Langan has, in the last few years, established himself as one of the leading voices in contemporary horror literature. Gifted with a…
My Swedish grandmother first introduced me to the horror genre when I was a small boy. Her folktales of trolls and witches really fueled my imagination! Then, when I was in junior high, my father encouraged me to read Edgar Allan Poe and H.P. Lovecraft. I didn’t get hooked on things Gothic, however, until I heard the lyrics of Jim Morrison and the Doors in high school. After college, I became a freelance writer. I quickly learned that 80% of my spooky stuff got accepted by magazines while only 10% of my general interest work was published. That said, it’s no wonder I became a horror writer!
The Best of H.P. Lovecraft: Bloodcurdling Tales of Horror and the Macabre showcases some of the weirder stories of the horror genre. “The Rats in the Walls” and “The Thing on the Doorstep” put the “f” in fear! H.P.’s evil space creature, Cthulhu, also makes an appearance in this anthology.
“H.P. Lovecraft has yet to be surpassed as the twentieth century’s greatest practitioner of the classic horror tale.”—Stephen King
“The oldest and strongest emotion of mankind is fear, and the oldest and strongest kind of fear is fear of the unknown.”—H.P. Lovecraft
This is the collection that true fans of horror fiction must have: sixteen of H.P. Lovecraft’s most horrifying visions, including:
The Call of Cthulu: The first story in the infamous Cthulhu mythos—a creature spawned in the stars brings a menace of unimaginable evil to threaten all mankind. The Dunwich Horror: An evil man’s desire to perform an unspeakable…
I’ve been reading Lovecraft, and those inspired by him, since I was in high school. I’ve always been fascinated by the idea that there could be a whole world just outside of sight that we never see, and once we do see we can never un-see. After I’d been writing for a few years a friend of mine suggested/demanded I write a story for him inspired by Lovecraft’s world. Mostly I started it to satisfy him but once the jar was open it all spilled out. I wove in real elements from history, including historical figures. This story ended up winning a major award, but there was still so much more to tell.
Okay, so maybe you didn’t exactly miss at least hearing about this novel, but many readers skip over the original Lovecraft stories as being too difficult to read which is a shame.
This is the where the elder god mythos truly began for me, the first of any Lovecraft story I ever read. Split into three sections this book is linked together around nightmares, cults, and a sleeping god.
Call of Cthulhu was where I learned that not every question in a story requires an answer, and that heroes can face overwhelming odds and lose in the end. It is bleak and the perfect introduction to this world.
One of the feature stories of the Cthulhu Mythos, H.P. Lovecraft's 'the Call of Cthulhu' is a harrowing tale of the weakness of the human mind when confronted by powers and intelligences from beyond our world.
I’ve been reading Lovecraft, and those inspired by him, since I was in high school. I’ve always been fascinated by the idea that there could be a whole world just outside of sight that we never see, and once we do see we can never un-see. After I’d been writing for a few years a friend of mine suggested/demanded I write a story for him inspired by Lovecraft’s world. Mostly I started it to satisfy him but once the jar was open it all spilled out. I wove in real elements from history, including historical figures. This story ended up winning a major award, but there was still so much more to tell.
Craft’s books are not as well known as some other Lovecraftian writers on this list, but they should be.
He takes the expected details for any Lovecraft-inspired story then turns it sideways. He weaves in an atmosphere from the hardboiled mystery writers of Lovecraft’s era, such as Dashiel Hammett and Raymond Chandler.
Cthulhu’s Minions starts a series which follows the Arkham Detective as he falls deeper into a world he never knew existed. This book taught me that a writer can take an existing world that is familiar to readers and still make it their own.
Cthulhu’s Minions, in this story, are Pilot Demons. They originally came into being in my novel “The Alchemist’s Notebook” based on my screenplay for “The Cry of Cthulhu.” They are creepy little things that became such great supporting characters (in a terrible sort of way) that I thought that they deserved their own separate story.“Cthulhu’s Minions” takes place in an alternate universe somewhat like the 1930’s when H.P. Lovecraft was writing his Cthulhu Mythos and writers like Dashiell Hammett and Raymond Chandler were creating the hardboiled mystery drama. Indeed, it is as if we are being treated to a Dashiell…
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