Here are 100 books that Mongrels fans have personally recommended if you like
Mongrels.
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I’m a horror and speculative fiction author who reads everything but who is tired of strict genre definitions and loves introducing people to work they might not have considered—especially the spooky stuff, and especially when I’m asked about horror recommendations for non-horror lovers. I think dark fiction gives us a way to process painful emotions in a safe space; it offers catharsis for being alive in a difficult world; it can definitely be a lot of fun while also giving you a way to empathize with people outside your own direct experience. I’ve tried to hit on all of that in this list!
I am one of those people who were really into Lovecraft until they discovered he was a huge racist and homophobe, among other things; the contemporary reclamation of Lovecraft’s iconic mythology is delicious, and this book is a wonderfully eerie, weird entry into the new canon.
This book checks a lot of my personal boxes, like secretive government experiments, shady, half-revealed lore, and lyrical writing. I’m a huge fan of stories where you know just enough about what’s going on to keep up, and the characters are so sympathetic that you’ll follow the mystery for their sake alone.
Two decades ago the U.S. government rounded up the people of Innsmouth and took them to a desert prison, far from their ocean, their Deep One ancestors, and their sleeping god, Cthulhu. Only Aphra and Caleb Marsh survived the camps, emerging without a past or a future.
Now it's 1949, and the government that stole Aphra's life needs her help. FBI Agent Ron Spector believes that Communist spies have stolen dangerous magical secrets from Miskatonic University, secrets that could turn the Cold War hot in an instant and hasten the end of the human race.
Horror is my passion and most things I read and everything I write fits neatly into the genre. But I am also passionate about telling stories from a unique perspective, or if not entirely unique then at least one that is underused. My novella A Man in Winter is told from the perspective of an elderly chap with dementia for instance. I have also found that many people think books with child protagonists must be children’s books and it makes me sad to think of all the wonderful work is being missed out on, I hope that my list has convinced you to try one of the above books.
So much of Lindqvists writing is fantastic, but this has to be my favorite. I read it while in university and then I re-read it and re-read it until one of my housemates asked why it was taking me so long to read a single book then seemed confused when I admitted that every time I finished it I just started it again.
I love the take Lindqvist has on the vampire as a ‘monster’ Eli is complex and sympathetic, dangerous and vulnerable it’s a wonderful balancing act. But what I enjoyed most of all was that Eli, while being hundreds of years old, is physically and mentally, twelve. Their long life did not make them an adult in a child’s body, they literally stunted their growth and that makes them so compelling.
John Ajvide Lindqvist’s international bestseller Let the Right One In is “a brilliant take on the vampire myth, and a roaring good story” (New York Times bestselling author Kelley Armstrong), the basis for the multi-film festival award-winning Swedish film, the U.S. adaptation Let Me In directed by Matt Reeves (The Batman), and the Showtime TV series.
It is autumn 1981 when inconceivable horror comes to Blackeberg, a suburb in Sweden. The body of a teenager is found, emptied of blood, the murder rumored to be part of a ritual killing. Twelve-year-old Oskar is personally hoping that revenge has come at…
I’ve always been intrigued by the way night transforms familiar landscapes, creates a sense of loosened boundaries, and seems to be rich with almost magical potential. One of my most beloved books as a kid was The BFG, partly because of its magnificent passage about the witching hour, “the special moment…when all the dark things came out from hiding and had the world to themselves.” Later, I discovered Hamlet’s take on it and was equally charmed. It’s no surprise that many of the key moments in my debut collection, Here in the Night, take place after dark. Here are my five favorite books that capture the beguiling power of nighttime.
This horror novel about a haunted IKEA-like store is playful and fun in every way—from its inventive narrative structure to the book’s mimicry of an IKEA catalogue, complete with a store map and advertisements for furniture that become increasingly deranged.
During daylight, Orsk is a regular furniture store in the suburbs of Cleveland, but when several employees attempt to stay overnight to find out why products keep getting damaged, the building’s dark history begins to bleed into the present. This book perfectly captures the uncanny way nighttime makes familiar landscapes, such as stores and schools, seem entirely unfamiliar, a phenomenon that has always fascinated me.
It's a classic old-fashioned haunted house story - set in a big box Swedish furniture superstore. Designed like a retail catalogue, Horrorstor offers a creepy read with mass appeal-perfect for Halloween tables! Something strange is happening at the Orsk furniture superstore in Cleveland, Ohio. Every morning, employees arrive to find broken Kjerring wardrobes, shattered Bracken glassware, and vandalized Liripip sofabeds-clearly, someone or something is up to no good. To unravel the mystery, five young employees volunteer for a long dusk-til-dawn shift-and they encounter horrors that defy imagination. Along the way, author Grady Hendrix infuses sly social commentary on the nature…
Many of us were taught as children that life isn’t fair. I never accepted this; shouldn’t we do all we can to make life fair? I grew up to be a lifelong activist and a writer for social justice organizations. As a reader and writer, I love books about women’s lives, especially women who realize that the world around them shapes their own experiences. Sometimes history is happening right here, right now—and you know it. Those transformative moments spark the best stories, illuminating each book I’ve recommended.
