Here are 100 books that The Five Wounds fans have personally recommended if you like
The Five Wounds.
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Mid-life for women is many things, including greatly underrepresented in the stories around us. I am forever in awe of the women around me as they continue to rise to each crazy occasion that life presents, managing and coping with wisdom, humor, and strength. This is why I am recommending these books about kickass middle-aged women. I wrote a novel inspired by some of my own challenges in mid-life. It was published by Atria Books, Simon & Schuster. I hope you love the recommendations as much as I do and that you’ll be inspired to check out my book as well.
I love this book because it is not afraid to look at deep sadness and disappointment in an honest and complex way. This novel is a collection of short stories that all take place in a coastal Main town and are connected by the large presence of Olive.
Olive is intelligent, acerbic, and abrasive. She is anything but easy. I appreciate the compassion Strout gives her imperfect characters as they struggle with their messy lives. I grew to care more for Olive as I traveled her rocky path with her, even as she was often the one to throw down the rocks before her.
This is a quiet book, which I read in a quiet way. It brought me comfort in its illumination of uncomfortable things.
WINNER OF THE PULITZER PRIZE • The beloved first novel featuring Olive Kitteridge, from the #1 New York Times bestselling author of the Oprah’s Book Club pick Olive, Again
“Fiction lovers, remember this name: Olive Kitteridge. . . . You’ll never forget her.”—USA Today
NAMED ONE OF THE BEST BOOK OF THE YEAR BY The Washington Post Book World • USA Today • San Francisco Chronicle • Chicago Tribune • Seattle Post-Intelligencer • People • Entertainment Weekly • The Christian Science Monitor • The Plain Dealer • The Atlantic • Rocky Mountain News • Library Journal
I’m a writer who grew up in Massachusetts and now lives in Austin, Texas. Though I haven’t lived in Massachusetts for over a decade now, I find myself drawn back to the state’s coast in my fiction. My novel, Women and Children First, takes place in a fictional town south of Boston called Nashquitten. I’m obsessed with how where we’re from shapes who we become and the ways we use narrative to try and exert control over our lives.
This is a book about many things—guilt, artmaking, and love among them—but when I think of it, I think of a novel that depicts the complexities of making and sustaining a life more deftly than anything else I’ve read. How things like cruelty and beauty, innocence and evil, truth and lies all coexist. How we move forward despite this uneasy balance.
The novel follows Fee, a boy who grows up in Maine and sings in an all-boys choir. The choir director turns out to be an abuser, and his actions haunt Fee and the other boys in the choir into adulthood.
On a prose level alone, Chee’s writing is unparalleled, his sentences sharp enough to cut glass. I don’t see how anyone could read this book and come away unchanged.
A poignant work of mature, haunting artistry, Edinburgh heralds the arrival of a remarkable young writer. Fee, a Korean-American child growing up in Maine, is gifted with a beautiful soprano voice and sings in a professional boys' choir. When the choir director acts out his paedophilic urges on the boys in the choir, Fee is unable to save himself, his first love, Peter, or his friends.
I’ve been reading queer fiction for, well, I guess about 50 years. First, brilliant novels by James Baldwin, Virginia Woolf’s Orlando, and cheesy lesbian pulp novels. In the eighties, feminist presses and a wealth of new queer literature sprung into existence. It’s easier now to find great queer fiction, if you dig a little. My approach is to read widely, all kinds of authors, from all kinds of backgrounds. So the whole idea of a “best 5” is hard for me to get my mind around. I could have listed 25 more. Thank you for reading!
A perfect fit for the not-the-same-old-queer novel list, Taylor’s story features a Black gay biochemist who is working on his degree at a Midwestern university.
I love this book for the intimacy in its portrayal of the protagonist, Wallace, the way his thoughts and feelings and decisions are revealed with such precision. I felt his joys and his pains so clearly.
A FINALIST for the Booker Prize, the National Book Critics Circle John Leonard Prize, the VCU/Cabell First Novelist Prize, the Lambda Literary Award, the NYPL Young Lions Award, and the Edmund White Debut Fiction Award
“A blistering coming of age story” —O: The Oprah Magazine
Named a Best Book of the Year by The New York Times, The Washington Post, New York Public Library, Vanity Fair, Elle, NPR, The Guardian, The Paris Review, Harper's Bazaar, Financial Times, Huffington Post, BBC, Shondaland, Barnes & Noble, Vulture, Thrillist, Vice, Self, Electric Literature, and Shelf Awareness
As a former graduate student who holds an MA and Ph.D in English with a Creative Writing emphasis, but also as the child of immigrants and the first in my family to go to college, I love when writers deflate the pretensions of academia. I didn’t grow up around formally educated people so I can relate to the imposter syndrome some of the characters in these books experience. I don’t know who recommended Lucky Jim to me, but that book began my infatuation with the genre of academic satires or campus novels, of which there are many others.
