100 books like Hogfather

I love to laugh, I love fantasy, I love dragons, and this book provides hilarity and dragons in rich measure. Patricia C. Wrede has a delightful way of twisting old tropes into something fresh and new.

Even better, she is a master of creating feisty female characters...the kind that I wanted my daughter and my students to read about. 

I laughed out loud and had moments of deep philosophical reflection, normally at the same time, with this book. I loved the clever and deep meanings and parodies of faith and the divine. I think that this book taught me to always take things with a pinch of salt, and I started thinking critically because of it.

I could not stop reading it and devoured the other books in the series and I think this is one of my favourite authors. I am inspired to emulate some aspects of the author’s thinking and this book is why. 

How often have I heard, “Oh, Q. W. Aardvark’s fantasy is awesome, but you really need to read all 8,326 books in the series to get it”! How about no? Fortunately, I learned the secret of Pratchett’s Discworld series: each novel is freestanding.

I like this book because it’s like a cynical, bitter uncle who secretly has a teddy bear—despite the outward grime and gloom of the setting, there’s a hilarious wit, punning, and barrage of pop references underlying the story that gives it a heart. It’s fantasy for those who don’t think they like it.

This is the second book in the Guards sequence, but it’s easy enough to start here. This detective story set in the sprawling, smelly metropolis of Ankh-Morpork, featuring dwarves, werewolves, and (occasionally) humans, is a laugh-out-loud and anarchic book, managing to be hugely joyous and page-turningly compelling at the same time. Insanely silly and utterly real, with characters so solid you can see (or in some cases, smell) them long after you turn the last page.

From the moment I first read a Discworld novel, I was hooked by the unique and whimsical twist, given by Terry Pratchett, to the situations his characters find themselves in. His clever use of humor allows him to entertain his readers while making complex financial concepts accessible to readers of all backgrounds. This use of humor and the underlying message that finance is as much about human nature as it is about numbers underpins my teaching and writing.

He highlights the quirks and motivations of bankers and entrepreneurs which I recognised from my time in the industry. But importantly he highlights the personal transformation and ethical dilemmas a quest for wealth can bring. For me, this resulted in really considering the true meaning of success.

That said he doesn’t shy away from addressing economic disparities. But overall, when I read this I was given a chance to view the finance… show more.

No one has taught me more about life than Terry Pratchett. No one has taught me how to wrestle with my demons (both literal and metaphorical) or how to be a better person no matter what fate befalls me. Humanists don’t need a bible, but if they did, the collected works of Terry Pratchett would be that book.

More than just fantasy, humor, or satire, his words work at a profound and subtle level. All of his books are favorites of mine, but this one is my most favorite of all. It’s a book about witches and magic and fairy tales. It’s also a story that contains stories within stories, but most of all, it’s a book about knowing who you are.

I love Pratchett’s work so much in general that it’s really hard to pick just one. His work was side-splittingly funny but also the very best kind of satire. He had pointed things to say about society while also making you care deeply about his characters and making you laugh until your face hurts. Do you know how hard that is?

In this book, the protagonist is a con man forced into trying to resuscitate a dying postal service. He’s petty evil, the kind of selfish who has never thought about what happens to his victims. By the end, you can’t help but root for him to triumph over the much less petty but equally hidden evil of systems and big money. But you also can’t look away from the chaos of ravening stamp collectors, hapless wizards, and a literal avalanche of dead letters.

The story literally begins with a 100-year-old man climbing out of his window and disappearing into the night. But this is no ordinary man. No, this is Allan Karlsson, a Swedish man who has lived a long and incredibly eventful life. With only a suitcase in hand, he heads to the local bus station, where, much like in Tom Sharpe’s Wilt, he inadvertently becomes involved in a series of absurd and unpredictable events with equally absurd and unpredictable characters.

Unlike the darker tones of Palahnuik or Amis, Jonas's humor is gentle and charming, making for a much lighter read. On the surface, the story might sound rather humdrum, but as we learn more about Allan and his past, the book quickly becomes a glorious page-turner. The narrative alternates between present-day escapades and flashbacks to Allan's involvement in major historical events, including encounters with famous leaders at pivotal moments in… show more.

If you have a lot of things you want to say about war, sexism, rape, homosexuality, feminism, bears, hookers, literature, marriage, Vienna, politics and wrestling…or anything else in your fiction, you’d better do it with humor.

Irving had a LOT he wanted to say, but he made it entertaining and unforgettable with his shrewd humor. I was so busy laughing and crying that I didn’t realize how much I was absorbing thematically and politically from the wonderful, epic story…or how memorable it would be for me, even decades after I read it.

This was brilliant alchemy I could use myself…if I could figure out out how it worked. Irving taught me that if I wanted to communicate ideas and get someone to sit through a book that weighs ten pounds, then humor is the way to do it because the message gets through even deeper, perhaps even insidiously.

I love a book that makes me laugh out loud and feel something deep about the characters and the world it presents. Ignatius J. Reilly, this novel’s main character, is basically a blueprint for the modern incel: he’s rude, selfish, hypocritical, infantile, and inconsistently idealistic, and while he’d be a horror to interact with in real life, he’s absolutely one of the funniest characters in all of literature.

One of the many magic tricks of this book is making the reader realize they’re halfway rooting for Ignatius by the end of his inane New Orleans adventures.