Here are 100 books that Like You'd Understand Anyway fans have personally recommended if you like
Like You'd Understand Anyway.
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Perhaps because I get bored easily, or maybe because I hear voices, I have found that my writing lends itself to exploration (different points of view, traditions, styles). I write to learn and to play. I distrust writers whose characters all sound like them, live lives like their own. It feels completely unfanciful, completely disinterested in the long literary tradition of make-believe. Writing and reading, at the end of the day, are ways for me to escape boredom meaningfully, and why should I wish to do that with stories that don’t offer up a small amount of the great kaleidoscope that is life?
This collection starts with an incredibly tender and starcrossed tale of romance, but from the point of view of a tiger in the zoo who has fallen in love with its handler, and ends with a moving story of the struggles of fatherhood as relayed by an insectoid alien from a faraway planet recently colonized by humans.
Regardless of how frequently the reader might feel off-footed by the varied narrators, the payoff is always immense. These are equal parts delicate and vicious tales about love in all its grotesque forms.
There is a greater unity throughout the world than I am often able to see, and collections like this not only erode the differences between peoples and cultures, but even between species, and remind us that life in all its forms is vibrant, traumatic, and significant.
A Bengal tiger wakes up one morning realising he is ravenously in love. A pompous railway supervisor in a remote Indian province bites off more than he can chew when a peculiar new clerk arrives on his doorstep. In another place and in another time, a secret agent who spends her days watching the front door of an unknown quarry discovers something she isn't meant to. An immigrant housewife in a Midwestern town geeing up for Thanksgiving makes a wish she may come to regret. And a small and famous country's only executioner claims his conscience is as clean as…
Perhaps because I get bored easily, or maybe because I hear voices, I have found that my writing lends itself to exploration (different points of view, traditions, styles). I write to learn and to play. I distrust writers whose characters all sound like them, live lives like their own. It feels completely unfanciful, completely disinterested in the long literary tradition of make-believe. Writing and reading, at the end of the day, are ways for me to escape boredom meaningfully, and why should I wish to do that with stories that don’t offer up a small amount of the great kaleidoscope that is life?
The first story alone has enough jampacked into it to be more thrilling and entertaining than many novels.
A team of Confederate rejects man a rudimentary submarine on a mission near the end of the Civil War. From there we are taken across eras and across the globe to stories of near-future whaling missions that are hastening climate catastrophe, imperial Russian ships stuck on ice, a camp counselor taking his charges on ever-zanier adventures.
Though largely unified in their explorations of people plugging away in spite of ill-fated circumstances, the range of this author’s characters dazzles. As much as this is a master course on authentically capturing voices of all ages, places, and periods, Rutherford convincingly captures location as well using it as a character as much as setting.
The stories in The Peripatetic Coffin and Other Stories, a collection from Ethan Rutherford, map the surprising ways in which the world we think we know can unexpectedly reveal its darker contours.
In stories that are alternately funny, persuasive, and compelling, unforgettable characters are confronted with, and battle against, the limitations of their lives.
Rutherford’s work has been selected by Alice Sebold for inclusion in the volume of The Best American Short Stories that she edited, and also published in Ploughshares, One Story, and American Short Fiction.
Perhaps because I get bored easily, or maybe because I hear voices, I have found that my writing lends itself to exploration (different points of view, traditions, styles). I write to learn and to play. I distrust writers whose characters all sound like them, live lives like their own. It feels completely unfanciful, completely disinterested in the long literary tradition of make-believe. Writing and reading, at the end of the day, are ways for me to escape boredom meaningfully, and why should I wish to do that with stories that don’t offer up a small amount of the great kaleidoscope that is life?
Whether we are told a story by the collective voice of dying and dead girls after a horrific accident, or one about an Ottoman wrestling champ on a world tour, or even the reflections of the god Apollo on the human affinity for war, Bucak is adept at bringing the reader along as a confidant through some truly bizarre tales (one of my favorites is about the chess-playing robot “the Turk” falling in love).
Whether the story is close to its characters or respectfully removed, the tenderness and care the writer gives to evocatively portraying so many different stories is at the forefront so even if they might not be as tonally different as some others in this list, they make such diverse threads feel unified and, together, satisfying.
In Ayse Papatya Bucak's dreamlike narratives, dead girls recount the effects of an earthquake and a chess-playing automaton falls in love. A student stops eating and no one knows whether her act is personal or political. A Turkish wrestler, a hero in the East, is seen as a brute in the West. The anguish of an Armenian refugee is "performed" at an American fund-raiser. An Ottoman ambassador in Paris amasses a tantalizing collection of erotic art. And in the masterful title story, the Greek god Apollo confronts his personal history and bewails his Homeric reputation as he tries to memorialize,…
Nine Stories Told Completely in Dialogue is a unique collection of narratives, each unfolding entirely through conversations between its characters. The book opens with "God on a Budget," a tale of a man's surreal nighttime visitation that offers a blend of the mundane and the mystical. In "Doctor in the…
Perhaps because I get bored easily, or maybe because I hear voices, I have found that my writing lends itself to exploration (different points of view, traditions, styles). I write to learn and to play. I distrust writers whose characters all sound like them, live lives like their own. It feels completely unfanciful, completely disinterested in the long literary tradition of make-believe. Writing and reading, at the end of the day, are ways for me to escape boredom meaningfully, and why should I wish to do that with stories that don’t offer up a small amount of the great kaleidoscope that is life?