What I loved most about this book is true of all Louise Erdrich novels: she creates such warm, complicated, fully human characters that I delight in their presence and grieve when I have to leave them at the book’s end.
In this novel, history hit home in a devastating way when the U.S. government in the 1950s decided to solve its “Indian problem” by simply reclassifying Native people as no longer Indian—a kind of paper genocide that wiped out Indigenous people’s cultural identity and tribal rights, such as land rights.
Sadly, this is all historical fact; the fiction comes in when Erdrich re-imagined in riveting detail the (also true) story of how one small tribe in North Dakota fought back.
It is 1953. Thomas Wazhushk is the night watchman at the first factory to open near the Turtle Mountain Reservation in rural North Dakota. He is also a prominent Chippewa Council member, trying to understand a new bill that is soon to be put before Congress. The US Government calls it an 'emancipation' bill; but it isn't about freedom - it threatens the rights of Native Americans to their land, their very identity. How can he fight this betrayal?
Unlike most of the girls on the reservation, Pixie…
I’m fascinated by the dichotomy between humanity’s beauty and its penchant for visiting horror upon the world. This fascination drove me to write my own werewolf novel (and keep it true to the heart of the mythos). In no other genre/subgenre is human double-nature better explored than the werewolf one. From earliest times, these tales examined human complexity, mental illness, moral responsibility, the tenuousness of our understanding of reality. For me, a great werewolf novel is notan erotic romance or comedy urban fantasy. It’s a monsterstory: antsy, atmospheric, dark, violent, fraught. It's a thriller, not a swooner, with more in common withJekyll and Hydeor Incredible Hulkthan with Twilight.
This Aussie lycan tale is your classic “I’ve turned into a what!?!”
It’s wonderfully Australian and it’s decent werewolf fare. Not a romance in sight. Not a hint of alpha males riding motorbikes. Our main character faces the consequences and the mysteries that follow “getting bit.” Violent, stark, and tense.
I’m fascinated by the dichotomy between humanity’s beauty and its penchant for visiting horror upon the world. This fascination drove me to write my own werewolf novel (and keep it true to the heart of the mythos). In no other genre/subgenre is human double-nature better explored than the werewolf one. From earliest times, these tales examined human complexity, mental illness, moral responsibility, the tenuousness of our understanding of reality. For me, a great werewolf novel is notan erotic romance or comedy urban fantasy. It’s a monsterstory: antsy, atmospheric, dark, violent, fraught. It's a thriller, not a swooner, with more in common withJekyll and Hydeor Incredible Hulkthan with Twilight.
Oh, man, can Paul Kearney write. The language in this book is so beautiful, at first, you think you’re reading a mainstream historical novel. Oh, you’re definitely not.
When this novel starts, you think there’ll never be any violence or horror in this story. Oh, there most certainly will be. Imagine a story where a Chronicles of Narnia child discovers a netherworld where people say “fuck,” change shape, and invite her to join them in doing questionable things.
Wolf in the Attic deals in part with an adolescent finding her place/identity in an unfriendly world. Set in the 1930s, the book features brilliantly-rendered cameos from CS Lewis and Tolkien. Clever and atmospheric, with a kickass payoff.
1920s Oxford: home to C.S. Lewis, J.R.R. Tolkien... and Anna Francis, a young Greek refugee looking to escape the grim reality of her new life. The night they cross paths, none suspect the fantastic world at work around them. Anna Francis lives in a tall old house with her father and her doll Penelope. She is a refugee, a piece of flotsam washed up in England by the tides of the Great War and the chaos that trailed in its wake.
Once upon a time, she had a mother and a brother, and they all lived together in the most…
I’m fascinated by the dichotomy between humanity’s beauty and its penchant for visiting horror upon the world. This fascination drove me to write my own werewolf novel (and keep it true to the heart of the mythos). In no other genre/subgenre is human double-nature better explored than the werewolf one. From earliest times, these tales examined human complexity, mental illness, moral responsibility, the tenuousness of our understanding of reality. For me, a great werewolf novel is notan erotic romance or comedy urban fantasy. It’s a monsterstory: antsy, atmospheric, dark, violent, fraught. It's a thriller, not a swooner, with more in common withJekyll and Hydeor Incredible Hulkthan with Twilight.
Okay, so the title already has you frowning. Stay with me here. This indie ebook novelette had me smiling, nodding, and ooo-ing. I loved the brave way the author attempted something new and, well, left field. Because this is a lot of left field…
Our main character is a hitman. Or is he? He’s a werewolf. Or is he? I loved every paragraph of this story’s prose. But it was this “what’s really going on here?” aspect that had me smiling all the way through. It reminded me of Mad Max: Fury Road—because you can watch that entire movie as a psychotic episode on Max’s part. Same with this book. Leaves you guessing until the last page while keeping things fun along the way.
This Bizarro tale is part Naked Lunch, part Goodfellas.
