The world is a strange place and life can feel very weird at times, and I have long had the suspicion that a truly imaginative and inventive comedy has more to say about reality, albeit in an exaggerated and oblique way, than much serious gloomy work. Comedy has a wider range than people often think. It doesn’t have to be sweet, light, and uplifting all the time. It can be dark, unsettling and suspenseful, or profoundly philosophical. It can be political, mystical, paradoxical. There are humorous fantasy novels and short story collections that have been sadly neglected or unjustly forgotten, and I try to recommend those books to readers whenever I can.
This book is luminous. The world of everyday reality and the world of magic overlap and interact and influence each other. There are philosophers and gods, leprechauns and (once again) taking animals, and women wiser than all of them put together. The plot concerns a crime that never occurred and various types of bizarre trouble that result from it. Adventures follow adventures in a picaresque manner, not all of them necessarily connecting with any other, a free and easy approach that gives great fluidity to the whimsical narrative.
The Crock of Gold (1912), one of three original novels by James Stephens, is a work only a master of fiction and folklore could imagine. Taking up the major philosophical and psychological concerns of the early-twentieth century-over a decade before works by T.S. Eliot, James Joyce, and Virginia Woolf, among others, would cement literary Modernism's place in history-Stephens' novel is a groundbreaking and important work.
The text centers on the Philosopher and his wife, the Thin Woman, who undergo a series of journeys and harrowing trials. Faced with danger both human and divine, the two characters are forced to weather…
I grew up reading books, and when I was around 10 years old I discovered science fiction and fantasy. What hooked me about these genres was the imagination and skill that would go into building an entire world which only exists between the covers of that book. But I also found that there was an intense enjoyment to be had from books that sat within those categories, but which were more unusual; books that push the boundaries of their genre or introduce something new.
This is the story of four teenagers and their journey to cope with the anxieties of being a teenager, mixed with recovering from traumatic events.
It is such an unusual book that it defies explanation. The best thing to do is to pick it up and read it for yourself. I found it confusing in a delightful way – the mixture of reality and dreamscape is captivating and leaves you wondering what is real and what is imaginary.
This book is chaotic and intense and left me feeling a bit dizzy, but I think if I had read it when I was a teenager it would have accurately reflected how I felt and dealt with the world!
Four talented teenagers are traumatized--coping with grief, surviving date rape, facing the anxiety of standardized tests and the neglect of self-absorbed adults--and they'll do anything to escape the pressure. They'll even build an invisible helicopter, to fly far away to a place where everyone will understand them...until they learn the only way to escape reality is to face it head-on.
Understand quantum mechanics? Dark matter? The malleable nature of
space-time? Neither do I, exactly. But I am considerably less confused after
reading this.
Wilczek is a Nobel laureate, but here, he is a nerd on fire with
his love of the universe. Chapter titles include things like “There’s Plenty of Space” and
“There are Very Few Ingredients.”
He writes with great clarity and even joy
about the grand mystery in which we have so briefly appeared.
“Fundamentals might be the perfect book for the winter of this plague year. . . . Wilczek writes with breathtaking economy and clarity, and his pleasure in his subject is palpable.” —The New York Times Book Review
One of our great contemporary scientists reveals the ten profound insights that illuminate what everyone should know about the physical world
In Fundamentals, Nobel laureate Frank Wilczek offers the reader a simple yet profound exploration of reality based on the deep revelations of modern science. With clarity and an infectious sense of joy, he guides us through the essential concepts that form our…
I was a student in 1968-71 (see photo) and the memories of that vanished world still haunt me. When I was supposed to be studying relativity and topology I was reading Blake and Jung, Marcuse and Mao—all misfits in their own way. After a long and undistinguished career as a mathematics lecturer in far-flung locations—Lesotho, New Guinea, Uxbridge—I retired in 2019 to write speculative comic fiction which would bring the Swinging Sixties back to life. Something of a misfit myself, I look at today's world and ask despairingly, “Is this really happening?” The books on my list provide me some solace.
If you were suddenly awarded 8.5 million pounds, what would you do with it? Would you take the advice of the financial consultants and invest it sensibly? How boring. If you were a visionary you might create a sensual paradise of your imagination. But if you are just an ordinary young working-class Londoner? You might remember an instant—on holiday, or at a party—when you felt happy and content, and decide to recreate it.
This time the writing is sparse and matter-of-fact. I hardly noticed as the hero’s project proceeds gradually, logically into realms of absurdity, told with deadpan humour. For me, speculative fiction involves a world that is recognisable and familiar—but which gradually becomes ‘curiouser and curiouser’.
