100 books like Fundamentals

The first story alone has enough jampacked into it to be more thrilling and entertaining than many novels.

A team of Confederate rejects man a rudimentary submarine on a  mission near the end of the Civil War. From there we are taken across eras and across the globe to stories of near-future whaling missions that are hastening climate catastrophe, imperial Russian ships stuck on ice, a camp counselor taking his charges on ever-zanier adventures.

Though largely unified in their explorations of people plugging away in spite of ill-fated circumstances, the range of this author’s characters dazzles. As much as this is a master course on authentically capturing voices of all ages, places, and periods, Rutherford convincingly captures location as well using it as a character as much as setting.

This is the story of four teenagers and their journey to cope with the anxieties of being a teenager, mixed with recovering from traumatic events. 

It is such an unusual book that it defies explanation. The best thing to do is to pick it up and read it for yourself. I found it confusing in a delightful way – the mixture of reality and dreamscape is captivating and leaves you wondering what is real and what is imaginary.

This book is chaotic and intense and left me feeling a bit dizzy, but I think if I had read it when I was a teenager it would have accurately reflected how I felt and dealt with the world!

This book was the beginning of my spiritual journey. 

Accepting that we are responsible for every aspect of our lives was a hard pill to swallow. Life happens for us, not to us. What is the purpose? The purpose (I believe) is to learn unconditional love and acceptance. 

Does that mean we have to be around people that hurt us? No. It means to accept people for who they are and move on.  

This book challenged me and my way of thinking. “Your thoughts create your reality” is explained in detail in this book. I’m grateful that this book was written.

The most important source of conflict is the unwarranted idea that language maps on to “reality” – and that we can test the degree to which it does by the correspondence between our ideas and the organization of the “real world.” In that frame, differences in perception devolve to who is right and who is wrong, and intellectual or actual fighting is not far away. But this idea about “truth” is unjustified and wrong. What Donald Hoffman has done in this book is to show that our common sense understanding that our sensory and perceptual systems evolved to correspond to the world is a delusion. And when you appreciate that evolutionary epistemology does not support delusion, then you are much more able to cut yourself loose from unnecessary ontological assumptions and can instead focus on how to use your life to interact with this one world in ways that are… show more.

The book introduced me to time travel, hyperspace, superstitious rats, psychic horses, conspiracy theories, and UFOs. Watzlawick, a psychologist by trade, explores the many facets of communication: how it occurs, how it fails, and how we can be misled by it.

One of the first people to explore the psychology of conspiracy theories and disinformation, he alerts us to the perils and pitfalls of all sorts of communication—both verbal and nonverbal-- through amusing anecdotes and erudite examples.

Every mystery hunter needs a guide to symbols and this profusely illustrated book is the best I have found so far. Symbols, by definition, point directly to the non-obvious aspects of a greater reality. In religious buildings they are a way to escape the material and approach the numinous, which is beyond the scope of words. Sometimes the meaning of a symbol is clear but in other cases the explanation has been forgotten and you need suggestions as how to interpret it. This is where this book comes in.  

The emotional vocabulary of most humans is seriously limited. Not only did this book help me expand mine, but it really helped me understand what others might be feeling as well. Plus, I love how she differentiates between emotions that appear similar on the surface but are actually quite different on a deeper level.

I ended up giving it as a gift to clients and friends!

You know that frightening jolt when a painting reaches out and grabs you? Duma Key is your own private gallery you might never (want to) escape from.  

I love this book not only because it was written by one of my all-time favorite writers but it’s about an artist and the act of creating art, which is King’s specialty (think Lisey’s Story, The Shining, or Bag of Bones).

The protagonist Edgar Freemantle is a successful contractor in Minnesota until he suffers a terrible accident. He flees to Duma Key, a lush, oppressive island packed with mystery and malevolence, and unwillingly begins to paint these amazing terrifying works with life-altering results. 

Paintings that might possess you, islands with dark pasts, curses coming true?

Now, that’s my kind of book. 

In between other projects, I have been conducting research for a non-fiction book about the particular kinds of parallel universe that every story world creates. And that's how I came across Reality+.

The question as to whether we are living in a simulation is beloved of moviegoers, stoners, and undergraduates (quite a large intersection in that Venn diagram). It's also worthy of serious philosophical and scientific inquiry. David J Chalmers is a philosopher, and his book treats the question with entertaining rigour.

The book goes beyond the simulation hypothesis, though, to examine the philosophical implications of our inevitable colonisation of the virtual realm. At the heart of Chalmers' argument is a rejection of the opposition between the real and the simulated.

Lived experience, Chalmers claims, is real experience, as freighted with value and possibility in the virtual world as it is out here in the probably real, possibly simulated universe.

This book is luminous. The world of everyday reality and the world of magic overlap and interact and influence each other. There are philosophers and gods, leprechauns and (once again) taking animals, and women wiser than all of them put together. The plot concerns a crime that never occurred and various types of bizarre trouble that result from it. Adventures follow adventures in a picaresque manner, not all of them necessarily connecting with any other, a free and easy approach that gives great fluidity to the whimsical narrative.