Jasper Hobbes believes he is an assassin. He also believes demons were injected into his brain by the Illuminati, connecting him to the occult machinations of the Great Wyrm. Hospitalized once again for a psychotic break, Jasper is given an ultimatum—either continue his anti-psychotic drug therapy and accept what is real and what are delusions created by his disease, or be committed to a psychological hospital for the duration of his life.
In his struggle to avoid being pulled into a spiral of delusion, Jasper battles inhuman cosplayers, public transportation to…
Horror is my passion and most things I read and everything I write fits neatly into the genre. But I am also passionate about telling stories from a unique perspective, or if not entirely unique then at least one that is underused. My novella A Man in Winter is told from the perspective of an elderly chap with dementia for instance. I have also found that many people think books with child protagonists must be children’s books and it makes me sad to think of all the wonderful work is being missed out on, I hope that my list has convinced you to try one of the above books.
I had to include at least one King book, I’m a big fan of King and this is one of his lesser-known books.
I love this book because it’s a good and interesting story that hooked me from the first chapter and kept me till the end.
But also, I am passionate about good representation (particularly disability representation) in the horror genre, I’m writing my PhD thesis on it. King is a mixed bag when it comes to good and bad representation but he does a good job in this one. Marty is a 10-year-old paraplegic boy who suspects a werewolf is in his town.
The story revolves around Marty hunting and defeating the beast. It’s a high stakes, exciting, and utterly plausible (if you suspend belief for the werewolf lol).
The classic masterpiece by #1 New York Times bestselling author Stephen King—illustrated by the legendary artist Bernie Wrightson!
Terror began in January—by the light of the full moon...
The first scream came from the snowbound railwayman who felt the werewolf’s fangs ripping at his throat. The next month there was a scream of ecstatic agony from the woman attacked in her cozy bedroom. Now scenes of unbelievable horror unfold each time the full moon shines on the isolated Maine town of Tarker’s Mills. No one knows who will be attacked next. But one thing is sure. When the full moon…
Some men need killing. Whether monsters, serial killers, or husbands, women often face off with danger and must put a stop to it. How they do that fascinates me as a former psychotherapist. Must her life be in imminent danger, his finger depressing the trigger, for her to shoot? What if he terrorized or stalked her, but at the moment of death, she sneaks up on him? What if this guy killed her family, and she seeks revenge? Where we draw these lines in fiction informs who we are as humans and the very nature of our souls. And each of the books on my list, prism-like, reveals a separate facet.
I’m listing this novel first because who’s worse than the devil? He’s the embodiment of a woman’s fears, there when we walk into a parking lot after dark, our keys clenched between our fingers in a makeshift weapon. And in a myriad of other forms. The devil is hard to get away from, especially as a woman.
In this novel, two childhood friends have to face off with the literal devil. And what they do to him—with him—is an anthem of female friendship, a love letter to our girlhood friends, and a book whose final line is as lasting as those years in our lives, the ones we believe at the time will never, ever have to end.
The year is 1988. High school sophomores Abby and Gretchen have been best friends since fourth grade. But after an evening of skinny-dipping goes disastrously wrong, Gretchen begins to act different. She s moody. She s irritable. And bizarre incidents keep happening whenever she s nearby. Abby s investigation leads her to some startling discoveries and by the time their story reaches its terrifying conclusion, the fate of Abby and Gretchen will be determined by a single question: Is their friendship powerful enough to beat the devil? Like an unholy hybrid of Beaches and The Exorcist, My Best Friend s…
I love books that whisk me away and keep me reading long into the night. There’s something so exciting about realizing you’ve been reading for so long that you have no idea what the time is or if it’s even the same day. I’m also incredibly passionate about horror and what it can teach us about ourselves and our society. Being diagnosed with epilepsy at the age of 12 made me feel isolated and alone, but horror granted me a form of escapism and taught me to embrace what made me feel different, something each of these books does. I hope you enjoy reading them as much as I did!
I love haunted house stories, and this one was genuinely creepy. It is a first-person account of the growing paranoia of a couple looking to escape their own demons, with both unable to communicate the weird things happening in their house.
I love how it subverted your usual ghost story elements. Instead of leaky pipes, weird spaces appear in the walls. Instead of creepy moans, bruises appear out of nowhere. Is it psychosis? Sickness? Or is something otherworldly in the house? I don’t know. The unsettling horror is ambiguity amplified by a failure of communication, and that’s why I find it so creepy.
Finalist for the Chicago Review of Books Fiction Award, Dan Chaon's Best of 2017 pick in Publishers Weekly, one of Vol. 1 Brooklyn's Best Books of 2017, a BOMB Magazine "Looking Back on 2017: Literature" Pick, and one of Vulture's 10 Best Thriller Books of 2017.
Jac Jemc's The Grip of It is a chilling literary horror novel about a young couple haunted by their newly purchased home
Touring their prospective suburban home, Julie and James are stopped by a noise. Deep and vibrating, like throat singing. Ancient, husky, and rasping, but underwater. “That’s just the house settling,” the real…
