Here are 100 books that The Twilight Zone fans have personally recommended if you like
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I'm perhaps the inevitable result of a lifetime spent on a steady diet of magical realism, literary fiction, science-fiction, and Spider-Man comics. Fortunately I’ve been able to channel my simultaneous loves of storytelling and structure into a life as a developmental editor. And where my own work is concerned, I’ve been able to do a lot of those things my childhood self might have hoped for: a novel inThe Listeners, a feature film in Ape Canyon, and a litany of strange and usually distressing short stories. These days I do those things from my Washington, D.C. apartment with my wife and our two cats with a combined seven legs.
Richard Matheson is a horror legend for good reason, and most casual viewers of genre films and TV would probably be surprised at how much of his work they’ve encountered in some form or another. The Will Smith movie I Am Legendis adapted from his work. Steven Spielberg’s first film, Duel, as well. The paranoid Nightmare at 20,000 Feet is best known as a classic Twilight Zone episode, referenced and parodied numerous times in the decades since, but Matheson’s original reflects everything that’s great about his work: a fairly practical, everyman sort of protagonist (for the 1960s anyway) undone by an impossible situation.
Personally selected by Richard Matheson, the bestselling author of I Am Legend and What Dreams May Come, the stories in Nightmare at 20,000 feet more than demonstrate why Matheson's regarded as one of our most influential horror writers.
Featuring the story "Duel," a nail-biting tale of man versus machines that inspired Steven Spielberg's first film.
Remember that monster on the wing of the airplane? William Shatner saw it on The Twilight Zone, John Lithgow saw it in the movie-even Bart Simpson saw it. "Nightmare at 20,000 Feet" is just one of many classic horror stories by Richard Matheson that have…
I'm perhaps the inevitable result of a lifetime spent on a steady diet of magical realism, literary fiction, science-fiction, and Spider-Man comics. Fortunately I’ve been able to channel my simultaneous loves of storytelling and structure into a life as a developmental editor. And where my own work is concerned, I’ve been able to do a lot of those things my childhood self might have hoped for: a novel inThe Listeners, a feature film in Ape Canyon, and a litany of strange and usually distressing short stories. These days I do those things from my Washington, D.C. apartment with my wife and our two cats with a combined seven legs.
I don’t think most Lovecraft fans casual or devoted would single out The Music of Erich Zann, given the staying power of the Cthulhu mythos and everything associated with it. But what causes Lovecraft’s work to resonate so many decades later is his mastery over the disquieting, and this story about music channeled from a horrific place played on a street that doesn’t seem to exist by a violinist terrified and compelled to keep playing has stayed with me more than any of Lovecraft’s other stories in the years since I read it. Maybe it’s the musician in me, or maybe it’s the distortions of reality that tend to crop up in my own writing. Either way it’s striking, and a good introduction to the strangeness of H. P. Lovecraft.
I'm perhaps the inevitable result of a lifetime spent on a steady diet of magical realism, literary fiction, science-fiction, and Spider-Man comics. Fortunately I’ve been able to channel my simultaneous loves of storytelling and structure into a life as a developmental editor. And where my own work is concerned, I’ve been able to do a lot of those things my childhood self might have hoped for: a novel inThe Listeners, a feature film in Ape Canyon, and a litany of strange and usually distressing short stories. These days I do those things from my Washington, D.C. apartment with my wife and our two cats with a combined seven legs.
Specifically, I'm recommending the short story "Sea Oak." In the expanse of horror fiction, it has to be said that there are very few stories about a kindly old woman who returns from the dead as a pissed-off, vulgar, rotting corpse demanding her nephew start showing his cock (Saunders’s phrasing, not mine) for extra money so that his family can stop being pushovers and start earning some cash. George Saunders, it should be noted, is not remotely a horror author—rather, one of the more offbeat, distinctive writers of short literary fiction of the last quarter century—and Pastoralia is determinedly not a horror collection. But it’s exactly this that makes “Sea Oak” the strangest, least likely zombie story, if you can call it that, that you’ll ever read.
