Here are 38 books that The Peripatetic Coffin and Other Stories fans have personally recommended if you like
The Peripatetic Coffin and Other Stories.
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Perhaps because I get bored easily, or maybe because I hear voices, I have found that my writing lends itself to exploration (different points of view, traditions, styles). I write to learn and to play. I distrust writers whose characters all sound like them, live lives like their own. It feels completely unfanciful, completely disinterested in the long literary tradition of make-believe. Writing and reading, at the end of the day, are ways for me to escape boredom meaningfully, and why should I wish to do that with stories that don’t offer up a small amount of the great kaleidoscope that is life?
This collection starts with an incredibly tender and starcrossed tale of romance, but from the point of view of a tiger in the zoo who has fallen in love with its handler, and ends with a moving story of the struggles of fatherhood as relayed by an insectoid alien from a faraway planet recently colonized by humans.
Regardless of how frequently the reader might feel off-footed by the varied narrators, the payoff is always immense. These are equal parts delicate and vicious tales about love in all its grotesque forms.
There is a greater unity throughout the world than I am often able to see, and collections like this not only erode the differences between peoples and cultures, but even between species, and remind us that life in all its forms is vibrant, traumatic, and significant.
A Bengal tiger wakes up one morning realising he is ravenously in love. A pompous railway supervisor in a remote Indian province bites off more than he can chew when a peculiar new clerk arrives on his doorstep. In another place and in another time, a secret agent who spends her days watching the front door of an unknown quarry discovers something she isn't meant to. An immigrant housewife in a Midwestern town geeing up for Thanksgiving makes a wish she may come to regret. And a small and famous country's only executioner claims his conscience is as clean as…
Perhaps because I get bored easily, or maybe because I hear voices, I have found that my writing lends itself to exploration (different points of view, traditions, styles). I write to learn and to play. I distrust writers whose characters all sound like them, live lives like their own. It feels completely unfanciful, completely disinterested in the long literary tradition of make-believe. Writing and reading, at the end of the day, are ways for me to escape boredom meaningfully, and why should I wish to do that with stories that don’t offer up a small amount of the great kaleidoscope that is life?
Whether we are told a story by the collective voice of dying and dead girls after a horrific accident, or one about an Ottoman wrestling champ on a world tour, or even the reflections of the god Apollo on the human affinity for war, Bucak is adept at bringing the reader along as a confidant through some truly bizarre tales (one of my favorites is about the chess-playing robot “the Turk” falling in love).
Whether the story is close to its characters or respectfully removed, the tenderness and care the writer gives to evocatively portraying so many different stories is at the forefront so even if they might not be as tonally different as some others in this list, they make such diverse threads feel unified and, together, satisfying.
In Ayse Papatya Bucak's dreamlike narratives, dead girls recount the effects of an earthquake and a chess-playing automaton falls in love. A student stops eating and no one knows whether her act is personal or political. A Turkish wrestler, a hero in the East, is seen as a brute in the West. The anguish of an Armenian refugee is "performed" at an American fund-raiser. An Ottoman ambassador in Paris amasses a tantalizing collection of erotic art. And in the masterful title story, the Greek god Apollo confronts his personal history and bewails his Homeric reputation as he tries to memorialize,…
Perhaps because I get bored easily, or maybe because I hear voices, I have found that my writing lends itself to exploration (different points of view, traditions, styles). I write to learn and to play. I distrust writers whose characters all sound like them, live lives like their own. It feels completely unfanciful, completely disinterested in the long literary tradition of make-believe. Writing and reading, at the end of the day, are ways for me to escape boredom meaningfully, and why should I wish to do that with stories that don’t offer up a small amount of the great kaleidoscope that is life?
Similar to The Trojan War Museum, these stories are tonally more in synch (after all, with a title like that, it’s hard to overstate the role attitude plays in these), but also like Trojan War Museum, it’s a wonderful collection that shows how absolutely not-repetitive an attitude can feel when its voices are given such specific and niche jargons for each story, such interesting and far-flung locales and, such wacky and hopeless situations for its characters to overcome.
Jim Shepard is a must read for anyone interested in writing against the adage: “write what you know”. Also, the story “Zero Meter Diving Team” is one of my all time favorites.
Following his widely acclaimed Project X and Love and Hydrogen—“Here is the effect of these two books,” wrote the Chicago Tribune: “A reader finishes them buzzing with awe”—Jim Shepard now gives us his first entirely new collection in more than a decade.
