93 books like Talking Texts

For those of us who lived through 9/11, it’s easy to forget that kids in school today weren’t even born in 2001; to them, the events of 9/11 are ancient history. I Survived is the kind of book that can jump-start their interest by dropping them right into the thick of the events of that day. Lucas is a football-obsessed teen who makes a series of completely relatable bad decisions that leave him right at Ground Zero just as the planes hit the towers. Told in age-appropriate but heart-stopping detail, this book captures a perfect snapshot of the confusion, fear, heroism, and resolve on display that extraordinary day. 

This novel follows four adolescents in the 48 hours preceding September 11, 2001.

The characters are two girls and two boys living in different parts of the United States in very different families. By fully depicting the lives of each character before the world abruptly changed, Baskin shows us how a watershed event changes one’s perspective forever.

My favorite moment comes at the end when a character remembers “that day, a year ago, when nothing else was important to her except fitting in.” Without violence or direct loss to the main characters, Baskin brings home the point that September 11th affected Americans from all across the country.

In the face of tragedy, Baskin shows us how we are all interconnected.

As Nora Baskin’s book takes us backward in time, Kerry moves forward to capture the mood of the country after the attacks, as told through the eyes of a twelve-year-old boy whose best friend becomes the target of anti-Muslim rage. Like Alex in my book, protagonist Jake Green grapples with intense feelings of anger, confusion, and frustration as he tries to figure out how to be a patriot and what it means to be a hero, when everything he thought he understood about how the world should work has been shattered. I struggled with the same things after 9/11—still do, to be honest—and enjoyed this page-turner for both its gripping plot and its challenging moral complexity.

Racing away from Ground Zero, 16-year-old Kyle encounters a bizarre sight: an angel, clinging to the Brooklyn Bridge. Kyle stops to help and discovers the “angel” is a teenage girl, her wings a costume from a school play. But the girl doesn’t remember anything about who she is. Thus begins a quest that pulls Kyle in conflicting directions: to find his dad (a first responder), to care for his uncle (a disabled cop), and to help this girl find her way home.

I love that the book begins with an act of kindness to a stranger, something we saw often after 9/11. And while we sometimes say we’d love to forget an event like 9/11, Gae’s book bears witness to the need to remember.

When I was growing up, there was zero queer Iranian representation to inspire me or guide me.

I felt quite literally invisible in the world, and my own mission has been to flood the world with queer Iranian stories to fill this void. Thankfully, a number of other authors are now doing the same, including Sara Farizan, Arvin Ahmadi, and Adib Khorram.

I chose the sequel to Adib’s masterful Darius the Great Deserves Better because I love how it leans into intergenerational family dynamics, which are a particular passion of mine (and of most immigrants who must work to unite the disparate parts of our histories).

I love Alderman’s writing. This book is dense. It isn’t long but it does take a bit of work to get through it, but it’s worth it.

He does the heavy lifting I’ve always wanted someone to do, looking carefully at the writings of Derrida and pointing out where these ideas bend back unhelpfully on themselves. He brings a Jungian lens to this exploration, battling back the nihilistic implications of deconstruction and finding again the helpful bedrock of meaning. 

Cathy Wilkerson was one of The Weather Underground. She became notorious because The Weather Underground was using her father’s townhouse in Greenwich Village when a bomb was accidentally detonated, killing three people and destroyed the building.

What I love about this book is that it is by a woman in the movement. Most of the people who have written about The Weatherman and the various radical movements of the sixties are men and they are writing from a very different perspective. The women in the movement were dealing not only with their desire to end the war and overturn the government, but with pushing for a feminist revolution amongside their male comrades.

Wilkerson reflects on her radicalization as a teenager, on joining the movement, and on her struggles within the movement. The book makes dynamic reading for anyone interested in social change.

Ignore the word “youth” in the title, because this is not just a book for kids and teens! Jamie is a young, queer activist who has achieved some impressive activism victories at a young age, but best of all, she combines real activist know-how with a sense of hope and optimism that’s hard to find in older activists. This book is an excellent guide to getting involved and staying involved anywhere from the local level up to a global scale. This is a must-read for people who are fired up to take action but don’t know where to start.

When I first read this book (almost 40 years ago), it became the foundation for how I think about culture, creativity, and their connection to revolution.

Hebdige shows how little things like the cut of a pair of trousers or a hairstyle can make important social critiques that are understood and reverberate far beyond the youth subcultures that spawn them. And he provides a theoretical framework for thinking about possibilities for revolution in everyday life. Plus, it’s the most insightful book about punk ever written.

This is a book about many things—guilt, artmaking, and love among them—but when I think of it, I think of a novel that depicts the complexities of making and sustaining a life more deftly than anything else I’ve read. How things like cruelty and beauty, innocence and evil, truth and lies all coexist. How we move forward despite this uneasy balance.

The novel follows Fee, a boy who grows up in Maine and sings in an all-boys choir. The choir director turns out to be an abuser, and his actions haunt Fee and the other boys in the choir into adulthood.

On a prose level alone, Chee’s writing is unparalleled, his sentences sharp enough to cut glass. I don’t see how anyone could read this book and come away unchanged.