Though these stories are actually linked, told over a century and a half through many generations of one family, the characters are so different that what acts as the unifying thread for this book more than anything is its exploration of imperialism’s traumas, perpetrated, experienced, and inherited.
Like my own work that seeks to explore a country’s identity through many different members and eras, Serizawa paints a portrait of Japan before and after the Second World War in breathtaking scope to remind us that events in history have much longer roots and much greater reaches than we recognize.
Winner of the PEN/Open Book Award Winner of The Story Prize Spotlight Award
A kaleidoscopic portrait of five generations scattered across Asia and the United States, Inheritors is a heartbreakingly beautiful and brutal exploration of a Japanese family fragmented by the Pacific side of World War II. A retired doctor is forced to confront the moral consequences of his wartime actions. His brother’s wife, compelled to speak of a fifty-year-old murder, reveals the shattering realities of life in Occupied Japan. Half a century later, her estranged American granddaughter winds her way back East, pursuing her absent father’s secrets. Decades into…
Music has always spoken to my innermost being, and coming of age in the late 1960s, I’ve been drawn to the quest for justice and equality in politics. In my undergraduate studies at Berkeley, the late political theorist Michael Rogin, who interpreted Moby Dick as a parable of 19th Century race relations, taught me that my two interests could be combined. As a professor of Political Science I’ve written books and articles that explore music’s ability to express ideas about politics, race, and ethnicity in sometimes unappreciated ways.
Although not about jazz or even music, this rich text provides a foundation for thinking about jazz democratically and has influenced some of the above-mentioned authors. Bakhtin argues that artworks have the potential to put multiple voices in conversation with one another without resolving them to a single point of view. The epitome of such artworks was what he called, using a musical metaphor, the “polyphonic novel” pioneered by Dostoevsky. Such artworks embody and encourage a “broadening of consciousness,” an openness to the voices of others that is the essence of democracy at its best.
This book is not only a major twentieth-century contribution to Dostoevsky's studies, but also one of the most important theories of the novel produced in our century. As a modern reinterpretation of poetics, it bears comparison with Aristotle."Bakhtin's statement on the dialogical nature of artistic creation, and his differentiation of this from a history of monological commentary, is profoundly original and illuminating. This is a classic work on Dostoevsky and a statement of importance to critical theory." Edward Wasiolek"Concentrating on the particular features of 'Dostoevskian discourse,' how Dostoevsky structures a hero and a plot, and what it means to write…
Born and raised in Greece, I have always been fascinated by the history and mythology of my homeland. My love for reading historical fiction and Greek myths has been drawing me into stories of ancient civilizations and their timeless tales. Visiting archaeological sites and museums, where history comes to life through the remnants of the past has been a lifelong passion and Is a source of inspiration. These experiences have shaped my love for storytelling and my desire to breathe new life into Greek myths and history. In my writing, I aim to bridge the gap between the ancient and the modern.
I love the descriptions Pat Barker, a British author, uses as she delves into the cruelty and ugliness of war. This reframe of victors, the Greeks who are winners of the Trojan War is richly written; the characters of the captors are despicable as they live in the ruins of a glorious city, enslaving women, but punished by their gods who trap them away from their homes.
Revenge is in the air as the raped and degraded Trojan women, spoils of the war, conspire while living with their Greek captors. What I love about it, above all, is the bleak description of a brutal patriarchy.
'Magnificent. You are in the hands of a writer at the height of her powers' Evening Standard
There was a woman at the heart of the Trojan War whose voice has been silent - until now. Discover the greatest Greek myth of all - retold by the witness that history forgot . . .
Briseis was a queen until her city was destroyed. Now she is a slave to the man who butchered her husband and brothers. Trapped in a world defined by men, can she survive…
Shahrazad’s Gift is a collection of linked short stories set in contemporary Cairo — magical, absurd, and humorous.
The author focuses on the off-beat, little-known stories, far from CNN news: a Swedish belly dancer who taps into the Oriental fantasies of her clientele; a Japanese woman studying Arabic, driven mad…
I loved books as a kid, especially fantasy books, but could never find anyone like me within their pages. I’m a lesbian Chinese writer who adores stories about messed-up, complicated queer people. I’m thrilled by the range of books available now that feature queer, messy characters. We all deserve representation, and to me that means representation that’s complex, that encompasses the ugly and the beautiful. One of my goals as an author is to make you fall in love with monsters—brutal, flawed women who may not deserve love, but who demand it all the same.
Wrath Goddess Singreimagines Achilles as a trans woman and rewrites her journey through the myths of the Iliad. It’s the debut novel of trans author Maya Deane.