Like You’d Understand, Anyway reaches from Chernobyl to Bridgeport, with a host of narrators only Shepard could bring to pitch-perfect life. Among them: a middle-aged Aeschylus taking his place at Marathon, still vying for parental approval. A maddeningly indefatigable Victorian explorer hauling his expedition, whaleboat and all, through the Great Australian Desert in midsummer. The first woman in…
Perhaps because I get bored easily, or maybe because I hear voices, I have found that my writing lends itself to exploration (different points of view, traditions, styles). I write to learn and to play. I distrust writers whose characters all sound like them, live lives like their own. It feels completely unfanciful, completely disinterested in the long literary tradition of make-believe. Writing and reading, at the end of the day, are ways for me to escape boredom meaningfully, and why should I wish to do that with stories that don’t offer up a small amount of the great kaleidoscope that is life?
Though these stories are actually linked, told over a century and a half through many generations of one family, the characters are so different that what acts as the unifying thread for this book more than anything is its exploration of imperialism’s traumas, perpetrated, experienced, and inherited.
Like my own work that seeks to explore a country’s identity through many different members and eras, Serizawa paints a portrait of Japan before and after the Second World War in breathtaking scope to remind us that events in history have much longer roots and much greater reaches than we recognize.
Winner of the PEN/Open Book Award Winner of The Story Prize Spotlight Award
A kaleidoscopic portrait of five generations scattered across Asia and the United States, Inheritors is a heartbreakingly beautiful and brutal exploration of a Japanese family fragmented by the Pacific side of World War II. A retired doctor is forced to confront the moral consequences of his wartime actions. His brother’s wife, compelled to speak of a fifty-year-old murder, reveals the shattering realities of life in Occupied Japan. Half a century later, her estranged American granddaughter winds her way back East, pursuing her absent father’s secrets. Decades into…
I grew up reading books, and when I was around 10 years old I discovered science fiction and fantasy. What hooked me about these genres was the imagination and skill that would go into building an entire world which only exists between the covers of that book. But I also found that there was an intense enjoyment to be had from books that sat within those categories, but which were more unusual; books that push the boundaries of their genre or introduce something new.
This is the story of four teenagers and their journey to cope with the anxieties of being a teenager, mixed with recovering from traumatic events.
It is such an unusual book that it defies explanation. The best thing to do is to pick it up and read it for yourself. I found it confusing in a delightful way – the mixture of reality and dreamscape is captivating and leaves you wondering what is real and what is imaginary.
This book is chaotic and intense and left me feeling a bit dizzy, but I think if I had read it when I was a teenager it would have accurately reflected how I felt and dealt with the world!
Four talented teenagers are traumatized--coping with grief, surviving date rape, facing the anxiety of standardized tests and the neglect of self-absorbed adults--and they'll do anything to escape the pressure. They'll even build an invisible helicopter, to fly far away to a place where everyone will understand them...until they learn the only way to escape reality is to face it head-on.
A while ago I lived with the extraordinary spiritual Findhorn community in Scotland and that experience opened my eyes to the mysteries that we are and that surround us. Subsequently, I became a professional travel guide writer and as I visited churches and megaliths, it gradually occurred to me that the ancients may have recorded information useful to us if only we could work out how to interpret it. Twenty years ago I settled in France, a country densely packed with extraordinary places. Here, I have been able to deepen my understanding of the universal, greater reality of which we are part.
Every mystery hunter needs a guide to symbols and this profusely illustrated book is the best I have found so far. Symbols, by definition, point directly to the non-obvious aspects of a greater reality. In religious buildings they are a way to escape the material and approach the numinous, which is beyond the scope of words. Sometimes the meaning of a symbol is clear but in other cases the explanation has been forgotten and you need suggestions as how to interpret it. This is where this book comes in.
I’ve been interested in philosophy ever since I heard the album Poitier Meets Plato, a product of the 60’s coffee house culture, in which Sidney Poitier reads Plato to jazz music. As a professional philosopher, I investigate the nature of knowledge and reality, and if paranormal claims turn out to be true, many of our beliefs about knowledge and reality may turn out to be false. In an attempt to distinguish the justified from the unjustified—the believable from the unbelievable—I’ve tried to identify the principles of good thinking and sound reasoning that can be used to help us make those distinctions.
The book introduced me to time travel, hyperspace, superstitious rats, psychic horses, conspiracy theories, and UFOs. Watzlawick, a psychologist by trade, explores the many facets of communication: how it occurs, how it fails, and how we can be misled by it.
One of the first people to explore the psychology of conspiracy theories and disinformation, he alerts us to the perils and pitfalls of all sorts of communication—both verbal and nonverbal-- through amusing anecdotes and erudite examples.