It’s a story that makes you think—though without telling you what to think.
Traumatised by an accident that involves something falling from the sky and leaves him eight and a half million pounds richer, our hero spends his time and money obsessively reconstructing and re-enacting memories and situations from his past: a large building with piano music in the distance, the familiar smells and sounds of liver frying and spluttering, lethargic cats lounging on roofs until they tumble off them...But, when this fails to quench his thirst for authenticity, he starts reconstructing more and more violent events, including hold-ups and shoot-outs.
When I was eleven, I immigrated to a new country and was bullied at school. I retreated into books where I could visit secret worlds filled with ghosts, magicians, and dark power. I needed a place to hide and dream up my revenge. It seems I was destined to write scary novels. My books and various short stories are a blend of mystery, psychological thriller, romance, paranormal, and the supernatural. I still love to visit new worlds but am content to live near an official Halloween town with my young family. If you haven’t read these books yet, I envy you for the mind-bending journey you’re about to embark upon. Bon Voyage.
You know that frightening jolt when a painting reaches out and grabs you? Duma Keyis your own private gallery you might never (want to) escape from.
I love this book not only because it was written by one of my all-time favorite writers but it’s about an artist and the act of creating art, which is King’s specialty (think Lisey’s Story, The Shining, or Bag of Bones).
The protagonist Edgar Freemantle is a successful contractor in Minnesota until he suffers a terrible accident. He flees to Duma Key, a lush, oppressive island packed with mystery and malevolence, and unwillingly begins to paint these amazing terrifying works with life-altering results.
Paintings that might possess you, islands with dark pasts, curses coming true?
Master storyteller Stephen King’s classic, terrifying #1 New York Times bestseller of what happens when the barrier between our world and that of the supernatural is breached.
After a terrible construction site accident severs Edgar Freemantle’s right arm, scrambles his mind, and implodes his marriage, the wealthy Minnesota builder faces the ordeal of rehabilitation, all alone and full of rage. Renting a house on Duma Key—a stunningly beautiful and eerily undeveloped splinter off the Florida coast—Edgar slowly emerges from his prison of pain to bond with Elizabeth Eastlake, a sick, elderly woman whose roots are tangled deep in this place.…
Certified Master Life Coach and CEO of Wainwright Global, Barbara Wainwright is known as the most sought-after teacher in the coaching industry. She is famous for training and certifying over 6,500 professional coaches worldwide since 2006 and for empowering individuals to actualize their life purpose, live inspired lives, and connect with their true passion. Barbara is an international speaker, author, and educator with 3 books available on Amazon.com. I have been seeking spiritual enlightenment and personal growth all of my adult life. Now I am sharing some of my strengths through my podcast and video series Show Up For God and God Will Show Up For You in Miraculous Ways.
This book was the beginning of my spiritual journey.
Accepting that we are responsible for every aspect of our lives was a hard pill to swallow. Life happens for us, not to us. What is the purpose? The purpose (I believe) is to learn unconditional love and acceptance.
Does that mean we have to be around people that hurt us? No. It means to accept people for who they are and move on.
This book challenged me and my way of thinking. “Your thoughts create your reality” is explained in detail in this book. I’m grateful that this book was written.
Late in 1963, Jane Roberts and her husband were experimenting with a Ouija board when a personality calling himself 'Seth' began forming messages. Soon, Miss Roberts began passing easily into trance - her gestures, her eyes, her voice 'borrowed' by Seth himself. Now for those who want to put his theories to use, Seth has dictated this new book, The Nature of Personal Reality explains how unquestioned belief structure your experience - and how simply listing them can help remove barriers you have uknowingly thrown in your way. Along with other specific exercises for transforming your personal reality, Seth spells…
I’ve always looked to books for support, even as a child when in need of comfort from my parents’ constant fighting. As I became older, I looked for ways to build stress resilience and optimism, so it was only natural that I would turn to books again. I would spend hours in libraries and bookstores reading the self-help books. I eventually went on to get a master’s degree in counseling and a doctoral degree in clinical psychology, each providing plenty of opportunity to expand my collection. I now write my own self-help books and cherish the idea of giving someone else the support I once so desperately needed.
The emotional vocabulary of most humans is seriously limited. Not only did this book help me expand mine, but it really helped me understand what others might be feeling as well. Plus, I love how she differentiates between emotions that appear similar on the surface but are actually quite different on a deeper level.
I ended up giving it as a gift to clients and friends!
