I’m a writer who grew up in Massachusetts and now lives in Austin, Texas. Though I haven’t lived in Massachusetts for over a decade now, I find myself drawn back to the state’s coast in my fiction. My novel, Women and Children First, takes place in a fictional town south of Boston called Nashquitten. I’m obsessed with how where we’re from shapes who we become and the ways we use narrative to try and exert control over our lives.
Nashquitten, MA, is a decaying coastal enclave, that not even tourist season can revive, full of locals who have run the town’s industries for generations. When a young woman dies at a house party, the circumstances around her death are suspiciously unclear, and the tight-knit community is shaken. As a mother grieves her daughter, a teacher her student, and a best friend her confidante, the events around the tragedy become a lightning rod: blame is cast and secrets are buried deeper. Some are left to pick up the pieces, while others turn their backs, and all the while, a truth about that dreadful night begins to emerge.
Told through the eyes of ten local women, the novel's a portrait of grief and a reminder of life’s interconnectedness.
Elizabeth Strout is a master of character, and this cycle of linked stories, which takes place in the coastal town of Crosby, Maine, is no exception; following the eponymous Olive over several years, she appears as a major character in some stories, and a minor one in others.
I grew up in a small town beside the ocean, and Strout’s descriptive powers transported me to the salinated air and buoy-knocked waters of my youth.
But it’s her observations about human nature, filtered through the town’s tight-knit community, that makes the book so powerful. She examines questions that haunt us all: How do we take care of those around us—especially those who don’t want our help? What does it mean to be a caring partner, a good friend? How do we find grace and joy in a world where no one goes untouched by tragedy?
WINNER OF THE PULITZER PRIZE • The beloved first novel featuring Olive Kitteridge, from the #1 New York Times bestselling author of the Oprah’s Book Club pick Olive, Again
“Fiction lovers, remember this name: Olive Kitteridge. . . . You’ll never forget her.”—USA Today
NAMED ONE OF THE BEST BOOK OF THE YEAR BY The Washington Post Book World • USA Today • San Francisco Chronicle • Chicago Tribune • Seattle Post-Intelligencer • People • Entertainment Weekly • The Christian Science Monitor • The Plain Dealer • The Atlantic • Rocky Mountain News • Library Journal
This is a book about many things—guilt, artmaking, and love among them—but when I think of it, I think of a novel that depicts the complexities of making and sustaining a life more deftly than anything else I’ve read. How things like cruelty and beauty, innocence and evil, truth and lies all coexist. How we move forward despite this uneasy balance.
The novel follows Fee, a boy who grows up in Maine and sings in an all-boys choir. The choir director turns out to be an abuser, and his actions haunt Fee and the other boys in the choir into adulthood.
On a prose level alone, Chee’s writing is unparalleled, his sentences sharp enough to cut glass. I don’t see how anyone could read this book and come away unchanged.
A poignant work of mature, haunting artistry, Edinburgh heralds the arrival of a remarkable young writer. Fee, a Korean-American child growing up in Maine, is gifted with a beautiful soprano voice and sings in a professional boys' choir. When the choir director acts out his paedophilic urges on the boys in the choir, Fee is unable to save himself, his first love, Peter, or his friends.
Las Penas, New Mexico, is the setting for this moving novel that follows a year in the lives of the Padilla family. Valdez Quade creates characters with dazzling depth, and you’ll root for the Padillas as they stumble through twelve months, where everything they know is upended and destabilized.
The way this book portrays community reminds me of a favorite Sally Rooney quote from Normal People: “No one can be independent of other people completely, so why not give up the attempt, she thought, go running in the other direction, depend on people for everything, allow them to depend on you, why not.”
It's Holy Week in the small town of Las Penas, New Mexico, and thirty-three-year-old unemployed Amadeo Padilla has been given the part of Jesus in the Good Friday procession. He is preparing feverishly for this role when his fifteen-year-old daughter Angel shows up pregnant on his doorstep and disrupts his plans for personal redemption. With weeks to go until her due date, tough, ebullient Angel has fled her mother's house, setting her life on a startling new path.
Vivid, tender, funny, and beautifully rendered, The Five Wounds spans the baby's first year as five generations of the Padilla family converge:…
This book marries two excellent elements: the campus novel and the 90s. Set on Harvard’s campus in 1995, this is an especially satisfying read for those of us who remember the rise of email, a mode of communication explored at length in the book.
Batuman captures the awkwardness of coming-of-age so precisely that you’ll either be compelled to look at your old Facebook photos or delete them entirely. Her deft depiction of growing up aside, this is also a beautiful exploration of finding intellectual and artistic community.
I first fell in love with Emily Ruskovich’s short fiction, and this novel, which takes place near a fictionalized version of Mt. Hoodoo, captures the same uncanniness of the ordinary that first drew me to her work.
She captures the landscape’s strange darkness and stark beauty in such detail that I actually dreamt about it. And if you’re obsessed with memory like I am, you’ll be drawn to the way she exposes the shakiness of what we remember as “truth.”
LOS ANGELES TIMES BESTSELLER • A stunning debut novel about love and forgiveness, about the violence of memory and the equal violence of its loss—from O. Henry Prize–winning author Emily Ruskovich
WINNER OF THE PACIFIC NORTHWEST BOOK AWARD • WINNER OF THE DUBLIN LITERARY AWARD • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY BUZZFEED
Ann and Wade have carved out a life for themselves from a rugged landscape in northern Idaho, where they are bound together by more than love. With her husband’s memory fading, Ann attempts to piece together the truth of what happened to Wade’s…
My life and work have been profoundly affected by the central circumstance of my existence: I was born into a very large military Catholic family in the United States of America. As a child surrounded by many others in the 60s, I wrote, performed, and directed family plays with my numerous brothers and sisters. Although I fell in love with a Canadian and moved to Canada, my family of origin still exerts considerable personal influence. My central struggle, coming from that place of chaos, order, and conformity, is to have the courage to live an authentic life based on my own experience of connectedness and individuality, to speak and be heard.
Trapped in her enormous, devout Catholic family in 1963, Annie creates a hilarious campaign of lies when the pope dies and their family friend, Cardinal Stefanucci, is unexpectedly on the shortlist to be elected the first American pope.
Driven to elevate her family to the holiest of holy rollers in the parish, Annie is tortured by her own dishonesty. But when “The Hands” visits her in her bed and when her sister finds herself facing a scandal, Annie discovers her parents will do almost anything to uphold their reputation and keep their secrets safe.
Questioning all she has believed and torn between her own gut instinct and years of Catholic guilt, Annie takes courageous risks to wrest salvation from the tragic sequence of events set in motion by her parents’ betrayal.
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