I’m fascinated by the dichotomy between humanity’s beauty and its penchant for visiting horror upon the world. This fascination drove me to write my own werewolf novel (and keep it true to the heart of the mythos). In no other genre/subgenre is human double-nature better explored than the werewolf one. From earliest times, these tales examined human complexity, mental illness, moral responsibility, the tenuousness of our understanding of reality. For me, a great werewolf novel is notan erotic romance or comedy urban fantasy. It’s a monsterstory: antsy, atmospheric, dark, violent, fraught. It's a thriller, not a swooner, with more in common withJekyll and Hydeor Incredible Hulkthan with Twilight.
Jake Brennan thought the streets could hide him. He thought a werewolf’s sins could be erased.
Now Jake’s kind deeds have drawn the attention of his enemies. And he’ll need to embrace his dark side to save the woman he loves. If his dark side doesn’t kill her first...
A family of werewolves tries to live large in a world that hates and fears them. Mongrelsis one-part urban fantasy, one-part horror, one-part family drama, one-part Great American Novel, a coming-of-age story in its essence, a search for identity, a family epic.
This book had me laughing out loud at times and "Wow"-ing at others because of the beauty of its prose and ideas. And then there were the moments where I winced and grimaced because of the pain the main character suffered.
The violence, when it comes, is raw and brutal. The point-of-view narrative is believable as coming directly from the brain of an adolescent (but this is not a YA novel). Wonderful stuff.
A spellbinding and darkly humorous coming-of-age story about an unusual boy, whose family lives on the fringe of society and struggles to survive in a hostile world that shuns and fears them. He was born an outsider, like the rest of his family. Poor yet resilient, he lives in the shadows with his aunt Libby and uncle Darren, folk who stubbornly make their way in a society that does not understand or want them. They are mongrels, mixed blood, neither this nor that. The boy at the center of Mongrels must decide if he belongs on the road with his…
This Aussie lycan tale is your classic “I’ve turned into a what!?!”
It’s wonderfully Australian and it’s decent werewolf fare. Not a romance in sight. Not a hint of alpha males riding motorbikes. Our main character faces the consequences and the mysteries that follow “getting bit.” Violent, stark, and tense.
Oh, man, can Paul Kearney write. The language in this book is so beautiful, at first, you think you’re reading a mainstream historical novel. Oh, you’re definitely not.
When this novel starts, you think there’ll never be any violence or horror in this story. Oh, there most certainly will be. Imagine a story where a Chronicles of Narnia child discovers a netherworld where people say “fuck,” change shape, and invite her to join them in doing questionable things.
Wolf in the Attic deals in part with an adolescent finding her place/identity in an unfriendly world. Set in the 1930s, the book features brilliantly-rendered cameos from CS Lewis and Tolkien. Clever and atmospheric, with a kickass payoff.
1920s Oxford: home to C.S. Lewis, J.R.R. Tolkien... and Anna Francis, a young Greek refugee looking to escape the grim reality of her new life. The night they cross paths, none suspect the fantastic world at work around them. Anna Francis lives in a tall old house with her father and her doll Penelope. She is a refugee, a piece of flotsam washed up in England by the tides of the Great War and the chaos that trailed in its wake.
Once upon a time, she had a mother and a brother, and they all lived together in the most…
Okay, so the title already has you frowning. Stay with me here. This indie ebook novelette had me smiling, nodding, and ooo-ing. I loved the brave way the author attempted something new and, well, left field. Because this is a lot of left field…
Our main character is a hitman. Or is he? He’s a werewolf. Or is he? I loved every paragraph of this story’s prose. But it was this “what’s really going on here?” aspect that had me smiling all the way through. It reminded me of Mad Max: Fury Road—because you can watch that entire movie as a psychotic episode on Max’s part. Same with this book. Leaves you guessing until the last page while keeping things fun along the way.
This Bizarro tale is part Naked Lunch, part Goodfellas.
Jasper Hobbes believes he is an assassin. He also believes demons were injected into his brain by the Illuminati, connecting him to the occult machinations of the Great Wyrm. Hospitalized once again for a psychotic break, Jasper is given an ultimatum—either continue his anti-psychotic drug therapy and accept what is real and what are delusions created by his disease, or be committed to a psychological hospital for the duration of his life.
In his struggle to avoid being pulled into a spiral of delusion, Jasper battles inhuman cosplayers, public transportation to…
Now this is classic werewolf fare. The kind you’ve watched in dozens of movies or TV series. But with that Stephen King touch.
What I loved about this novel was King’s signature dive into small-town lives and small lives’ details. The arrangement of what is really a long short story or novelette: the 12 chapters as vignettes are cute and make for an easy read on a rainy afternoon.
The magnificent artwork throughout (which, let’s face it, is there to pad out the paperback and make it look bigger in paperback). The unlikely hero who, though a little problematic, was still satisfying to me. And there are moments of typical gnarly King prose and human insight.
The classic masterpiece by #1 New York Times bestselling author Stephen King—illustrated by the legendary artist Bernie Wrightson!
Terror began in January—by the light of the full moon...
The first scream came from the snowbound railwayman who felt the werewolf’s fangs ripping at his throat. The next month there was a scream of ecstatic agony from the woman attacked in her cozy bedroom. Now scenes of unbelievable horror unfold each time the full moon shines on the isolated Maine town of Tarker’s Mills. No one knows who will be attacked next. But one thing is sure. When the full moon…
I became fascinated with 16th-century and 17th-century Europe after reading Don Quixote many years ago. Since then, every novel or nonfiction book about that era has felt both ancient and contemporary. I’m always struck by how much our environment has changed—transportation, communication, housing, government—but also how little we as people have changed when it comes to ambition, love, grief, and greed. I doubled down my reading on that time period when I researched my novel, Dulcinea. Many people read in the eras of the Renaissance, World War II, or ancient Greece, so I’m hoping to introduce them to the Baroque Age.
Dolça Llull Prat, a wealthy Barcelona woman, is only 15 when she falls in love with an impoverished poet-solder. Theirs is a forbidden relationship, one that overcomes many obstacles until the fledgling writer renders her as the lowly Dulcinea in his bestseller.
By doing so, he unwittingly exposes his muse to gossip. But when Dolça receives his deathbed note asking to see her, she races across Spain with the intention of unburdening herself of an old secret.
On the journey, she encounters bandits, the Inquisition, illness, and the choices she's made. At its heart, Dulcinea is about how we betray the people we love, what happens when we succumb to convention, and why we squander the few chances we get to change our lives.
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