Finally, a campus novel with a female protagonist who’s also an undergraduate. Batuman does a wonderful job of immersing the reader in her main character’s point of view. And what a fascinating perspective she offers–I was so enthralled with her way of thinking and the amusing things she notices about the people and places around her!
The writing constantly surprised and engaged me while taking me along on the journey of Selin’s first year of college.
I'm a queer author based in Montreal. When I came out in the early 1990s, at the age of 21, I remember feeling concerned about my future. Family has always been important to me, but I couldn’t imagine what mine would look like as I got older. I knew I wasn't going to have a traditional family like my parents, but I didn’t know what else was possible. Thankfully, I found the answer in books… As queer people, we must seek out and learn our traditions and history. We’re not taught them from birth. Finding books that demonstrate and uplift the bonds that queer people share provides a roadmap for those of us seeking community.
Five women find salvation in each other in a beachside hamlet on Uruguay’s eastern coast. With no running water or electricity, the isolated Cabo Polonio becomes their sanctuary, a place where these cantoras (women who "sing”) can exercise their voice – something denied them as queer women under the Uruguayan dictatorship of 1970s and 80s.
The book follows the friends over the span of 35 years as they continue to return to this family home of theirs, sometimes together, sometimes with new lovers. Beautifully written, the book is brimming with heart and is a testament to the power of activism and solidarity.
"Cantoras is a stunning lullaby to revolution—and each woman in this novel sings it with a deep ferocity. Again and again, I was lifted, then gently set down again—either through tears, rage, or laughter. Days later, I am still inside this song of a story." —Jacqueline Woodson, National Book Award–winning author
From the highly acclaimed, award-winning author of The Gods of Tango, a revolutionary new novel about five wildly different women who, in the midst of the Uruguayan dictatorship, find one another as lovers, friends, and ultimately, family.
In 1977 Uruguay, a military government crushed political dissent with ruthless force.…
I’ve been reading queer fiction for, well, I guess about 50 years. First, brilliant novels by James Baldwin, Virginia Woolf’s Orlando, and cheesy lesbian pulp novels. In the eighties, feminist presses and a wealth of new queer literature sprung into existence. It’s easier now to find great queer fiction, if you dig a little. My approach is to read widely, all kinds of authors, from all kinds of backgrounds. So the whole idea of a “best 5” is hard for me to get my mind around. I could have listed 25 more. Thank you for reading!
Conklin’s collection of short stories offers storylines that are utterly and marvelously original.
These queer characters are quirky, but not quirky for the sake of being quirky. They are so fully themselves, and their passions drive them through their relationships and actions so believably, that you don’t question the strangeness of the situations for a second.
Mainly I just love the big heart in Conklin’s stories. Their prose, the actual word choices, are a delight in the same way the characters are—they surprise you and yet are spot-on right.
A collection of stories that celebrate the humour, darkness and depth of emotion of the queer and trans experience that's not typically represented: liminal or uncertain identities, queer conception and queer joy.
In this delightful debut collection of prize-wining stories, queer, gender-nonconforming and trans characters struggle to find love and forgiveness, despite their sometimes comic, sometimes tragic mistakes. In one story, a young lesbian tries to have a baby with her lover using an unprofessional sperm donor and a high-powered, rainbow-coloured cocktail. In another, a fifth-grader explores gender identity by dressing as an ox - instead of a matriarch -…
I’ve been reading queer fiction for, well, I guess about 50 years. First, brilliant novels by James Baldwin, Virginia Woolf’s Orlando, and cheesy lesbian pulp novels. In the eighties, feminist presses and a wealth of new queer literature sprung into existence. It’s easier now to find great queer fiction, if you dig a little. My approach is to read widely, all kinds of authors, from all kinds of backgrounds. So the whole idea of a “best 5” is hard for me to get my mind around. I could have listed 25 more. Thank you for reading!
I can’t resist a book set in Oakland, very near to where I live.
I also love a novel that tells deep truths, and Nightcrawling does that, showing the horrors of police abuse and the failures of the justice system. However, this book isn’t “trauma porn.” On every page, protagonist Kiara owns her story, drives her agency, makes the best choices she can in the moment, and loves with a huge heart.
The way she finds her way to queer love is organic and beautiful.
NEW YORK TIMES BEST SELLER • AN OPRAH BOOK CLUB PICK • BOOKER PRIZE LONGLIST • A dazzling novel about a young Black woman who walks the streets of Oakland and stumbles headlong into the failure of its justice system. This debut of a blazingly original voice “bursts at the seams of every page and swallows you whole” (Tommy Orange, author of There There).