'Saunders is an astoundingly tuned voice - graceful, dark, authentic and funny - telling just the kind of stories we need to get us through these times' Thomas Pynchon
In PASTORALIA elements of contemporary life are twisted, merged and amplified into a slightly skewed version of modern America. A couple live and work in a caveman theme-park, where speaking is an instantly punishable offence. A born loser attends a self-help seminar where he is encouraged to rid himself of all the people who are 'crapping in your oatmeal'. And a male exotic dancer and his family are terrorised by their…
I'm perhaps the inevitable result of a lifetime spent on a steady diet of magical realism, literary fiction, science-fiction, and Spider-Man comics. Fortunately I’ve been able to channel my simultaneous loves of storytelling and structure into a life as a developmental editor. And where my own work is concerned, I’ve been able to do a lot of those things my childhood self might have hoped for: a novel inThe Listeners, a feature film in Ape Canyon, and a litany of strange and usually distressing short stories. These days I do those things from my Washington, D.C. apartment with my wife and our two cats with a combined seven legs.
"The One Who Waits," one of my favorite stories in this collection, would be regarded more commonly as science fiction, as it takes place during an Earth expedition to Mars. But Ray Bradbury’s story also pioneers the classic horror trope of a small group of people falling one by one to a mysterious creature they cannot see—and with a means of disguise highly imaginative, beautifully written, and fundamentally terrifying. Bradbury is a phenomenal writer and it’s difficult to recommend any one story without feeling certain you’ve dropped the ball in not recommending another--you really can't go wrong with this entire collection--but the quick, clever, nuanced "The One Who Waits" is one of the best sci-fi/horror hybrids ever written.
I was a funny little anxious kid, and still remember the relief of coming across friends who opened up and told their darkest thoughts and silliest moments. This is what I seek out in books and try to show in my own stories. To say...Look! We’re all deeply weird! You are not alone! Comics and graphic novels have such a unique and immediate way of whispering into your heart and it amazes me that so many people haven’t yet discovered what a wonderful art form they are.
Wallis Eates is the master of picking scabs and upturning stones to see what scuttles beneath. And often among all the dirt and bugs, she finds such amazing treasure. In this book, she has such vivid and detailed memories I found myself staring into her wonderful pencil marks and time travelling back into the mind of my own little self and feeling all the fear and awe of those years. I was going to write, it's like happening upon someone’s secret diary, but it's so visceral, it's more like being Sam Beckett in Quantum Leap and suddenly, wonderfully finding yourself in someone else’s body for a minute.
I’ve been writing professionally for an entire decade now, and for most of that time sci-fi has been my bread and butter. I love the genre’s varied aesthetics, and its tightrope of creativity and believability. The sci-fi books I love most of all are, for whatever reason, the ones that make me think deep, none-too-happy thoughts. Bestis subjective, but these are five of my very favorites.
Kid books are the most important books. They hook deep into the gray matter right as it’s branching off in all directions, and set the course for a whole new crop of writers. The imagery in thiscompanion to the long-running Animorphs series was off the charts – for example, a moon-spanning hivemind organism that keeps thousands of victims tethered underwater, trepanned by tendrils that let it access their decaying brains. This one is dark, vivid, and capped off by a beautifully understated death.
He is called the Ellimist. A being with the ability to alter space and time. A being with a power that will never be fully understood. He is the reason Elfangor came to Earth. He is the reason the Earth now has a fighting chance. And though his actions never seem quite right or wrong, you can be certain they are never, ever what anyone expects.
This is the beginning and the middle of the story. A story that needs to be told in order to understand what might happen to the future. The future of the Animorphs. The future…
For almost fifty years, we have been chronicling American television, tracking its history, and following its transformation from the era of three networks to the cornucopia of choices now available through streaming. Along the way, we have appreciated and learned much from other TV books that look at the industry from multiple angles. When we started, there were precious few on this topic. Now, there is a surplus. These are the ones we treasure for their well-told stories.
Rod Serling’s fantasy anthology (where he was narrator and chief writer) was a favorite of ours back then and still is. Despite a skimpy production budget, the show’s quality scripts, acting, and imaginative themes usually transcended the sparse settings.
Having seen most episodes several times, we still turn to Zicree’s handy book to refresh our memories of the show. This was one of the first of the “companion” books to document a memorable TV series, presenting each episode with cast and crew information, airdate, sample photo, the text of Serling’s intro and outro narration, plot summary and revealing analysis, and background details. The expanded 3rd edition (from 2018) also covers the various later revivals of the series.
