Here are 100 books that Bloodroot fans have personally recommended if you like
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I love books that whisk me away and keep me reading long into the night. There’s something so exciting about realizing you’ve been reading for so long that you have no idea what the time is or if it’s even the same day. I’m also incredibly passionate about horror and what it can teach us about ourselves and our society. Being diagnosed with epilepsy at the age of 12 made me feel isolated and alone, but horror granted me a form of escapism and taught me to embrace what made me feel different, something each of these books does. I hope you enjoy reading them as much as I did!
This was one of the best books about werewolves—that isn’t really about werewolves—I have ever read. The story is told from the perspective of an unnamed boy who lives with his aunt and uncle—who happen to be werewolves—and the struggles he and his family face while living on the edge of society to avoid discovery.
What fascinated me the most was that Jones created entirely new werewolf lore with its own culture, rituals, and traditions, and it all felt real. I loved the non-linear timeline following the boy from 8 to 16, yearning to change like his aunt and uncle. Jones encapsulated the real difficulties of living on the fringes of society for whatever reason. It’s a dark book, raw and visceral, but also really funny.
A spellbinding and darkly humorous coming-of-age story about an unusual boy, whose family lives on the fringe of society and struggles to survive in a hostile world that shuns and fears them. He was born an outsider, like the rest of his family. Poor yet resilient, he lives in the shadows with his aunt Libby and uncle Darren, folk who stubbornly make their way in a society that does not understand or want them. They are mongrels, mixed blood, neither this nor that. The boy at the center of Mongrels must decide if he belongs on the road with his…
My soul still possesses a little of my teenage self, which is why I set my latest book in 1987. Whitney Houston had one of the biggest songs, Dirty Dancing was released, and a little girl nicknamed Baby Jessica was rescued from a well. I’m told this makes The Totally True Story of Gracie Byrne “historical fiction” which, honestly, is a little alarming, because sometimes 1987 doesn’t seem like that long ago. Other times it feels ancient. I picked a few of these books because they’re full of nostalgia for a slower, analog time. But mainly I chose them for the voice, characters, and great writing.
The Saturday Night Ghost Club wraps a poignant story about grief and loss inside a nostalgic 1980s package that brings to mind the best of Steven Spielberg and Stephen King.
I’m always a sucker for a group of misfits who band together and learn some important life lessons, and Davidson takes that outline and fills it in with Uncle Calvin, Jake, Billy, and Dove. Uncle Calvin will break your heart, the boys’ friendship will warm it, but the real MVP for me is fierce, wild Dove.
The vibe of this book is sleepovers in wood-paneled game rooms, staying out past bedtime under a full moon, and being on the cusp of leaving childhood fears behind, while learning that the adult world sometimes holds more darkness than you knew.
An irresistible and bittersweet coming-of-age story in the vein of Stranger Things and Stand by Me about a group of misfit kids who spend an unforgettable summer investigating local ghost stories and urban legends
"A celebration of the secret lives of children, both their wonders and their horrors . . . Immensely enjoyable, piercingly clever, and satisfyingly soulful." -Jason Heller, NPR
Growing up in 1980s Niagara Falls - a seedy but magical, slightly haunted place - Jake Baker spends most of his time with his uncle Calvin, a kind but eccentric enthusiast of occult artifacts and conspiracy theories. The summer…
I don’t consider myself specifically a horror reader (or writer for that matter!) any more than I consider myself a fantasy, mystery, or science fiction reader. As a writer (under my real name John Mantooth as well as my pseudonym, Hank Early), much of my work has been classified as horror, though I take pride in my novels appealing to people who aren’t typically well-versed in the genre. So, it got me thinking… what are some novels that may or may not be classified as horror that will appeal to a wide range of readers? I call these books horror-adjacent, and no matter what you typically read, I think you’ll enjoy them.
This one is truly unique. It’s a true crime story operating under the guise of a horror story that is really neither. Instead, it grapples with teenage alienation and the way stories transform the truth, while offering an insightful meditation on empathy. Darnielle is one of the most unique and stylistically adventurous writers we have. And this may be his best.
“It’s never quite the book you think it is. It’s better.” —Dwight Garner, The New York Times
From John Darnielle, the New York Times bestselling author and the singer-songwriter of the Mountain Goats, comes an epic, gripping novel about murder, truth, and the dangers of storytelling.
Gage Chandler is descended from kings. That’s what his mother always told him. Years later, he is a true crime writer, with one grisly success—and a movie adaptation—to his name, along with a series of subsequent less notable efforts. But now he is being offered the chance for the…
I’m an award-winning and bestselling novelist known for writing in a wide variety of genres. My most popular work to date is Lovecraft Country, a supernatural horror novel that served as the basis for the acclaimed HBO series of the same name.
