96 books like The Machineries of Joy

Richard Matheson is a horror legend for good reason, and most casual viewers of genre films and TV would probably be surprised at how much of his work they’ve encountered in some form or another. The Will Smith movie I Am Legend is adapted from his work. Steven Spielberg’s first film, Duel, as well. The paranoid Nightmare at 20,000 Feet is best known as a classic Twilight Zone episode, referenced and parodied numerous times in the decades since, but Matheson’s original reflects everything that’s great about his work: a fairly practical, everyman sort of protagonist (for the 1960s anyway) undone by an impossible situation.

I don’t think most Lovecraft fans casual or devoted would single out The Music of Erich Zann, given the staying power of the Cthulhu mythos and everything associated with it. But what causes Lovecraft’s work to resonate so many decades later is his mastery over the disquieting, and this story about music channeled from a horrific place played on a street that doesn’t seem to exist by a violinist terrified and compelled to keep playing has stayed with me more than any of Lovecraft’s other stories in the years since I read it. Maybe it’s the musician in me, or maybe it’s the distortions of reality that tend to crop up in my own writing. Either way it’s striking, and a good introduction to the strangeness of H. P. Lovecraft.

Specifically, I'm recommending the short story "Sea Oak." In the expanse of horror fiction, it has to be said that there are very few stories about a kindly old woman who returns from the dead as a pissed-off, vulgar, rotting corpse demanding her nephew start showing his cock (Saunders’s phrasing, not mine) for extra money so that his family can stop being pushovers and start earning some cash. George Saunders, it should be noted, is not remotely a horror author—rather, one of the more offbeat, distinctive writers of short literary fiction of the last quarter century—and Pastoralia is determinedly not a horror collection. But it’s exactly this that makes “Sea Oak” the strangest, least likely zombie story, if you can call it that, that you’ll ever read.

The Twilight Zone, again? Yes, The Twilight Zone again. There are tons of great stories here, but I'm highlighting Lynn Venable's "Time Enough at Last," which is arguably even more iconic than "Nightmare at 20,000 Feet." While most would regard it as a science-fiction story more than a horror story, I think it’s one of the best examples ever put to paper of the principle that horror is personal. One person’s inconvenience is another’s world-ending nightmare—and vice versa. Lynn Venable’s broader body of work is not especially well known, but with this one story dropped into a genre dominated by men, Venable turned out one of the greatest and most memorable genre stories there would ever be. So check it out—you know, while there’s still time.

While The Directorate follows a fairly typical path for sci-fi thrillers, its characters are what stand out. The Earth and human colonies on the moon and Mars have united after years of war and created one military/police force. Lieutenant Theresa Gannon is a loyal, young officer suddenly thrust into stardom as the person who foiled a terrorist attack. But as a broiling rebellion heats up and Gannon is now rubbing shoulders with generals and politicians, she starts questioning where her loyalties truly lie. 

For someone who’s read every book in the Hornblower and Aubrey-Maturin series, it’s hard to find an age-of-sail book that has anything truly new to add.

Or so I thought until I picked up this book. It asks the question, what if Jack Aubrey could have sailed a wooden frigate to a Barsoomian version of Mars? The obvious answer, of course (and the one in this book) is that Britain would have extracted every plank of Marswood, ounce of Marsspice, and bag of Marstatoes it could get its imperialistic little hands on.

That’s Arabella’s world, where cannons boom in the interplanetary air currents, and spaceships are driven by sail power. As a fan of both sea stories and space operas, I’m there for it.

A time travel novel that transcends the ages and carries a strange environmental message.

The secrets of Mars are open slather in this adventurous escape to the past of the solar system. The fact that it involves the canals of Mars lends a delicious irony to this tale, which was published in 1999, after NASA's first-ever Mars rover, dubbed Sojourner, touched down in Chryse Planitia on July 4, 1997, atop the landing vehicle, Pathfinder. 

But, of course, this novel is placed in the distant past, when Martians actually existed. Is the alien tree an enemy or is it endeavoring to spread a message?

This was the first time, upon finishing the first in a series, that I immediately cracked open the sequel, just to make sure my favorite hero came out alright. Burroughs, creator of Tarzan, is a giant among pulp and fantastic fiction. His tale of a gentlemanly Virginian war veteran thrust among the alien warriors of Mars is one whose DNA is woven into all modern sci-fi and fantasy and has been celebrated by everyone from Ray Bradbury to Carl Sagan.

Best of all, the place where it all began still holds sway more than a century on from its debut. John Carter, soon-to-be Warlord of Mars in the Barsoomian tomes that followed, is a model hero and a beautiful celebration of loyalty, strength, compassion, and friendship.

What if you have an established culture on Mars in 2171 that wants to be independently governed? What if Mars develops a powerful new technology linking human brains to the most advanced AI ever built, giving them almost magical powers of teleportation? I like this book because it’s another great example of how to make advanced technologies and social developments believable through a small number of character perspectives. Arthur C. Clarke said that “Any sufficiently advanced technology is indistinguishable from magic,” and I appreciate how this novel was able to accomplish that. As a social scientist, I also appreciate the political aspects of this world as shown through the female lead, who starts as a young student protestor for Martian independence and evolves into a seasoned politician.

I love this book because I could easily imagine myself in its setting. It is set in the near future and is about ordinary people in extraordinary situations, successes and failures. 

I felt this story to be most significant because it may well happen in my lifetime or yours. As the characters undertake their first exploration of Mars, I find myself traveling with them in my imagination. Being a Mars fanatic, I know enough about the planet to know how accurate the descriptive writing is, and I really felt I was there. Superbly written, this is a story of our time.