The Twilight Zone Companion is the complete show-by-show guide to one of television's greatest series. Zicree's well-written account is fascinating reading for even the casual fan. Coverage of each episode includes a plot synopsis, Rod Serling's opening narration, behind-the-scenes stories from the original artists who created the series, and a complete list of cast and credits.
Since adolescence I’ve written scripts, stories, and songs. For ten years I wrote songs and sketches for NPR’s Morning Edition as “Moe Moskowitz and the Punsters.” Among my young-adult novels, my favorite remains Alex Icicle: A Romance in Ten Torrid Chapters, a literate howl of romantic obsession by an over-educated and under-loved madman. I think my funniest comedy novel is Who’s Killing the Great Writers of America?that not only kills off some famous writers, but simultaneously parodies their style. And, of course, Stephen King ends up solving the whole crazy conspiracy. I taught writing for many years, and I’m pleased to report that my students taught me more than anything I ever taught them.
The cover of this biography is J-O-S-H spelled out in huge theatrical lights—and Logan really was a Broadway legend as a director/producer/writer. The book chronicles his successes and failures, and he analyzes each show he worked on with an unsentimental and critical eye. He astutely argues for what audiences want to see, and what they reject. Particularly compelling are his personal portraits of Lorenz Hart, Richard Rodgers, and Oscar Hammerstein II.
I have worked on the brain in Oxford since 1970, and my job also required me to teach students, not just in lectures but also in tutorials. This taught me how to communicate clearly.
In my own scientific work, I was amongst the first to use functional brain imaging to visualize the
human brain at work. I have written seven books and edited an eighth. My particular specialisation is decision making and the brain areas (such as the prefrontal cortex) that support it. I have just published a monograph of nearly 500 pages on the prefrontal cortex, aimed at other scientists in the field. I am a Fellow of the Royal Society.
Ramachandran is famous for studying some of the disorders that can be produced for the brain. One such is phantom limb pain. Some people who have had an arm amputated continue to feel that arm, and even to have pain in it. Ramachandran devised an ingenious experiment to try to abolish that feeling. This and other clever ideas are described in this book. Readers will quickly appreciate that science is like the humanities in requiring creativity.
Neuroscientist V.S. Ramachandran is internationally renowned for uncovering answers to the deep and quirky questions of human nature that few scientists have dared to address. His bold insights about the brain are matched only by the stunning simplicity of his experiments -- using such low-tech tools as cotton swabs, glasses of water and dime-store mirrors. In Phantoms in the Brain, Dr. Ramachandran recounts how his work with patients who have bizarre neurological disorders has shed new light on the deep architecture of the brain, and what these findings tell us about who we are, how we construct our body image,…
During my medical career, specializing as a psychiatrist in a cancer hospital in England, I observed huge variations in the way patients respond to the diagnosis of physical disease. Some become overwhelmed by distress, some carry on just as before, but others make positive and creative changes that are inspiring to witness. Coping can be especially challenging and complex for clinicians who find themselves in the role of patient. My five chosen books are all written by doctors and illustrate how the illness experience has shaped their lives. Now retired from medicine, I am based in New Zealand, and I have interests in writing, choral singing, and animal welfare.
I found this a distressing but compelling read that made me reflect on my own life and mortality. Being a retired doctor myself, I know that healthcare professionals often delay seeking help for their own medical problems and can feel disconcerted and even humiliated when cast into the role of patient.
In this brutally honest account of his transition from famous surgeon to “just another old man with prostate cancer,” Henry Marsh combines a factual account of his illness and treatment with heartfelt ruminations about the prospect of dying. The text is interwoven with recollections of his career as a neurosurgeon in the UK and Ukraine, more fully described in his previous books “Do No Harm” and “Admissions.”
From the No.1 bestselling author of Do No Harm, an entrancing and uplifting meditation on the gift of life.
'A book to treasure and reread' Gavin Francis, author of Adventures in Human Being
As a retired brain surgeon, Henry Marsh thought he understood illness, but even he was unprepared for the impact of his diagnosis of advanced cancer.
In And Finally, he navigates the bewildering transition from doctor to patient. As the days pass, his mind turns to his career, to the people and places he has known, and to creative projects still to be completed.