This book borrows its title from a short story coauthored by H.P. Lovecraft, and it starts out like a classic Lovecraft tale, with an escaped psychiatric patient sending his wife a message from beyond the grave.
But just when you think you know what kind of book you’re reading, author La Farge throws in a twist—and then he does it again and again. It’s a unique and amazing novel that defies categorization.
From the award-winning author and New Yorker contributor, a riveting novel about secrets and scandals, psychiatry and pulp fiction, inspired by the lives of H.P. Lovecraft and his circle.
Marina Willett, M.D., has a problem. Her husband, Charlie, has become obsessed with H.P. Lovecraft, in particular with one episode in the legendary horror writer's life: In the summer of 1934, the "old gent" lived for two months with a gay teenage fan named Robert Barlow, at Barlow's family home in central Florida. What were the two of them up to? Were they friends--or something more? Just when Charlie thinks he's…
I live in the southern Appalachians, a place that boasts some of the most beautiful views on earth and laments some of the most ravaged landscapes. As a fiction writer who is passionate about nature and human rights, I’ve taken up my pen to craft a novel with regular people at its heart, all living regular lives that are disrupted by tragedies all too common to the region. This is the general throughline in the books I am recommending, although the themes differ. I’ve offered a variety of genres, as well, which best reflects my own bookshelf at my home in the hills.
This is not a work of fiction but a memoir by a novelist, an unflinching portrait of generations of a family ever at the brink. It reads almost as vignettes, exquisitely crafted and somehow soothing even in their brutal honesty. Poignantly rendered pieces of the author’s life reflect aspects of Appalachian culture that can often come across as stereotyping, but the personal nature of this work combined with Dodd White’s skilled pen makes it an authentic view into struggles endemic to the region. He bravely writes of suicides in his family, most heartbreakingly that of his son. Until I read this book, Joan Didion’s A Year of Magical Thinkingwas secure in its position at the top of my “best memoirs” list.
This collection of fourteen essays by Charles Dodd White-praised by Silas House as "one of the best prose stylists of Appalachian literature"-explores the boundaries of family, loss, masculinity, and place. Contemplating the suicides of his father, uncle, and son, White meditates on what it means to go on when seemingly everything worth living for is lost. What he discovers is an intimate connection to the natural world, a renewed impulse to understand his troubled family history, and a devotion to following the clues that point to the possibility of a whole life.
Avoiding easy sentiment and cliche, White's transformative language…
I'm the multiple, award-winning author of 4 novels and one novella, raised in Memphis, Tennessee, and now living in Southern California. The geographical distance gives me a laser-sharp, appreciative perspective of the South, and I celebrate the literary greats from the region. The South is known as the last romantic place in America, and I believe this to be true. The South’s culture, history, and social mores are part and parcel to its fascinating characters, and nothing is more important in the South than the telling of a good story. As a writer, I'm in love with language. I love Southern turns of phrase and applaud those writers who capture Southern nuance. It is well worth writing about Southern sensibilities.
Ron Rash is a national, literary treasure. The author of multiple award-winning novels, this book is an assembly of 34 short stories, most set in Appalachia, and depicting the social nuances and landscape of the American rural South. I recommend this because it will provide a great introduction to the incomparable author known as The Appalachian Shakespeare. As a writer, Ron Rash epitomizes the idea of landscape as destiny, and his well-drawn characters come to life from his flawless use of regional language.
From the acclaimed, New York Times bestselling award-winning author of Serena and The Cove, thirty of his finest short stories, collected in one volume.
No one captures the complexities of Appalachia—a rugged, brutal landscape of exquisite beauty—as evocatively and indelibly as author and poet Ron Rash. Winner of the Frank O'Connor International Short Story Award, two O Henry prizes, and a finalist for the PEN/Faulkner Award, Rash brilliantly illuminates the tensions between the traditional and the modern, the old and new south, tenderness and violence, man and nature. Though the focus is regional, the themes of Rash’s work are universal,…
I'm a speculative fiction writer who often works within the genre of "climate fiction." I grew up in southern Appalachia; my hometown is a lovely place, surrounded by the beauty and wildness of the Smoky Mountains. It also happens to be centered around a chemical company where a large portion of the town works, including my father and, for a brief time, myself. I've been fascinated with the dichotomy of nature and industry for a long time, and have spent years exploring these themes in my own work.