Achilles takes several lovers, but this book is not an Achilles/Patroclus shipping vehicle, so don’t go in with that expectation. She’s delightfully complicated: brave, of course, and passionate, but also prickly at times, and hard to love. Her story casts Helen in a villainous, active role for once, and also considers how the gods function beyond Greek society; it feels extremely dense and well-researched, with a diverse cast of characters. There’s some controversy about the book, but I urge you to make up your own mind, and to reflect on the historical context that Deane is drawing upon.
"Deane's tour de force debut ...brings the familiar story to fresh, vivid, and unforgettable new life." - Publishers Weekly (starred review)
Drawing on ancient texts and modern archeology to reveal the trans woman's story hidden underneath the well-known myths of The Iliad, Maya Deane's Wrath Goddess Sing weaves a compelling, pitilessly beautiful vision of Achilles' vanished world, perfect for fans of Song of Achilles, The Witch's Heart, and the Inheritance trilogy.
The gods wanted blood. She fought for love.
Achilles has fled her home and her vicious Myrmidon clan to live as a woman with the kallai, the transgender priestesses…
Born and raised in Greece, I have always been fascinated by the history and mythology of my homeland. My love for reading historical fiction and Greek myths has been drawing me into stories of ancient civilizations and their timeless tales. Visiting archaeological sites and museums, where history comes to life through the remnants of the past has been a lifelong passion and Is a source of inspiration. These experiences have shaped my love for storytelling and my desire to breathe new life into Greek myths and history. In my writing, I aim to bridge the gap between the ancient and the modern.
I found this vivid retelling of the Trojan War, based on the Iliad and the Odyssey from prominent and less-known women, interspersed with Calliope's commentary, engaging and relatable. Natalie Haynes, the author of other Homer-inspired stories, tells it skillfully and from a feminist POV. I enjoyed reading this well-crafted book elevating the voice of women based on original works that promote male heroes. Wonderful world-building!
Incidentally, the author has an interesting background, a Cambridge education in classics, a career with the BBC and another as a comedian. I also enjoyed interviews, speeches and material related to Haynes (utube) whose writing is fluid and relatable.
In A Thousand Ships, broadcaster and classicist Natalie Haynes retells the story of the Trojan War from an all-female perspective, for fans of Madeline Miller and Pat Barker.
This was never the story of one woman, or two. It was the story of them all . . .
In the middle of the night, a woman wakes to find her beloved city engulfed in flames. Ten seemingly endless years of conflict between the Greeks and the Trojans are over. Troy has fallen.
From the Trojan women whose fates now lie in the hands…
I write fiction set in the Bronze Age world of the Trojan War and the Hittite Empire. I love to combine history and archaeology with magic and fantasy arising from the ancient beliefs of this period. My novels bring women to the fore—whether the captive Briseis or a remarkable Hittite queen lost to human memory until recently. Armed with degrees in Classics, I have spent too much time exploring the remains of the ancient Greeks and Hittites through travel and research. From the beginning, the Trojan War tradition has left room for many variations. Here are five entirely different “takes” on this iconic war—all masterfully written.
If a racially diverse, gender-bending, often raunchy, always nuanced, new take on an old tale sounds like a good read to you, then pick up this “novel-in-parts.” Both the racial and sexual fullness reflect historical reality, although they’ve ordinarily been left out. Retelling the Trojan War from its early causes to its tragic but still hope-infused end, the authors gave this rendition a compelling depth that will make you savor the old tradition with some new spice on your tongue.
Troy: city of gold, gatekeeper of the east, haven of the god-born and the lucky, a city destined to last a thousand years. But the Fates have other plans—the Fates, and a woman named Helen. In the shadow of Troy's gates, all must be reborn in the greatest war of the ancient world: slaves and queens, heroes and cowards, seers and kings . . . and these are their stories.
A young princess and an embittered prince join forces to prevent a fatal elopement.
A tormented seeress challenges the gods themselves to save her city from the impending disaster.
My interest in the heroes and myths of the Trojan War came from a dream. My father was a wounded Greek youth and I carried him down into the Underworld. As I explored that dream and my relationship to my father, the world of Greek mythology opened to me. I absorbed The Iliad and The Odyssey, read the fragments and summaries of the other six poems that in antiquity had been part of the Epic or Trojan Cycle, immersed myself in Greek myths and gods, wondered if Homer wrote both surviving epics (I don’t think he did), and found within myself the voice of Telemachus ready to narrate On Wine-Dark Seas.
The author, a professor of classics at Bard College, invites his father to attend his class on The Odyssey. What unfolds is a marvelous father-son story as his opinionated father vigorously participates and the author limns his complicated relationship to this endearing and perplexing man. All this is set against insightful discussions of The Odyssey and the father-son relationship of Odysseus and Telemachus. A surprising and very pleasurable read.
From award-winning memoirist and critic, and bestselling author of The Lost: a deeply moving tale of a father and son's transformative journey in reading--and reliving--Homer's epic masterpiece.
When eighty-one-year-old Jay Mendelsohn decides to enroll in the undergraduate Odyssey seminar his son teaches at Bard College, the two find themselves on an adventure as profoundly emotional as it is intellectual. For Jay, a retired research scientist who sees the world through a mathematician's unforgiving eyes, this return to the classroom is his "one last chance" to learn the great literature he'd neglected in…