A BEST BOOK OF THE YEAR: The New Yorker, The Washington Post, Los Angeles Times, San Francisco Chronicle, TIME, GOODREADS
Kiara and her brother, Marcus, are scraping by in an East Oakland apartment complex optimistically called…
I’m a writer who grew up in Massachusetts and now lives in Austin, Texas. Though I haven’t lived in Massachusetts for over a decade now, I find myself drawn back to the state’s coast in my fiction. My novel, Women and Children First, takes place in a fictional town south of Boston called Nashquitten. I’m obsessed with how where we’re from shapes who we become and the ways we use narrative to try and exert control over our lives.
I first fell in love with Emily Ruskovich’s short fiction, and this novel, which takes place near a fictionalized version of Mt. Hoodoo, captures the same uncanniness of the ordinary that first drew me to her work.
She captures the landscape’s strange darkness and stark beauty in such detail that I actually dreamt about it. And if you’re obsessed with memory like I am, you’ll be drawn to the way she exposes the shakiness of what we remember as “truth.”
LOS ANGELES TIMES BESTSELLER • A stunning debut novel about love and forgiveness, about the violence of memory and the equal violence of its loss—from O. Henry Prize–winning author Emily Ruskovich
WINNER OF THE PACIFIC NORTHWEST BOOK AWARD • WINNER OF THE DUBLIN LITERARY AWARD • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY BUZZFEED
Ann and Wade have carved out a life for themselves from a rugged landscape in northern Idaho, where they are bound together by more than love. With her husband’s memory fading, Ann attempts to piece together the truth of what happened to Wade’s…
As a child, I listened to scary Korean folklore and then devoured all of Grimm’s fairy tales with their themes of good versus evil, disguise and betrayal, sacrifice, and magic. It’s not surprising that as I grew older, my reading tastes skewed toward darkness, mystery, madness, and the uncanny. There’s a penitential aspect to gothic stories, with their superstitious moralism, often with elements of the supernatural manifesting not as monsters but restless spirits—the repressed ghosts of a location’s history. I’ve always been intrigued by the idea of a place absorbing and regurgitating the histories and sins of its occupants, whether it be a town, a house, or both.
Most people are familiar with the movie, and I was, too, before I read the novel—which is shockingly good! Though published in 1967, the prose is modern and restrained.
Rosemary is betrayed by those she trusts, most heinously by her opportunistic husband, but she’s no passive victim; instead, she becomes ferocious. I give props to Levin for channeling the burgeoning feminist rage of the times, which he also did in his 1972 classic, The Stepford Wives. The dream/hallucination scene where Satan impregnates Rosemary and her confrontation with Guy the morning after is so well-written and horrific it made me want to stab him with a pitchfork.
'The Swiss watchmaker of the suspense novel' Stephen King
Rosemary Woodhouse and her struggling actor-husband, Guy, move into the Bramford, an old New York City apartment building with an ominous reputation and only elderly residents. Neighbours Roman and Minnie Castavet soon come nosing around to welcome them; despite Rosemary's reservations about their eccentricity and the weird noises that she keeps hearing, her husband starts spending time with them. Shortly after Guy lands a plum Broadway role, Rosemary becomes pregnant, and the Castavets start taking a special interest in her welfare.
As the sickened Rosemary becomes increasingly isolated, she begins to…
Puzzles intrigued me since I was a three-year-old. Puzzle pieces that fit into pre-sized spaces. Then, disassembling and reassembling small 3-D animal shapes. Crosswords were next. Finally, Nancy Drew entered my life. I was addicted. Sherlock and Agatha became my mentors. But I loved to paint as well, so art was my first major at Michigan State University. Changed it to advertising in my senior year. Shortly after, Leo Burnett hired me to write print and radio media for Buster Brown shoes. Television was next. I solved many advertising puzzles at Foote, Cone & Belding, but after retiring, mystery re-entered my life when I wrote my first book.
Life throws us many curves. How some of us deal with them at times forces an action that is unforgivable. Others take pains to hide the act and watch as another is punished for it.
However, in some cases circumstances recall the unforgivable act and the realization that the ‘guilty’ one who died in prison was also a victim. No matter how much time may pass, or how close the friendship, the threads of secrets unravel. No protagonist crime fighter here, just a friend searching for the truth to discover the real who and the why.
*** PRE-ORDER RUTH WARE'S THRILLING NEW NOVEL, ZERO DAYS, COMING IN PAPERBACK SPRING 2024 ***
THE RICHARD & JUDY PICK
'Deliciously dark and utterly addictive - my favourite Ruth Ware yet' LUCY FOLEY
Everyone wanted her life Someone wanted her dead
It was Hannah who found April's body ten years ago. It was Hannah who didn't question what she saw that day. Did her testimony put an innocent man in prison?
She needs to know the truth.
Even if it means questioning her own friends. Even if it means putting her own life at risk.