#1 NEW YORK TIMES BESTSELLER • In her latest book, Brené Brown writes, “If we want to find the way back to ourselves and one another, we need language and the grounded confidence to both tell our stories and be stewards of the stories that we hear. This is the framework for meaningful connection.”
Don’t miss the five-part HBO Max docuseries Brené Brown: Atlas of the Heart!
In Atlas of the Heart, Brown takes us on a journey through eighty-seven of the emotions and experiences that define what it means to be human. As she maps the necessary skills and…
Software developers love to question the assumptions that underpin their practice. Some of the most exciting phases of my career have come about as a result of such questions. Often they are revolutionary in the literal sense that they ask you to turn your thinking upside down – to design systems from the bottom up rather than the top down, for example, or to write your tests before your components. I may not adopt every practice, but each challenge enriches the conceptual world in which I work. Over the years, I have come to look for similar shifts and inversions across other subject areas. Here are some recommendations from my reading.
In between other projects, I have been conducting research for a non-fiction book about the particular kinds of parallel universe that every story world creates. And that's how I came across Reality+.
The question as to whether we are living in a simulation is beloved of moviegoers, stoners, and undergraduates (quite a large intersection in that Venn diagram). It's also worthy of serious philosophical and scientific inquiry. David J Chalmers is a philosopher, and his book treats the question with entertaining rigour.
The book goes beyond the simulation hypothesis, though, to examine the philosophical implications of our inevitable colonisation of the virtual realm. At the heart of Chalmers' argument is a rejection of the opposition between the real and the simulated.
Lived experience, Chalmers claims, is real experience, as freighted with value and possibility in the virtual world as it is out here in the probably real, possibly simulated universe.
Virtual reality is genuine reality; that's the central thesis of Reality+. In a highly original work of "technophilosophy," David J. Chalmers gives a compelling analysis of our technological future. He argues that virtual worlds are not second-class worlds, and that we can live a meaningful life in virtual reality. We may even be in a virtual world already.
Along the way, Chalmers conducts a grand tour of big ideas in philosophy and science. He uses virtual reality technology to offer a new perspective on long-established philosophical questions. How do we know that there's an external world? Is there a god?…
A while ago I lived with the extraordinary spiritual Findhorn community in Scotland and that experience opened my eyes to the mysteries that we are and that surround us. Subsequently, I became a professional travel guide writer and as I visited churches and megaliths, it gradually occurred to me that the ancients may have recorded information useful to us if only we could work out how to interpret it. Twenty years ago I settled in France, a country densely packed with extraordinary places. Here, I have been able to deepen my understanding of the universal, greater reality of which we are part.
Every mystery hunter needs a guide to symbols and this profusely illustrated book is the best I have found so far. Symbols, by definition, point directly to the non-obvious aspects of a greater reality. In religious buildings they are a way to escape the material and approach the numinous, which is beyond the scope of words. Sometimes the meaning of a symbol is clear but in other cases the explanation has been forgotten and you need suggestions as how to interpret it. This is where this book comes in.
Perhaps because I get bored easily, or maybe because I hear voices, I have found that my writing lends itself to exploration (different points of view, traditions, styles). I write to learn and to play. I distrust writers whose characters all sound like them, live lives like their own. It feels completely unfanciful, completely disinterested in the long literary tradition of make-believe. Writing and reading, at the end of the day, are ways for me to escape boredom meaningfully, and why should I wish to do that with stories that don’t offer up a small amount of the great kaleidoscope that is life?
The first story alone has enough jampacked into it to be more thrilling and entertaining than many novels.
A team of Confederate rejects man a rudimentary submarine on a mission near the end of the Civil War. From there we are taken across eras and across the globe to stories of near-future whaling missions that are hastening climate catastrophe, imperial Russian ships stuck on ice, a camp counselor taking his charges on ever-zanier adventures.
Though largely unified in their explorations of people plugging away in spite of ill-fated circumstances, the range of this author’s characters dazzles. As much as this is a master course on authentically capturing voices of all ages, places, and periods, Rutherford convincingly captures location as well using it as a character as much as setting.
The stories in The Peripatetic Coffin and Other Stories, a collection from Ethan Rutherford, map the surprising ways in which the world we think we know can unexpectedly reveal its darker contours.
In stories that are alternately funny, persuasive, and compelling, unforgettable characters are confronted with, and battle against, the limitations of their lives.
Rutherford’s work has been selected by Alice Sebold for inclusion in the volume of The Best American Short Stories that she edited, and also published in Ploughshares, One Story, and American Short Fiction.