I grew up in southern Appalachia. Every time I fly home to visit my family, I see the scars of mountaintop removal coal mining as the plane begins to descend over the Blue Ridge Mountains. Lost Mountainchronicles the far-reaching effects of this devastating and unethical practice. I truly believe it ought to be required reading for anyone living in America today.
A new form of strip mining has caused a state of emergency for the Appalachian wilderness and the communities that depend on it-a crisis compounded by issues of government neglect, corporate hubris, and class conflict. In this powerful call to arms, Erik Reece chronicles the year he spent witnessing the systematic decimation of a single mountain and offers a landmark defense of a national treasure threatened with extinction.
I love field guides. I can vividly picture my first copy of Peterson’s Field Guide to Birds, tattered and weather-beaten. I also love poetry and literature, so it seemed natural to me to bring the two together in my work. I’m from New England, but I've lived in the U.S. Southwest for over twenty years. Place is important to me: I think a lot about how we get to know and care for the places we live and call home and how we can work to be good neighbors. I worked for about a decade as a hiking guide and have also taught environmental education. I now teach geography at New Mexico State University.
I remember talking with Laura-Gray Street when they were planning this book, and I love how it turned out! A beautiful mixture of natural history, poetry, and artwork featuring species of the Southern Appalachians. If you live in or care about Southern Appalachia, I’d especially recommend this to you (and it makes a great gift for anyone you know who lives there).
Getting acquainted with local flora and fauna is the perfect way to begin to understand the wonder of nature. The natural environment of Southern Appalachia, with habitats that span the Blue Ridge to the Cumberland Plateau, is one of the most biodiverse on earth. A Literary Field Guide to Southern Appalachia-a hybrid literary and natural history anthology-showcases sixty of the many species indigenous to the region.
Ecologically, culturally, and artistically, Southern Appalachia is rich in paradox and stereotype-defying complexity. Its species range from the iconic and inveterate-such as the speckled trout, pileated woodpecker, copperhead, and black bear-to the elusive and…
I grew up in West Virginia and believed you had to leave the region to write. Only after I’d published my first novel did I discover books like these and many more. I have become a wide reader in our literature, with a special interest in novels that both tell the stories of individuals and families and explore the connection between resource extraction and poverty. It’s also a pleasure to read about regional successes as well as losses.
Kentuckian Harriet Arnow married the child of Jewish immigrants and lived much of her life in Michigan.
Her great American novel, Hunter’s Horn, however, is set back in Kentucky. Rich in local color, the novel’s main storyline centers on the hunt for the great fox known as King Devil.
The men’s challenge of catching the fox, though, is just the warp thread for a tapestry of conflict and interplay among industrialization, old folkways, popular culture, and the aspiration to join the larger culture. The novel, which also proves to be strongly feminist, ends with the resounding close of a trap, which is a warning to all of us.
In Hunter's Horn, Arnow has written the quintessential account of Kentucky hill people - the quintessential novel of Southern Appalachian farmers, foxhunters, foxhounds, women, and children. New York Times reviewer Hirschel Brickell declared that Arnow "writes...as effortlessly as a bird sings, and the warmth, beauty, the sadness and the ache of life itself are not even once absent from her pages".
Arnow writes about Kentucky in the way that William Faulkner writes about Mississippi, that Flannery O'Connor writes about Georgia, or that Willa Cather writes about Nebraska - with studied realism, with landscapes and characters that take on mythic proportions,…
I was born and raised in the suburbs of eastern Pennsylvania, not far from the Appalachian Mountains, but a world away from the place the rest of the country calls “Appalachia.” Researching All This Marvelous Potential, my book about Robert Kennedy’s 1968 tour of eastern Kentucky, was a revelation. Appalachia is rich in Black history, and queer history, and labor history, and a national leader in education. I am a journalist and author. All This Marvelous Potential is my sixth book.
A welcome and necessary antidote to J.D. Vance’s drivel, Elizabeth Catte shatters stereotypes about Appalachia with a sledgehammer then crushes the pieces to dust under her feet. Contrary to much of what you hear and read about the place, Catte’s Appalachia is diverse, creative, entrepreneurial, energetic, and smart. The problem isn’t in Appalachia. The problem is outside it.
In 2016, headlines declared Appalachia ground zero for America's "forgotten tribe" of white working class voters. Journalists flocked to the region to extract sympathetic profiles of families devastated by poverty, abandoned by establishment politics, and eager to consume cheap campaign promises. What You Are Getting Wrong About Appalachia is a frank assessment of America's recent fascination with the people and problems of the region. The book analyzes trends in contemporary writing on Appalachia, presents a brief history of Appalachia with an eye toward unpacking Appalachian stereotypes, and provides examples of writing, art, and policy created by Appalachians as opposed to…