The connection between communication and reality is a relatively new idea. It is only in recent decades that the confusions, disorientations and very different world views that arise as a result of communication have become an independent field of research. One of the experts who has been working in this field is Dr. Paul Watzlawick, and he here presents, in a series of arresting and sometimes very funny examples, some of the findings.
I’ve always looked to books for support, even as a child when in need of comfort from my parents’ constant fighting. As I became older, I looked for ways to build stress resilience and optimism, so it was only natural that I would turn to books again. I would spend hours in libraries and bookstores reading the self-help books. I eventually went on to get a master’s degree in counseling and a doctoral degree in clinical psychology, each providing plenty of opportunity to expand my collection. I now write my own self-help books and cherish the idea of giving someone else the support I once so desperately needed.
The emotional vocabulary of most humans is seriously limited. Not only did this book help me expand mine, but it really helped me understand what others might be feeling as well. Plus, I love how she differentiates between emotions that appear similar on the surface but are actually quite different on a deeper level.
I ended up giving it as a gift to clients and friends!
#1 NEW YORK TIMES BESTSELLER • In her latest book, Brené Brown writes, “If we want to find the way back to ourselves and one another, we need language and the grounded confidence to both tell our stories and be stewards of the stories that we hear. This is the framework for meaningful connection.”
Don’t miss the five-part HBO Max docuseries Brené Brown: Atlas of the Heart!
In Atlas of the Heart, Brown takes us on a journey through eighty-seven of the emotions and experiences that define what it means to be human. As she maps the necessary skills and…
Certified Master Life Coach and CEO of Wainwright Global, Barbara Wainwright is known as the most sought-after teacher in the coaching industry. She is famous for training and certifying over 6,500 professional coaches worldwide since 2006 and for empowering individuals to actualize their life purpose, live inspired lives, and connect with their true passion. Barbara is an international speaker, author, and educator with 3 books available on Amazon.com. I have been seeking spiritual enlightenment and personal growth all of my adult life. Now I am sharing some of my strengths through my podcast and video series Show Up For God and God Will Show Up For You in Miraculous Ways.
This book was the beginning of my spiritual journey.
Accepting that we are responsible for every aspect of our lives was a hard pill to swallow. Life happens for us, not to us. What is the purpose? The purpose (I believe) is to learn unconditional love and acceptance.
Does that mean we have to be around people that hurt us? No. It means to accept people for who they are and move on.
This book challenged me and my way of thinking. “Your thoughts create your reality” is explained in detail in this book. I’m grateful that this book was written.
Late in 1963, Jane Roberts and her husband were experimenting with a Ouija board when a personality calling himself 'Seth' began forming messages. Soon, Miss Roberts began passing easily into trance - her gestures, her eyes, her voice 'borrowed' by Seth himself. Now for those who want to put his theories to use, Seth has dictated this new book, The Nature of Personal Reality explains how unquestioned belief structure your experience - and how simply listing them can help remove barriers you have uknowingly thrown in your way. Along with other specific exercises for transforming your personal reality, Seth spells…
Steven C. Hayes is Nevada Foundation Professor at the Department of Psychology at the University of Nevada. An author of 47 books and nearly 675 scientific articles. He is the developer of Relational Frame Theory, and has guided its extension to Acceptance and Commitment Therapy (ACT) a popular evidence-based form of psychotherapy that is now practiced by tens of thousands of clinicians all around the world.
The most important source of conflict is the unwarranted idea that language maps on to “reality” – and that we can test the degree to which it does by the correspondence between our ideas and the organization of the “real world.” In that frame, differences in perception devolve to who is right and who is wrong, and intellectual or actual fighting is not far away. But this idea about “truth” is unjustified and wrong. What Donald Hoffman has done in this book is to show that our common sense understanding that our sensory and perceptual systems evolved to correspond to the world is a delusion. And when you appreciate that evolutionary epistemology does not support delusion, then you are much more able to cut yourself loose from unnecessary ontological assumptions and can instead focus on how to use your life to interact with this one world in ways that are…
Challenging leading scientific theories that claim that our senses report back objective reality, cognitive scientist Donald Hoffman argues that while we should take our perceptions seriously, we should not take them literally. How can it be possible that the world we see is not objective reality? And how can our senses be useful if they are not communicating the truth? Hoffman grapples with these questions and more over the course of this eye-opening work.
Ever since Homo sapiens has walked the earth, natural selection has favored perception that hides the truth and guides us toward useful action, shaping our senses…
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