Love Necronomicon? Readers share 87 books like Necronomicon...

This is, in my humble view, the best science fiction novel ever written. I have read it no less than ten times so far and intend to keep rereading it. What nowadays seems incredible is that it was written back in 1961, when most science fiction was still in its age of innocence, full of naïve assumptions about extraterrestrials and their malevolent ambitions.

It will be many years before the first ideas of benevolent aliens appear and even more before we fully realize Lem's wisdom from Solaris: there isn't going to be any First Contact because Others are neither bad nor good, but indifferent, as it is the planetary intelligent ocean on Solaris. We aren't still mature enough even for contacts with ourselves, let alone Others.

Vonnegut’s book is a unique combination of satire, science fiction, and raw war critique. Billy Pilgrim, the protagonist, lives out the trauma of surviving the Dresden bombing by becoming "unstuck in time," drifting through different moments of his life, from past to future. This strange, nonlinear structure mirrors how we process trauma in fragments and waves, never in a neat, chronological order. The randomness of death, the meaninglessness of war—all these themes come together in a way that’s both absurd and deeply moving. As we witness terror and violence continually unfold across the globe, the echoes of Slaughterhouse-Five feel ever-present.

The phrase “So it goes” serves as a refrain throughout the novel, after every death—reminding us of the inevitability of loss in wartime, no matter the scale. This book hit me hard with its dark humor and cynical commentary on the glorification of war. Vonnegut forces you to laugh in… show more.

It is impossible to talk about haunted house books and not mention the foremother of them all, The House of the Haunted Hill. I love everything about it from its brilliant use of setting as a character to its tone of creeping unease to the way the readers are slowly drawn into its madness.

This book is a UR-text in the genre and quite revolutionary for its time in many ways: being authored by a female writer, featuring a queer icon of Theodora, etc. But most of all, it’s just a really great read and a true classic. Granted, the characters in it are not exactly on vacation, but all the same, in the end they probably wish they had spent their summer in a different house.

I loved this book for the new concepts it brought to me about psychic abilities, specifically telepaths that could block other’s psychic abilities.

After this, I was drawn to the book for the way it blurred the lines of reality, making me question alongside the main character if anything they were experiencing was real. I also thought the idea of the UBIK drug that kept people in a 'half-life' was fascinating and a different way to show addiction and its consequences.

Lastly, the ending was quite thrilling and kept me reading into the wee hours of the morning, even though I had work the next day! 

C.J. Henderson is recognized as the father of modern-day occult detective fiction. He wrote his protagonists' encounters with the Cthulhu Mythos in beautifully effective prose. Sadly, C.J. passed away in 2014 and his passing is a great loss to the literary world and fans old and new.

This book was written as a tribute to C.J.’s finest occult detectives, twelve authors being chosen to contribute to this hard-boiled, tentacle-smacking anthology. All earnings from this book go to support C.J.’s family. An added bonus for fans of weird hardboiled fiction is the never-before published novella by C.J. Henderson, The Temporal Deception.

I love this collection for it expands on both the Cthulhu Mythos and C.J.’s own creations.

A powerhouse collection, familiar and innovative, at times agonizingly devastating and horribly entertaining. After reading John Langan's novel The Fisherman, I just had to pick up this one. A profoundly, gratifying dark read. With such a sublime and unwavering collection, Langan rises in my book as one of the most fascinating in the contemporary, horror writer circle.

Okay, so maybe you didn’t exactly miss at least hearing about this novel, but many readers skip over the original Lovecraft stories as being too difficult to read which is a shame.

This is the where the elder god mythos truly began for me, the first of any Lovecraft story I ever read. Split into three sections this book is linked together around nightmares, cults, and a sleeping god.

Call of Cthulhu was where I learned that not every question in a story requires an answer, and that heroes can face overwhelming odds and lose in the end. It is bleak and the perfect introduction to this world.

I don’t think most Lovecraft fans casual or devoted would single out The Music of Erich Zann, given the staying power of the Cthulhu mythos and everything associated with it. But what causes Lovecraft’s work to resonate so many decades later is his mastery over the disquieting, and this story about music channeled from a horrific place played on a street that doesn’t seem to exist by a violinist terrified and compelled to keep playing has stayed with me more than any of Lovecraft’s other stories in the years since I read it. Maybe it’s the musician in me, or maybe it’s the distortions of reality that tend to crop up in my own writing. Either way it’s striking, and a good introduction to the strangeness of H. P. Lovecraft.

This book features the best of author C.J. Henderson’s supernatural detective stories in one volume. Not only does it contain his creation P.I. Teddy London, he writes tales about many other supernatural detectives. There are stories here of Lin Carter's Anton Zarnak, H.P. Lovecraft's Inspector Legrasse, and more, including Cthulhu Mythos settings created by Brian Lumley and Ramsey Campbell. There are thirteen stories in total, this being an exciting collection detailing the adventures of investigators, both private and otherwise, taking on the horrors of the supernatural and the Cthulhu Mythos. I consider this book a must for all fans of detective fiction and horror.

This debut novel is a delight to read for it not only blends detective fiction with Lovecraftian horror, it also weaves a spell filled with the Blues scene and the Southern gothic genre. An intriguing tale from start to finish, it features a war veteran turned detective hired to find missing a blues man. It takes place in the Jim Crow south of 1951, these times being a horror unto themselves. Rich with atmosphere and mystery, the scenes the author depicts are something else entirely.