I don’t consider myself specifically a horror reader (or writer for that matter!) any more than I consider myself a fantasy, mystery, or science fiction reader. As a writer (under my real name John Mantooth as well as my pseudonym, Hank Early), much of my work has been classified as horror, though I take pride in my novels appealing to people who aren’t typically well-versed in the genre. So, it got me thinking… what are some novels that may or may not be classified as horror that will appeal to a wide range of readers? I call these books horror-adjacent, and no matter what you typically read, I think you’ll enjoy them.
When she discovers Pastor Nesmith praying to a demonic entity in her family’s barn, Forest knows she must run. Enraged at the possibility of having his true allegiance exposed, Nesmith pursues Forest as she flees on foot, hoping to reach the one person who will believe her—her grandmother. Unfortunately, Granny is forty miles away, and Forest has no car, no phone, and no friends. To reach her, Forest will have to learn to see the world true, even as the demonic and the sacred wage war for her soul.
Most horror readers will know Davidson from his terrifying novel, The Troop, but I’d argue this one is better. Davidson captures the wonder of being a kid in a world that doesn’t make sense, and there’s a pleasing vague spookiness and autumnal feel to the novel that will appeal to readers who are looking for a more Bradbury-esque kind of wistful horror.
An irresistible and bittersweet coming-of-age story in the vein of Stranger Things and Stand by Me about a group of misfit kids who spend an unforgettable summer investigating local ghost stories and urban legends
"A celebration of the secret lives of children, both their wonders and their horrors . . . Immensely enjoyable, piercingly clever, and satisfyingly soulful." -Jason Heller, NPR
Growing up in 1980s Niagara Falls - a seedy but magical, slightly haunted place - Jake Baker spends most of his time with his uncle Calvin, a kind but eccentric enthusiast of occult artifacts and conspiracy theories. The summer…
This one is truly unique. It’s a true crime story operating under the guise of a horror story that is really neither. Instead, it grapples with teenage alienation and the way stories transform the truth, while offering an insightful meditation on empathy. Darnielle is one of the most unique and stylistically adventurous writers we have. And this may be his best.
“It’s never quite the book you think it is. It’s better.” —Dwight Garner, The New York Times
From John Darnielle, the New York Times bestselling author and the singer-songwriter of the Mountain Goats, comes an epic, gripping novel about murder, truth, and the dangers of storytelling.
Gage Chandler is descended from kings. That’s what his mother always told him. Years later, he is a true crime writer, with one grisly success—and a movie adaptation—to his name, along with a series of subsequent less notable efforts. But now he is being offered the chance for the…
Where to begin with this beautiful novel? I read it several years ago, and the melancholy and magic of this one has stayed with me. At its core, it’s about a young HP Lovecraft (with a guest appearance from William Burroughs) and his love affair with a Florida man. It’s also about truth and the nature of story, the way tales unfold with each telling, and in some ways it’s a spiritual successor to Devil House by John Darnielle. An epic novel that demands (and rewards) rereading.
From the award-winning author and New Yorker contributor, a riveting novel about secrets and scandals, psychiatry and pulp fiction, inspired by the lives of H.P. Lovecraft and his circle.
Marina Willett, M.D., has a problem. Her husband, Charlie, has become obsessed with H.P. Lovecraft, in particular with one episode in the legendary horror writer's life: In the summer of 1934, the "old gent" lived for two months with a gay teenage fan named Robert Barlow, at Barlow's family home in central Florida. What were the two of them up to? Were they friends--or something more? Just when Charlie thinks he's…
Another one I read many years ago that still has its claws in me today. A sprawling epic made up of many Appalachian voices. There’s magic and grief and family secrets. It’s a Southern Gothic that will grip you from the first page and has influenced me as a writer in a myriad of ways. This might be an example of a novel that wasn’t classified as horror, but very well could have been. Will appeal to all kinds of readers.
A dark and riveting story of the legacies—of magic and madness, faith and secrets, passion and loss—that haunt one family across the generations.
Myra Lamb is a wild girl with mysterious, haint blue eyes who grows up on remote Bloodroot Mountain. Her grandmother, Byrdie, protects her fiercely and passes down “the touch” that bewitches people and animals alike. But when John Odom tries to tame Myra, it sparks a shocking disaster, ripping lives apart.
"A fascinating look at a rural world full of love and life, and dreams and disappointment." --The Boston Globe
This is one of those books that, when described, will turn a non-horror reader off. “It’s about a family of werewolves—” That’s all you’ll be able to get out before a certain type of reader has already decided not to like it. Yet, it’s so much more than that. I’d argue that this novel would have been just as compelling without the werewolf angle. The werewolf stuff is great, but not the heart of the story. Jones is first and foremost a phenomenal storyteller with one of the best voices in all of fiction. Get this one no matter what you usually read.
A spellbinding and darkly humorous coming-of-age story about an unusual boy, whose family lives on the fringe of society and struggles to survive in a hostile world that shuns and fears them. He was born an outsider, like the rest of his family. Poor yet resilient, he lives in the shadows with his aunt Libby and uncle Darren, folk who stubbornly make their way in a society that does not understand or want them. They are mongrels, mixed blood, neither this nor that. The boy at the center of Mongrels must decide if he belongs on the road with his…
Neuroscience PhD student Frankie Conner has finally gotten her life together—she’s determined to discover the cause of her depression and find a cure for herself and everyone like her. But the first day of her program, she meets a group of talking animals who have an urgent message they refuse to share. And while the animals may not have Frankie’s exalted human brain, they know things she doesn’t, like what happened before she was adopted.
To prove she’s sane, Frankie investigates her forgotten past and conducts clandestine experiments. But just when she uncovers the truth, she has to make an impossible choice: betray the animals she’s fallen in love with—or give up her last chance at success and everything she thought she knew.
Frankie Conner, first-year graduate student at UC Berkeley, is finally getting her life together. After multiple failures and several false starts, she's found her calling: become a neuroscientist, discover the cause of her depression and anxiety, and hopefully find a cure for herself and everyone like her.
But her first day of the program, Frankie meets a mysterious group of talking animals who claim to have an urgent message for her. The problem is, they're not willing to share it. Not yet. Not until she's ready.
While Frankie's new friends may not have her highly evolved, state-of-the-art, exalted human brain,…
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